Self Portrait & Selfie

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  • Self Portrait IV Silkscreen by Jeff Rial

    Jeff Rial Self Portrait IV Silkscreen by Jeff Rial

    Self Portrait IV 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Jeff Rial Rare Street Art Famous Pop Artwork Artist. 3 Print Run Edition, Self Portrait 4 on Hand Deckled Paper 2008. Some light smudging on the upper left facing white margin.

    $138.00

  • POM & Me Lithograph Print by Takashi Murakami TM/KK

    Takashi Murakami TM/KK POM & Me Lithograph Print by Takashi Murakami TM/KK

    POM & Me Offset Lithograph Print Limited Edition Artwork on Round Smooth Wove Paper by Pop Urban Artist Takashi Murakami TM/KK. 2013 Signed & Numbered Limited Edition of 300 Round Cut Artwork Size 19.75x19.75 (Round) Takashi Murakami (b. 1962) POM & Me, 2013 Offset lithograph in colors on smooth wove paper 19-5/8 inches (49.8 cm) diameter (sheet) Ed. 300 Signed and numbered in ink lower right Published by Kaikai Kiki Co. Ltd., Tokyo "POM & Me" is a lithograph print by the renowned Japanese artist Takashi Murakami. Known for his unique style that blends traditional Japanese art with contemporary pop culture, Murakami has gained international acclaim for his work. His signature "Superflat" style is characterized by bold, vibrant colors and flattened, two-dimensional imagery. The "POM & Me" print is one of many artworks that Murakami has created over the years, often featuring his iconic characters and motifs. This particular piece includes recurring elements from Murakami's body of work, such as his famous flowers, himself and his dog Pom. As an artist, Murakami has worked in various media, from painting and sculpture to fashion and commercial products. His work has been exhibited in major galleries and museums worldwide, and he has collaborated with well-known brands and celebrities.

    $2,368.00

  • Self Portrait 82 Photo Print by Joe Conzo Jr

    Joe Conzo Jr Self Portrait 82 Photo Print by Joe Conzo Jr

    Self Portrait 82 Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 20x16 Archival Pigment Fine Art of Joe Conzo in a Self Portrait in His Room Holding American Photographer Magazine in 1982. Self Portrait 82 Photo Print by Joe Conzo Jr The Self Portrait 82 photo print by Joe Conzo Jr captures a deeply personal and introspective moment in the life of one of New York's most iconic urban photographers. This limited-edition artwork, printed on 290gsm Moab Entrada Fine Art Paper, is a striking archival pigment print signed by the artist in 2023. The photograph, originally taken in 1982, features Joe Conzo himself in a candid setting within his room, holding a copy of American Photographer magazine. Limited to an edition of just five prints, this 20x16 fine art piece resonates as both a self-reflective portrait and a contribution to the visual language of Street Pop Art and graffiti artwork. Joe Conzo Jr: Documenting the Culture of New York City Joe Conzo Jr, an acclaimed photographer from New York, is known for capturing pivotal moments in the development of urban culture. Often referred to as one of the first photographers to document hip-hop culture in its nascent stages, Conzo’s work transcends music and dance to include the lives, environments, and stories of the people behind the movement. His art reflects the energy of New York City in the 1970s and 1980s, from graffiti-covered walls to the intimate settings of personal spaces. Self Portrait 82 offers a glimpse into the quieter side of Conzo’s creative life. The image portrays the artist seated on his bed, dressed casually in jeans and a T-shirt. His thoughtful expression and choice of reading material—American Photographer magazine—indicate his dedication to the art of photography and the larger context of visual storytelling. The photograph balances the personal with the professional, showcasing an artist in the act of learning and growing within his craft. Connecting Self-Portraiture to Street Pop Art and Graffiti Artwork Self-portraiture plays a significant role in the world of Street Pop Art and graffiti artwork, serving as a method for artists to assert their identity and share their personal narratives. In Self Portrait 82, Conzo uses the camera to turn the lens on himself, offering viewers insight into the individual behind the iconic photographs that shaped the documentation of hip-hop and urban culture. The room’s décor, including the Luis Valdez play poster and other visual details, adds layers of context, rooting the image in a specific cultural and historical moment. While graffiti artists often tag walls and create large-scale murals as extensions of their personas, Conzo’s self-portrait achieves a similar effect through the medium of photography. The photograph functions as a visual tag, a way of marking his identity and place within the creative world. By presenting himself in his own artistic narrative, Conzo blurs the lines between subject and artist, creating a bridge between personal expression and public engagement. The Significance of Self Portrait 82 in Contemporary Urban Art The Self Portrait 82 photo print underscores the importance of self-representation in Street Pop Art and graffiti artwork. As a limited-edition archival print, this piece highlights the enduring relevance of Conzo’s work and its connection to modern urban art movements. The use of Moab Entrada Fine Art Paper ensures that the details and textures of the photograph are preserved, enhancing the viewing experience and reinforcing the authenticity of the piece. This photograph is not only a moment frozen in time but also a reflection of the artist’s dedication to his craft and the cultural movements that influenced him. By focusing on himself as the subject, Conzo invites the viewer to consider the relationship between the artist and the environment, creating a dialogue that continues to resonate in the context of contemporary art. Self Portrait 82 stands as a powerful example of how self-expression can transcend the personal to contribute meaningfully to the broader visual language of Street Pop Art and graffiti artwork.

