Shepard Fairey- OBEY

Rise Above Rose Geometric 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered 12 inches by 24 inches Edition of 550 July 21, 2022 "The Rise Above Rose Geometric print contains several recurrent symbols in my work. The rose represents the archetype of an individual or a society who has endured oppression but perseveres to rise above conflict. Rise above also references the song “Rise Above” by Black Flag, one of my favorite punk bands. In creating art that encourages people to rise above adversity, I hope that it also motivates people to fight against injustice even when the fight is difficult." –Shepard Fairey

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Disposable Heroes 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print DISPOSABLE HEROES Screen Print 18 x 24 inches Edition of 450 February 7, 2012 "He Served Us Well" This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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The Beauty of Liberty & Equality PP Printers Proof Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. AP Artist Proof 2020 Signed by Shepard Fairey & Sandra Chevrier & Marked AP Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality PP Austin Mural Print by Shepard Fairey x Sandra Chevrier x Jon Furlong. Shepard Fairey, Sandra Chevrier, and the Artistic Synergy in Urban Landscapes Street pop art and graffiti artwork are vibrant chronicles of contemporary culture, often encapsulating the socio-political zeitgeist within their vivid tableaux. The "Beauty of Liberty & Equality" mural in Austin, meticulously captured in print by Jon Furlong, is a commanding representation of this genre. This piece, a collaboration between Shepard Fairey and Sandra Chevrier, is a lithograph print that encapsulates the essence of pop art's interaction with urban landscapes. Initially crafted in the bustling milieu of Austin, the mural serves as a public art installation and a dialogue with its onlookers, beckoning them to reflect on the thematic elements of liberty and equality. Shepard Fairey, renowned for his "OBEY" campaign and his iconic Obama "HOPE" poster, brings his distinct stencil-based design and politically charged ethos to the piece. Sandra Chevrier, on the other hand, is celebrated for her "Cages" series, where she often depicts women's faces obscured by comic book imagery, exploring the "cages" society builds around individuals. The artwork size, at 18x24 inches, is substantial enough to command attention yet sized for intimate reflection. The "Beauty of Liberty & Equality" is marked as an Artist Proof (AP) 2020, signed by Fairey and Chevrier. This denotes a personal touch from the artists, a direct connection to the creators that is often sought after by collectors and fans of street art. Legacy and Collectibility of Limited Edition Street Pop Art Prints Street pop art, inherently linked with graffiti artwork, thrives on accessibility and public engagement. This mural print, conceived in this spirit, transforms an urban wall into a canvas that speaks to societal ideals and the ongoing quest for equality. It is this interplay between art and ideology, powerfully rendered by Fairey and Chevrier's distinct styles, that imbues the piece with its profound resonance. As a limited edition artwork on fine art paper, the "Beauty of Liberty & Equality" print is not only a piece of visual discourse but also an artifact of cultural significance. Limited editions often enhance the value of street art, which is, by nature, ephemeral. Through the medium of the offset lithograph, the transient becomes permanent, and the once fleeting moment of artistic expression is preserved for posterity. In the domain of street pop art and graffiti, this print stands as a testament to the enduring power of visual art to challenge, celebrate, and contemplate the grand ideals of liberty and equality. The collaboration between Shepard Fairey, Sandra Chevrier, and Jon Furlong in capturing and sharing this moment contributes a significant chapter to the narrative of contemporary street art.

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The Lonesome Crowded West Tower Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY Marking the 25th anniversary of Modest Mouse's influential album "The Lonesome Crowded West," celebrated street artist Shepard Fairey, known as OBEY, crafted a striking limited edition silkscreen print. This 2022 piece, meticulously hand-pulled and comprising five colors on Cream Speckletone fine art paper, mirrors the layered complexity of the album it honors. The work measures 18x24 inches, a testament to the album's monumental impact on the alternative rock scene and Fairey's own artistic journey. Each of the 825 signed and numbered prints encapsulates Fairey's personal connection with the album, having first encountered its raw and eclectic sound in 1998, a year after its release. He describes the album as "multi-dimensional," resonating through its varied tones from the "aggressive and dissonant" to the "folky, jangly, and intimate." His favorite tracks, "Doin’ the Cockroach" and "Cowboy Dan," evoke contrasting emotions of exhilaration and introspective tension, revealing the dexterity of Modest Mouse's music and the profound lyrical skill of frontman Isaac Brock. In this piece, Fairey channels the essence of the album's themes, depicting an isolated tower amidst a vast, red-streaked landscape, symbolizing the album's exploration of urban isolation and the Western American experience. The contrast between the solitary building and the surrounding expanse eloquently captures the album's title, "The Lonesome Crowded West." This visual representation goes beyond mere album art; it is an intersection of Fairey's iconic style and Modest Mouse's sonic influence, bridging visual and auditory art forms. Fairey's engagement with Modest Mouse extends back to their 2000 "Black Glass" tour, for which he also created a poster. This long-standing relationship emphasizes the mutual respect between the artist and the band, illustrating how music and visual art can coalesce to form powerful cultural statements. His artistic expression is not only a tribute to the music but also an homage to Brock's poetic lyrics, which left an indelible impression on Fairey, prompting him to label Brock a true poet. As an influential figure in street art and pop culture, Fairey’s creation for Modest Mouse cements his position at the forefront of contemporary art. It serves as a visual anchor for the album’s legacy, ensuring that its cultural resonance extends into the visual realm. Collectors and fans of both the band and Fairey find in this print a confluence of two forms of rebellion and expression, solidified on paper but echoing far beyond.

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No Bees No Honey Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 325 Artwork Size 18x24 Gold Metallic Ink "The Clash are my all-time favorite band and their frontman, Joe Strummer, is a hero of mine for his music, lyrics, wit, compassion for the underdog, and stance against injustice. To celebrate the release of JOE STRUMMER 002 and in honor of Joe’s 70th birthday, a limited edition print inspired by the Joe Strummer and the Mescaleros song, JOHNNY APPLESEED. Joe’s lyric “If you’re after getting the honey, then you don’t go killing all the bees” applies to lots of things, like mistreating factory workers, but for me the idea that bees are pollinators who are crucial to sustaining Earth’s fragile eco-systems is a powerful idea. I hope to honor Joe’s music and extend his ideas with my No Bees No Honey print. A portion of proceeds will go to the Joe Strummer Foundation." -Shepard Fairey The intersection of street art, pop art, and graffiti has often found its voice through artists who transcend the confines of traditional media to bring forth powerful messages. One such eminent figure in this realm is Shepard Fairey, known widely for his iconic designs and thought-provoking artistry. His piece, "No Bees No Honey," is a color hand-pulled limited edition silkscreen print that stands as a testament to Fairey's artistic prowess and his ability to interweave poignant messages with his art. Created on cream speckle tone paper, the print embodies a vibrant play of colors and is accentuated by gold metallic ink that gives it a unique touch. The allure of this piece, however, isn't just its visual appeal but also its rarity. With only 325 signed and numbered pieces available, it stands as a collector's item and a beacon of Fairey's dedication to his craft. Sized at 18x24, the artwork captures attention with its intricate details and the symbolic imagery it presents. What elevates this piece from merely being a work of art to a profound statement is the backstory that inspired it. The artwork draws its essence from the legacy of Joe Strummer, frontman of "The Clash" and a stalwart figure revered by Fairey. Strummer's dedication to justice, his compassion for the marginalized, and his undying spirit resonate deeply with Fairey, making him a consistent source of inspiration. The inception of "No Bees No Honey" can be traced back to a song by Joe Strummer and the Mescaleros titled "JOHNNY APPLESEED." A line from this song, "If you’re after getting the honey, then you don’t go killing all the bees," serves as the driving philosophy behind Fairey's artwork. At a glance, this lyric speaks volumes about sustainability and the delicate balance of nature. By delving deeper, one recognizes its applicability to a myriad of societal issues, ranging from the exploitation of factory workers to the broader challenges faced by our ecosystem. The role of bees as indispensable pollinators, ensuring the continuation of life on Earth, is cleverly juxtaposed with Strummer's lyrics, creating an artwork that's as profound in its message as it is stunning in its design. Fairey's commitment to social causes and his admiration for Strummer converge in "No Bees No Honey," but they also manifest in tangible contributions. A part of the proceeds from this artwork is dedicated to the Joe Strummer Foundation, thereby furthering the cause and ensuring that art acts as a vehicle for positive change. In the world of contemporary art, pieces like "No Bees No Honey" remind us of the transformative power of creativity. Shepard Fairey's art is not just an aesthetic pleasure; it's a call to introspection, an invitation to ponder deeper societal issues, and a celebration of the indomitable spirit of figures like Joe Strummer.

