Rock N Roll Music

The Lonesome Crowded West Apt Block Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print Apartment Block Urban City Building Stylized. "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY In the pantheon of street art, few names are as synonymous with the movement's thrust into mainstream culture as Shepard Fairey. His collaboration with the band Modest Mouse for their tour poster celebrates a milestone—the 25th anniversary of their seminal album, "The Lonesome Crowded West." In true Fairey fashion, he interprets the album's ethos with a limited edition silkscreen print, meticulously hand-pulled with five colors on Cream Speckletone fine art paper. This process ensures each of the 825 pieces is imbued with the artist's personal touch. Measuring 18x24 inches, this signed and numbered print presents an apartment block—an urban icon that exemplifies the crowded isolation in the album's title. Fairey's stylized depiction of the apartment block resonates with the band’s exploration of the paradoxical loneliness of urban existence, embodying the spirit of Modest Mouse's music through visual art. His work is not merely an artistic rendition but a narrative of city life's juxtapositions—connectivity and isolation, sound and silence. This collaboration is particularly significant for Fairey, who has been a fan of Modest Mouse since 1998. The album left an indelible mark on him, with its tonal shifts from the raucous "Teeth Like God's Shoeshine" to the more subdued "Trailer Trash." Fairey extols Isaac Brock's songwriting, acknowledging the profound depth and poetic nature of his lyrics, especially considering Brock's youth. The two tracks that stood out to Fairey, "Doin' the Cockroach" and "Cowboy Dan," exemplify the album's range and Brock's lyrical prowess. Fairey's history with Modest Mouse dates back to the 2000 "Black Glass" tour poster, reinforcing his long-standing connection with the band. This print is another chapter in that narrative, solidifying the kinship between his visual art and their musical expression. The artwork is a tangible piece of pop culture history, intertwining the legacy of Fairey's street art with Modest Mouse's contribution to music. Collectors of Fairey’s work and fans of the band alike cherish this print as a symbol of the enduring relevance of "The Lonesome Crowded West" and the power of art to transcend mediums, capturing the essence of an era.

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Andy Gill Anti-Hero 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist.

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Space Oddity Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Fine Art Paper by Graffiti Street Art and Pop Culture Artist Michele Melcher. Space Oddity • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 11 x 17 inches Hand-signed and numbered by artist Michele Melcher in a limited edition of 20

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Never Trust A Punk Artwork Giclee Limited Edition Print on 290gsm Hahnemühle Bamboo Paper by Pop Culture Graffiti Artist Jamie Reid. 2019 Signed & Numbered Limited Edition of 300 Artwork Size 32.3x22.8 In the annals of pop culture, graffiti, and street art, Jamie Reid emerges as a luminary, challenging societal norms with his provocative creations. "Never Trust A Punk" stands as a testament to Reid's unparalleled ability to intertwine art with cultural and political discourse. This piece, crafted in 2019, distinctly captures the punk ethos that rose to prominence in the late 1970s, becoming a hallmark of Reid's aesthetic. "Never Trust A Punk" is not merely an artwork but a statement, a proclamation that showcases Reid's characteristic blend of satire, dissent, and visual appeal. The juxtaposition of the iconic Union Jack with a stark portrayal of the British monarch, her eyes concealed, boldly encapsulates the rebellious spirit of the time. The message is clear, echoing sentiments of distrust and rebellion, which were rampant during the punk movement. This artwork holds an even deeper resonance for music enthusiasts and followers of British punk rock. The imagery bears a striking resemblance to that used for the cover of "God Save the Queen" by The Sex Pistols in 1977, a track that stirred controversy and remains emblematic of the punk era. As a limited edition giclee print, only 300 pieces of "Never Trust A Punk" were ever produced. Each print is immaculately rendered on premium 290gsm Hahnemühle bamboo paper, a medium chosen for its ability to capture the vibrancy and detail of the original artwork. Measuring at 32.3 x 22.8 inches, each piece is hand-signed and numbered by Reid, solidifying its authenticity and making it a coveted item for collectors and art enthusiasts alike.

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Metallica in Bucharest 2019- Blue Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Zi Xu for band Metallica. Metallica, Music, Rock N Roll, Band, Concert, Bucharest, Romania, Monster, Griffin

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1919- Pelican Tombs- Pennsylvania 2009 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Justin Anville. 2019 Signed & Numbered Limited Edition Gig Music Poster Artwork Size 18x24. 919, Pelican Tombs, Music, Event, Theatre of Living Arts, Philadelphia, Pennsylvania, June 3rd 2009, Live Nation The Synthesis of Music and Street Pop Art The convergence of music and visual arts often produces memorabilia that transcends the moment of its creation, embedding itself in the cultural fabric of a time and place. Such is the case with the limited edition gig poster for the event featuring "1919" and "Pelican Tombs" held at the Theatre of Living Arts in Philadelphia, Pennsylvania, on June 3rd, 2009. This striking piece of street pop art and graffiti artwork is a celebration of both the bands and the evocative power of graphic design within the realm of music. This limited edition gig poster is more than just a promotional tool; it is a collectible artwork that reflects the vibrancy and raw energy of the musical acts it represents. Created by the artist Justin Anville, the print is a four-color, hand-pulled silkscreen on fine art paper, a technique that lends the artwork a tactile quality that is both immediate and engaging. The choice of silkscreen printing, a favored method in both street art and pop art for its bold colors and sharp lines, allows the piece to stand out with a visual pop that mirrors the intensity of the live music experience. Visual Elements and Artistic Significance The artwork commands attention with its intricate design and contrasting color palette, which features a dominant red against a backdrop of more subdued tones. At the center, the stylized numerals "1919" are prominently displayed, intertwined with symbolic imagery that suggests a narrative extending beyond the bands' names. This typographic treatment is reminiscent of graffiti art, where letters become an integral part of the visual impact, often carrying meaning in their form as much as in their content. Cultural Imprint of the 2009 Event Poster Limited to a signed and numbered edition, the poster carries with it an aura of exclusivity. Measuring 18x24 inches, it is a sizable piece that was designed to be noticed, to be a talking point, and ultimately, to be remembered. As a piece of memorabilia, it serves as a timestamp, capturing the cultural zeitgeist of the late 2000s Philadelphia music scene, a period marked by a resurgence in indie and alternative genres. The inclusion of the Live Nation brand also signifies the commercial and mainstream acknowledgment of the genres and bands, hinting at their movement from the fringes into the spotlight. The Legacy of Gig Posters in Street Pop Art The significance of gig posters like this one extends beyond the night of the event itself. They are artifacts of cultural history, capturing the essence of musical movements and the artistic styles that accompany them. In the broader context of street pop art and graffiti artwork, gig posters are often the crossroads where music and visual art fans meet, share, and appreciate the interplay between these forms of expression. This particular poster, with its bold aesthetic and connection to a specific time and place, is a perfect illustration of how street art and music can come together to create something enduring. In the ever-evolving dialogue between music and visual arts, the 2009 limited edition gig poster for "1919" and "Pelican Tombs" stands as a testament to the power of this collaboration. It is not just a promotional item; it is a snapshot of a scene, a piece of street pop art, and a collectible that holds within its inks and paper the echoes of a night of music and the spirit of its time.