    $375.00

  • Fuckitol 100mg Archival Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Fuckitol 100mg Archival Print by Denial- Daniel Bombardier

    Fuckitol 100mg Limited Edition Archival Pigment Fine Art Print on 330gsm Canon Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. 2020 Signed Limited Edition of 25 Artwork Size 18x24 Fuckitol 100mg, Fuck It All, Fuck This Shit Selfie Clout Drug Company, Advertisement Pop Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 330gsm Canon Fine Art Paper. Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

    $539.00

  • Joey Home 79 Photo Print by Joe Conzo Jr

    Joe Conzo Jr Joey Home 79 Photo Print by Joe Conzo Jr

    Joey Home 79 Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 20x16 Archival Pigment Fine Art of Joe Conzo in a Self Portrait by One Way Sign in 1979. Joey Home 79 Photo Print by Joe Conzo Jr The Joey Home 79 photo print by Joe Conzo Jr is a limited edition archival pigment print that captures a defining moment in the context of Street Pop Art and graffiti artwork. Created on 290gsm Moab Entrada Fine Art Paper, this piece offers a striking black-and-white depiction of the artist himself in a self-portrait taken by a one-way street sign in 1979. This 2023 edition, signed and limited to five pieces, brings renewed attention to Joe Conzo Jr's unique style and contribution to modern artwork. Joe Conzo Jr: The Photographer of a Cultural Movement Joe Conzo Jr, an American photographer, is renowned for his role in documenting the early days of hip-hop culture and the vibrant urban scenes of the Bronx in the late 20th century. His lens captured the raw essence of an evolving art movement that melded music, graffiti, and street culture. Conzo's photographs are celebrated for their candid approach, emphasizing the human stories behind street art and its creators. His work, including Joey Home 79, demonstrates a powerful connection between people, urban landscapes, and the social movements of the time. The Joey Home 79 print stands as a testament to the artist's ability to blend personal storytelling with cultural documentation. Taken in the Bronx, the photograph features Conzo himself, his Afro framing his youthful energy. The one-way street signs add a layer of symbolism, suggesting the pathways and directions individuals navigate in the complex urban environment. The gritty texture of the surrounding architecture reinforces the authenticity of the setting. The Role of Street Pop Art and Graffiti in Modern Art Street Pop Art and graffiti artwork have long been rooted in the expression of identity, rebellion, and social commentary. Emerging from the streets of New York City, artists like Conzo played a significant role in bringing urban narratives to life. Joey Home 79 reflects the broader conversation surrounding self-representation and community in street art. The photograph serves as an artistic bridge, connecting the viewer to the cultural vibrancy of the 1970s Bronx. Graffiti and street art during this era were not confined to spray cans and walls. Instead, they manifested in photography, music, and dance, creating a cohesive cultural tapestry. Conzo's work captures the spirit of this interconnectedness, elevating photography to a vital form of street art. The Legacy of Joey Home 79 in Contemporary Art Joey Home 79 exemplifies the timeless appeal of Conzo's work in the landscape of contemporary art. As a limited edition piece, this print gains significance for collectors and enthusiasts of Street Pop Art and graffiti artwork. The 20x16 size amplifies its impact, inviting viewers to explore its fine details and emotive power. Printed on archival-quality Moab Entrada Fine Art Paper, the piece combines durability with aesthetic finesse. The texture of the paper enhances the depth of the photograph, preserving the mood and authenticity of the original shot. The signature by Joe Conzo Jr reinforces its value as a modern artwork, bridging historical cultural significance with present-day appreciation.