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Peace Guard 2 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2016 Signed & Numbered Screen Print PEACE GUARD 2 Screen Print 18 x 24 inches Edition of 450 November 29, 2016 This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Justice Woman- Blue 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 550 March 16, 2021 The Justice Woman print is a tribute to all warriors for justice whose determination and tenacity bend the arc of the universe toward the just future we need. Justice is a constantly evolving idea when it comes to various issues, but generally speaking, those willing to listen to their conscience, look their fellow human beings in the eyes, and stand up for what is right, are setting an important example and can influence people to treat others as they’d like to be treated.

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Tom Dula White AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print—Lonesome Tree Stylized Old Gnarled Tree in Western Desert Setting. Thomas C. Dula was a former Confederate soldier who was convicted of murdering Laura Foster, based on a song made famous by Kingston Trio. Shepard Fairey's "Tom Dula White AP" is a silkscreen print that fuses historical narrative with the artist's signature graphic style. Created in 2012, this piece is part of a limited edition set, hand-pulled with a color process on Fairey’s preferred medium, cream speckletone fine art paper. Each print in the series bears Fairey's signature and the distinctive 'AP' mark, denoting it as an Artist Proof. This status often holds higher value due to its rarity and direct connection to the artist's initial vision. Measuring 18x24 inches, the artwork presents a lone, stylized tree in a desolate Western desert setting. The barren landscape serves as a metaphorical backdrop to the somber tale of Thomas C. Dula, a former Confederate soldier whose name became immortalized in the folk song "Tom Dooley" following his controversial conviction and execution for the murder of Laura Foster. Fairey's choice to represent this narrative through a stark and solitary tree amidst an arid terrain reflects the isolation and finality of Dula's fate. This print stands out in pop and street art for its storytelling through visual symbolism. The work does not merely capture viewers' attention with its aesthetic but also invites them to engage with a deeper historical narrative, a characteristic often found in Fairey's body of work. It showcases the artist's ability to navigate the intersection of pop culture and fine art, where historical references become part of the modern visual lexicon. Shepard Fairey’s work frequently contains layers of meaning with a propensity for social commentary. With "Tom Dula White AP," the art is not only about presenting a visual narrative but also evoking an emotional response that connects the historical past with contemporary culture. This piece is a poignant example of how street art can transcend its urban origins, entering the gallery space as a powerful storytelling medium that bridges historical context and modern expression.

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They Live 2 Movie Hand-Pulled 2-Color Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey x Mondo. 2011 Signed & Numbered Screen Print They Live 2, 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 500 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles They Live Movie Screening Alamo Drafthouse Austin Texas June 9 2011. This Is Your God, Obey Your Dictator Minute bump to the lower-left corner.

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Obey Radical Peace- Blue 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 375 May 7, 2021. Shepards Spin of the Capital Protest 2021 Where Cops Killed 5 Unarmed Protestors.

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Flower Power Red AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2013 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print Given As Christmas Gift To Friends & Family of Artist. Red Lotus Flower & Star Obey Andre The Giant Logo. Shepard Fairey, globally recognized for his OBEY campaign, showcases his talents again with his "Flower Power Red AP" silkscreen print, a symbolic representation of his signature style meshed with socio-political undertones. This hand-pulled screen print, meticulously crafted on Speckletone Fine Art Paper, belongs to a series of artist proofs from 2013. Characteristic of Fairey's dedication to detail and passion for unique designs, artist proofs are initial impressions made by the artist during the creative process, ensuring the final product's fidelity to their vision. These proofs, while seldom made available for public purchase, are deeply personal and often reserved for those closest to the artist. Such is the case with the "Flower Power Red AP," given as a treasured Christmas gift to friends and family. The artwork itself stands as a juxtaposition of vibrant aesthetics and profound symbolism. Dominated by the hues of fiery red, it features a lotus flower—a traditional symbol of purity and rebirth—surrounded by the iconic star from the OBEY campaign and the unmistakable Andre the Giant logo. While street art often blends subversive elements with the contemporary, Fairey's choice of symbols is a testament to his penchant for evoking thought and discourse. Positioned at the intersection of pop art, street art, and graffiti, "Flower Power Red AP" is not just a testament to Fairey's unparalleled skill but also an encapsulation of the rebellious spirit and critique of popular culture.

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RFK Robert F Kennedy Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print From Friends of LAHSA Shepard Fairey – RFK Robert F. Kennedy Silkscreen Print in Street Pop Art & Graffiti Artwork Shepard Fairey’s RFK Robert F. Kennedy silkscreen print, released in 2023 as a signed and numbered edition of 500, is a striking example of political portraiture rooted in the traditions of Street Pop Art & Graffiti Artwork. Hand-pulled in two colors on speckletone fine art paper and sized at 18x24 inches, this piece was created in collaboration with Friends of LAHSA, a civic-focused initiative that aligns with Fairey’s longtime advocacy for social justice and equity. The print features a high-contrast, posterized portrait of Robert F. Kennedy accompanied by one of his most poignant quotes about moral courage and global solidarity. With his bold graphic style and use of iconic political imagery, Fairey reaffirms his place as one of the most influential figures in the evolution of street-inspired art into the contemporary gallery space. This artwork uses visual minimalism to amplify meaning. With only shades of blue and cream across a navy field and a solid red base for the quote, Fairey’s print references both mid-century political posters and wartime propaganda aesthetics. This creates instant recognition and authority, demanding attention much like a wheatpaste on a city wall. The portrait is defiant, hopeful, and idealistic—an image of a leader remembered for empathy and progressive vision. Through Fairey’s lens, Kennedy becomes a timeless symbol of ethical resistance, made relevant again through the voice of street art. Stylistic Roots in Protest and Public Messaging Fairey’s visual language has always blended graphic clarity with ideological intensity. Starting with his OBEY Giant campaign in the 1990s and culminating in his globally recognized HOPE poster for Barack Obama, Shepard Fairey has developed a formula that uses limited color palettes, bold typography, and photorealistic stenciling to produce maximum impact. This RFK print continues that lineage, with a layout that feels urgent and accessible. It is designed not just to be admired but to be read, shared, and posted. The poster format itself—a key tool in both political propaganda and graffiti wheatpasting—evokes the democratic intent of street art: to communicate complex ideas to everyday people, in everyday spaces. The quote printed beneath Kennedy’s portrait reinforces this intent. It’s not just a tribute; it’s a call to action. The choice of typeface, spacing, and alignment mimics the clear, rallying cadence of protest signs. Fairey does not use ornate or obscure fonts—his typography is strong, clean, and civic-minded. This decision keeps the focus on the message and mirrors graffiti’s utilitarian purpose: to declare something publicly and unapologetically. Street Pop Art's Voice in Contemporary Civic Dialogue Shepard Fairey’s influence extends beyond visual culture into the realm of activism. His consistent use of political figures, revolutionary icons, and socially conscious themes links him directly to the foundations of Street Pop Art & Graffiti Artwork. While many artists have transitioned from street to gallery, Fairey has retained a commitment to public communication. This RFK print, although gallery-sold and printed on premium paper, retains the visual and moral urgency of a mural or sticker drop. The collaboration with Friends of LAHSA (Los Angeles Homeless Services Authority) reinforces this by tethering the work to real-world causes—housing, dignity, and advocacy. Fairey’s portrait of Robert F. Kennedy does more than commemorate a figure from the past—it activates memory as a form of resistance. By resurrecting Kennedy’s image and words within a modern aesthetic framework, Fairey creates an emblem of enduring idealism. It’s a piece meant not only for collectors but for classrooms, city walls, and civic campaigns—any space where art and action converge. In the lineage of Street Pop Art & Graffiti Artwork, Shepard Fairey’s RFK print stands as both homage and declaration. It reflects the belief that visual culture can still inspire political courage and that the tools of street art—bold graphics, public messaging, and shared authorship—remain powerful instruments of change.

