Shepard Fairey- OBEY

MUSACK Terry Hall Tribute Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on True White Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print. Lynval Golding & Team Specials, Billy Idol, Jane Wiedlin, Tim Armstrong, Tony Kanal, Tom Dumont, Adrian Young, Fishbone, Jerry Harrison, Tre Cool, Fred Armisen, Jesse Michaels. Donita Sparks.The Jg All-Stars. Bite Me Bambi. Record Safari Gig Poster "Terry Hall, singer of the Specials, one of my favorite bands, died of pancreatic cancer a little less than a year ago. This past Saturday, Musack did an amazing tribute to Terry with a bonkers lineup, including Horace Panter and Lynval Golding of the Specials, Jane Wiedlin of the Go-Go’s, Fishbone, No Doubt (except Gwen), Tom Morello, Tim Armstrong and Jesse Michaels of Operation Ivy, Donita Sparks of L7, and others! I fell in love with the Specials in the summer of 1989, around the time I started listening to Operation Ivy and Fishbone, so to have members of all those bands celebrating Terry was incredible! I was also able to do the poster for the event based on a beautiful photo by Chalkie Davies. There are two versions of the print, one with the event lineup included and another that is a simpler tribute to Terry. The black and white print are editions of 325, but the show lineup print is a smaller quantity (edition of 300) because many were sold at the event, and all proceeds from those benefit Musack, an excellent music charity for kids. On a personal note, Terry came by my studio a couple of times, and we talked for hours. He was kind, thoughtful, and very open about life’s ups and downs. We talked about kids, mental health, insecurity, relationships, the therapeutic benefits of creativity, and many other heavy topics. He was a kindred spirit who I thought I’d be friends with for many years. This print was done with love… thanks for the tunes Terry!" -Shepard Fairey- OBEY MUSACK's tribute to the legendary Terry Hall, the iconic singer of the Specials, is encapsulated in a visually arresting silkscreen print crafted by Shepard Fairey, renowned for his OBEY art movement. This piece, hand-pulled in 2-color on True White Speckletone Fine Art Paper, is a testament to the profound influence Terry Hall had on the music industry and its fans. The artwork is an exquisite fusion of pop art, street art, and graffiti art, embodying the very essence of Terry Hall's spirit and impact on the world. Released in 2023 as a signed and numbered limited edition, with only 300 prints in circulation, the artwork measures 18x24 inches. The artistry is profound, drawing inspiration from a poignant photograph Chalkie Davies took. Two versions of this print exist, one showcasing an event lineup and the other serving as a more streamlined homage to Hall. While the black and white prints are available in editions of 325, the one bearing the event lineup is more exclusive, with a count of 300, many of which were already acquired during the event. The backstory of this piece is equally captivating. MUSACK's heartfelt tribute event celebrated Terry's life, boasting a staggering lineup of eminent musicians, from Horace Panter and Lynval Golding of the Specials to Jane Wiedlin of the Go-Go’s, Fishbone, and members of No Doubt, among others. Shepard Fairey's interactions with Terry add depth to the artwork. Terry, in his visits to Shepard's studio, revealed layers of his personality, discussing topics ranging from mental health to the therapeutic nature of creativity. Shepard saw him as a kindred spirit, and their interactions were laden with deep understanding and mutual respect. This artwork, hence, is not just an aesthetic masterpiece but a heartfelt tribute, reverberating with the essence of Terry Hall's life and legacy.

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Partisan 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Paper by Shepard Fairey x Baseman Rare Street Art Famous Pop Artwork Artist. Shepard Fairey (b. 1970) Partisan, 2013 Screenprint in colors on speckled cream paper 18x 24inches Ed. 400 Signed, numbered, and dated in pencil along lower edge by Shepard Fairey & Baseman, Published by Obey Giant, Los Angeles

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In Honor of Vincent Jen Chin 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Gordon Cheung Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print IN HONOR OF VINCENT JEN CHIN 18 inches by 24 inches Edition of 350 August 18, 2021 Minor Bumbs To Extreme LowerLeft Facing Side In this politicised pandemic crisis through which the previous leader of the most powerful nation in the world labelled coronavirus as China-Virus and its various forms, the consequences of racist blame has led to manifold increases in hate crimes against Asians. I hope this collaboration between Shepard and myself can raise awareness about the long history of anti-Asian hate and the important legacy of Vincent Chin whose untimely death in 1982 galvanised the people to demand Asian American civil rights. This current crucial moment in history calls for a gathering of momentum where Asian diaspora voices should go loud and proud. To stand together, advocate for change and collectively build bridges of understanding over glass ceilings and walls of hate. -Gordon Cheung

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Guerilla One x The Seventh Letter Collaboration 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 450 March 5, 2009 OBEY, Guerilla One, and The Seventh Letter have always had a strong long-lasting friendship and creative relationship with numerous collaborations including the late 90’s Free GKAE print, created by Shepard and Casey Zoltan from The Seventh Letter, to raise funds for GKAE’s legal fees. This current project was created to symbolize both strength in numbers and unity by way of collaboration. The Seventh Letter, Obey Giant, and Guerilla One have all stood individually and collectively as pillars in the graffiti /street art scene both domestically and internationally. Its apparent that the 3 collaborators will continue to support street art by creating new platforms that encourage and inspire many worldwide. “When we started doing graffiti, putting up stickers we had no idea the places it would take us, and no matter where we go from here we will stay loyal to those who have helped us get there.” – Eddie Donaldson, Founder of Guerilla One “I have always rolled with G1 and Shepard through thick and thin and will always have their backs forever on a street and professional level”. – Casey EKLIPS Zoltan, Founder of THE SEVENTH LETTER

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Tom Dula Black AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print—Lonesome Tree Stylized Old Gnarled Tree in Western Desert Setting. Thomas C. Dula was a former Confederate soldier who was convicted of murdering Laura Foster, based on a song made famous by Kingston Trio. Shepard Fairey's "Tom Dula Black AP" is a silkscreen print that fuses historical narrative with the artist's signature graphic style. Created in 2012, this piece is part of a limited edition set, hand-pulled with a color process on Fairey’s preferred medium, cream speckletone fine art paper. Each print in the series bears Fairey's signature and the distinctive 'AP' mark, denoting it as an Artist Proof. This status is often valued due to its rarity and direct connection to the artist's initial vision. Measuring 18x24 inches, the artwork presents a lone, stylized tree in a desolate Western desert setting. The barren landscape serves as a symbolic backdrop to the sad tale of Thomas C. Dula, a former Confederate soldier whose name became immortalized in the folk song "Tom Dooley" following his controversial conviction and execution for the murder of Laura Foster. Fairey's choice to represent this narrative through a stark and solitary tree amidst an arid terrain reflects the isolation and finality of Dula's fate. This print stands out in pop and street art for its storytelling through visual symbolism. The work does not merely capture viewers' attention with its aesthetic but also invites them to engage with a deeper historical narrative, a characteristic often found in Fairey's body of work. It showcases the artist's ability to navigate the intersection of pop culture and fine art, where historical references become part of the modern visual lexicon. Shepard Fairey’s work frequently contains layers of meaning with a propensity for social commentary. With "Tom Dula Black AP," the art is not only about presenting a visual narrative but also evoking an emotional response that connects the historical past with contemporary culture. This piece is a poignant example of how street art can transcend its urban origins, entering the gallery space as a powerful storytelling medium that bridges historical context and modern expression.