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Hi-Fi AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Pop art, street art, and graffiti have always been mediums that offer a raw and unfiltered reflection of society, culture, and the artist's personal feelings. Among the luminaries in this realm, Shepard Fairey stands tall, his unique creations resonating with both art aficionados and the masses alike. The "Hi-Fi AP Dance Floor Riot" silkscreen print is a testament to his profound admiration for music and its intertwined relationship with visual arts. Crafted meticulously in 2011, this artist proof, hand-pulled, 1-color screen print on fine art paper, is not just an artwork but a fragment of Fairey’s soul, reverberating his passion for music. Shepard Fairey's initiation into the art world was not through the conventional means of art galleries but through album covers that acted as the visual symphony to the music he revered. Just as album art inspired emotions, memories, and an innate connection to the music, Fairey's street art endeavored to forge a similar connection with its audience. The silkscreen in question, sized at 13x13, embodies Fairey's attempt to harness the immense power and universal reach of music. His statement captures this sentiment eloquently, emphasizing how, despite art's intrinsic value, music has a superior prowess in touching human souls. His use of the term "REVOLUTIONS" is twofold, alluding to both the revolutions of a vinyl record and the socio-cultural revolutions music often incites. A deep dive into "Hi-Fi AP Dance Floor Riot" offers viewers a chance to journey through Fairey’s inspirations. The fusion of punk's rebellious nature, the invigorating energy of music, and the democratizing force of street art crystallizes in this piece. For those who see art not just as an aesthetic expression but as a pulsating representation of society and individual emotion, this silkscreen print is both a tribute and an inspiration. Through such creations, Shepard Fairey champions the ethos that one needn't play an instrument to rock the world – sometimes, a canvas and a vision are all it takes.

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Time To Totality I AP Silkscreen Archival Print by Prefab77 Artist Proof Hand-Pulled 3-Color Screen Print on 350gsm Somerset Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2018 Signed & AP Marked Limited Edition Run Artwork Size 22.05x29.92 Silkscreen & Archival Pigment Print Mixed Media on Somerset Paper Hand Finished. Decoding the Visual Language of "Time To Totality I AP" by Prefab77 "Time To Totality I AP" by Prefab77 is an expressive embodiment of Street Pop Art and graffiti Artwork that captures the viewer's attention through its visual complexity and cultural references. As an Artist Proof of a limited edition run, this piece is a crucial part of the printmaking process, standing as a testament to the artist's initial vision and the integrity of the work. Measuring 22.05x29.92 inches, the artwork is a hand-pulled 3-color screen print that utilizes the resilience and texture of 350gsm Somerset fine art paper, known for its superior quality and ability to enhance the depth of the pigments. This particular print, marked by the artist as an AP, signifies its role as a benchmark against which all subsequent prints are measured. The Artist Proof designation also suggests a closer connection to the creators, as the artists themselves typically retain these proofs. In the case of "Time To Totality I AP," the hand-finishing indicates a level of individual attention and intention that goes beyond the standard edition, making it a unique collector's item. The artwork is an amalgamation of silkscreen and archival pigment print techniques, blending the precision of screen printing with the richness of pigment inks. This mixture allows for a range of textures and finishes, from the bold flatness of solid colors to the subtle variations of hand-applied details. The print's mixed media elements add a tactile dimension that invites the viewer to consider the surface a vital component of the artwork's narrative. Reflecting on the Significance and Impact of "Time To Totality I AP" In "Time To Totality I AP," Prefab77 delivers a powerful visual statement that goes beyond aesthetic appeal. The content of the work delves into the themes of temporality and transformation, as suggested by the title. "Time to Totality" may evoke the idea of a countdown to a significant event, perhaps an eclipse or a moment of complete change, paralleling the way street art often captures the spirit of a specific time and place. Like much of Prefab77's work, this piece is marked by a fusion of graphic elements that draw from various sources such as music, politics, and popular culture. The artwork's intricate layers and the juxtaposition of images create a dynamic interplay, engaging viewers in the discovery process as they decipher symbols and messages embedded within the composition. The choice of Somerset paper is particularly significant in the context of Street Pop Art and graffiti Artwork. This high-end material typically associated with traditional printmaking is brought into street art, challenging perceptions of value and class within the art world. Hand-finishing on such a medium underscores the collective's commitment to craftsmanship and the elevation of street art techniques to an OK art status. The cultural impact of "Time To Totality I AP" is multifaceted. It serves as a bridge connecting different artistic communities and raises questions about the ephemeral nature of street art versus the longevity of fine art prints. As street art continues to gain recognition in the fine art world, works like this play a critical role in shifting the narrative and opening up conversations about the legitimacy and importance of graffiti and street-inspired artworks within the broader art market. Cultural Commentary and Artistic Expression in "Time To Totality I AP" Prefab77's "Time To Totality I AP" is not merely a static image but a cultural commentary, a snapshot of the zeitgeist encapsulated in a blend of iconography and color. The screen print medium, often associated with mass production and widespread dissemination, is used here to create something profoundly personal and finite. The limited edition nature of the work echoes the fleeting moments that graffiti art often captures on city walls, while the archival quality of the print ensures its enduring presence. The artwork captures the ethos of Street Pop Art and graffiti Artwork, where the rebellious spirit and public accessibility of street art merge with the calculated, thoughtful processes of pop art. "Time To Totality I AP" represents a dialogue between these worlds, showcasing the beauty and complexity that arises from their convergence. In this piece, Prefab77 continues to push the boundaries of street art, expanding the canvas from urban environments.