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Pandemonium Silkscreen Print by TOMO77 x Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by TOMO77 & Shepard Fairey & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print "TOMO77 has documented a period marked by isolation and confusion, from the earliest anxious days of the pandemic through more than a year of political and social unrest. Amid this graphic testimony of uncertainty, uproar, and division, TOMO77 leaves us with one question: Where do we want to go from here?" -Shepard Fairey- OBEY. The collaborative work of TOMO77 and Shepard Fairey in the "Pandemonium" silkscreen print profoundly represents the tumultuous period that marked the early 2020s. This limited edition piece, hand-pulled with four colors on cream speckletone fine art paper, stands as a cultural artifact, encapsulating the essence of street pop art and graffiti artwork. Signed by both TOMO77 and Shepard Fairey, the artwork is part of a limited run of 300, each piece numbered, indicating its value and scarcity. The artwork's dimensions, 18x24 inches, provide a substantial canvas for the intricate designs and stark contrasts that have become hallmarks of both artists. TOMO77's contribution to this piece is particularly poignant, as his work often grapples with themes of human behavior, social upheaval, and the influence of capitalism, especially within the context of an immigrant lens. The "Pandemonium" print reflects these themes, addressing the global disarray and introspection during significant societal and political unrest. Shepard Fairey's partnership with TOMO77 on this project enhances the narrative potency of the piece, as Fairey's legacy in street art and activism art adds depth to the print's conceptual framework. Through their combined efforts, "Pandemonium" becomes more than just an artwork; it is a visual question posed to the audience, challenging them to consider the direction of human progress in times of crisis. The print represents the artist's technical prowess and commitment to using art for reflection and potential change.

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Barb Wire Dove Collage Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print Barb Wire Dove Collage, an illustrious piece by globally acclaimed artist Shepard Fairey, demonstrates the compelling interplay of iconography and symbolism. Created in 2023, this limited edition artwork is a captivating fusion of pop art and street art aesthetics, meticulously hand-pulled on Speckletone Fine Art Paper. The exquisite detail of this silkscreen print, underscored by Fairey's signature technique, is a testament to his artistic proficiency. Emblematic of Fairey's work under his well-known OBEY brand, the Barb Wire Dove Collage commands attention through its layered narrative and striking visuals. Limited to a series of 450, each piece is signed and numbered by the artist, thereby underlining its exclusivity. The artwork, measuring 18x24, carries an impactful presence, with every inch filled with intricate design and thoughtful imagery. At the heart of this artistic expression lies a symbolic dove, ensnared in barbed wire, a potent metaphor often associated with peace trapped within the confines of societal or political unrest. The vivid pop-art colors utilized by Fairey further enhance the visual appeal of the artwork, making it a noteworthy addition to any collection. Shepard Fairey's reputation as a stalwart in the street and graffiti art domain lends further prestige to the Barb Wire Dove Collage. His work consistently challenges viewers, prompting introspection and dialogue around sociopolitical themes. As an emblem of his artistic journey and his continuing influence in the world of pop and street art, this piece is an emblematic representation of Fairey's distinct visual language and innovative approach to creating resonant imagery.

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Supply and Demand Red AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2006 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Obey Giant Star Andre The Giant Logo on Wreath Like Badge With Obey & Dollar Sign. Shepard Fairey, renowned for his unique blend of pop, street, and graffiti art, introduced the "Supply and Demand Red AP" in 2004, marking another powerful testament to his iconic artistic endeavors. This piece showcases a meticulous hand-pulled screen print on fine art paper, demonstrating Fairey's commitment to craft and detail. Artist Proofs, often abbreviated as AP, are unique versions of limited edition prints used primarily for the artist's collection or close associates. This silkscreen print is embossed with the coveted AP mark, signifying its rarity and distinction from the general run. Deeply embedded within this artwork is Fairey's emblematic Obey Giant Star, a symbol that traces back to his earliest days in the art scene. The emblem, inspired by the visage of Andre the Giant, has, over time, become a potent image in contemporary art. Set against the backdrop of a wreath-like badge, this motif gains prominence. The art is interspersed with other powerful symbols - the commanding word "Obey" and the omnipresent dollar sign. These elements together provide commentary on societal obedience, consumer culture, and the intersections of power, propaganda, and capital. Fairey's works often delve into these thematic explorations, prompting viewers to engage with their surroundings critically. Celebrated globally, Shepard Fairey's prints, minimal editions like "Supply and Demand Red AP," continue to captivate audiences. They not only signify the pulsating energy of street art but also underscore the potential of this medium to invoke reflection, dialogue, and change. This silkscreen print stands as an epitome of Fairey's transformative journey, from street corners to revered gallery spaces.

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Obey Radical Peace- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 375 May 7, 2021. Shepards Spin of the Capital Protest 2021 Where Cops Killed 5 Unarmed Protestors.

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Floral Takeover 2017 Cream Red Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. The "Floral Takeover 2017 Cream Red Silkscreen Print" is a significant entry in the oeuvre of Shepard Fairey, an artist whose work is synonymous with the intersection of Street Pop Art and graffiti Artwork. This piece is part of a limited edition of 200, each signed and numbered, denoting its value as a collectible. With dimensions of 18x24 inches, the silkscreen print is substantial enough to make a statement on any wall it adorns. Fairey, with his characteristic OBEY brand, has long been a provocateur, blending commercial art techniques with street art's subversive edge, and this work is a clear example of that fusion. Fairey's approach to creating new patterns for street installations and fine art pieces harks back to his early days when he would use discontinued wallpaper as a backdrop for his work. The transition to designing and printing his patterns demonstrates a progression in his artistic control and the evolution of his signature style. The 'Floral Takeover series showcases the artist's ability to adapt elements traditionally associated with interior design and repurpose them within the context of street art and pop culture. By doing so, Fairey blurs the lines between art as a purely aesthetic commodity and its function as a commentary on societal norms. In this print, Fairey plays with a cream speckle tone fine art paper that gives the work a textured, organic feel, contrasting with the precise and deliberate two-color silkscreen technique. The choice of cream as the base color amplifies the boldness of the red floral pattern, allowing the design to leap off the paper with a vivacity that captures the viewer's eye. The juxtaposition of color and form symbolizes Fairey's work, where contrast often serves as a visual metaphor for broader cultural and political contrasts. Moreover, the 'Floral Takeover' print series reflects Fairey's humor and his recognition of the interplay between art and the commercial world, as hinted at in his playful suggestion to "buy a couch to match." This statement encapsulates the artist's awareness of the commodification of art in pop culture and his role within that process. Through works like this, Fairey continues to challenge perceptions of what street art can be, bridging the gap between graffiti's rebel spirit and gallery pieces' polished finish.

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The Beauty of Liberty & Equality Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. 2020 Signed by Shepard Fairey & Sandra Chevrier & Numbered Limited Edition of 500 Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality Austin Mural Print Shepard Fairey x Sandra Chevrier x Jon Furlong. "This historic centennial offers an unparalleled opportunity to commemorate a milestone of democracy and to explore its relevance to the issues of equal rights today. The Women's Vote Centennial Initiative, a collaboration of women-centered institutions, organizations, and scholars from across the US, works to ensure that this anniversary and the 72-year fight to achieve it are commemorated and celebrated throughout the United States." -Shepard Fairey Shepard Fairey and Sandra Chevrier's Commemorative Vision: "The Beauty of Liberty & Equality" Mural "The Beauty of Liberty & Equality" mural in Austin, captured in an offset lithograph print by Jon Furlong, represents a powerful synergy between urban graffiti, pop street art, and political activism. This limited edition artwork, created in 2020 by renowned artists Shepard Fairey and Sandra Chevrier, is part of a series signed and numbered 500. The print dimensions of 18x24 inches serve as a testament to the mural's grandeur and the message it conveys. Shepard Fairey's statement contextualizes the piece within the historical framework of the Women's Vote Centennial Initiative, linking the struggle for democratic rights to contemporary equality issues. Fairey, an artist known for his provocative and socially charged work, joins forces with Sandra Chevrier, whose art often explores the limitations imposed on women, to create a mural that celebrates progress and a call to action. The mural's vibrant imagery and compelling iconography draw on the visual language of street pop art and graffiti. At the same time, the lithograph print extends the mural's reach from the streets of Austin to the global art community. Intersecting Art and Activism in Public Spaces The intersection of art and activism is vividly presented in "The Beauty of Liberty & Equality" mural. Fairey and Chevrier harness the visual potency of street pop art to communicate and inspire dialogue around the centennial of the women's suffrage movement. Their collaboration is a visual narrative commemorating the historical fight for women's voting rights and reflecting on its significance in today's ongoing struggle for gender equality. The mural becomes more than just an art piece; it is a historical marker and a reflective mirror of society's progress and the remaining challenges. This Austin mural and its corresponding lithograph print embody the core values of street pop art and graffiti artwork by merging aesthetics with a message that resonates on a societal level. The artists utilize their platforms to amplify voices and themes that are often marginalized, demonstrating the power of public art to spark change and provoke thought. "The Beauty of Liberty & Equality" mural by Shepard Fairey and Sandra Chevrier, captured in print by Jon Furlong, is an iconic piece of street pop art that transcends its medium to become a beacon of historical awareness and social commentary. The limited edition lithograph print is a collectible item and a piece of cultural heritage that continues to disseminate the ideals of liberty and equality through the universal language of art.

