Silkscreen Fine Art Print

Animal Kingdom Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Various animals

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Ghosts N' Goblins Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Justin Erickson x Phantom City Creative Graffiti Street Artist Modern Pop Art. Produced by "D&L Screen Printing"

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Friendship and Support- Gold 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2011 Signed & Numbered Screen Print Friendship and Support (Gold), 2011 Screenprint in colors on speckled cream paper 18x24 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles Due to the enormous popular demand for “Friendship & Support” released last week, we are excited to announce a second colorway at the request of the Harrison Foundation! “Friendship and Support – Gold” supporting UNICEF!

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Invasion Dream Club- Savage Sacred Young Minds Series 25-Color Hand-Pulled Limited Edition Silkscreen Print on 310gsm Coventry Rag (Deckle Edge) by Faile Rare Street Art Famous Pop Artwork Artist. FAILE (American, est. 1999) Title: Invasion Dream Club 2016 Medium: Screenprint on 100% Cotton Rag Archival Paper with Deckled Edges Savage Sacred Young Minds Series

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Tilting Dogs Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. 23 x 35 inches. Three screens on white text-weight paper. Signed and numbered edition of 170. Paper may have wambliness.

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Gaslamp Killer Artist Proof 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. AP Artist Proof. Signed & Numbered, Shepard Fairey (b. 1970) Gaslamp Killer, 2008 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) A.P. (aside from an edition of 400) Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles. I Spit On Your Grave. “My art for the Gaslamp Killer mix was inspired by a combination of the music and personality of the Gaslamp Killer. The GLK is into dark and psychedelic sounds, so that, combined with his name, called for a hippie/horror salad tossed with a blood vinaigrette. The flavor was only enhanced by the Gaslamp Killer’s more sinister personal look, having shaved his dreads and grown an unruly beard and sideburns combo worthy of the most savage maniacs. You must wade through boiling pools of blood to get to the promised land, but the journey the Gaslamp Killer takes you on is all part of the destination.” Shepard Fairey

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Florence Aubenas AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat Florence Aubenas AP Silkscreen Print 2008 The Florence Aubenas AP Artist Proof silkscreen print from 2008 is a powerful collaborative work by Shepard Fairey, known globally as OBEY, and French stencil art pioneer Blek le Rat. Measuring 18 x 24 inches, this hand-pulled silkscreen on fine art paper exists in an extremely rare Artist Proof edition, each marked “AP” and signed by both artists. Beyond its rarity, the subject matter and dual authorship make it one of the most politically and historically significant works within Street Pop Art & Graffiti Artwork. Subject and Symbolism The work features a portrait of Florence Aubenas, the French journalist abducted in Iraq in 2005 and later released after months in captivity. She is depicted standing calmly against the wall of Place Saint-Michel in Paris, her figure stenciled in stark black and white, contrasting with the detailed urban setting. This juxtaposition symbolizes both her resilience and the precarious realities faced by journalists in war zones. By situating her image in a familiar Parisian context, the print speaks to both the local and international dimensions of her story, grounding a global political issue in a recognizable urban landscape. Collaboration Between Generations Blek le Rat, born Xavier Prou in France in 1951, is widely acknowledged as one of the founders of stencil graffiti, with a career that began in the streets of Paris in the early 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, rose to prominence through his OBEY campaign and later works addressing political and social justice issues. Their joint creation of Florence Aubenas bridges the gap between the origins of stencil graffiti in Europe and the evolution of politically driven street art in the United States. The collaboration highlights a shared commitment to using art as a form of activism and public awareness. Artist Proof Rarity and Legacy Artist Proofs, typically reserved for artists and collaborators outside of the standard numbered edition, carry heightened value due to their scarcity and direct connection to the creators. With dual signatures and the AP designation, this edition of Florence Aubenas stands apart as a rare collector’s item. More than a collectible, however, the print underscores how street art can amplify pressing social issues, using public imagery and fine art techniques to spark dialogue. The Florence Aubenas AP silkscreen remains a landmark example of Street Pop Art & Graffiti Artwork where artistic expression, political urgency, and historical moment converge.