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Prince Giclee Print by Adam Lister Artwork Limited Edition Print on 300gsm Hot Press Matte Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 8x10 The Prince Giclee Print by Adam Lister serves as a testament to the artist's innovative perspective in the world of pop art, merging elements of street and graffiti art. Lister's print, a homage to the iconic musician Prince, is imbued with the spirit of the legendary pop star. The 8-bit art style for which Lister is renowned has revolutionized the contemporary art scene, turning classic figures into intricate pixel-like compositions. His unique style is inspired by the early graphic aesthetics of computer and video game culture, thus tapping into an element of nostalgia for viewers. A remarkable facet of the Prince Giclee Print lies in its multi-dimensionality that captures the essence of graffiti and street art. The piece retains the spontaneity and vibrancy inherent to these art forms. Even though his work is meticulously planned and executed, the final output mirrors the raw energy and liveliness found on the streets. Lister's usage of watercolor to execute his geometric representations introduces an element of unpredictability, something graffiti art shares. The watercolor bleeds and diffuses, its organic unpredictability contrasting the sharp, calculated angles of his 8-bit renditions, adding depth to the otherwise flat digital aesthetic. Adam Lister's Prince Giclee Print is therefore a visual melting pot of pop, street, and graffiti art. It showcases an amalgamation of pop culture icons, nostalgic pixelated imagery, and elements of street art, ultimately contributing a unique dimension to the contemporary art scene. This work continues to resonate with enthusiasts of pop, street, and graffiti art, reinforcing Lister's position as a pivotal figure within these artistic movements.

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Butthole Surfers 1989 Houston Austin Dallas Texas Handbill Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1989 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik in Texas April 27 28 30 1989 With Flaming Lips & Deccaration Of Love "Butthole Surfers x Frank Kozik" represents an iconic collaboration between the audacious rock band, Butthole Surfers, and acclaimed graphic artist, Frank Kozik. Known for their experimental, often outlandish sound, Butthole Surfers have made a name for themselves in the alternative rock scene. On the other hand, Kozik has been influential in revitalizing the concert poster art scene, and his designs are coveted for their distinctive, vivid style. This partnership brings together the edgy, anarchic spirit of the band with Kozik's striking visual aesthetics, creating a truly unique blend of sound and imagery that promises to be a feast for the senses.

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Smokey Robinson- Red 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed by Fairey & legendary music artist Smokey Robinson. Screen Print 18 x 24 inches Edition of 450 2010 "I was amazed when Smokey contacted me to do a portrait to commemorate his 50 years in the music business, and a little nostalgic at the thought of his impact on me as a kid. Smokey came into the studio to hang out and sign them. He's a really nice, upbeat guy who has a real lust for life, maybe that's why he looks like he hasn't aged in 30 years. Believe it or not, Smokey signed every single print with his very beautiful and painstaking signature. It's worth picking up a print for that alone. Mention the name Smokey Robinson and the first thing that automatically comes to mind is Motown. It's understandable given that it was Robinson's hits, first as the leader of the Miracles, and then later as a solo artist that propelled the famed label during the 60s." -Shepard Fairey

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Black Sabbath Silver Black Crescent Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2013 Signed & Numbered Limited Edition of 125 Artwork Size 18x24 Silkscreen Print of Metal Roc n' Roll Music Band Black Sabbath Featuring Ozzy Osbourne. "Black Sabbath has been one of my favorite bands for 25 years. I was fortunate to meet Jack Osbourne through my friend Big Dave in 2000. My relationship with Jack and Big Dave has led to several great Ozzy and Sabbath projects. One of my biggest “I’m not worthy!” moments occurred when Dave took me backstage to meet the Sabbath guys in 2004 at Ozzfest, and bassist and lyricist Geezer Butler was wearing an Obey shirt! Sabbath is still a phenomenal live band, and I’m incredibly honored to do my second(the first was in 2005) Sabbath/Obey tour poster. Sabbath released a great new record called “13” recently(produced by Rick Rubin) and are touring in support of the album." -Shepard Fairey- OBEY. Shepard Fairey's Interpretation of Black Sabbath's Legacy In 2013, Fairey, inspired by Black Sabbath's influence on his life and art, created a limited edition silkscreen print to commemorate the band's U.S.A. tour. This signed and numbered edition, limited to 125 pieces and sized at 18x24 inches, became an emblem of Black Sabbath's enduring impact on rock music and a collectible piece of street pop art. The artwork, hand-pulled on cream speckletone fine art paper, features iconic Black Sabbath symbols, such as the cross and the winged disc, alongside Fairey's signature style, which often includes elements like the star and the stylized imagery of the eye. The fusion of street pop art with music often manifests in gig posters, a medium that Shepard Fairey, known widely for his OBEY brand, has mastered with a distinctive style that resonates deeply within the pop culture landscape. His work for the iconic metal rock n' roll music band Black Sabbath, particularly the silver and black crescent silkscreen print, encapsulates the essence of the artist's and the band's legacies. The significance of Fairey's Black Sabbath artwork lies in its ability to bridge music's auditory experience with art's visual stimulus. The print does not merely represent the band; it evokes the rebellious spirit of Black Sabbath's music, the dark and mystical themes they explore, and the cultural movement they spearheaded within the heavy metal genre. Fairey's artistic trademarks, such as the word 'obey,' infuses the piece with a sense of authority and provocation that complements the band's ethos. Collectibility and Influence in the Art World Fairey's anecdote about meeting the band and finding Geezer Butler wearing an OBEY shirt is a testament to the reciprocal influence between artist and musician. It underlines how street pop art and music often come full circle, with artists influencing musicians and vice versa. The print is a celebration of the band's return with the album "13" and a nod to the historical relationship between the artist and Black Sabbath. It is this narrative that imbues the artwork with a personal touch, making it a profound statement within the realms of both pop culture and street art. As a collectible, the Black Sabbath silkscreen print by Shepard Fairey stands at the intersection of music memorabilia and fine art. Its scarcity and the reputation of its creator heighten its value not only in monetary terms but also as a cultural artifact. Collectors and fans seek such pieces for their aesthetic appeal and their ability to capture a moment in history, a period where music and street pop art intertwine to create a tangible representation of a musical era. In the broader spectrum of street pop art and graffiti artwork, Shepard Fairey's Black Sabbath print represents the genre's potential to transcend the streets and enter into the world of high art and collector's items. The piece, with its intricate design work and deep cultural connections, stands as a testament to the power of visual art to celebrate and immortalize the spirit of music.