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Educate to Liberate Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 4-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print Depicting Bobby Seale of the Black Panther Party in Stylistic 70s Retro Style. "The events this month honor the backbone leadership of the original Party. The work of BPPALN is to ensure the education initiatives and community outreach programs provide knowledge while improving the quality of life for the Elders, all the way to the youth of today." -Shepard Fairey- OBEY Shepard Fairey, a contemporary street artist widely known for his OBEY series, produced a remarkable silkscreen print titled "Educate to Liberate." This limited edition artwork, hand-pulled and comprising four colors on cream speckletone fine art paper, is significant in the street pop art and graffiti art realm. Created in 2021, the print is part of a limited edition of 300, each signed and numbered by the artist, emphasizing its exclusivity and collectible nature. Measuring 18x24 inches, the print is a striking homage to Bobby Seale, co-founder of the Black Panther Party. Seale is depicted in a stylistic retro fashion reminiscent of the 1970s when the Black Panther Party was at the forefront of civil rights activism. Fairey's artwork captures the essence of Seale's impact and serves as a visual narrative that bridges past struggles with contemporary social issues. Fairey's statement regarding this piece highlights the enduring influence of the Black Panther Party's leadership and underscores the importance of educational initiatives and community outreach. These programs are designed to empower and enhance the quality of life for people across generations, from the elders who were the movement's backbone to today's youth. By invoking the spirit of the Black Panthers' activism, Fairey's "Educate to Liberate" becomes more than art; it is a call to action, urging ongoing education and community engagement as vehicles for liberation. This print solidifies Fairey's standing as a pivotal figure in street pop art within the framework of OBEY as a topic. His works are not merely aesthetic creations but are imbued with social commentary and the power to provoke thought and inspire change. As a limited edition piece, "Educate to Liberate" is not just a collectible but also a testament to the ongoing relevance of street art as a form of social and political engagement.

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Sedation of Millions AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Number 3 in A Gun Target Retnial With Phrase "IT TAKES THE SEDATION OF MILLIONS TO HOLD US BACK." "The "Sedation Of Millions" print is inspired by the title of my favorite Public Enemy album, "It Takes A Nation Of Millions To Hold Us Back." I think the biggest problem in America is the indifference and complacency about important issues that result from much of the population being perpetually hypnotized by conspicuous consumption, social media, entertainment, and self-medication. Using sedation and escapism for relief from the rat race might make us less aware(blissfully ignorant) but also less empowered to improve our role within the rat race… a vicious cycle of cause and effect." -Shepard Fairey The "Millions AP" silkscreen print by Shepard Fairey stands as a profound commentary on contemporary society through the lens of street pop art and graffiti artwork. As an Artist Proof from 2012, signed and marked by Fairey himself, this limited edition piece presents a powerful visual fused with a direct message characteristic of Fairey's thought-provoking style. Sized at 18x24, the print features the image of a gun target retinal, the number 3 prominently placed at its center, overlaid with the bold phrase "IT TAKES THE SEDATION OF MILLIONS TO HOLD US BACK." This artwork resonates with Fairey's ongoing exploration of control, power, and propaganda. The title and the thematic content pay homage to Public Enemy's album "It Takes A Nation Of Millions To Hold Us Back," channeling the spirit of resistance and the power of voice emblematic of the influential hip-hop group. Fairey's work challenges the viewer to consider the societal implications of complacency and the sedative effects of consumer culture, social media, and entertainment that contribute to a collective indifference toward critical issues. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, consistently blurs the lines between fine art and street art, bringing forth discussions that encapsulate the ethos of both genres. The "Millions AP" silkscreen print serves not just as a piece of art but as a call to consciousness, urging a break from the "blissful ignorance" induced by escapism and advocating for empowerment through awareness and action. This work is a visual manifestation of Fairey's critique on the cyclical nature of societal sedation and the importance of awakening from it to enact change within the systems that govern daily life. In the broader scope of street pop art and graffiti, Fairey's "Millions AP" print encapsulates the essence of the medium's capacity to reflect and impact cultural dialogue. It is a testament to the potential of visual art as a medium for social commentary and a marker of the time in which it was created.

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Love Lotus 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 550 June 1, 2021 This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley’s passing. The series represents the amazing breadth of Marley’s character… the philosopher, the confrontational warrior for justice, and the evangelist for love and connection. Bob

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Modular Silkscreen Print by Add Fuel x Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Diogo Machado aka ADD FUEL’s art functions on several levels literally and metaphorically. His pieces master the aesthetics of traditional Portuguese tile work while adding his own playful character illustrations subversively woven into the designs. These two seemingly disparate styles are so elegantly blended together that discovering the oddity within the harmony is both bizarre and joyful. The actual and faux rips ADD FUEL incorporates into his art are more than just a nod to paper, the common material of modern street art, they’re also a provocative bit of visual dissonance since tiles don’t rip. Despite the incongruity of tiles and rips, ADD FUEL’s visually seductive compositions evoke a sense of time passed and a story behind each layer." -Shepard Fairey- OBEY Modular by Add Fuel x Shepard Fairey – Obey Collaborative Silkscreen in Street Pop Art & Graffiti Artwork Modular is a 2022 collaborative silkscreen print created by Portuguese artist Diogo Machado, known as Add Fuel, and American artist Shepard Fairey, the founder of OBEY. Hand-pulled on cream Speckletone fine art paper and released in a signed and numbered limited edition of 500, this 18 x 24 inch artwork exemplifies the synergy between ornamental heritage and contemporary visual resistance. The print layers traditional azulejo tile motifs, signature to Add Fuel’s practice, with Fairey’s distinct iconography and compositional balance. Faux paper rips tear through the layers, revealing dynamic juxtapositions of classic pattern, modern pop abstraction, and a central floral mandala infused with Fairey’s visual politics. The piece vibrates with blue, red, and white tonalities, echoing the dual themes of beauty and disruption at the core of their shared visual vocabulary. Tile Motifs, Illusion, and Layered History Add Fuel’s approach to traditional Portuguese tile work is at once reverent and subversive. By reinterpreting the symmetrical elegance of ceramic motifs with unexpected figures and graphic elements, he modernizes a centuries-old medium while injecting it with conceptual humor and narrative depth. In Modular, the faux rips slice through the precision of the tiles to expose underlying designs, mimicking the distressed layering often found in urban environments. These rips are visual contradictions—tiles do not tear—yet they ground the piece in the material reality of street posters, wheatpastes, and handbills. The effect suggests a story unfolding across time, where aesthetics are built upon each other, scraped away, and reassembled to create a living history. This illusion invites the viewer to peel back their own assumptions about permanence, tradition, and identity. Shepard Fairey’s Integration and Urban Influence Shepard Fairey’s signature influence is woven into the modular structure of the work through the inclusion of bold geometric symbology and red-toned central focal points. Known for his OBEY Giant campaign and the Hope poster for Barack Obama, Fairey brings a sharply honed graphic instinct to this collaboration. His presence in Modular is not dominant but seamlessly integrated, allowing the dialogue between his political design language and Add Fuel’s ornamental fluency to unfold in harmony. The composition carries Fairey’s commitment to layering, repetition, and symbolic forms of power, contributing to the conceptual weight of the piece without overpowering the decorative base. It is a rare fusion of design-minded street art and historic pattern making, emblematic of Fairey’s mission to preserve message within form. Craftsmanship and Concept in Street Pop Art & Graffiti Artwork This silkscreen print was meticulously crafted using multiple layers of ink on Speckletone paper, a choice that echoes the street origins of both artists’ practices while elevating the final result to gallery standards. Modular’s formal tension between classic ornament and pop symbolism makes it a quintessential example of contemporary Street Pop Art & Graffiti Artwork. It reflects an evolving aesthetic where collaboration expands meaning, and where cultural pasts are not preserved in silence but animated through visual intervention. For collectors and viewers, Modular offers a tactile and symbolic experience—a print that holds the precision of tradition and the urgency of the present in perfect contradiction. It stands as a testament to the transformative power of surface, story, and subversion.

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Obey Radiant Lotus- Round 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered 24 inches by 24 inches Edition of 550 August 1, 2022 "The Radiant Lotus is part of a recent series of my works exploring round compositions. This print is inspired by the symbolism and beauty of the Lotus flower emanating positive energy, rendered with a graphic and geometric style. The Lotus is something beautiful that grows out of the mud. I see the Lotus as a metaphor for what is especially needed in this moment, an effort to lift ourselves out of the mud of political feuding and environmental irresponsibility in pursuit of harmony with each other and the planet." –Shepard Fairey

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Lotus Ornament- Black 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Gordon Cheung Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print LOTUS ORNAMENT (BLACK) Screen Print 18 x 24 inches Edition of 300 April 22, 2008 A few soft handling creases.

