Rock N Roll Music

Just A Minor Threat Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed by Glen E Friedman x Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print Depicting Punk Rock Music Band Minor Threat & Ian MacKaye Stylized Raging Concert Photo by Glen E Friedman "I first heard Minor Threat in 1985 when I had been skateboarding and listening to punk and hardcore for a year. I was quickly becoming more confident, outspoken, and energized by D.I.Y. culture, and I was voraciously hungry for things that fuelled my emotional and intellectual evolution. Minor Threat was rocket fuel for my journey. Not only is their music a ferocious explosion of energy, but their playing is tight, and Ian MacKaye’s lyrics are intelligent and provocative. On top of that, Minor Threat created their own label, Dischord Records, to put out their music as well as records by other D.C. bands. Minor Threat and Dischord are profound influences on me, so I was very excited to collaborate with Glen on a Minor Threat print to celebrate the release of his new book “Just a Minor Threat.” Glen has the most intimate and powerful photos of Minor Threat, so it was possible to craft an illustration with strong images of all the band members. I’m also incredibly grateful to have the blessing of the members of Minor Threat." -Shepard Fairey- OBEY "Minor Threat is obviously one of the great foundations of hardcore punk rock. Inspiration for legions around the world, including Shepard and myself. As we’ve done with my last several books, Shepard and I got together and collaborated to make a print celebrating the release of the new publication. Shepard is one of my designing confidants and often gives me advice during my process of bookmaking so it makes sense that once the project comes to fruition, we enthusiastically make these prints of artists that inspire both of us. This print is based on separate images of each individual in the band as well as the always omnipresent audience that were a major part of incredible Minor Threat gigs. The book came out great and is different from previous books; it has its own voice, not only through the trove of never-before-seen photographs but also through the incredible essays throughout. Be inspired." -Glen E Friedman The intersection of punk rock and visual art finds a pulsating tribute in Shepard Fairey's silkscreen print titled "Just A Minor Threat." This limited edition piece, numbered to only 550 and signed by both Fairey and celebrated photographer Glen E. Friedman, crystallizes the essence of the iconic hardcore punk band Minor Threat. Created on Cream Speckletone Fine Art Paper and measuring 18x24 inches, the artwork commemorates not only the band's fierce energy but also the release of Friedman's new book. Minor Threat, fronted by Ian MacKaye, left an indelible mark on the punk scene with their explosive music and D.I.Y. ethos. This band didn't just play music; they ignited a cultural movement by establishing Dischord Records, encouraging self-expression and independence within the arts community. Fairey, himself a product of the skateboarding and punk cultures of the 1980s, attributes his confidence and outspoken nature to the catalytic influence of bands like Minor Threat. His collaboration with Friedman is not just a celebration of their shared inspirations but a manifestation of the band's impact on their creative and intellectual trajectories. The artwork vividly captures the raw intensity of a Minor Threat performance, with each member and the palpable energy of the audience rendered in a style that bridges the gap between photography and stylized illustration. This visual synergy complements the narrative of Friedman's book, which not only offers an array of unseen photographs but is peppered with essays that give voice to the era and the band's pivotal role in it. Fairey's print stands as a testament to the band's legacy and as a beacon for those fueled by the spirit of rebellion and authenticity that Minor Threat so potently symbolized.