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Tribute To Sammi Curr 2012 Movie Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Jeremy Wheeler. Lakeridge High October 24th 2012- The Clowns, Black Roses, Holy Moses, Solid Gold, Rockula, Sammi Curr. Band from the horror movie Trick or Treat.

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Dylansteen 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ron English Rare Street Art Famous Pop Artwork Artist. Signed 18x21 Limited Edition of 30 2019

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Heist Eyes HPM Stencil Spray Paint Silkscreen by Prefab77 Hand-Painted Multiple on 300gsm Somerset Fine Art Paper Unique Graffiti Street Artist Modern Pop Art. 2023 Signed & Numbered Edition of 60 HPM Unique Hand Painted Spray Paint Stencil Artwork Size 15x22 Silkscreen of Close Up of Woman's Eyes With Pop Culture Figures. Diving deep into the world of modern pop and street art, one can't help but be captivated by the hand-painted creations of PREFAB77. The artist, known for blending unique graffiti techniques with elements of pop culture, has yet again introduced an exceptional piece titled “Heist Eyes”. This artwork is a brilliant amalgamation of stencil spray paint and silkscreen techniques, seamlessly marrying the two art forms. Set on a high-quality 300gsm Somerset Fine Art Paper, the “Heist Eyes” showcases a close-up of a woman's gaze, fierce and mysterious. The eyes, being the windows to the soul, are central in this artwork, perhaps symbolizing the depth and layers of our modern culture. What's unique about this particular piece is its intricate details. Not only does it present the intense gaze, but it also intricately intertwines elements of pop culture, serving both as a reflection of contemporary society and a warning of the fleeting nature of fame and recognition. This piece is not just any regular print; it's a hand-painted multiple (HPM). This means each piece, though part of a series, has its own unique touch. The utilization of seven distinct colors brings life to the print, and the luxurious layer of UV black ink against a hand-painted background only adds to its allure. With only 60 pieces in existence, each signed, stamped, and numbered, it truly is a testament to PREFAB77's dedication to craftsmanship and exclusivity. In the realm of pop art, street art, and graffiti art, such works emphasize the evolution of traditional art forms. They signify a move from the conventional to the contemporary, bringing in fresh perspectives while keeping rooted in authentic techniques. The “Heist Eyes” is not just a piece of art; it's a narrative of the times we live in, urging viewers to delve deeper, to look beyond the surface, and to interpret the myriad of stories it seeks to tell.

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Obey Long Playing AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Pop art, street art, and graffiti have always been mediums that offer a raw and unfiltered reflection of society, culture, and the artist's personal feelings. Among the luminaries in this realm, Shepard Fairey stands tall, his unique creations resonating with both art aficionados and the masses alike. The "Obey Long Playing AP Dance Floor Riot" silkscreen print is a testament to his profound admiration for music and its intertwined relationship with visual arts. Crafted meticulously in 2011, this artist proof, hand-pulled, 1-color screen print on fine art paper, is not just an artwork but a fragment of Fairey’s soul, reverberating his passion for music. Shepard Fairey's initiation into the art world was not through the conventional means of art galleries but through album covers that acted as the visual symphony to the music he revered. Just as album art inspired emotions, memories, and an innate connection to the music, Fairey's street art endeavored to forge a similar connection with its audience. The silkscreen in question, sized at 13x13, embodies Fairey's attempt to harness the immense power and universal reach of music. His statement captures this sentiment eloquently, emphasizing how, despite art's intrinsic value, music has a superior prowess in touching human souls. His use of the term "REVOLUTIONS" is twofold, alluding to both the revolutions of a vinyl record and the socio-cultural revolutions music often incites. A deep dive into "Obey Long Playing AP Dance Floor Riot" offers viewers a chance to journey through Fairey’s inspirations. The fusion of punk's rebellious nature, the invigorating energy of music, and the democratizing force of street art crystallizes in this piece. For those who see art not just as an aesthetic expression but as a pulsating representation of society and individual emotion, this silkscreen print is both a tribute and an inspiration. Through such creations, Shepard Fairey champions the ethos that one needn't play an instrument to rock the world – sometimes, a canvas and a vision are all it takes.