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Pedestal 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print PEDESTAL Screen Print 18 x 24 inches Edition of 450 August 8, 2013 This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Diamond Lotus- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. Shepard Fairey (b. 1970) Diamond Lotus (Red), 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 360/400 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles

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Friendship and Support 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2011 Signed & Numbered Friendship and Support, 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. The Harrison Foundation! “Friendship and Support” supporting UNICEF! Today I am proud to honor the legacy of George Harrison and the very first major music concert for a cause “The Concert for Bangladesh”. Join me in supporting the great work of the George Harrison Fund for UNICEF and their work with the children affected by the famine in Africa. - Shepard Fairey

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The Man Who Walks Through Walls AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print. Shepard Fairey x Blek le Rat The Man Who Walks Through Walls AP Silkscreen Print 2008 The 2008 The Man Who Walks Through Walls AP Artist Proof silkscreen print is a rare collaboration between Shepard Fairey, internationally recognized as OBEY, and stencil pioneer Blek le Rat. Hand-pulled on fine art paper and measuring 18 x 24 inches, this limited edition Artist Proof was signed by both artists and marked “AP,” distinguishing it from the standard numbered edition of 100. As an Artist Proof, it holds particular value among collectors of Street Pop Art & Graffiti Artwork, symbolizing both artistic experimentation and the direct approval of the creators. Imagery and Urban Context The composition combines stark stencil work with a heavily graffitied wall, embedding the artwork within the raw energy of urban life. At the center, a suited man carries bags labeled with text, positioned alongside a goat, while a police officer passes in the foreground. To the right, a telephone booth punctuates the scene, grounding the work in the everyday architecture of the city. The layering of graffiti tags, political scrawls, and the surreal juxtaposition of figures evoke themes of consumerism, authority, and rebellion. The suited figure in particular hints at urban alienation, while the presence of the goat and booth adds absurdity, making the composition at once humorous and sharply critical. Collaboration Between Shepard Fairey and Blek le Rat Blek le Rat, born Xavier Prou in 1951 in France, is widely credited as the father of stencil graffiti, bringing social commentary directly into the streets of Paris beginning in the 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, built his reputation through his OBEY sticker campaign and politically engaged prints, including the Hope poster of Barack Obama. Their collaborative works, such as The Man Who Walks Through Walls, highlight a shared belief in the role of public art as a platform for protest and dialogue. The merging of Fairey’s graphic sensibilities with Blek’s direct stencil approach emphasizes the continuity between two generations of politically minded street artists. Rarity and Significance of the Artist Proof The Artist Proof edition carries special weight within the print world, typically produced in very small quantities and often retained by the artists. Signed by both Shepard Fairey and Blek le Rat and marked AP, this print holds heightened collectible value and authenticity. Beyond rarity, its imagery and collaborative nature underscore the strength of street art as a vehicle for political and cultural critique. The Man Who Walks Through Walls AP silkscreen print is not just a fine art object but also a vivid statement on urban culture, consumerism, and resistance, making it a defining example within the history of Street Pop Art & Graffiti Artwork.

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Chinese Soldier 2 TP Test Print Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 1-Color on Thin Art Paper Limited Edition Artwork Obey Pop Culture Artist. TP AP Artist Test Proof Print 2006 Unsigned. Testing Out The Process From Shepard Faireys Then Workshop. Black Mono Print, Unsigned, No Markings. Artwork Size 18x24 Silkscreen Print. TearsBending & Creasing throughout The Margins, Working Artist Copy. Crease Across Lower Right Facing Side. Shepard Fairey's "Chinese Soldier 2 TP Test Print" is a compelling piece that exemplifies the intersection of street art and political commentary, hallmarks of Fairey's work. As an iconic figure in pop and graffiti art, Fairey has long been recognized for his ability to provoke thought and stir public discourse through his art. This particular silkscreen print is a test proof from 2006, emanating from the artist's experimentation with printmaking techniques. Hand-pulled and comprising five colors on thin art paper, this limited edition artwork carries the signature visual style of Fairey's Obey series, which commands attention to the themes of propaganda, control, and societal obedience. The print, depicting a Chinese soldier with a flower protruding from the barrel of his rifle, challenges viewers to question the juxtaposition of military power with peace—a dichotomy often explored in anti-war art and literature. The raw and unrefined nature of this test print adds to its authenticity and makes it a unique collector's piece, especially considering it is a black mono print and is unsigned, with no markings. The lack of signature is particularly notable as it speaks to the essence of street art, where the message often takes precedence over the artist's identity. Measuring 18x24 inches, this print is sizable, allowing for an immersive viewing experience that draws the eye to the stark contrasts and the compelling imagery that has become synonymous with Fairey's work. Fairey's influence on street art extends beyond his visual work; his methods and approach have inspiremanyof artists to see the urban landscape as a canvas for commentary and change. His test prints, such as "Chinese Soldier 2," offer a glimpse into his process and an understanding of the experimentation behind his finished pieces. This artwork, while a test piece, stands alone in its powerful message and aesthetic, encapsulating the energy and defiance of street art culture.

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Revolution Girl Silkscreen Print by WK Interact x Shepard Fairey- OBEY Hand-Pulled 1-Color on Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2007 Signed by WK Interact & Shepard Fairey- OBEY Limited Edition of 250 Artwork Size 18x24 Silkscreen Print. No Obey/WK Revolution Girl Prints Were Numbered in This Edition, and Half of WK Did not Sign; Both Artists Signed This Artwork. Small Crease to the Lower Right Facing Corner. "Revolution Girl" is a compelling collaboration between Shepard Fairey, the founder of OBEY, and WK Interact, an artist known for his dynamic street art. This one-color silkscreen print, produced in 2007, exemplifies a confluence of two distinctive styles that have shaped the visual vocabulary of street art and pop culture. Measuring 18x24 inches and printed on Speckletone fine art paper, the piece is part of a limited edition series with only 250. Significantly, this print is dual-signed by both artists, a rarity given that not all prints from this series were signed by WK Interact, and none were numbered, adding a layer of exclusivity to this artwork. The image is a stark, high-contrast depiction that conveys a sense of urgency and defiance, characteristic of Fairey's work, blended with the kinetic energy of WK Interact's approach to street art. The piece features a figure that is an assertive and revolutionary instance, capturing the ethos of protest and empowerment. This artwork speaks to the heart of street art’s purpose—to challenge norms and inspire change through visual disruption. The presence of a small crease on the lower right-facing corner of the print is a testament to its journey and authenticity, a nod to the often impermanent and rugged life of street art. By merging their distinct artistic signatures, Fairey and WK Interact create a narrative that is both a political and aesthetic statement, resonating with the core of pop art’s intent to blur the boundaries between 'high' art and 'low' culture. "Revolution Girl" stands not just as a work of art but as a cultural artifact that encapsulates the spirit of its era, where art became a loudspeaker for social and political discourse. This print is a testament to the influence of street art in the contemporary art scene, marking its evolution from the fringes to a recognized and vital form of artistic expression that engages public consciousness.

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Florence Aubenas Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2008 Signed by Shepard Fairey & Blek le Rat, Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat Florence Aubenas Silkscreen Print 2008 The 2008 Florence Aubenas silkscreen print represents a rare collaboration between American street artist Shepard Fairey, known as OBEY, and French stencil pioneer Blek le Rat. Measuring 18 x 24 inches, this hand-pulled silkscreen was produced in a signed and numbered limited edition of only 100. Each print bears the signatures of both artists, cementing its importance as a cross-generational dialogue within Street Pop Art & Graffiti Artwork. The subject, French journalist Florence Aubenas, was abducted and held hostage in Iraq in 2005, making the work a powerful symbol of resilience and the role of art in amplifying human rights issues. Imagery and Symbolism The print merges Shepard Fairey’s graphic, politically charged style with Blek le Rat’s classic stencil approach. Set against the backdrop of Place Saint-Michel in Paris, the work integrates photography and stencil to create a layered street-inspired composition. Aubenas is portrayed standing calmly, her figure rendered in stark black stencil against the stone wall, evoking Blek le Rat’s street interventions. This contrasts with the detailed urban surroundings captured in Fairey’s silkscreen process, creating a tension between the permanence of historical architecture and the urgency of contemporary political struggle. The placement of the figure beneath the street sign grounds the work firmly in Paris, while also symbolizing the global reach of her story. Collaboration Between Icons Blek le Rat, born Xavier Prou in France in 1951, is regarded as one of the founders of stencil graffiti, influencing generations of street artists worldwide, including Banksy. Shepard Fairey, born in Charleston, South Carolina in 1970, rose to prominence through his OBEY campaign and politically charged works such as the Hope poster of Barack Obama. Their collaboration on Florence Aubenas brought together two distinct but complementary approaches: Blek’s commitment to the power of direct stencil imagery in public space and Fairey’s graphic design-driven activism. The result is a work that resonates both as a political statement and as a landmark in the history of street art. Political Resonance and Artistic Legacy This silkscreen print underscores how art can become a tool of awareness and advocacy. By immortalizing Florence Aubenas in their visual language, Fairey and Blek le Rat highlight the risks faced by journalists working in conflict zones and the importance of freedom of expression. With its limited edition size, dual signatures, and thematic depth, the Florence Aubenas print is considered a significant collector’s piece, not only for fans of Shepard Fairey and Blek le Rat but also for those who recognize the importance of socially engaged art. It remains a striking example of how Street Pop Art & Graffiti Artwork can transcend aesthetics to confront urgent political realities.