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No Bees No Honey Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 325 Artwork Size 18x24 Gold Metallic Ink "The Clash are my all-time favorite band and their frontman, Joe Strummer, is a hero of mine for his music, lyrics, wit, compassion for the underdog, and stance against injustice. To celebrate the release of JOE STRUMMER 002 and in honor of Joe’s 70th birthday, a limited edition print inspired by the Joe Strummer and the Mescaleros song, JOHNNY APPLESEED. Joe’s lyric “If you’re after getting the honey, then you don’t go killing all the bees” applies to lots of things, like mistreating factory workers, but for me the idea that bees are pollinators who are crucial to sustaining Earth’s fragile eco-systems is a powerful idea. I hope to honor Joe’s music and extend his ideas with my No Bees No Honey print. A portion of proceeds will go to the Joe Strummer Foundation." -Shepard Fairey The intersection of street art, pop art, and graffiti has often found its voice through artists who transcend the confines of traditional media to bring forth powerful messages. One such eminent figure in this realm is Shepard Fairey, known widely for his iconic designs and thought-provoking artistry. His piece, "No Bees No Honey," is a color hand-pulled limited edition silkscreen print that stands as a testament to Fairey's artistic prowess and his ability to interweave poignant messages with his art. Created on cream speckle tone paper, the print embodies a vibrant play of colors and is accentuated by gold metallic ink that gives it a unique touch. The allure of this piece, however, isn't just its visual appeal but also its rarity. With only 325 signed and numbered pieces available, it stands as a collector's item and a beacon of Fairey's dedication to his craft. Sized at 18x24, the artwork captures attention with its intricate details and the symbolic imagery it presents. What elevates this piece from merely being a work of art to a profound statement is the backstory that inspired it. The artwork draws its essence from the legacy of Joe Strummer, frontman of "The Clash" and a stalwart figure revered by Fairey. Strummer's dedication to justice, his compassion for the marginalized, and his undying spirit resonate deeply with Fairey, making him a consistent source of inspiration. The inception of "No Bees No Honey" can be traced back to a song by Joe Strummer and the Mescaleros titled "JOHNNY APPLESEED." A line from this song, "If you’re after getting the honey, then you don’t go killing all the bees," serves as the driving philosophy behind Fairey's artwork. At a glance, this lyric speaks volumes about sustainability and the delicate balance of nature. By delving deeper, one recognizes its applicability to a myriad of societal issues, ranging from the exploitation of factory workers to the broader challenges faced by our ecosystem. The role of bees as indispensable pollinators, ensuring the continuation of life on Earth, is cleverly juxtaposed with Strummer's lyrics, creating an artwork that's as profound in its message as it is stunning in its design. Fairey's commitment to social causes and his admiration for Strummer converge in "No Bees No Honey," but they also manifest in tangible contributions. A part of the proceeds from this artwork is dedicated to the Joe Strummer Foundation, thereby furthering the cause and ensuring that art acts as a vehicle for positive change. In the world of contemporary art, pieces like "No Bees No Honey" remind us of the transformative power of creativity. Shepard Fairey's art is not just an aesthetic pleasure; it's a call to introspection, an invitation to ponder deeper societal issues, and a celebration of the indomitable spirit of figures like Joe Strummer.

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Rollins 50 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 700 February 4, 2011 "Henry Rollins has a birthday coming up that only comes along once every half-century… YES, he’s turning 50. This calls for a Rollins fortnight celebration with two prints spanning 30 years. This week the ROLLINS 50 tour poster drops. Next week on 2/13/11 I’ll release a print collaboration with Glen E. Friedman based on a Black Flag ’81 shot. . I hold Henry in high regard for his many talents as a singer, writer, radio DJ, TV host, political and social commentator, etc… but above all I love his energy and gusto. Henry has been doing it his way hardcore for 30+ years. This 50 poster is ridiculous not because Henry is getting older, but because Henry would never lounge around long enough for the reaper to get a jump on him. " -Shepard Fairey

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Antiseen Shiv Stepsister Zen Guerilla 1995 Cleveland Ohio Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1995 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 18x23 Silkscreen Print Band Gig Poster by Frank Kozik. Antiseen Shiv Stepsister Zen Guerilla Euclid Tavern Cleveland, Ohio 9-15-1995 In concert promotion, Frank Kozik's distinctive silkscreen prints stand as coveted pieces for collectors and fans of the pop and street art movements. His creation for the Antiseen, Shiv, Stepsister, and Zen Guerilla gig, dated September 15, 1995, at the Euclid Tavern in Cleveland, Ohio, is an exemplary piece of this niche. The limited edition print, with only 650 copies signed and numbered by Kozik, showcases the raw and energetic visual language synonymous with Kozik's style. With dimensions of 18x23 inches, this print was more than an announcement; it was a piece of art that captured the spirit of the musical acts it promoted. The imagery is quintessentially Kozik, blending anthropomorphic characters and a whimsical yet provocative arrangement, radiating the punk and hardcore essence of the headlining band Antiseen. Such visual elements are characteristic of Kozik's art, reflecting the underground music scene's gritty and rebellious ethos. The cow and wolf figures, dressed in human attire and engaging in a mock marriage ceremony, serve as a satirical comment, perhaps on the state of society or the inflammatory nature of the bands. In the corner, a pig appears content, contributing to the print's eccentric narrative. This work serves not just as an advertisement for a one-night event but as an artifact that speaks to the cultural and artistic milieu of the mid-90s. Kozik's work is a bridge connecting the subcultural to the mainstream, using the accessible medium of the gig poster to disseminate his unique brand of visual art. These silkscreen prints stand as an intersection where the transitory nature of street art is given permanence, where the voice of underground music is visualized, and where the collectible quality of fine art meets the democratic spirit of street art. This print from the Euclid Tavern event celebrates that union, immortalizing a moment in the continuously evolving narrative of pop and street art.