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Pair Banana Chuck Taylor Men's Size 12 in Box Skating Shoe Sneaker by Converse x Andy Warhol Limited Edition Rare Art Object Clothing Artwork Collectible. 2015 Limited Edition/Out of Print Converse x Andy Warhol Banana Fruit Shoe Size 12 New In Box with Tags, Never Worn. Experience iconic art and classic style fusion with the Converse Chuck Taylor Andy Warhol Banana Low Top Sneaker. Crafted with a sleek all-black leather upper that seamlessly contours the timeless Chuck Taylor Low Top silhouette, this shoe features a striking yellow banana design inspired by the legendary Velvet Underground album. A standout piece for any collection, this Converse low top merges pop art charm with enduring sneaker fashion. Converse x Andy Warhol Banana Chuck Taylor: A Legacy in Art and Fashion The Converse Chuck Taylor Andy Warhol Banana Low Top Sneaker is a rare art object that marries the iconic vision of pop art legend Andy Warhol with the classic design of Converse's most enduring shoe. Released in 2015 as a limited edition, this size 12 skating shoe sneaker is not just a piece of footwear but a collectible artwork. Presented in a box with tags and never worn, it captures the imagination of art enthusiasts and sneakerheads alike, offering a unique opportunity to walk in the footsteps of art history. Warhol, known for his profound impact on the pop art movement, often used everyday objects as subjects, challenging traditional notions of what could be considered art. His Banana artwork was famously featured on the Velvet Underground's debut album cover and became an enduring pop culture image. Converse, seizing the opportunity to blend art with fashion, infused this iconic imagery into their classic Chuck Taylor design, creating a sneaker that is both a fashion statement and a canvas for art. Artistic Significance of the Andy Warhol Banana Design The artistic significance of the Andy Warhol Banana design on the Converse sneaker extends beyond its visual appeal. It is a testament to the power of pop art in permeating everyday life and transforming the ordinary into the extraordinary. The sneaker serves as a wearable piece of art, inviting a dialogue about the intersection of consumer goods and artistry. In a move that is quintessentially Warholian, the collaboration blurs the lines between commercial and high art, making a bold statement about accessibility and the democratization of art. The sneaker is not only an homage to Warhol's legacy but also reflects the broader relationship between street fashion and art. The world of Street Pop Art & Graffiti Artwork has long embraced the sneaker as a symbol of urban culture and identity, and the Converse x Andy Warhol edition elevates this connection. By adorning a popular skating shoe with artwork from one of the most influential artists of the 20th century, Converse has created a piece that stands at the crossroads of movement, culture, and art. Collectibility and Impact of the Converse x Andy Warhol Collaboration The collectibility of the Converse x Andy Warhol Banana Chuck Taylor sneaker is unparalleled, representing a moment in time when two cultural icons converged. For collectors, the sneaker is a desirable piece due to its limited release and the renowned name attached to it. Owning a pair is akin to possessing a fragment of pop art history, a tangible connection to Andy Warhol's artistic vision. The sneaker's rarity and association with a seminal figure in art history have cemented its status as a must-have for those at the intersection of art collecting and fashion. Beyond its appeal to collectors, the sneaker has also impacted the relationship between art and commercial fashion. It is a precedent for future collaborations between artists and fashion brands, highlighting the potential for such partnerships to create commercially successful and artistically significant products. The Converse x Andy Warhol sneaker demonstrates the enduring allure of art when it steps out of the gallery and into the world of everyday objects. In essence, the Converse x Andy Warhol Banana Chuck Taylor is more than just a sneaker; it is a statement about the enduring legacy of pop art and its ability to reinvent and reimagine the world around us. The sneaker remains a powerful example of how art can transcend the confines of traditional mediums and become part of the fabric of popular culture, celebrated for its aesthetic and cultural resonance.

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Chain & The Gang- Elks Lodge 2010 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Elks Lodge. October 7th 2010 Featuring Chain & The Gang, Danny and the Darleans, Richie Are The Whip, DJ Forest.

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Fuzz Fest 2014- Orange Yellow Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler. Orang Yellow Variant, April 10 11 12 2014

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The Lonesome Crowded West Tower Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY Marking the 25th anniversary of Modest Mouse's influential album "The Lonesome Crowded West," celebrated street artist Shepard Fairey, known as OBEY, crafted a striking limited edition silkscreen print. This 2022 piece, meticulously hand-pulled and comprising five colors on Cream Speckletone fine art paper, mirrors the layered complexity of the album it honors. The work measures 18x24 inches, a testament to the album's monumental impact on the alternative rock scene and Fairey's own artistic journey. Each of the 825 signed and numbered prints encapsulates Fairey's personal connection with the album, having first encountered its raw and eclectic sound in 1998, a year after its release. He describes the album as "multi-dimensional," resonating through its varied tones from the "aggressive and dissonant" to the "folky, jangly, and intimate." His favorite tracks, "Doin’ the Cockroach" and "Cowboy Dan," evoke contrasting emotions of exhilaration and introspective tension, revealing the dexterity of Modest Mouse's music and the profound lyrical skill of frontman Isaac Brock. In this piece, Fairey channels the essence of the album's themes, depicting an isolated tower amidst a vast, red-streaked landscape, symbolizing the album's exploration of urban isolation and the Western American experience. The contrast between the solitary building and the surrounding expanse eloquently captures the album's title, "The Lonesome Crowded West." This visual representation goes beyond mere album art; it is an intersection of Fairey's iconic style and Modest Mouse's sonic influence, bridging visual and auditory art forms. Fairey's engagement with Modest Mouse extends back to their 2000 "Black Glass" tour, for which he also created a poster. This long-standing relationship emphasizes the mutual respect between the artist and the band, illustrating how music and visual art can coalesce to form powerful cultural statements. His artistic expression is not only a tribute to the music but also an homage to Brock's poetic lyrics, which left an indelible impression on Fairey, prompting him to label Brock a true poet. As an influential figure in street art and pop culture, Fairey’s creation for Modest Mouse cements his position at the forefront of contemporary art. It serves as a visual anchor for the album’s legacy, ensuring that its cultural resonance extends into the visual realm. Collectors and fans of both the band and Fairey find in this print a confluence of two forms of rebellion and expression, solidified on paper but echoing far beyond.