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Demagogue 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musician Franz Ferdinand. Signed & Numbered Screen Print 18 x 24 inches Edition of 500 October 18, 2016 I’ve been a big fan of the band Franz Ferdinand since they first hit the scene in 2003. Stylistically, Franz mixes a pinch of glam rock, a nice serving of post-punk and a bit of dance-punk to create a sound that is irresistibly infectious. The band is undeniably stylish in their fashion and their album artwork which is frequently inspired by Russian Constructivism, one of my biggest inspirations as well. The lyrics of singer Alex Kapranos are witty, charming, and often insightful about human nature. Franz Ferdinand is a band of style and substance. -Shepard Fairey

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Factory Stacks- Earth First 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard Factory Stacks – Earth First Silkscreen Print by Shepard Fairey Factory Stacks – Earth First is a powerful 6-color hand-pulled silkscreen print created in 2022 by renowned American artist Shepard Fairey. Measuring 18x24 inches and printed on thick cream Speckletone fine art paper, this signed and numbered limited edition of 350 pieces fuses the political energy of graffiti with the precision and control of modern screenprint design. The work is part of Fairey’s continued focus on environmental activism through art and contributes to the broader conversation around the role of industry, power, and public accountability in climate policy. Industrial Might as Graphic Metaphor The print features a factory with twin smokestacks emitting bold trails of smoke against a fragmented and stylized backdrop of red, yellow, and blue—colors associated with urgency, fire, and warning. The building looms large, rendered with clean vector lines and high-contrast forms, while geometric elements and cultural motifs hover in the background, including currency iconography, flames, and architectural symbolism. The stark visual contrast between the rigid industrial structures and the organic chaos of smoke and fire underscores the clash between mechanized progress and ecological fragility. This image serves as a critique of global dependence on fossil fuels and the prioritization of profit over environmental sustainability. Shepard Fairey is known for embedding meaning within tightly structured visuals, and here he uses the monumental scale of the smokestacks as a metaphor for entrenched systems of power. The print’s backdrop includes references to government currency and propaganda textures, further emphasizing the complicity of institutional economics in environmental destruction. Screenprinting as Political Craft Fairey’s technical skill in hand-pulled silkscreening is evident in the crisp linework, bold palette, and balanced layering of texture and flat color. The artwork’s speckletone paper enhances the handmade quality of the piece, giving it the presence of a protest poster while retaining the refinement of collectible street pop art. The 6-color process allows for vibrant layering and nuanced interplay of light and form, with the red and black palette lending a sense of urgency and confrontation. By combining the visual language of commercial design with fine art methods, Fairey continues his legacy of making politically charged works that are accessible, reproducible, and grounded in visual activism. This piece fits into his broader OBEY aesthetic, which draws from punk, graffiti, and socialist propaganda to awaken public dialogue. Art as Environmental Statement Factory Stacks – Earth First is not merely a visual statement; it is a functional activist tool. A portion of the proceeds from this edition was pledged to Greenpeace, supporting global campaigns to combat climate change. Fairey encourages viewers to reflect on systemic inertia, corporate greed, and the governmental failure to transition away from environmentally destructive practices. His recommendation of Naomi Klein’s book “This Changes Everything” provides further intellectual grounding for the print’s message, aligning the work with contemporary thought leaders in environmental justice. This silkscreen print exemplifies the power of Street Pop Art & Graffiti Artwork as both a form of protest and a call to action. By merging aesthetics with advocacy, Shepard Fairey transforms industrial imagery into a demand for ecological responsibility and human accountability.

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Obey Conformity Trance- Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 350 February 10, 2021 Obey as a pseudo-command in my art has always been a form of reverse psychology. My philosophy is actually “question everything”. Conformity is often more unconscious than conscious… an adaptation to structures we may not agree with and a submission to unseen forces of manipulation… unseen because our eyes and minds are not open wide enough. People come up with conspiracy theories like “the Illuminati” to explain the feelings that they are cogs in someone else’s machine, but the deconstruction of power and control requires nothing more than a conscious and diligent examination of how power and influence upon the government accumulate and concentrate under capitalism. Shepard Fairey

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Danger No Smoking AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2016 Signed & Marked AP Artwork Size 18x24 Silkscreen Print—vintage Style Lead Fual Gas Pump with Danger No Smoking Sign. "This Danger No Smoking print is inspired by a screen print I made in 1990, which was the very first image I made addressing the environmental and health hazards of gasoline. I took this photograph in Providence, RI at the edge of a desolate graveyard, which probably intensified my interpretation of the peeling paint on the gas pump as a skull. I decided the symbolism provided by natural erosion was powerful enough to make the photo worthy of turning into a print. I always liked this image, and I rediscovered it while looking for images to include in a book surveying my entire history of environmentally themed art." -Shepard Fairey- OBEY Shepard Fairey's "Danger No Smoking AP" is an arresting silkscreen print that fuses the gritty aesthetic of street art with the polished finesse of fine art printmaking. Hand-pulled and consisting of five colors on Cream Speckletone fine art paper, this artwork is part of a limited edition series that showcases Fairey's unique ability to embed powerful social commentary within his art. As an artist proof from 2016, this piece is both signed and marked AP, denoting its status as a work that precedes the official production run and is often kept by the artist for personal archives or sale. This print presents a vintage-style lead fuel gas pump decorated with a "Danger No Smoking" sign—a visual that evokes the retro Americana while simultaneously commenting on contemporary environmental and health concerns. By featuring the warning signs that often accompany hazardous substances, Fairey points to the broader issues of industrial risks and public safety. This theme resonates with the essence of pop art, where mundane commercial imagery is repurposed to make a statement, and it aligns with the spirit of street and graffiti art's focus on message-driven visuals. The artwork's size, 18x24 inches, is significant as it allows the viewer to fully engage with the detailed work, including the intricate patterns that add a layer of complexity to the straightforward cautionary symbols. Fairey's work is recognized for its commanding presence, often utilizing bold lines and stark contrasts to draw attention to the subjects he depicts. In this print, the stark warning signage contrasts with the ornamental background, creating a juxtaposition that is visually stimulating and thought-provoking. Fairey’s “Danger No Smoking AP” print is a testament to his commitment to social engagement through art. It holds a mirror to society's paradoxes, reflecting the often overlooked dangers lurking behind the glossy veneer of consumerist culture. This print, rich in symbolism and executed with the artist's signature style, is a powerful addition to the discourse on pop culture, environmentalism, and the transformative power of street art.

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Make Art Not War 18x24 2009 Offset Lithograph Print by Shepard Fairey Limited Edition Graffiti Artwork on Semi Glossy Fine Art Paper. 2009 Make Art Not War Size 18x24 From Shepard Fairey's Art Show in Boston, MA Out of Print

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Green Power Factory Blue 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2023 Signed & Numbered Limited Edition of 350 Artwork Size 18x24 "Green Power is a concept I’ve promoted in several pieces of my art. We need to transition to renewable sources of energy for the health of the planet. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that promote green power and put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring." -Shepard Fairey Shepard Fairey is an American contemporary street artist, graphic designer, activist, and founder of OBEY Clothing. He is known for his thought-provoking and socially-conscious artwork, often combining powerful imagery with provocative messages. The "Green Power Factory Blue Silkscreen Print" was created by Shepard Fairey and features his signature style and color scheme. It most likely represents themes of environmentalism, industry, and the need for sustainable energy solutions. The use of the OBEY logo in the title suggests that it may also convey an underlying message about recognizing and acting on these themes. As a silkscreen print, this artwork is created using a stencil-based printing technique where ink is forced through a mesh screen onto a surface. This method allows for producing multiple prints with a high level of detail and vivid colors. In the case of Fairey's work, the technique is particularly well-suited to his bold, graphic style.