    $350.00

  • Revandalism Red Silkscreen Print by Outis

    Outis Revandalism Red Silkscreen Print by Outis

    Re-Vandalism- Red 11-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Somerset Satin Paper by Outis Rare Street Art Famous Pop Artwork Artist. 2015 Signed & Numbered Edition 44 by the Artist Outis Red Variant 11 Colour Screen Print on Somerset 300 gsm paper. 70 x 52cm Artwork of a Graffiti Tag Throw Up in an Art Gallery Industrial Setting with a Crowd of People Taking Photos and Admiring Street Art. Re-Vandalism Red by Outis Re-Vandalism Red is a powerful and thought-provoking 11-color hand-pulled silkscreen print created by the enigmatic street pop artist Outis. Released in 2015 as a limited edition of just 44 pieces, this print blends the rebellious essence of graffiti artwork with the refined setting of an art gallery. Measuring 70 x 52 cm and printed on 300gsm Somerset Satin paper, the artwork explores themes of urban expression, cultural acceptance, and the evolving relationship between street art and institutionalized fine art. A Bold Commentary on Art and Culture This print depicts a striking scene of a graffiti tag in vibrant red, styled in a throw-up fashion, prominently displayed on a pedestal in an art gallery. The setting, complete with an admiring crowd, detailed framed classical paintings, and a security guard, creates a fascinating juxtaposition. The red graffiti text boldly declares "Street Art" against a brick wall background, challenging viewers to reconsider how street pop art and graffiti artwork are perceived when placed in a traditional fine art context. The vibrant red serves as a focal point, drawing attention to the clash between the raw energy of urban art and the polished atmosphere of the gallery. The Artistic Vision of Outis Outis, whose name references the Greek word for "nobody," is a mysterious figure celebrated for his sharp social commentary and unique approach to street pop art. His work often critiques societal norms, highlighting the shifting boundaries between vandalism, rebellion, and art. Re-Vandalism Red encapsulates this ethos by placing street art in a space traditionally reserved for fine art, questioning notions of legitimacy, value, and cultural hierarchy. The use of meticulous 11-color silkscreen printing demonstrates Outis’ commitment to craftsmanship while maintaining the raw edge of graffiti-inspired themes. A Limited Edition Collectible Re-Vandalism Red is part of a highly exclusive limited edition of 44 prints, each signed and numbered by Outis. The use of high-quality 300gsm Somerset Satin paper ensures that the vibrant colors and intricate details are preserved, making the piece both visually striking and enduring. The relatively large size of the artwork enhances its presence, making it a standout addition to any collection of contemporary art. The combination of its limited availability, bold visual narrative, and cultural significance elevates it to the status of a prized collectible. Re-Vandalism Red by Outis is a celebration of the transformative power of street pop art and graffiti artwork. By placing graffiti in an institutionalized art setting, it challenges viewers to rethink cultural biases and explore the evolving definitions of art. This limited-edition print is not just a work of art but a statement on the ongoing dialogue between tradition and rebellion, making it a must-have for collectors and enthusiasts alike.

    $598.00

  • Revandalism Blue Silkscreen Print by Outis

    Outis Revandalism Blue Silkscreen Print by Outis

    Re-Vandalism- Blue 11-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Somerset Satin Paper by Outis Rare Street Art Famous Pop Artwork Artist. 2015 Signed & Numbered Edition 101 by the Artist Outis Blue Variant 11 Colour Screen Print on Somerset 300 gsm paper. 70 x 52cm Artwork of a Graffiti Tag Throw Up in an Art Gallery Industrial Setting with Crowd of People Taking Photos and Admiring Street Art. Re-Vandalism Blue by Outis Re-Vandalism Blue is an evocative 11-color hand-pulled silkscreen print created by Outis, a highly regarded name in street pop art and graffiti artwork. Released in 2015, this signed and numbered limited edition of 101 showcases Outis’ bold commentary on the intersection of street art and traditional fine art. Printed on 300gsm Somerset Satin paper, this 70 x 52 cm masterpiece features a vibrant blue graffiti throw-up displayed prominently in a gallery setting, surrounded by an admiring crowd. The work brilliantly merges the raw energy of graffiti with the refined context of an art gallery, challenging the boundaries of artistic expression. A Bold Statement in Street Pop Art Re-Vandalism Blue captures the tension between institutionalized art and the raw, rebellious spirit of graffiti. The central focus is a graffiti tag in vibrant blue, styled in the form of a throw-up, boldly displayed in an ornate gallery setting typically reserved for classical works. The juxtaposition of the urban art form against a backdrop of framed masterpieces creates a thought-provoking visual narrative. A crowd of people, depicted in detailed black-and-white, stands in awe, snapping photos and admiring the piece, highlighting the growing acceptance and appreciation of street art as a legitimate art form. The Visionary Creativity of Outis Outis, a mysterious figure in the street art world, is celebrated for his ability to bridge the worlds of graffiti artwork and pop art. His work often explores themes of identity, rebellion, and the evolving perception of urban art within mainstream culture. Re-Vandalism Blue exemplifies Outis’ talent for blending sharp social commentary with visually arresting imagery. The title itself suggests a reclamation of graffiti’s roots while placing it in a context that forces viewers to rethink its role in the art world. Through this piece, Outis blurs the lines between vandalism and fine art, creating a dialogue that resonates deeply within contemporary art circles. A Collectible Masterpiece The limited-edition nature of Re-Vandalism Blue enhances its appeal among collectors. With only 101 pieces in existence, each signed and numbered by the artist, this artwork is a rare and valuable addition to any collection. The 11-color silkscreen printing technique results in vibrant, textured imagery that draws the viewer’s eye, while the high-quality 300gsm Somerset Satin paper ensures its durability and premium presentation. The large format of the piece further amplifies its impact, making it a striking centerpiece in any collection or exhibition. Re-Vandalism Blue by Outis is a compelling piece that celebrates the power of graffiti artwork while critiquing its institutionalization. The combination of bold visuals, cultural commentary, and limited availability makes this artwork a testament to the enduring relevance and versatility of street pop art in the modern art landscape.