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Metallica Helping Hands Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2024 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print Featuring a Skull Flower For the Mega Rock bands Metallica, Sammy Hagar & Sistastrings "Metallica recently asked me to create the poster for their Helping Hands concert. Of course, I said yes because Metallica is one of my favorite bands and the tightest live band I have ever seen! Plus, the concert benefits some great causes. This print celebrates triumph over adversity while acknowledging that life is fragile and it’s in our hands to build the world we want for ourselves and our brothers and sisters." -Shepard Fairey- OBEY Metallica Helping Hands Silkscreen Print by Shepard Fairey - OBEY Shepard Fairey’s Metallica Helping Hands silkscreen print fuses raw rock iconography with the sharply tuned visual philosophy of Street Pop Art & Graffiti Artwork. Created for Metallica’s December 13th, 2024 concert at the YouTube Theater in Los Angeles, the artwork stands as both a promotional and cultural artifact—one that reinforces Fairey’s unique position at the nexus of music, politics, and visual rebellion. This limited edition, hand-pulled silkscreen print on 18x24 inch cream Speckletone paper is not only signed and numbered by Fairey himself, but also issued in a strict run of 500 copies, elevating its stature as both a collectible and a testament to contemporary poster art. Design Symbolism and Visual Impact The composition centers around a stark white hand clutching a stylized flower whose petals subtly morph into a skull motif, with the flower’s stem winding in a way that evokes both delicacy and defiance. This emblem, rendered in bold reds, blacks, and whites, signals duality—life and death, fragility and force, compassion and rebellion. The deliberate contrast between the flower’s soft curves and the jagged lines of the skull mirrors the complex ethos of Metallica’s music, where heavy riffs often meet introspective lyrics. Fairey’s hallmark typography and symmetrical layout deliver the immediacy and intensity familiar in his most iconic works, extending the print’s resonance far beyond mere merchandise. Metallica and the Culture of Amplified Resistance Metallica’s presence in pop culture transcends heavy metal. Their brand of amplified resistance, sharpened through decades of visual, sonic, and lyrical output, fits naturally into the framework of Street Pop Art. Fairey’s poster positions the band not just as musicians, but as cultural avatars whose artistic collaborations hold weight in the visual conversation around social change. By visually contextualizing the concert’s philanthropic mission—benefiting Metallica’s All Within My Hands Foundation—Fairey presents rock music not just as expression but as action, and art as an extension of that impact. Shepard Fairey’s Role in Street Pop Art & Graffiti Artwork Fairey’s artistic lineage is defined by disruption, clarity of message, and the subversive use of commercial aesthetics to question power structures. In this print, he leverages those core traits while paying homage to a band whose legacy aligns with his own. The print maintains the stylistic elements synonymous with Fairey’s OBEY imprint—sharp silhouettes, geometric precision, and symbolic weight—while also introducing a warmth and sentimentality not always seen in his politically charged works. The image of the skull flower, set against the backdrop of a performance by Metallica, Sammy Hagar, and Sistastrings, becomes a modern-day reliquary—a symbol of unity through sound, protest, and design. This piece not only enshrines a single event but expands its reach into the broader discourse of art activism, making it a defining example of what happens when two cultural juggernauts—Shepard Fairey and Metallica—merge on canvas within the framework of Street Pop Art & Graffiti Artwork.

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Be Reasonable Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey x Jamie Reid Limited Edition Pop Art Artwork. 2016 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Be Reasonable Urban Pressure Set Suburban Pressure Sex Pistols Music Tribute With Burning Money Mao From China and ROnald Regan "The Sex Pistols changed my life. When I was a 14-year-old skateboarder, a friend played me “Never Mind the Bollocks, Here’s the Sex Pistols,” and that moment marked a turning point for me. The Sex Pistols provided the adrenaline-inducing soundtrack for my rebellion. If the Sex Pistols provided the soundtrack, the artist behind their imagery, Jamie Reid, provided the visuals for the revolution. Jamie Reid did the iconic art for the Sex Pistols like the “God Save the Queen” sleeve, the “Pretty Vacant” sleeve, and the cover for the album “Never Mind the Bollocks, Here’s the Sex Pistols.” Jamie deserves the majority of credit for the daring aesthetics of Punk Rock. If you’ve ever seen a photocopied, ransom note style, cut & paste punk graphic, then you’ve seen Jamie Reid’s influence. Jamie has been one of my biggest creative inspirations both visually and philosophically, because his work is bold, provocative, irreverent, and political. Jamie Reid also turned me on to Situationism, a movement dedicated to disrupting the conformist trance through pranks and spectacles. I’m honored that I have been able to work with Jamie on some collaborative images and to present a special collection through Obey Clothing in his honor, as well as two limited edition screen-prints. Jamie and I have mutual interest in shaking things up and addressing the problems of corruption, environmental destruction, and wealth inequality, so it is very energizing and meaningful to do a project with him. Enjoy and embrace the chaos!" -Shepard Fairey

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Mans Ruin Zeke AP 1998 Cocodrie San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1998 Signed by Kozik & Marked AP Artwork Size 18x30.5 Silkscreen Print Band Gig Poster by Frank Kozik Zeke, Hammerlock, Jack Saints, Cocodrie, San Francisco CA 4-03-1998

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