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This Land Is Your Land AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Neil Young Music Inspired Man Mountains Barbed Wire & The Phrase "No Trespassing This Land Is My Land" "This Land Is Your Land AP" is a captivating silkscreen print, hand-pulled by the renowned artist Shepard Fairey, commonly known as OBEY. Crafted in 2012 and marked as an Artist Proof (AP), this piece stands out as a limited edition artwork, underscoring the artist's reputation for producing iconic street and pop art. Measuring 18x24 inches, this print is meticulously executed on Speckletone Fine Art Paper, enhancing its visual appeal and ensuring its longevity. Shepard Fairey's inspiration for this artwork emanates from Neil Young's rendition of Woody Guthrie's song, "This Land Is Your Land." At its core, the artwork delves deep into the subjects of immigration policy reform, societal attitudes towards immigrants, and the inherent promise of America. Fairey, a known advocate for immigration policy reform, captures a thought-provoking message, highlighting a lost verse from Guthrie's song. This particular verse poignantly juxtaposes a "No Trespassing" sign with its blank reverse, suggesting that the land is truly meant for everyone, irrespective of societal divisions. The imagery — a man, mountains, barbed wire, and the stark phrase "No Trespassing This Land Is My Land" — is a potent blend of aesthetics and ideology. Woody Guthrie, who wrote the original song, was revered for addressing societal issues such as class inequality and the abuse of power. While some labeled Guthrie as "socialist," Fairey's interpretation celebrates him as a compassionate figure who championed the rights of the marginalized. In embracing this theme, Shepard Fairey's artwork becomes not just a visual delight but a profound commentary on contemporary issues, making it an invaluable piece in the realms of pop, street, and graffiti art.

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Hello My Name Is AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Screen Print on Cream Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2019 Signed & Marked AP Artwork Size 18x24 Silkscreen Print of Andre the Giant Hello My Name is Name Tag & Graffiti Shepard Fairey is a name that resonates deeply within the realms of pop art, street art, and graffiti. Recognized for his iconic "OBEY" campaign, Fairey's contributions to the visual world have been both provocative and impactful. A remarkable embodiment of his prowess is the "Hello My Name Is AP Artist Proof" silkscreen print from 2019. This piece is not only a testament to Fairey's skill as an artist but also speaks volumes about the evolution of street art. Crafted meticulously by hand, this screen print graces cream speckletone fine art paper, adding a touch of vintage charm to the already rich design. The piece is exclusive in its kind, marked as an Artist Proof, setting it apart from regular editions and giving it a special status for collectors and art enthusiasts. The central image – Andre the Giant, reimagined in a 'Hello My Name is' name tag format – serves as a compelling visual anchor. Andre the Giant has been a recurring motif in Fairey's work, symbolizing counterculture, defiance, and the power of art to challenge norms. This particular silkscreen print is not merely an artwork; it's a reflection of the zeitgeist. Street art, having its origins in unsanctioned art displays and graffiti, has grown to become a respected form of artistic expression, blending both dissent and aesthetics. Fairey's representation of Andre the Giant juxtaposed with a ubiquitous name tag showcases the dichotomy of individual identity versus societal labels. For those who find themselves at the intersection of pop culture, graffiti, and contemporary art, "Hello My Name Is AP Artist Proof" by Shepard Fairey is a compelling representation of how street art has transitioned, grown, and left an indelible mark on the visual landscape of our times.

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OBEY x Stereo Skateboards Music Club Event Limited Edition Gig Metallic Ink Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman x Shepard Fairey. This is an original commemorative poster Shepard Fairey & MFG- Matt Goldman designed for the release party of Shepard's new board series with Stereo Skateboard at Dance Right. 18 x 24 inches Screen Print Black, and Metallic Gold Cream Speckletone Paper Limited Edition of 300 Signed and Numbered by Shepard Fairey & MFG- Matt Goldman Released 2009

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Flower Power Blue AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2021 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Blue Lotus Flower &Electric Power Lines. "These Flower Power prints are a symbolic urge for a concerted effort to transition off of fossil fuels and to sustainable energy sources. Life, as we know it on Earth, will depend on this transition happening with the support of citizens, government, and corporations. Read "This Changes Everything" by Naomi Klein if you'd like a strong analysis of the severity of the climate crisis and the urgency to transition off of fossil fuels. Proceeds from these prints will benefit 350.org to support their work around the climate emergency. Thanks for caring." -Shepard Fairey Shepard Fairey, the mind behind the iconic OBEY imagery, once again channels his signature blend of street and pop art in the "Flower Power Blue AP" silkscreen print. An emblem of countercultural movement, Fairey's piece presents a striking juxtaposition of the serene blue lotus flower against the industrial backdrop of electric power lines. Cast on Speckletone Fine Art Paper, this hand-pulled screen print not only exemplifies the artist's meticulous craftsmanship but also carries a poignant and timely message. The "Flower Power" series, which this print is a part of, stands as a clarion call for humanity's pivot from environmentally harmful fossil fuels to more sustainable energy sources. This transition, as Fairey suggests, is not just a matter of technological or economic feasibility; it is an imperative for the continuity of life as we understand it. The reference to Naomi Klein's "This Changes Everything" underscores the severity of the looming climate crisis, offering readers a comprehensive analysis of our current ecological predicament and the urgency with which we must act. Beyond its aesthetic appeal and socio-political commentary, the artwork demonstrates Fairey's commitment to environmental advocacy. Proceeds from the sale of these prints are directed to 350.org, an organization at the forefront of the global movement to address climate change. Such initiatives are emblematic of Fairey's approach to art — one that is not just visually stimulating but also deeply rooted in activism and the broader call to collective action. Through this masterful piece, Shepard Fairey once again reiterates the power of art in shaping conversations, influencing change, and fostering a more conscious global community.

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Writing on the Wall- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2010 Signed & Numbered Screen Print Writing on the Wall (Red), 2010 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 300 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles The illustration(minus spray can) is based on a photo by my friend Jim Jocoy who did a great book of late 70’s punk photos called “We’re Desperate”. Pick the book up if you can. -Shepard