    $483.00

  • Once Upon A Time No More 5 19x20 Archival Print by Mimi Yoon

    Mimi Yoon Once Upon A Time No More 5 19x20 Archival Print by Mimi Yoon

    Once Upon A Time No More 5- 19x20 Limited Edition Archival Pigment Fine Art Prints on Heavyweight Fine Art Paper by Graffiti Street Art and Pop Culture Artist Mimi Yoon. 2019 Signed Limited Edition of 100 Artwork Size 19x20 Archival Pigment Print on Heavyweight Fine Art Paper Size: 19 x 20 Inches Release: January 01, 2019 Signed Numbered

    $474.00

Self Portrait & Selfie Graffiti Street Pop Artwork

Self Portrait and Selfie in Street Pop Art and Graffiti Artwork

The concept of self-portraiture has evolved significantly within Street Pop Art and graffiti artwork, offering a medium for artists to connect with audiences on a deeply personal level. From traditional self-portraits captured through brushstrokes or photography to the rise of the selfie as an immediate and digital expression, these forms of representation hold a vital place in urban art. Within the frameworks of street art and graffiti, the self-portrait and the selfie embody the desire to assert identity and leave an enduring mark on public spaces.

Self-Portraiture as a Statement of Identity

In the context of Street Pop Art, self-portraiture serves as both a narrative and a declaration. Artists such as Jean-Michel Basquiat incorporated elements of their own identity into their works, creating a dialogue between their personal experiences and the sociopolitical issues of their time. Basquiat, a New York-born artist who passed away in 1988, used visual language to explore themes of race, class, and power, often embedding aspects of his own life within the chaotic vibrancy of his creations. For graffiti artists, the self-portrait often transcends its literal meaning, appearing as stylized tags or intricate mural pieces that represent the artist’s personality, struggles, and achievements. Self-portraiture in graffiti and street art amplifies the personal amid the public. Urban walls, train cars, and other unconventional canvases become platforms where an artist can cement their individuality and tell their story to the masses. In this way, the self-portrait becomes not just an artwork but also a lasting imprint of identity in shared spaces.

The Emergence of the Selfie in Street Art

The advent of digital culture has brought the selfie to the forefront as a contemporary extension of self-portraiture. Artists within the Street Pop Art movement have embraced the selfie as both a subject and a medium. Some create murals or installations that invite interaction, encouraging passersby to integrate themselves into the artwork through selfies. This blending of personal and collective expression aligns with the ethos of street art, which thrives on public engagement and accessibility. The use of selfies in graffiti artwork highlights the evolving dynamics between artist, viewer, and space. Through smartphone cameras and social media platforms, artists and audiences are co-creating narratives that celebrate individuality while fostering communal experiences. These interactions expand the impact of self-expression, turning temporary street art into global, shareable moments.

Impact of Self-Portraiture and Selfies on Modern Street Art

Self-portraiture and selfies continue to influence Street Pop Art and graffiti artwork, reshaping how identity and presence are expressed in urban spaces. While traditional self-portraits focus on the introspection of the artist, the integration of selfies introduces a collaborative energy that bridges the gap between artist and viewer. Works featuring this interactive approach invite exploration, making art more accessible while retaining its subversive spirit. The dialogue between the self-portrait and the selfie emphasizes the enduring relevance of personal storytelling in urban art. By adapting to the technological and cultural shifts of the modern era, Street Pop Art and graffiti artwork maintain their ability to reflect human experiences in meaningful and transformative ways. Both forms capture the essence of individuality and presence, ensuring their importance in the broader cultural landscape.

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