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Jimi Hendrix- Cream Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 70 Artwork Size 22.5x30 Artist: Mr. Brainwash Title: Hendrix (Cream) Year: 2015 Dimensions: 30in. by 22.5in. Edition: From a limited edition of 70 Medium: Color screenprint on hand torn archival paper. Condition: Excellent Signature Details: Hand signed and thumb printed

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Scratch on the Wire 1-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Paper by Shepard Fairey x Dennis Morris Rare Street Art Famous Pop Artwork Artist. 24 x 24 inches. Silver Metallic Ink Screenprint on thick cream Speckletone paper. Original photo by Dennis Morris. Signed by Shepard Fairey and Dennis Morris. Numbered edition of 600. Max order: 1 per customer/household. "Legendary reggae producer and pioneer of the dub sound, Lee “Scratch” Perry passed away on Aug. 29. I first discovered Lee Perry when I got deep into Bob Marley and the Wailers found out Perry had produced several seminal Wailers tracks. I also loved the Clash song “Police and Thieves” which I learned was a cover of the version by Jamaican artist Junior Murvin which Lee Perry had produced. Perry also co-produced the song “Complete Control” by the Clash." -Dennis Morris

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Treepeople 7-Year Bitch Gnome Nubbin 1992 Seattle WA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1992 Signed by Kozik & Numbered Limited Edition of 250 Artwork Size 11x35 Silkscreen Print Band Gig Poster by Frank Kozik. Treepeople 7 Year Bitch Gnome Nubbin RKCNDY Seattle Washington 5-15-1992 In the vibrant landscape of early 90s pop culture, Frank Kozik's "Treepeople 7-Year Bitch Gnome Nubbin" silkscreen print emerges as a vivid artifact of the era's music scene, particularly that of Seattle, Washington. Dated May 15, 1992, and designed for a concert at the now-legendary venue RKCNDY, the poster represents a visual symphony of the zeitgeist, highlighting the grit and raw energy that defined the grunge movement. This hand-pulled print on fine art paper is a limited edition, with Kozik signing and numbering each of the 250 pieces, underscoring the exclusivity and cultural value of the work. With its size stretching to an impressive 11x35 inches, the artwork presents a striking design that embodies the anarchic spirit associated with Kozik's work and the music of the featured bands—Treepeople, 7 Year Bitch, Gnome, and Nubbin. The central figure in the print is a clown-like character, a recurring motif in Kozik's work, which often blends the grotesque with the whimsical. The figure's exaggerated features and the explosion of colors around it create a sense of celebration and parody, a duality that often permeates street art. Such pieces are more than mere promotional items; they are snapshots of a cultural moment. They reflect the aesthetic and ethos of the underground music scenes of the time, where the visual art was as much a part of the experience as the music itself. Kozik's prints, like this one, connect the energy of live performances with the tangible world of art collecting, offering fans a piece of history that encapsulates the sound, mood, and rebellion of the period. The poster's inclusion in the annals of pop, street, and graffiti art is undeniable. It captures the do-it-yourself essence and the anti-establishment stance that the visual and musical arts expressed during the early nineties. For collectors and enthusiasts alike, it stands not just as a piece of memorabilia but as a symbolic work that continues to influence the aesthetic trajectories of street and pop art to this day.

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Blue Snaggletooth B&W- The Elbow Room 2009 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Stoner Rick Night Event. Light creasing on the left lower corner. September 25th, 2009 Featuring Blue Snaggletooth, The Cranks, Black Irish, DJ Wheeler.

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Demagogue 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musician Franz Ferdinand. Signed & Numbered Screen Print 18 x 24 inches Edition of 500 October 18, 2016 I’ve been a big fan of the band Franz Ferdinand since they first hit the scene in 2003. Stylistically, Franz mixes a pinch of glam rock, a nice serving of post-punk and a bit of dance-punk to create a sound that is irresistibly infectious. The band is undeniably stylish in their fashion and their album artwork which is frequently inspired by Russian Constructivism, one of my biggest inspirations as well. The lyrics of singer Alex Kapranos are witty, charming, and often insightful about human nature. Franz Ferdinand is a band of style and substance. -Shepard Fairey

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Spoon at El Cid- 2009 Music Limited Edition Metallic Gold ink Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman Max Goldman for Spoon and Deep Sea Diver. 18 x 24 inches Hand Silk-Screen Print Red, Black Cream Speckletone Paper Limited Edition of 100 Printed by Nick Bowers / OBEY Signed and Numbered by MFG- Matt Goldman Released 2010 . This limited edition Spoon poster was designed by Matt Goldman for the January 18th secret show at El Cid. Celebrating the release of their seventh album, Transference, Spoon decided to do a pop-up show in a tiny venue for their fans. The poster features custom typography and original photography. Little known fact: the date on the poster is wrong (should be 2010) but nobody, to this day, has ever noticed or said anything about it... The posters were only available at the show the night of the event and we're selling the remaining copies here on the Dance Right store. The poster was printed in Obey Giant Art's printing facilities.

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Iron Maiden- Piece of Mind Limited Edition Silkscreen Skateboard deck art by street pop culture artists ZERO x Iron Maiden.

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Jim Morrison's Doors, an Original Mixed Media Acrylic Painting by Bobby Hill, a Kind of Artwork on Fine Art Paper by a Street Art Pop Artist. 2010 Signed Mixed Media Acrylic Spray Paint Painting Original Artwork Size 14x22 Matted on Board 20.5x29 Artwork Size 14x22 Capturing the spirit of the legendary frontman of The Doors, Jim Morrison, artist Bobby Hill delivers a powerful mixed-media acrylic painting street art's raw intensity with the vibrant poppaletteettep art. Created in 2010, this original piecombinesher acrylic and spray paint techniques onto fine art paper, resulting in a visual experience as enigmatic as Morrison's persona. The artwork is 14x22 inches and matted on board to 20.5x29 inches, the piece is a substantial tribute that harmoniously fits within the collector's space and the gallery wall. Hill's portrayal of Morrison is not just a link but is an echo of the singer's influence, with every brushstroke and spray of paint adding to a narrative as layered as the music Morrison left behind. The vivid colors and the way they overlay and interact with each other reflect the complexity of Morrison's character and his legacy, resonating with fans and art lovers alike. Signed by the artist, this one-of-a-kind artwork carries the authentic flair that one would expect from a piece inspired by one of rock's most iconic figures. In this creation, Bobby Hill has successfully married the spontaneity and defiance of street art with the iconic, bold imagery characteristic of pop art. This piece does not merely showcase Jim Morrison's image but instead communicates a larger story about the impact of a cultural icon. It is a manifestation of how street art and pop art can cross paths to produce something that is not only visually striking but also emotionally stirring. The legacy of Morrison is thus perpetuated through this contemporary artistic lens, inviting viewers to explore the depths beneath the celebrity's surface. This painting by Bobby Hill serves as a testament to the enduring nature of Jim Morrison's influence, capturing the essence of his spirit in a way that continues to speak to the rebellious, the dreamers, and those who find beauty in the unconventional. It's a piece that, much like Morrison's own life, challenges the norm and invites more profound contemplation, mirroring the complexities of the human experience through street and pop art.