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Moonage Daydream 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey OBEY. 2022 Shepard Fairey Numbered Limited Edition of TBD 18x24 inches. Screenprint on thick cream Speckletone paper. "David Bowie is one of my favorite musicians not only because so many of his songs possess magic, but also because he was creatively fearless and perpetually collaborative. I first discovered David Bowie in 1983 when his Let’s Dance album came out, and its hits like “Let’s Dance,” “China Girl,” and “Modern Love” were getting radio play. I became a die-hard Bowie fan once I picked up Ziggy Stardust and the Spiders From Mars at a flea market a few years later. Ziggy Stardust is one of my favorite albums ever. It makes sense that it was Bowie’s breakthrough album, not just because his newly adopted androgynous glam image was provocative and mesmerizing, but because the songs on the album are incredible! At first, my favorites were obvious rockers like “Suffragette City” and “Ziggy Stardust,” but over the years, folkier songs like “Soul Love” and “Starman” really grew on me. It’s almost impossible to pick a favorite Bowie song from Ziggy Stardust and the Spiders From Mars, much less Bowie’s entire catalog, but if I had to, I’d pick “Moonage Daydream.” It has Mick Ronson’s rocking guitar and also features unexpected instrumentation, including piano, strings, sax, and flute, which makes it both tough and pretty. I love the lyric, “don’t fake it baby… lay the real thing on me,” and all the lyrics have a sci-fi hipster coolness to them. “Moonage Daydream” is powerful, beautiful, hypnotic, hip, and a great indication of Bowie’s vision to push boundaries with his art. For this “Moonage Daydream” print image, I was able to reference outtakes from the Ziggy cover shoot, one of which I thought, with a few artistic liberties taken, could become a great portrait illustration. Bowie was incredibly photogenic, which yielded so many glorious images of him, and makes it a challenge to create a new visage that stands with the rest of his most iconic portraits. It is very meaningful for me to have the opportunity to craft my articulation of one of my favorite artists ever, from possibly the era of his peak creative genius. It is an honor to contribute in a small way to David Bowie’s visual legacy. –Shepard is one of my favorite musicians not only because so many of his songs possess magic, but also because he was creatively fearless and perpetually collaborative. I first discovered David Bowie in 1983 when his Let’s Dance album came out, and its hits like “Let’s Dance,” “China Girl,” and “Modern Love” were getting radio play. I became a die-hard Bowie fan once I picked up Ziggy Stardust and the Spiders From Mars at a flea market a few years later. Ziggy Stardust is one of my favorite albums ever. It makes sense that it was Bowie’s breakthrough album, not just because his newly adopted androgynous glam image was provocative and mesmerizing, but because the songs on the album are incredible! At first, my favorites were obvious rockers like “Suffragette City” and “Ziggy Stardust,” but over the years, folkier songs like “Soul Love” and “Starman” really grew on me. It’s almost impossible to pick a favorite Bowie song from Ziggy Stardust and the Spiders From Mars, much less Bowie’s entire catalog, but if I had to, I’d pick “Moonage Daydream.” It has Mick Ronson’s rocking guitar and also features unexpected instrumentation, including piano, strings, sax, and flute, which makes it both tough and pretty. I love the lyric, “don’t fake it baby… lay the real thing on me,” and all the lyrics have a sci-fi hipster coolness to them. “Moonage Daydream” is powerful, beautiful, hypnotic, hip, and a great indication of Bowie’s vision to push boundaries with his art. For this “Moonage Daydream” print image, I was able to reference outtakes from the Ziggy cover shoot, one of which I thought, with a few artistic liberties taken, could become a great portrait illustration. Bowie was incredibly photogenic, which yielded so many glorious images of him, and makes it a challenge to create a new visage that stands with the rest of his most iconic portraits. It is very meaningful for me to have the opportunity to craft my articulation of one of my favorite artists ever, from possibly the era of his peak creative genius. It is an honor to contribute in a small way to David Bowie’s visual legacy." –Shepard

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Kurt Cobain- Endless Nameless 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Kurt Cobain – Endless Nameless 18 inches by 24 inches Edition of 650 April 7, 2021 "I have been a fan of Nirvana since I first heard them over 30 years ago. My appreciation for lead singer Kurt Cobain’s artistry and intelligence has only increased over the decades. I had an opportunity to see Nirvana and the Melvins in the fall of 1991, but I had a college project due, so I skipped it to finish my work. At the time, it seemed like both bands would remain underground and tour the smaller clubs for the foreseeable future." -Shepard Fairey

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Unsinkable Consumption AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2015 Signed & Marked AP Artwork Size 18x24 Silkscreen Print. Sinking Titanic Style Cruise Liner Ship Sinking Cause of "Oil." Shepard Fairey's "Unsinkable Consumption AP" is a thought-provoking silkscreen print that resonates with contemporary environmental and socio-political issues. This artist proof, created in 2015, is part of a limited edition, hand-pulled with five colors on Cream Speckletone fine art paper, a testament to Fairey’s commitment to high-quality craftsmanship in his work. At 18x24 inches, the artwork captures the viewer's attention with its stark imagery and powerful message. The print portrays a sinking ship reminiscent of the Titanic, a vessel historically synonymous with human arrogance and the disastrous consequences of overestimating human engineering over nature’s forces. In Fairey’s rendition, the liner is juxtaposed with an oil rig symbol within a red warning circle, stark against the cream background. The word "CONSUME" looms above, a bold indictment of society's relentless exploitation of natural resources. This image resonates deeply with themes of ecological disaster and unsustainable practices, encapsulating the idea that, like the "unsinkable" Titanic, our consumption habits may lead to our downfall. Fairey's work often encompasses a blend of street art's accessibility and pop art's use of recognizable imagery to engage with the audience on critical issues. The sinking ship is a metaphor for the potential catastrophe of unchecked consumption, while the oil rig emblem represents the specific threat of fossil fuels. Signed and marked as an artist-proof, this piece holds a special place in Fairey's oeuvre, signaling its status as a significant work directly from the artist's hands. As a prominent figure in pop, street, and graffiti art, Fairey has continually used his platform to advocate for political and environmental awareness. "Unsinkable Consumption AP" exemplifies his approach to art as a means of provocation and dialogue. This piece not only stands out for its aesthetic appeal but also for its capacity to engage the public in critical reflection on urgent global issues. Through this print, Fairey underscores the vital role of art in sparking conversation and potentially inspiring action.

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Scratch on the Wire 1-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Paper by Shepard Fairey x Dennis Morris Rare Street Art Famous Pop Artwork Artist. 24 x 24 inches. Silver Metallic Ink Screenprint on thick cream Speckletone paper. Original photo by Dennis Morris. Signed by Shepard Fairey and Dennis Morris. Numbered edition of 600. Max order: 1 per customer/household. "Legendary reggae producer and pioneer of the dub sound, Lee “Scratch” Perry passed away on Aug. 29. I first discovered Lee Perry when I got deep into Bob Marley and the Wailers found out Perry had produced several seminal Wailers tracks. I also loved the Clash song “Police and Thieves” which I learned was a cover of the version by Jamaican artist Junior Murvin which Lee Perry had produced. Perry also co-produced the song “Complete Control” by the Clash." -Dennis Morris

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Noir Flower Woman Red AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2022 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Woman Holding Large Lotus Flower. "The Obey Noir Flower Woman print is inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultivate justice, and hold optimism close to their hearts. We all face challenges and hostilities, but exterior forces don't control our inner strength and idealism. We do! Idealism leads to action. Those who perpetrate injustice rely on apathy to get away with their misdeeds. Nurture your inner idealism, and your constructive actions will follow. A portion of the proceeds from this print will benefit Greenpeace to support its work to enhance environmental protections and combat climate change." -Shepard Fairey. Shepard Fairey's "Noir Flower Woman Red AP" is a testament to the harmonious blend of pop art and street art, with a unique nod to graffiti culture. With the hand-pulled silkscreen method on fine art paper, this 18x24 print captures a woman delicately holding a giant lotus flower. This captivating artwork, released as an Artist Proof in 2022, is not only a rare find due to its limited edition run but also because of the personal touch added by Fairey through his signature and the distinctive "AP" mark. At a glance, the "Obey Noir Flower Woman" appears to be heavily influenced by Art Deco elements and Dark Wave album art aesthetics. Yet, beneath its visual layers lies a profound message. Shepard Fairey draws inspiration from those idealists who remain committed to environmental protection, champion justice, and foster a deep-seated optimism, even in the face of adversity. His work argues that external challenges can never overshadow the radiant light of one's inner resilience and idealism. Rather than being passive spectators, Fairey calls upon individuals to harness their inner idealism, transforming it into actionable change. This sentiment reverberates even more when considering that a portion of the proceeds from the sale of this print aids Greenpeace in its relentless battle against climate change and for enhanced environmental protections. This piece by Fairey isn't merely an artwork; it's an emblem that showcases the intersection of visual allure and impactful advocacy, a hallmark that distinguishes much of the art from the pop, street, and graffiti genres. As viewers immerse themselves in the intricate details of "Noir Flower Woman Blue AP," they are invited to reflect, respond, and act on the world around them.