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Downward Trajectory Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey Limited Edition Pop Art Artwork. 2019 Signed & Numbered Limited Edition of 500 Artwork Size 24x24 “Downward Trajectory is one of the many new works featured in my 30th-anniversary show in Los Angeles, “Facing the Giant: Three Decades of Dissent and New Works,” -Shepard Fairey Shepard Fairey's work is highly political and social, not only because he is incorporating politicians and slogans in it but more importantly because the artist is primarily interested in approaching as many people as possible, exhibiting his work in the covers of the books, which we read, in the music albums, to which we listen, and on the walls of the streets, where we walk. “If I put art in a daring spot, it’s more moving to the viewer and demonstrates my conviction.”, he says. After all, Fairey, in many cases, directly expresses his views on politics and society, whenever he is given the chance. For example, in the aftermath of the “Hope” poster, he commented the following: “Obama has had a really tough time, but there have been a lot of things that he's compromised on that I never would have expected. I mean, drones and domestic spying are the last things I would have thought [he'd support]”. The political aspect of his work can, also, be seen under the spectrum of Fairey’s activism and humanitarian activity. Many of his works have been created as part of activism campaigns or were sold to support causes relevant to the Arts, animal rights, poverty, medical research, the environment, etc. The artist, however, doesn’t identify himself as an activist: “People ask me if I’m an activist, and my answer is no. I’m an artist with a point of view, but I want to do my part to supplement activist causes I believe in. I feel fortunate to connect with people who find my imagery useful and help spread it.”

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Cut it Up Do it Yourself 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey x Beyond The Streets Rare Street Art OBEY Pop Artwork Artist. 2019 Signed & Numbered Limited Edition of 500 Print Size 18x24 August 9, 2019 Beyond The Streets In Store Only Blue Variant "ABOUT The Cut it Up – Do it Yourself print is an iteration of my Obey Icon Face inspired by my history of using an X-acto knife to create designs, make collages, cut spray-paint stencils, and cut illustrations from Rubylith (a graphic art and screen printing film). Many of my well-known images, including the Obey Icon Face, were created using an X-acto, a marker, a photocopier, and cut and paste techniques before I knew how to use a computer. The computer is a great tool, but it can be too safe and sterile… Don’t be afraid to cut things up, make mistakes, and get some overspray on pristine paper!" -Shepard Fairey

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Obey Noir Flower Woman- Blue 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print OBEY NOIR FLOWER WOMAN (BLUE) 18 inches by 24 inches Edition of 400 January 27, 2022 The Obey Noir Flower Woman print is inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultivate justice, and hold optimism close to their hearts. We all face challenges and hostilities, but exterior forces don’t control our inner strength and idealism. We do! Idealism leads to action. Those who perpetrate injustice rely on apathy to get away with their misdeeds. Nurture your inner idealism, and your constructive actions will follow. – Shepard

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Off! You Will Do What We Say- Aqua Drab 2-Color Hand-Pulled Limited Edition Silkscreen Print on True White Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed Limited Edition Print. 18 inches x 24 inches Edition of 400 May 26, 2022 Punk rock band OFF! which includes members from Black Flag, Circle Jerks, Redd Kross, The Burning Brides, and The Black Heart Procession is making a movie called “Watermelon,” and according to their lead singer Keith Morris, “You will do what we say”…… is an MK Ultra mantra from out of the shadows. - Shepard Fairey

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Winter breeAnne We the Future Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2018 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print Winter BreeAnne represents a new generation of leadership and activism, embodied in the "We the Future" campaign, which is artfully captured in a limited edition silkscreen print by a renowned pop culture artist. Launched in 2018, this signed and numbered artwork is more than a visual piece; it’s a statement of empowerment and a beckoning for social participation. The artwork, pulled by hand on Cream Speckletone fine art paper, stands at an impressive 18x24 inches, making its presence as bold and thought-provoking as the message it carries. This limited edition print, with only 450 copies in existence, brings together the aesthetics of street art and the cultural influence of pop art. The artist's decision to use the hand-pulling technique, a time-honored method in screen printing, adds a layer of authenticity and craftsmanship to the work, honoring traditional practices in a modern context. The image of Winter BreeAnne is a vivid iconography, symbolizing the tireless efforts of youth activists who are not just speaking out but are leading the charge toward real change. As an element of pop and street art, this piece carries the undercurrents of rebellion and transformation. The term "Future Voter" emblazoned across BreeAnne's shirt is not merely a designation but a declaration of the coming influence of a generation ready to assert its power through civic engagement. The call to “Power to the Polls” amplifies this, pushing the narrative that every individual has a role in shaping the future. This sentiment is at the heart of pop art’s core ethos – a reflection of contemporary issues and a mirror to society’s values, hopes, and dreams. The artist behind this print is celebrated for their ability to capture the zeitgeist in their work, combining elements of propaganda, portraiture, and political messaging to create art that transcends the canvas and becomes a part of the public discourse. The use of vibrant colors, bold lines, and striking poses echoes the energy of street art murals, which often serve as beacons of community expression and are a testament to the power of public art to inspire and mobilize. The "We the Future" print is more than a decorative item; it's a cultural artifact that captures the essence of a movement, solidifying the voice of youth and the importance of participation in the democratic process. It’s an inspiration to the onlooker, serving as a reminder of the influence of the younger generation and the continuous, pulsating drumbeat of progress they bring to the political landscape.

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Alternative Facts Hand-Pulled 4-Color Silkscreen Print on Speckletone Fine Art Paper by Artist Shepard Fairey Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of XXX Artwork Size 24x24 " We are at a critical moment for the preservation of democracy and non-partisan access to voting for all citizens of voting age. Between the Supreme Court, partisan gerrymandering shaping state legislatures, and the filibuster as a tool of obstruction in Congress, we are already facing tyranny by the minority. The forces dominating our politics do not reflect the values of most Americans. My print, Alternative Facts, addresses the mass confusion about truth that allows the parties who spread the big lie about the 2020 election (and many other lies) fomented the January 6th insurrection and are engaged in voter suppression and other anti-democracy schemes, to flourish unchecked. A portion of proceeds from Alternative Facts will benefit the ACLU in its legal fights against voter suppression and other attacks on the constitution." -Shepard Fairey Shepard Fairey's work is highly political and social, not only because he is incorporating politicians and slogans in it but more importantly because the artist is primarily interested in approaching as many people as possible, exhibiting his work in the covers of the books, which we read, in the music albums, to which we listen, and on the walls of the streets, where we walk. “If I put art in a daring spot, it’s more moving to the viewer and demonstrates my conviction.”, he says. After all, Fairey, in many cases, directly expresses his views on politics and society, whenever he is given the chance. For example, in the aftermath of the “Hope” poster, he commented the following: “Obama has had a really tough time, but there have been a lot of things that he's compromised on that I never would have expected. I mean, drones and domestic spying are the last things I would have thought [he'd support]”. The political aspect of his work can, also, be seen under the spectrum of Fairey’s activism and humanitarian activity. Many of his works have been created as part of activism campaigns or were sold to support causes relevant to the Arts, animal rights, poverty, medical research, the environment, etc. The artist, however, doesn’t identify himself as an activist: “People ask me if I’m an activist, and my answer is no. I’m an artist with a point of view, but I want to do my part to supplement activist causes I believe in. I feel fortunate to connect with people who find my imagery useful and help spread it.”