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Crossroads Guitar Festival 2010 Music Limited Edition Gig Poster Giclee Print Artwork on Fine Art Paper by Richard Pellegrino. 2012 Signed & Numbered Limited Edition of 75 by Rich Pellegrino Artwork Size 17x22

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Jimi Hendrix- Dark Gradient Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 70 Artwork Size 22.5x30 Unique #7 Variant "Jimi", a five-color screen-print on hand torn archival art paper. Print is signed and numbered #7 with a thumbprint on the back. Print Size: 22.5in. x 30in.

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Good To See You Henry Rollins 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Fine Art Paperby Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 250 Artwork Size 18x24 Silkscreen Print by Shepard Fairey- OBEY "My good friend Henry Rollins is on his “Good to See You” spoken word tour that kicked off earlier this year. I’ve collaborated with Henry many times. I’m constantly in awe and impressed by him. He is the hardest-working guy I know and stays up on social and political issues. I’m excited that he is on the road again and honored to design his 2022 tour art. The posters are available to purchase on his tour if you see him on the upcoming dates, signed by Henry and me." -Shepard Fairey

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Kings Of Leon- St Louis Verizon 2010 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper. Saint Louis Missouri July 23rd, 2010 at the Verizon Music Amphitheater

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Phantom Surfers - Jan. 24th, 1997 at The Trocadero Limited Edition 8-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Coop Graffiti Street Artist Modern Pop Art. Phantom Surfers Jan 24th 1997 The Trocadero Silkscreen Print by Coop Coop, real name Chris Cooper, is a hot rod artist working from Los Angeles. He was born in Tulsa, Oklahoma in 1968, and describes his occupation as "Insensitive Artiste". His work consists primarily of barely clothed Bettie Page-style 1950s soft pornography and/or B-movie monsters, with the female characters often taking the role of "Devil-Women". The image most often associated with his work is however slightly more tame: the face of a grinning devil with a smoking cigar clamped in its teeth.

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Hot Buttered Rum Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl for band Hot Buttered Rum. "You never should have a finished idea in your head. Staring at a blank page is the worst thing you can do—start with anything and just keep letting it evolve.”- John Vogl

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Cybertronic Spree Music Limited Edition Gig Poster 6-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Tim Doyle for The Cybertronic Spree Transformers Band. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 18x24

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Andrew Bird Hands of Glory- Yellow 2013 Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl.

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Hitohatausagi 100% & 400% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures This Be@rbrick celebrates the 50th Celebration of the King of Rock Imawano Kiyoshiro and stands approximately 2.75 and 11.02 inches tall.

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Shigeto- The Blind Pig 2013 Limited Edition 11-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Shigeto, Charles Trees, Tree City, Beautiful bells, DJ Ease at The Blind Pig on October 8th 2013.

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Lemmy Damaged Case 1-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2021 Signed & Numbered Lemmy Damaged Case 18 inches by 24 inches Edition of 550 September 10, 2021 "I was first intrigued to check out Motörhead because the guys from G.B.H. were in a few photos wearing Motörhead t-shirts with the band’s great “snaggletooth” logo. “Ace of Spades” is the first Motörhead song I heard, and I didn’t know how to categorize it – punk, metal, hard rock?…but I knew it sounded AWESOME!" -Shepard Fairey

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Rollins 50 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 700 February 4, 2011 "Henry Rollins has a birthday coming up that only comes along once every half-century… YES, he’s turning 50. This calls for a Rollins fortnight celebration with two prints spanning 30 years. This week the ROLLINS 50 tour poster drops. Next week on 2/13/11 I’ll release a print collaboration with Glen E. Friedman based on a Black Flag ’81 shot. . I hold Henry in high regard for his many talents as a singer, writer, radio DJ, TV host, political and social commentator, etc… but above all I love his energy and gusto. Henry has been doing it his way hardcore for 30+ years. This 50 poster is ridiculous not because Henry is getting older, but because Henry would never lounge around long enough for the reaper to get a jump on him. " -Shepard Fairey

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Friendship and Support- Gold 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2011 Signed & Numbered Screen Print Friendship and Support (Gold), 2011 Screenprint in colors on speckled cream paper 18x24 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles Due to the enormous popular demand for “Friendship & Support” released last week, we are excited to announce a second colorway at the request of the Harrison Foundation! “Friendship and Support – Gold” supporting UNICEF!

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Friendship and Support 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2011 Signed & Numbered Friendship and Support, 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. The Harrison Foundation! “Friendship and Support” supporting UNICEF! Today I am proud to honor the legacy of George Harrison and the very first major music concert for a cause “The Concert for Bangladesh”. Join me in supporting the great work of the George Harrison Fund for UNICEF and their work with the children affected by the famine in Africa. - Shepard Fairey