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Swan Song Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 4-Color on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 550 Size 36x24 Silkscreen Print The Swan Song print is a depiction of the precarious state of nature's delicate balance, with numerous species declining, eco-systems teetering on the brink of collapse, and climate scientists warning that time is running out to avert environmental consequences that could render zones inhabitable for millions. While certain groups may suffer more than others, this issue is universal as we all have an impact on both the problems and solutions. Unfortunately, the conscientious habits of individuals alone are insufficient to solve the problem. Unless corporations are pressured and regulated, they will continue to prioritize profits over the planet's health. The piece contains a news clipping revealing that Exxon-Mobile has known for over 40 years, based on their own internal scientific research, that burning fossil fuels is causing global warming, yet they concealed this information and publicly denied the impact of fossil fuels on climate change. A portion of the print's proceeds will be donated to Greenpeace USA to support their efforts to combat climate change. The Speckletone paper used in the print is made from recycled materials. Thank you for your concern.

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Get A Job HPM Silkscreen Stencil on Wood by Shepard Fairey- OBEY Hand-Painted Multiple Panel Ready to Hang Street Artist Modern Graffiti Pop Art. 2012 Signed & Numbered Edition of 6 HPM Silkscreen Stencil Print Artwork Size 18x24 on Wood Panel. Framed without glass. Framed Dimensions 25 X 19 Inches. Shepard Fairey Get A Job HPM Silkscreen Stencil on Wood 2012 The 2012 Get A Job hand-painted multiple by Shepard Fairey, the American artist behind the OBEY name, is a striking fusion of silkscreen stencil work and hand-applied detailing on a wood panel. Measuring 18 x 24 inches, this piece forms part of an extremely limited edition of only six, each signed and numbered by the artist. Known for his politically charged, socially conscious imagery, Fairey uses the visual language of propaganda posters to deliver a biting commentary on labor, authority, and societal expectations, here reframed through the lens of Street Pop Art & Graffiti Artwork. Propaganda-Inspired Composition The central figure in the artwork points directly outward, recalling iconic recruitment poster imagery, but the directive here is satirically altered to read “I Want You to Get a Job.” This layered messaging both mimics and critiques the authoritative tone of historic propaganda, drawing attention to the commodification of work and the pressures of productivity. The composition is infused with radiating golden rays against a dominant red background, with two strong, uniformed workers flanking the scene, reinforcing the militaristic aesthetic while heightening the visual impact. Technique and Materiality This work is not a standard print but a hand-painted multiple, meaning each panel is individually worked on by the artist, resulting in subtle variations across the edition. The use of wood as a base surface adds warmth, texture, and durability, contrasting with the crispness of the silkscreen stencil application. Fairey’s layering of paint and stencil work produces depth and complexity, with areas of intentional distress and imperfection that enhance the street-art authenticity. The absence of glass in the framing invites closer inspection of the texture and the tactile qualities of the wood grain beneath the paint. Shepard Fairey’s Cultural Commentary Born in 1970 in Charleston, South Carolina, Shepard Fairey emerged from the skateboarding scene with his OBEY sticker campaign before becoming a central figure in contemporary political street art. His works frequently challenge power structures, media influence, and consumer culture. In Get A Job, Fairey uses the aesthetics of socialist realism and wartime propaganda to deliver a layered critique of modern labor dynamics, while maintaining the bold graphic style that has made his work internationally recognizable. With its combination of rare edition size, mixed media execution, and socially pointed message, this piece is a powerful example of Fairey’s ability to merge visual seduction with political provocation in the sphere of Street Pop Art & Graffiti Artwork.

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Melvins Colossus 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered, Shepard Fairey (b. 1970) Melvins Colossus, 2017 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 240/300 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles. The Colossus of Destiny “I always thought it was strange that people didn’t know more about The Melvins and I felt their story needed to be told. The band members told me that a few people had talked the talk but had never followed up on their threats to make a film about them, so a little over two years ago things really fell into place and now the end product is finished for all to see, ” explained Director and Producer Bob Hannam, who worked in tandem with Ryan Sutherby to bring the film to fruition. “It has been a long labor of love for the both of us and we are excited for people to see the film and understand the workings of a truly great band.” -Shepard Fairey A couple of creases to lower right corner. Sheet is loose. Unframed.

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Flower Power Red AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2021 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Red Lotus Flower & Electric Power Lines. "These Flower Power prints are a symbolic urge for a concerted effort to transition off of fossil fuels and to sustainable energy sources. Life, as we know it on Earth, will depend on this transition happening with the support of citizens, government, and corporations. Read "This Changes Everything" by Naomi Klein if you'd like a strong analysis of the severity of the climate crisis and the urgency to transition off of fossil fuels. Proceeds from these prints will benefit 350.org to support their work around the climate emergency. Thanks for caring." -Shepard Fairey Shepard Fairey, the mind behind the iconic OBEY imagery, once again channels his signature blend of street and pop art in the "Flower Power Red AP" silkscreen print. An emblem of countercultural movement, Fairey's piece presents a striking juxtaposition of the serene blue lotus flower against the industrial backdrop of electric power lines. Cast on Speckletone Fine Art Paper, this hand-pulled screen print not only exemplifies the artist's meticulous craftsmanship but also carries a poignant and timely message. The "Flower Power" series, which this print is a part of, stands as a clarion call for humanity's pivot from environmentally harmful fossil fuels to more sustainable energy sources. This transition, as Fairey suggests, is not just a matter of technological or economic feasibility; it is an imperative for the continuity of life as we understand it. The reference to Naomi Klein's "This Changes Everything" underscores the severity of the looming climate crisis, offering readers a comprehensive analysis of our current ecological predicament and the urgency with which we must act. Beyond its aesthetic appeal and socio-political commentary, the artwork demonstrates Fairey's commitment to environmental advocacy. Proceeds from the sale of these prints are directed to 350.org, an organization at the forefront of the global movement to address climate change. Such initiatives are emblematic of Fairey's approach to art — one that is not just visually stimulating but also deeply rooted in activism and the broader call to collective action. Through this masterful piece, Shepard Fairey once again reiterates the power of art in shaping conversations, influencing change, and fostering a more conscious global community.

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David with Machine Gun Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2008 Signed by Shepard Fairey & Blek le Rat, Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat David with Machine Gun Silkscreen Print 2008 The 2008 David with Machine Gun silkscreen print is a collaborative edition created by Shepard Fairey, known as OBEY, and French stencil art pioneer Blek le Rat. Hand-pulled on fine art paper and produced in a signed and numbered edition of 100, this 18 x 24 inch print merges the strengths of two iconic street artists across generations. Both signatures on each print elevate it to an important collector’s piece within Street Pop Art & Graffiti Artwork, highlighting not only a striking image but also the historical significance of the collaboration itself. Imagery and Commentary The print features a reinterpretation of Michelangelo’s classical sculpture David, here transformed into a provocative figure holding a machine gun. The juxtaposition of the Renaissance ideal of human beauty and form with the stark brutality of a modern weapon serves as a sharp critique of war, violence, and the distortion of cultural ideals. By placing David in a gritty, graffiti-covered urban environment, the work questions how art and society repurpose historic symbols to address contemporary anxieties. This powerful reimagining reflects both Blek le Rat’s tradition of stencil interventions in public spaces and Shepard Fairey’s skill at repurposing cultural icons into tools for social commentary. Collaborative Significance Blek le Rat, born Xavier Prou in France in 1951, is celebrated as one of the earliest and most influential stencil graffiti artists. Shepard Fairey, born in Charleston, South Carolina in 1970, became internationally known for his OBEY campaign and his later political works, including the Barack Obama Hope poster. Together, they bridge the early roots of European stencil art with the graphic and politically driven evolution of American street pop art. Their joint works, such as David with Machine Gun, serve as cultural dialogues between two eras, reinforcing the continuity of street art as a platform for protest and public discourse. Political Resonance and Collector Value David with Machine Gun functions as a visual protest, reworking an image of purity, youth, and beauty into a statement about the corruption of ideals through militarization and violence. The collaboration underscores both artists’ shared commitment to making politically engaged art accessible to broad audiences. With its limited edition of only 100, dual signatures, and thematic strength, the print has become a significant and sought-after work for collectors. It captures the way Street Pop Art & Graffiti Artwork can take familiar imagery and transform it into a searing critique of the modern world, cementing its role as both cultural artifact and fine art object.