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Smokey Robinson- Red 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed by Fairey & legendary music artist Smokey Robinson. Screen Print 18 x 24 inches Edition of 450 2010 "I was amazed when Smokey contacted me to do a portrait to commemorate his 50 years in the music business, and a little nostalgic at the thought of his impact on me as a kid. Smokey came into the studio to hang out and sign them. He's a really nice, upbeat guy who has a real lust for life, maybe that's why he looks like he hasn't aged in 30 years. Believe it or not, Smokey signed every single print with his very beautiful and painstaking signature. It's worth picking up a print for that alone. Mention the name Smokey Robinson and the first thing that automatically comes to mind is Motown. It's understandable given that it was Robinson's hits, first as the leader of the Miracles, and then later as a solo artist that propelled the famed label during the 60s." -Shepard Fairey

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Floral Takeover 2017 Red Black Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. The "Floral Takeover 2017 Red Black Silkscreen Print" by Shepard Fairey encapsulates the interplay of aesthetics within Street Pop Art and graffiti Artwork, signifying a profound narrative through its intricate design and bold color scheme. This piece exemplifies how traditional elements can be transformed into a new cultural vocabulary that challenges and expands the boundaries of fine art. Featuring a rich, vibrant red background overlaid with a contrasting black floral pattern, the artwork is a striking visual statement that captures the viewer's attention. Shepard Fairey, a pivotal figure in the street art movement, often incorporates motifs that reflect social and political activism. His work is known for its ability to decorate and provoke thought and conversation, a characteristic quintessential to the graffiti art movement. Silkscreen printing allows for the precision and consistency necessary for disseminating his message, harkening back to his roots in skateboarding and punk rock culture, where screen-printed designs were a means of rebellion and identity. Silkscreen printing used in this artwork is also a nod to the pop art tradition, a method popularized by artists like Andy Warhol, who sought to erase the boundaries between 'high' art and 'low' cultural imagery. Fairey's "Floral Takeover" is a contemporary continuation of this tradition, seamlessly blending street art's spontaneity and edginess with pop art's mass appeal and commercial aesthetics. The result is a striking work of art that is accessible and deeply layered in meaning. Through this print, Fairey extends the dialogue of street art into the more permanent and collectible domain of fine art prints, allowing for the transitory nature of street graffiti to be preserved and appreciated over time. The artwork becomes an important cultural artifact, representing the ever-evolving landscape of Street Pop Art and graffiti Artwork, embodying the transformative power of art in public spaces and the ongoing conversation between art and society.

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Obey Deco Flower Blue AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2019 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Blue Lotus Flower & Words Rise Above Obey 1989. Small Smug To The Red V Arm Only Seen Under Certain Angles of Light From Manufacturing Process. Working Artist Proof. "The Obey Deco Flower is inspired by Constructivism, Art Deco, Black Flag, and my belief that positive symbols can inspire positive actions. There are a lot of assholes pushing fear and division… don’t fall for it… RISE ABOVE!" -Shepard Fairey Shepard Fairey's "Obey Deco Flower Blue AP" stands as a testament to the crossroads of pop art, street art, and graffiti art, brilliantly marrying aesthetic sensibilities from a range of art movements. This hand-pulled silkscreen print is impressively rendered on Speckletone Fine Art Paper, showcasing Fairey's commitment to both technique and quality. The print, issued as a limited edition piece in 2019, features the arresting image of a blue lotus flower, surrounded by the potent words "Rise Above" and "Obey 1989." These phrases echo the cultural undertones and provocations Fairey is renowned for. The design itself is heavily informed by a medley of inspirations, including Constructivism and Art Deco, interspersed with a nod to the band Black Flag. Fairey's dedication to weaving positive symbols into his artwork, hoping they ignite positive actions in society, is evident. The blue lotus, traditionally symbolizing enlightenment and rebirth, coupled with the rallying call to "Rise Above," challenges viewers to transcend the divisive narratives that often plague society. As Fairey himself articulates, there is an overwhelming number of voices promoting fear and division, making the message of this artwork not just timely, but timeless. Shepard Fairey's "Obey Deco Flower Blue AP" not only reaffirms his status as a prominent voice in contemporary art but also serves as a reminder of art's enduring power to inspire change and provoke thought in an ever-evolving world.

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Ian Curtis Heart and Soul Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 3-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "I first discovered Joy Division through my friend Jay Haley in 1985-86. Jay was a little more open-minded than I was, so he was listening to aggressive punk and hardcore, but also, more moody music like The Smiths, The Cure, early Cult, and Joy Division. I initially liked some of Joy Division’s melodies, but I generally found the music a bit cold, sparse, and haunting on the verge of depressing. However, the music grew on me over time and the qualities I just described as liabilities became assets. As I grew out of my punk rock orthodoxy phase I realized no band sounded quite like Joy Division. My love of Joy Division has only grown over the years along with my appreciation for their imagery. Joy Division’s image of elegant austerity is often connected to their artwork by Peter Saville, but a lot of credit should go to Kevin Cumminsfor his noir portraits of the band. I’ve loved Cummin’s photography for years, so I was delighted when he agreed to collaborate on a portrait of Ian Curtis, Joy Division’s singer who took his own life in 1980 at 23. Curtis was a unique singer but also a powerful lyricist, so the lyrics to the song Heart and Soul are woven through the art along with an angular divide through Curtis’s figure symbolizing the tension between heart and soul. Since Kevin actually knew Ian, I appreciated that he would allow me to interpret his iconic photo!" -Shepard Fairey- OBEY Shepard Fairey's "Ian Curtis Heart and Soul" silkscreen print is a powerful tribute to the enigmatic Joy Division frontman and his profound impact on music and visual culture. Released in 2023, this limited edition print encapsulates Fairey's deep personal connection to Curtis and the band's enduring legacy. The artwork, sized at 18x24 inches and limited to a series of 500, is meticulously hand-pulled, showcasing three colors on cream speckletone fine art paper, underscoring the raw and textured essence of the subject matter. Fairey's engagement with Joy Division's work began in the mid-1980s, a time marked by a musical awakening as he transitioned from a strict punk perspective to a broader appreciation of the haunting, sad sounds that defined Joy Division's discography. Fairey candidly discusses how the initial perception of the music as 'cold and haunting' eventually morphed into an understanding of its depth and uniqueness, revealing a narrative of personal and artistic growth. Integral to this print is Fairey's collaboration with Kevin Cummins, a photographer renowned for his poignant portraits of Joy Division, which have significantly shaped the band's visual narrative. The decision to weave the lyrics of "Heart and Soul" into the fabric of the portrait is both a literal and figurative intertwining of Curtis's lyrical genius with his visual representation. This design choice also hints at the complexities of Curtis's personal struggles, echoed in the stark contrast that bisects his figure in the artwork—a poignant reminder of the internal discord between passion and reason, emotion and intellect. Fairey's print is not merely a visual piece but a narrative collage that pays homage to the artistic influence and legacy of Ian Curtis. By embedding the soul-stirring lyrics of "Heart and Soul" within the artwork, Fairey invites viewers to engage with the piece on multiple levels: aesthetically, emotionally, and intellectually. The print transcends mere representation, becoming a conduit for the artist's reverence for Curtis's talents as a singer and lyricist and the enduring impact of Joy Division on music and popular culture, ensuring that the heart and soul of Ian Curtis's artistry continue to resonate through time.

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Long Live The People Silkscreen Print by Edward Nachtrieb x Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2020 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Oct 1 is the 70th anniversary of Communist Party rule in China and the Chinese government is planning an extravaganza of choreographed contentment in the mainland while the people of Hong Kong will hit the streets in an effort to secure their rights. I’ve long believed that protests in the streets are an essential tool for meaningful change because the passion, courage, and visceral force of the participants in a mass protest send a powerful message that they are fully committed to their cause! Ed Nachtrieb photographed many incredible moments of the 1989 Tiananmen Square protests. I’m honored to collaborate with Ed on a set of two images based on his documentation 30 years ago, especially because pro-democracy and human-rights protesters are in the streets of Hong Kong right now! This image “Long Live The People” will be released as a print soon… more details to come. Check out Ed Nachtrieb’s thoughts on the 1989 Tiananmen Square protests." -Shepard Fairey- OBEY "After the People’s Liberation Army was sent in to suppress what is now called the “pro-democracy movement” on June 4, 1989, there was a liberalization of economic rules and policies. China then experienced a remarkable economic transformation. The idea: if people could get rich, they wouldn’t care so much about their freedoms. I think that’s a miscalculation. In Hong Kong today, ideas championed in 1989 have reappeared in a “Revolution of Our Time” in spite of the campaign to erase such “counter-revolutionary” thoughts from history. My images used in these prints are from energetic and optimistic moments of the pro-democracy movement. Victory was in the air. Progress seemed inevitable to those with arms outstretched and smiles beaming from their faces. Shepard’s work reflects their hopes and aspirations. The same ones that fortified those protesters in 1989 are now fuel for the passionate idealists on the streets today." -Edward Nachtrieb The "Long Live The People" silkscreen print is a collaborative work between Edward Nachtrieb and Shepard Fairey, capturing the essence of protest and the enduring spirit of the people. Hand-pulled with five colors on cream speckletone fine art paper, this limited edition artwork stands as a cultural commentary and a historical reflection on the power of mass protest. The print commemorates the 70th anniversary of Communist Party rule in China, juxtaposing the government's celebration with the civil unrest and pro-democracy protests in Hong Kong. Nachtrieb's photographs from the 1989 Tiananmen Square protests provide a poignant visual foundation for the artwork. Fairey's adaptation into the print medium amplifies the message of resilience and the quest for human rights. This intersection of street pop art and graffiti artwork embodies the artists' shared belief in the impact of collective action and the pursuit of freedom, resonating with contemporary movements for democracy and social justice.

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