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No Bees No Honey Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 325 Artwork Size 18x24 Gold Metallic Ink "The Clash are my all-time favorite band and their frontman, Joe Strummer, is a hero of mine for his music, lyrics, wit, compassion for the underdog, and stance against injustice. To celebrate the release of JOE STRUMMER 002 and in honor of Joe’s 70th birthday, a limited edition print inspired by the Joe Strummer and the Mescaleros song, JOHNNY APPLESEED. Joe’s lyric “If you’re after getting the honey, then you don’t go killing all the bees” applies to lots of things, like mistreating factory workers, but for me the idea that bees are pollinators who are crucial to sustaining Earth’s fragile eco-systems is a powerful idea. I hope to honor Joe’s music and extend his ideas with my No Bees No Honey print. A portion of proceeds will go to the Joe Strummer Foundation." -Shepard Fairey The intersection of street art, pop art, and graffiti has often found its voice through artists who transcend the confines of traditional media to bring forth powerful messages. One such eminent figure in this realm is Shepard Fairey, known widely for his iconic designs and thought-provoking artistry. His piece, "No Bees No Honey," is a color hand-pulled limited edition silkscreen print that stands as a testament to Fairey's artistic prowess and his ability to interweave poignant messages with his art. Created on cream speckle tone paper, the print embodies a vibrant play of colors and is accentuated by gold metallic ink that gives it a unique touch. The allure of this piece, however, isn't just its visual appeal but also its rarity. With only 325 signed and numbered pieces available, it stands as a collector's item and a beacon of Fairey's dedication to his craft. Sized at 18x24, the artwork captures attention with its intricate details and the symbolic imagery it presents. What elevates this piece from merely being a work of art to a profound statement is the backstory that inspired it. The artwork draws its essence from the legacy of Joe Strummer, frontman of "The Clash" and a stalwart figure revered by Fairey. Strummer's dedication to justice, his compassion for the marginalized, and his undying spirit resonate deeply with Fairey, making him a consistent source of inspiration. The inception of "No Bees No Honey" can be traced back to a song by Joe Strummer and the Mescaleros titled "JOHNNY APPLESEED." A line from this song, "If you’re after getting the honey, then you don’t go killing all the bees," serves as the driving philosophy behind Fairey's artwork. At a glance, this lyric speaks volumes about sustainability and the delicate balance of nature. By delving deeper, one recognizes its applicability to a myriad of societal issues, ranging from the exploitation of factory workers to the broader challenges faced by our ecosystem. The role of bees as indispensable pollinators, ensuring the continuation of life on Earth, is cleverly juxtaposed with Strummer's lyrics, creating an artwork that's as profound in its message as it is stunning in its design. Fairey's commitment to social causes and his admiration for Strummer converge in "No Bees No Honey," but they also manifest in tangible contributions. A part of the proceeds from this artwork is dedicated to the Joe Strummer Foundation, thereby furthering the cause and ensuring that art acts as a vehicle for positive change. In the world of contemporary art, pieces like "No Bees No Honey" remind us of the transformative power of creativity. Shepard Fairey's art is not just an aesthetic pleasure; it's a call to introspection, an invitation to ponder deeper societal issues, and a celebration of the indomitable spirit of figures like Joe Strummer.

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Biohazard Downset Stompbox 1994 Seattle WA AP Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1994 Signed by Kozik & Limited Edition of AP Artwork Size 18x22.5 Silkscreen Print Band Gig Poster by Frank Kozik Nuke Tank Biohazard Military-Themed Gig Poster. Moore Theater November 18th 1994 Seattle Washington. Frank Kozik is an internationally recognized artist, best known for revitalizing the concert poster scene in the 1990s with his distinctive, edgy designs. Born in Madrid, Spain in 1962, Kozik emigrated to the United States at the age of 14, where his love for punk rock and counter-culture aesthetics began to shape his artistic vision. In the 1980s, he moved to San Francisco, CA, where he began creating concert posters for alternative bands, ultimately designing artwork for major acts such as Nirvana, Pearl Jam, and The Red Hot Chili Peppers. His work, characterized by saturated colors, cartoonish figures, and a subversive, often dark humor, became emblematic of the grunge era. In addition to poster art, Kozik has also made significant contributions to the world of designer toys, most notably with his creation of the Labbit character for Kidrobot. His work across various mediums has earned him a global following, making him a key figure in contemporary pop culture and art.

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Mans Ruin Zeke AP 1998 Cocodrie San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1998 Signed by Kozik & Marked AP Artwork Size 18x30.5 Silkscreen Print Band Gig Poster by Frank Kozik Zeke, Hammerlock, Jack Saints, Cocodrie, San Francisco CA 4-03-1998

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The Mermen AP 1996 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1996 Signed by Kozik & Numbered Limited Edition of AP 50 Artwork Size 17.5x22 Silkscreen Print Band Gig Poster by Frank Kozik. The Mermen AP 1996 San Francisco CA Silkscreen Print by Frank Kozik Fort Point Pier The Mermen AP 1996 San Francisco, CA silkscreen print is a symbolic piece by the acclaimed artist Frank Kozik, whose work is often associated with the vibrant energy of pop and street art. Kozik's distinctive style is characterized by a blend of bold colors, cartoon-like figures, and a touch of satirical humor, all of which are palpably present in this artwork. This piece, crafted explicitly as a gig poster for a performance at Fort Point Pier on October 4, 1996, captures the essence of the San Francisco music scene of the time. Hand-pulled on fine art paper, the print is part of an exclusive Artist Proof (AP) edition, limited to 50 signed and numbered pieces. Measuring 17.5x22 inches, it's a significant work that embodies the culture and vibrancy of its era. Kozik's use of the silkscreen technique lends the piece a tactile quality that is often lost in digital reproduction, giving each print a unique texture and depth. The imagery in this particular print, featuring a park ranger character brandishing a sign that protests against beach parties, flanked by an unconscious figure surrounded by litter, serves as a witty commentary on environmental conservation and personal responsibility. This reflects Kozik's knack for engaging with social and cultural themes through his art, a trait he shares with many street artists who use public spaces to comment on societal issues. Kozik's work has been instrumental in defining the visual landscape of music culture in the 1990s, with his posters becoming synonymous with the era's underground music scene. The Mermen AP print is not just a piece of memorabilia but also a slice of pop culture history, encapsulating the intersection of music, art, and social commentary. Its existence as a limited edition work heightens its collectibility. It serves to preserve a moment when street art aesthetics infiltrated mainstream visual culture, thereby solidifying Kozik's legacy within the art community.

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Low Powers Dept Tour 1997 Domestic Mika Band Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 450 Artwork Size 18.5x31 Silkscreen Print Band Gig Poster by Frank Kozik

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Halloween At The Roxie 1989 San Francisco CA Handbill Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1989 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik The iconic Roxy Theatre in San Francisco, CA, famous for its eclectic mix of independent, international, and classic cinema, is joining forces with Frank Kozik, renowned rock poster artist and the visual mastermind behind some of the most memorable music and pop culture imagery of the last three decades. This collaboration is anticipated to introduce a fusion of art and film like never before, reflecting Kozik's bold aesthetic and the Roxy's indomitable spirit. Stay tuned for unique film events, exclusive artwork, and a fresh, vibrant energy emanating from this legendary venue.

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