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Not Great Men 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered, Not Great Men Screen Print 18 x 24 inches Edition of 450 August 20, 201 The Not Great Men print was inspired by the Gang of Four song of the same name from their album “Entertainment”.. Gang of Four are a great band musically and lyrically with many of their songs tackling subjects like consumption, capitalism, obsession with power, exploitation, narcissism, and class structure. The song Not Great Men has long struck me as a wise indictment of the contradiction or paradox of leadership and power. It takes assertive, charismatic people with self-confidence to be leaders, but on the dark side, leaders are often power hungry, manipulative, and abusive of their power.

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Terry Hall Tribute Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 1-Color on Pure White Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 325 Artwork Size 18x24 Silkscreen Print "Terry Hall, singer of the Specials, one of my favorite bands, died of pancreatic cancer a little less than a year ago. This past Saturday, Musack did an amazing tribute to Terry with a bonkers lineup, including Horace Panter and Lynval Golding of the Specials, Jane Wiedlin of the Go-Go’s, Fishbone, No Doubt (except Gwen), Tom Morello, Tim Armstrong and Jesse Michaels of Operation Ivy, Donita Sparks of L7, and others! I fell in love with the Specials in the summer of 1989, around the time I started listening to Operation Ivy and Fishbone, so to have members of all those bands celebrating Terry was incredible! I was also able to do the poster for the event based on a beautiful photo by Chalkie Davies. There are two versions of the print, one with the event lineup included and another that is a simpler tribute to Terry. The black and white print are editions of 325, but the show lineup print is a smaller quantity (edition of 300) because many were sold at the event, and all proceeds from those benefit Musack, an excellent music charity for kids. On a personal note, Terry came by my studio a couple of times, and we talked for hours. He was kind, thoughtful, and very open about life’s ups and downs. We talked about kids, mental health, insecurity, relationships, the therapeutic benefits of creativity, and many other heavy topics. He was a kindred spirit who I thought I’d be friends with for many years. This print was done with love… thanks for the tunes Terry!" -Shepard Fairey- OBEY The realm of street art, pop culture, and graffiti has witnessed countless legendary figures whose artistry has both challenged and changed perceptions. One such luminary is Shepard Fairey, the renowned artist behind the OBEY campaign, who has consistently melded activism and artistry in his works. A notable tribute by Fairey is the silkscreen print dedicated to Terry Hall, the iconic lead singer of the Specials. Terry Hall's influence in the world of music was significant, and his tragic passing due to pancreatic cancer was a tremendous loss to the music community. This sentiment was palpable when Musack hosted an astounding tribute to Hall, graced by stalwarts like Horace Panter, Lynval Golding, Jane Wiedlin, Fishbone, members of No Doubt, and numerous other eminent artists. This tribute not only celebrated Hall's legacy but also underscored the bond shared by these artists, many of whom were influenced by the Specials during their formative years. The silkscreen print crafted by Fairey serves as a testament to Hall's enduring impact on him and the broader music fraternity. The artwork, pulled by hand on fine art paper, epitomizes the meticulousness synonymous with Fairey's creations. Limited to an edition of 325, the monochromatic rendition of Hall draws inspiration from a poignant photograph by Chalkie Davies. An alternative version features the event lineup, limited to an edition of 300, with a significant portion having been sold during the event. The proceeds from this version were dedicated to Musack, a laudable charity aimed at empowering kids through music. Fairey's connection with Hall went beyond mere admiration. Their conversations, which delved deep into topics like mental health, creativity, and life's intricacies, highlighted the profound respect and mutual understanding they shared. The artist's tribute to Hall is more than just a print; it's a heartfelt homage to a kindred spirit. Through this artwork, Fairey offers the world a glimpse into their shared moments, while simultaneously emphasizing Terry Hall's undying influence in the realms of music and culture.

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Henry Rollins Frequent Flyer Tour 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 225 February 19, 2010 Henry Rollins tour poster designed by Shepard Fairey. The Frequent Flyer tour starts 2/18/2010 in Arizona USA.

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Stop The Violence! Voices of Parkland 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. "Voices of Parkland" Screen Print on Cream Speckle Tone Paper by Shepard Fairey. It measures 18" x 24"

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Creativity, Equity, Justice Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print "This print is a portrait of Anjel Newmann, Director of Programs and Youth Director of AS220 – a non-profit community arts organization based in downtown Providence with whom I’ve worked since the ’90s. AS220 is important to me because they have cultivated a creative community that continues to have a profoundly transformative impact on the city. I’m inspired by Anjel’s dedication to this organization, where she’s been a member since she was 13 years old, learning from a diverse set of communities and facilitating access to opportunities for young people across the city of Providence. Thank you Anjel and AS220 for all that you do for the people of Rhode Island!⁠" -Shepard Fairey- OBEY In the vibrant intersection where art meets activism, Shepard Fairey’s silkscreen print stands as a testament to the power of creative expression as a tool for social change. Released in 2019, this limited edition piece, signed and numbered with a run of 450, encapsulates Fairey’s longstanding commitment to community engagement through art. The 18x24 artwork, hand-pulled on Cream Speckletone fine art paper, is not only a visual treat but a beacon of inspiration, embodying the themes of creativity, equity, and justice. At the heart of this print is a portrait of Anjel Newmann, a figure who represents the enduring impact of AS220, a non-profit community arts organization in Providence, Rhode Island. Newmann's involvement with AS220 began at the tender age of 13, and her journey to becoming the Director of Programs and Youth Director showcases the nurturing power of such institutions in cultivating artistic talent and leadership among the youth. Fairey, having collaborated with AS220 since the 1990s, celebrates not only the individual journey of Newmann but also the broader ethos of the organization. AS220’s pivotal role in fostering an inclusive arts community and providing a platform for marginalized voices is central to Fairey's narrative. The artwork itself is a visual confluence of Fairey's signature style with poignant messaging. Words like "Creativity," "Equity," and "Justice" are prominently featured, aligning with the larger message that Fairey perpetuates through his work—art as a mechanism for societal upliftment and personal liberation. His use of bold, contrasting colors and geometric patterns draws the eye, compelling the viewer to contemplate the interconnectedness of the artistic elements with the profound themes presented. Fairey’s choice of Anjel Newmann as the subject speaks volumes about the role models that inspire his work. By highlighting Newmann's dedication to AS220, Fairey not only honors her and the organization but also emphasizes the importance of creative communities in driving positive social change. This print transcends its aesthetic appeal, standing as a symbol of hope and a call to action, urging viewers to rise above challenges and contribute to the collective journey towards a just society. It is a celebration of Fairey’s enduring relationship with AS220 and his unwavering belief in art as a catalyst for progress.

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Dirty South Dance Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey Rare Street Art Limited Edition Artwork. 2007 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 A few faint scratches to black areas. Shepard Fairey (b. 1970) Dirty South Dance, 2007 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 300 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles Dirty South Dance Silkscreen Print is a piece of artwork created by Shepard Fairey, the American contemporary street artist, graphic designer, and activist best known for his "OBEY Giant" and Barack Obama "HOPE" campaigns. Fairey's artwork is often characterized by its bold and thought-provoking imagery, combining elements of graffiti, pop art, and political activism. The Dirty South Dance Silkscreen Print is part of Fairey's OBEY series, which is derived from the "OBEY Giant" sticker campaign he started in 1989. The series aims to promote critical thinking and question societal norms, government control, and the influence of media and advertising on our lives. The Dirty South Dance print may feature Fairey's signature style, including bold colors, striking design elements, and a mix of typography and imagery. The piece may focus on the "Dirty South" music scene, which refers to a subgenre of hip-hop that originated in the southern United States, particularly in cities like Atlanta, Houston, and New Orleans. The artwork may attempt to capture the spirit of the music, its artists, and the culture surrounding it while also incorporating Fairey's sociopolitical messages. As a silkscreen print, the Dirty South Dance artwork would have been created using a stencil-based printmaking technique in which ink is pushed through a mesh screen to transfer the design onto paper or canvas. This process allows for the production of multiple copies, each considered an original print, and is a popular method for creating street art and posters. Collectors and fans of Shepard Fairey's work may be interested in acquiring the Dirty South Dance Silkscreen Print for its unique design and strong cultural commentary.

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Clementine AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Neil Young Music Influenced Woman Floating In Water Shepard Fairey's distinct style has become a hallmark in the realms of pop art, street art, and graffiti art. One of his most remarkable works is the "Clementine AP" Silkscreen Print, an artist proof created in 2012. This piece exemplifies the meticulous craftsmanship and creative ingenuity that Fairey consistently demonstrates. It's a hand-pulled screen print on Speckletone Fine Art Paper, underscoring his dedication to producing high-quality artwork that has a tangible and unique texture. The art piece's design showcases an image of a woman, evidently influenced by the music of Neil Young, floating serenely in water. This serenity is contrasted by the inclusion of the iconic "Hello My Name is" name tag, a staple of street culture that often accompanies graffiti. Such juxtaposition between calm and urban grittiness encapsulates Fairey's ability to combine different elements from varied inspirations into one cohesive and captivating piece. Moreover, the print is adorned with graffiti elements, which are not only a nod to the artist's roots but also add a layer of depth and texture to the narrative of the artwork. Another essential aspect to note about the "Clementine AP" Silkscreen Print is its exclusivity. Being an Artist Proof (AP), it indicates that this piece was part of the initial run of prints the artist created before finalizing the edition. Such proofs are treasured by art collectors for their rarity and unique details. Signed by Fairey himself and marked with the "AP" designation, this artwork stands as a testament to the artist's profound influence in the contemporary art world. Its size, 18x24 inches, makes it an ideal piece for display, offering viewers an immersive experience into the mind and creative vision of Shepard Fairey.

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OBEY Diamond Flower Round Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 24x24 Silkscreen Print “OBEY Diamond Flower Round is an open flower, a symbol of positive growth, surrounded by graphic vines and geometric framework. The graphic resolution of the elements in this image is meant to encourage harmony. I frequently use visual problem-solving, finding harmony and balance with visual elements as a guide for how problems in the wider world can be approached with every variable for resolution taken into consideration." -Shepard Fairey

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Just Future Rising 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2021 Signed & Numbered, Just Future Rising 18 inches by 24 inches Edition of 450 June 23, 2021 "I created for the Time “VOTE” cover just before the 2020 election. At the time, I wanted to address the very unique situation we were in as a country as we faced the Covid-19 pandemic, unrest around police brutality and racial discrimination, voter suppression, and intense political division. We are still facing all of those things, though the development of Covid vaccines has significantly improved public safety and benefitted the fight to end the pandemic. In this illustration, the usually clear-cut rebel symbol of a bandana covering a face takes on a different meaning during Covid, becoming an emblem of safety, respect for one’s fellow citizens, and a sign that the wearer believes in science." -Shepard Fairey The "Just Future Rising" is a striking silkscreen print by Shepard Fairey, an artist renowned for his profound impact on street and pop art through the OBEY series. This limited edition artwork, measuring 18 by 24 inches, was released on June 23, 2021, in a numbered series of 450 pieces. Each print is hand-pulled, utilizing four colors on fine speckle tone paper, highlighting Fairey's signature style that merges art with social commentary. This piece is an extension of his engagement with contemporary issues, as it initially accompanied the Time magazine “VOTE” cover crafted in the lead-up to the 2020 election. Fairey's work consistently echoes themes of political activism and cultural critique, and "Just Future Rising" is a vivid representation of that ethos. The image reflects the turbulent climate of its creation: a nation grappling with the COVID-19 pandemic, societal upheaval stemming from racial injustice, the challenges to democracy through voter suppression, and deep-seated political polarization. In this print, the image of a woman with a bandana covering her face symbolizes a multifaceted narrative—transforming a traditional sign of rebellion into a symbol of safety and solidarity in the face of a public health crisis. The bandana, adorned with intricate patterns, carries a badge that reads "The Future is Unwritten," reinforcing the message that change is possible and the future is in the hands of the people. Fairey's choice to depict the bandana, a classic rebel icon, as a protective mask denotes a profound shift in cultural symbols due to the pandemic. It reflects a respect for science and an acknowledgment of the collective effort required to navigate the crisis. The artwork transcends mere aesthetics, embodying the message that caring for one's community and being considerate of public health are now acts of rebellion in their own right. This resonates deeply with the artist's long-standing commitment to using his craft to support social and political change. In the portfolio of Shepard Fairey's creations, "Just Future Rising" is not just a piece of pop artwork; it is a cultural artifact born out of an era defined by upheaval and a call to action. It stands as a reminder of the power of art to influence discourse, inspire action, and reflect the complexities of the human experience in times of adversity.

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Noir Flower Woman Blue AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2022 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Woman Holding Large Lotus Flower. "The Obey Noir Flower Woman print is inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultivate justice, and hold optimism close to their hearts. We all face challenges and hostilities, but exterior forces don't control our inner strength and idealism. We do! Idealism leads to action. Those who perpetrate injustice rely on apathy to get away with their misdeeds. Nurture your inner idealism, and your constructive actions will follow. A portion of the proceeds from this print will benefit Greenpeace to support its work to enhance environmental protections and combat climate change." -Shepard Fairey. Shepard Fairey's "Noir Flower Woman Blue AP" is a testament to the harmonious blend of pop and street art, with a unique nod to graffiti culture. With the hand-pulled silkscreen method on fine art paper, this 18x24 print captures a woman delicately holding a giant lotus flower. This captivating artwork, released as an Artist Proof in 2022, is not only a rare find due to its limited edition run but also because of the personal touch added by Fairey through his signature and the distinctive "AP" mark. At a glance, the "Obey Noir Flower Woman" appears to be heavily influenced by Art Deco elements and Dark Wave album art aesthetics. Yet, beneath its visual layers lies a profound message. Shepard Fairey draws inspiration from those idealists who remain committed to environmental protection, champion justice, and foster a deep-seated optimism, even in the face of adversity. His work argues that external challenges can never overshadow the radiant light of one's inner resilience and idealism. Rather than being passive spectators, Fairey calls upon individuals to harness their inner idealism, transforming it into actionable change. This sentiment reverberates even more when considering that a portion of the proceeds from the sale of this print aids Greenpeace in its relentless battle against climate change and for enhanced environmental protections. This piece by Fairey isn't merely an artwork; it's an emblem that showcases the intersection of visual allure and impactful advocacy, a hallmark that distinguishes much of the art from the pop, street, and graffiti genres. As viewers immerse themselves in the intricate details of "Noir Flower Woman Blue AP," they are invited to reflect, respond, and act on the world around them.

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Just A Minor Threat Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed by Glen E Friedman x Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print Depicting Punk Rock Music Band Minor Threat & Ian MacKaye Stylized Raging Concert Photo by Glen E Friedman "I first heard Minor Threat in 1985 when I had been skateboarding and listening to punk and hardcore for a year. I was quickly becoming more confident, outspoken, and energized by D.I.Y. culture, and I was voraciously hungry for things that fuelled my emotional and intellectual evolution. Minor Threat was rocket fuel for my journey. Not only is their music a ferocious explosion of energy, but their playing is tight, and Ian MacKaye’s lyrics are intelligent and provocative. On top of that, Minor Threat created their own label, Dischord Records, to put out their music as well as records by other D.C. bands. Minor Threat and Dischord are profound influences on me, so I was very excited to collaborate with Glen on a Minor Threat print to celebrate the release of his new book “Just a Minor Threat.” Glen has the most intimate and powerful photos of Minor Threat, so it was possible to craft an illustration with strong images of all the band members. I’m also incredibly grateful to have the blessing of the members of Minor Threat." -Shepard Fairey- OBEY "Minor Threat is obviously one of the great foundations of hardcore punk rock. Inspiration for legions around the world, including Shepard and myself. As we’ve done with my last several books, Shepard and I got together and collaborated to make a print celebrating the release of the new publication. Shepard is one of my designing confidants and often gives me advice during my process of bookmaking so it makes sense that once the project comes to fruition, we enthusiastically make these prints of artists that inspire both of us. This print is based on separate images of each individual in the band as well as the always omnipresent audience that were a major part of incredible Minor Threat gigs. The book came out great and is different from previous books; it has its own voice, not only through the trove of never-before-seen photographs but also through the incredible essays throughout. Be inspired." -Glen E Friedman The intersection of punk rock and visual art finds a pulsating tribute in Shepard Fairey's silkscreen print titled "Just A Minor Threat." This limited edition piece, numbered to only 550 and signed by both Fairey and celebrated photographer Glen E. Friedman, crystallizes the essence of the iconic hardcore punk band Minor Threat. Created on Cream Speckletone Fine Art Paper and measuring 18x24 inches, the artwork commemorates not only the band's fierce energy but also the release of Friedman's new book. Minor Threat, fronted by Ian MacKaye, left an indelible mark on the punk scene with their explosive music and D.I.Y. ethos. This band didn't just play music; they ignited a cultural movement by establishing Dischord Records, encouraging self-expression and independence within the arts community. Fairey, himself a product of the skateboarding and punk cultures of the 1980s, attributes his confidence and outspoken nature to the catalytic influence of bands like Minor Threat. His collaboration with Friedman is not just a celebration of their shared inspirations but a manifestation of the band's impact on their creative and intellectual trajectories. The artwork vividly captures the raw intensity of a Minor Threat performance, with each member and the palpable energy of the audience rendered in a style that bridges the gap between photography and stylized illustration. This visual synergy complements the narrative of Friedman's book, which not only offers an array of unseen photographs but is peppered with essays that give voice to the era and the band's pivotal role in it. Fairey's print stands as a testament to the band's legacy and as a beacon for those fueled by the spirit of rebellion and authenticity that Minor Threat so potently symbolized.

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Rollins 50 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 700 February 4, 2011 "Henry Rollins has a birthday coming up that only comes along once every half-century… YES, he’s turning 50. This calls for a Rollins fortnight celebration with two prints spanning 30 years. This week the ROLLINS 50 tour poster drops. Next week on 2/13/11 I’ll release a print collaboration with Glen E. Friedman based on a Black Flag ’81 shot. . I hold Henry in high regard for his many talents as a singer, writer, radio DJ, TV host, political and social commentator, etc… but above all I love his energy and gusto. Henry has been doing it his way hardcore for 30+ years. This 50 poster is ridiculous not because Henry is getting older, but because Henry would never lounge around long enough for the reaper to get a jump on him. " -Shepard Fairey

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Revolution in our Time Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2020 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Oct 1 is the 70th anniversary of Communist Party rule in China and the Chinese government is planning an extravaganza of choreographed contentment in the mainland while the people of Hong Kong will hit the streets in an effort to secure their rights. I’ve long believed that protests in the streets are an essential tool for meaningful change because the passion, courage, and visceral force of the participants in a mass protest send a powerful message that they are fully committed to their cause! Ed Nachtrieb photographed many incredible moments of the 1989 Tiananmen Square protests. I’m honored to collaborate with Ed on a set of two images based on his documentation 30 years ago, especially because pro-democracy and human-rights protesters are in the streets of Hong Kong right now! This image “Long Live The People” will be released as a print soon… more details to come. Check out Ed Nachtrieb’s thoughts on the 1989 Tiananmen Square protests." -Shepard Fairey- OBEY "After the People’s Liberation Army was sent in to suppress what is now called the “pro-democracy movement” on June 4, 1989, there was a liberalization of economic rules and policies. China then experienced a remarkable economic transformation. The idea: if people could get rich, they wouldn’t care so much about their freedoms. I think that’s a miscalculation. In Hong Kong today, ideas championed in 1989 have reappeared in a “Revolution of Our Time” in spite of the campaign to erase such “counter-revolutionary” thoughts from history. My images used in these prints are from energetic and optimistic moments of the pro-democracy movement. Victory was in the air. Progress seemed inevitable to those with arms outstretched and smiles beaming from their faces. Shepard’s work reflects their hopes and aspirations. The same ones that fortified those protesters in 1989 are now fuel for the passionate idealists on the streets today." -Edward Nachtrieb Shepard Fairey's "Revolution in Our Time" silkscreen print is a compelling narrative connecting past and present struggles for democracy and human rights. This piece, released in 2020, commemorates the 70th anniversary of Communist Party rule in China, juxtaposing the state's celebrations with the unyielding spirit of protest in Hong Kong. Fairey's collaboration with photographer Ed Nachtrieb is particularly significant, as it draws on images captured during the 1989 Tiananmen Square protests, thereby linking historical acts of resistance to contemporary movements. The artwork is a hand-pulled, 5-color print on cream speckletone fine art paper. With its size of 18x24 inches, the piece commands attention, demanding consideration not just as a visual expression but as a statement of solidarity. The edition is limited to 550 signed and numbered prints, making each a tangible artifact of political artistry. Fairey's design is charged with symbols of peace and resilience, as evidenced by the dove and the raised hand, iconic gestures of defiance and hope. Fairey is known for his stance that street protests are a crucial mechanism for social change, and this belief is visually encoded in the print. His art is not passive; it is an active participant in the dialogue around civil liberties and the collective voice of the people. "Revolution in Our Time" does more than commemorate an event; it propels the message of protest into the future, encouraging a reflection on the nature of authority and the power of the people's will. This limited edition print captures the essence of Shepard Fairey's approach to art as a form of rebellion and communication. It speaks to a universal yearning for freedom and justice, transcending borders and historical moments to unite viewers in a common cause. The work stands as a beacon to civic engagement's enduring relevance and visual art's impact in mobilizing and inspiring change within societies.

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Hello My Name Is Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Screen Print on Cream Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2019 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print of Andre the Giant Hello My Name is Name Tag & Graffiti Introducing the iconic "Hello My Name Is" silkscreen print by renowned artist Shepard Fairey, a pioneering figure in the worlds of pop art, street art, and graffiti. This hand-pulled screen print on Cream Speckletone Fine Art Paper showcases Fairey's distinct style that has captured the hearts of art enthusiasts worldwide. As an OBEY limited edition artwork, it holds a unique position in the realm of contemporary art. Created in 2019, this signed and numbered limited edition comprises only 450 prints, making it a highly sought-after collectible. Each piece is numbered, adding an exclusive touch that speaks to its rarity and value in the art market. With an artwork size of 18x24 inches, the print commands attention and stands as a striking representation of Fairey's artistic vision. At the heart of this piece lies Fairey's famous "Andre the Giant" motif, an iconic symbol that originated from his street art campaign. Inspired by the ubiquitous "Hello My Name is" name tags and graffiti culture, Fairey ingeniously merged this concept with the legendary figure of Andre the Giant, resulting in a bold and thought-provoking work of art. This silkscreen print serves as a prime example of the fusion of pop culture, street aesthetics, and graffiti elements that define Fairey's contribution to the contemporary art movement. His ability to challenge conventional norms and provoke dialogue through art has made him a significant figure in the modern art scene. As an artist who emerged from the streets and subcultures, Shepard Fairey has been instrumental in bridging the gap between street art and the mainstream art world. His artworks, including this "Hello My Name Is" print, continue to captivate audiences and contribute to the ongoing evolution of pop art, street art, and graffiti as legitimate and influential forms of artistic expression.

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WK / Shepard Portrait Silkscreen Print by WK Interact x Shepard Fairey- OBEY Hand-Pulled on French Speckletone True White Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 450 Artwork Size 36x24 Silkscreen Print WK Interact and Shepard Fairey are luminaries in pop art, street art, and graffiti art, showcasing creativity that blurs the line between counterculture and mainstream artistry. Each has carved its distinct identity in the ever-evolving art scene, bridging the gap between street aesthetics and fine art. Their contribution to this art form has not only inspired a generation of artists but also brought street art into the global limelight. WK Interact, a French artist based in New York City, is renowned for his kinetic, motion-based black-and-white street art. His works often depict figures in motion, creating a sense of velocity and dynamism that is emblematic of urban life. The artistry goes beyond traditional graffiti as his murals often interact with the architecture and environment they are placed in, reflecting a deep connection with the urban landscape. A key concept behind his work is to capture the energy and pace of city life, turning mundane structures into a living art spectacle. "I’ve known WK for almost 25 years, but I admired his art for many years before that. When I started putting art up on the streets of NY in the early 90s, WK had some of the best murals around lower Manhattan. We’ve collaborated a few times over the years, and when I was in NYC in December, WK shot some portraits of me as part of an artist homage series. Usually, I’m uncomfortable being the subject of art pieces, but I love what he did with the final art because it merges our aesthetics very harmoniously… and my face is less of the focus!" -Shepard Fairey "In 2009, I was invited by Shepard Fairey to have a solo show at the Subliminal Project Gallery in Los Angeles. 14 years later, I have the pleasure of visiting Subliminal Projects once again… to sign a new limited edition print, on which we collaborated. I met Shepard long ago… I’ve joined him on many adventures around the world, from Berlin, Japan, NYC, Los Angeles, Miami, Chicago, to Paris. Early on, I realized as we were hitting the streets with paste ups, that we shared something in common and that was the constant desire to work. Shepard was the first person to contact me and extend an invitation to participate in the game. I admire how sharp he is… he forgets nothing. I’m grateful that he let me paint his portrait, but I’m mostly honored to call him my friend." –WK Interact

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Floral Takeover 2017 Red Cream Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. The "Floral Takeover 2017 Red Cream Silkscreen Print" is a significant entry in the oeuvre of Shepard Fairey, an artist whose work is synonymous with the intersection of Street Pop Art and graffiti Artwork. This piece is part of a limited edition of 200, each signed and numbered, denoting its value as a collectible. With dimensions of 18x24 inches, the silkscreen print is substantial enough to make a statement on any wall it adorns. Fairey, with his characteristic OBEY brand, has long been a provocateur, blending commercial art techniques with street art's subversive edge, and this work is a clear example of that fusion. Fairey's approach to creating new patterns for street installations and fine art pieces harks back to his early days when he would use discontinued wallpaper as a backdrop for his work. The transition to designing and printing his patterns demonstrates a progression in his artistic control and the evolution of his signature style. The 'Floral Takeover series showcases the artist's ability to adapt elements traditionally associated with interior design and repurpose them within the context of street art and pop culture. By doing so, Fairey blurs the lines between art as a purely aesthetic commodity and its function as a commentary on societal norms. In this print, Fairey plays with a cream speckle tone fine art paper that gives the work a textured, organic feel, contrasting with the precise and deliberate two-color silkscreen technique. The choice of cream as the base color amplifies the boldness of the red floral pattern, allowing the design to leap off the paper with a vivacity that captures the viewer's eye. The juxtaposition of color and form symbolizes Fairey's work, where contrast often serves as a visual metaphor for broader cultural and political contrasts. Moreover, the 'Floral Takeover' print series reflects Fairey's humor and his recognition of the interplay between art and the commercial world, as hinted at in his playful suggestion to "buy a couch to match." This statement encapsulates the artist's awareness of the commodification of art in pop culture and his role within that process. Through works like this, Fairey continues challenging perceptions of what street art can be, bridging the gap between graffiti's rebel spirit and gallery pieces' polished finish.

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Only The Finest Poison Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 24x24 Silkscreen Print "This “Only the Finest Poison” print is a critique of the many methods the oil industries use to maintain business as usual, including deceptive marketing, bribing politicians, discrediting science, and concealing the truth. The news clipping included in the piece is a portion of an article revealing that ExxonMobile has known, based on their internal scientific research, for over 40 years that burning fossil fuels is warming the planet. Yet, they hid the research and publicly denied the impact of fossil fuels on climate change. It is challenging to break through the formidable layers of deterrence put in place by the powerful corporations who put profits before people and the planet, but breaking through is essential to a healthy future. A portion of proceeds from this print will benefit Greenpeace USA to support their work to fight climate change. Thanks for caring. The speckletone paper used in this print is composed of recycled material." -Shepard Fairey "Only the Finest Poison" is an exceptional work of art by Shepard Fairey, a renowned figure in the pop and street art scene. Released in 2023, this silkscreen print showcases Fairey's adeptness in merging provocative political commentary with visually compelling artistry. Limited to an edition of 550, each piece is hand-pulled on Speckletone Fine Art Paper, a unique medium composed of recycled material, further emphasizing the artist's commitment to environmental responsibility. The artwork stands as a stark critique of the global oil industry and its harmful practices. Fairey powerfully employs the use of imagery and text to shed light on the industry's egregious actions—distorting facts, undermining science, bribing political figures, and prioritizing profit over the planet's wellbeing. A crucial element of the piece is the inclusion of a news clipping, a snip from an exposé revealing ExxonMobile's long-concealed knowledge of the detrimental climate effects of burning fossil fuels. Fairey's print is an example of how art can serve as a powerful medium for social and political critique, calling viewers to contemplate the issues presented and challenging them to take action. Echoing the urgent need for change, Fairey's print not only criticizes the oil industry but also extends a helping hand towards environmental causes. A percentage of the proceeds from the sale of this print is donated to Greenpeace USA, an organization known for its relentless fight against climate change. This brilliant artwork, in its thematic exploration and socio-political impact, is a testament to Fairey's role as a critical commentator in the realm of street and pop art.

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