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Climb Mt. Tanaka> Be@rbrick 15-Color Hand-Pulled Limited Edition Silkscreen Print on 280lb. Coventry Rag Paper by Frank Kozik Rare Street Art Famous Pop Artwork Artist. Artist: Frank Kozik Creation Date: 2005 Edition: 100; signed and numbered Size: 22 7/8" x 30 his print is signed and numbered by the artist in pencil. This 15-color silkscreen art print is printed on white-colored 280lb. Coventry rag paper.

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Delta Logo- Dark Green Limited Edition Silkscreen Skateboard deck art by street pop culture artists Supreme x Delta.

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American Dream Limited Edition 5-Color Hand-Pulled Silkscreen Print on 140lbs Mohawk Fine Art Paper by Icy & Sot Graffiti Street Artist Modern Pop Art. "American Dream is inspired by the homeless guy who was holding Starbucks cup asking for money. There are a lot of homeless people in New York, but they are invisible in between skyscrapers. We painted him bigger than the empire state building so he can be noticed more." - Icy & Sot

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Chop Til You Drop 3-Color Hand-Pulled Limited Edition Gold Metallic Ink Silkscreen Print on Thick Fine Art Paper by Burrito Breath x Hanks Cycles Rare Street Art Famous Pop Artwork Artist.

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Shark Bite- Rook Brand Limited Edition 4-Color Hand-Pulled Metallic Ink Silkscreen Print on French Speckletone Kraft Paper by Joe King Graffiti Street Artist Modern Pop Art. AP Artist Proof

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Kinsey Bluefin Triptych Limited Edition 6-Color Hand-Pulled Metallic Ink Silkscreen Print on 100lb Cougar Cover White Paper by Dave Kinsey Graffiti Street Artist Modern Pop Art. AP Artist Proof. Kinsey Bluefin by Dave Kinsey Limited Edition of 100 (signed & numbered) 6-Color Screen Print with metallic inks on 100lb cougar cover white paper Two 8" x 10" prints. Dave Kinsey was born in Pittsburgh in 1971 and attended the Art Institute of Pittsburgh and the Art Institute of Atlanta before moving to California in 1994 to pursue a career as a designer and fine artist. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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Liberty Prime- Red Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Inspired by the cult classic video game Fallout 4 sci-fi robot. 2 color 9″ x 24″ screen-printed posters.

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Calaveras de las Flores 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist.

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CamoSplash Orange Yellow Silkscreen Print by Mr Brainwash- Thierry Guetta Hand-Pulled 8-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 38x38 Thumb Print & Date on Back Part of the CamoSplash Series  CamoSplash Orange Yellow Silkscreen Print by Mr Brainwash CamoSplash Orange Yellow is a hand-pulled 8-color silkscreen print created in 2022 by the French-born artist Thierry Guetta, internationally known under the moniker Mr Brainwash. This signed and numbered limited edition artwork consists of only 50 prints, each measuring 38 by 38 inches and printed on premium fine art paper. The reverse side of each piece features the artist’s signature thumbprint and the date, affirming its authenticity and collectible status within the Street Pop Art & Graffiti Artwork genre. Bold Abstraction Within Urban Language Mr Brainwash’s CamoSplash series represents a unique approach to visual camouflage by fusing spontaneous street aesthetics with highly structured color theory. This specific edition features an energetic composition of bright orange, vibrant yellow, and pale blue, delivered in a splatter technique that echoes the raw energy of urban walls. These colors appear layered, almost like a digital glitch translated into analog form through manual silkscreen methods. Despite its chaos, the artwork communicates rhythm and harmony. The visual noise acts as both a camouflage and a statement, blurring perception while simultaneously demanding attention. It demonstrates Guetta’s fascination with pop culture's overstimulation and the way modern society processes color, texture, and space in a post-digital age. Technique, Process, and Format Executed using eight individual silkscreen layers, the artwork displays intricate craftsmanship. Each layer required precision alignment to achieve the final output, where pigment meets paper with tactility and depth. Mr Brainwash uses a high-saturation ink blend that enhances the artwork’s visual intensity. The silkscreen technique allows for texture variability across each edition, ensuring that while the edition is limited to 50, each print contains subtle variations, lending a one-of-a-kind quality to each piece. The format’s 38x38 inch square ratio emphasizes symmetry while allowing the eye to travel freely in all directions without anchor, reinforcing the piece’s immersive, almost hypnotic experience. Placement in Street Pop Art & Graffiti Artwork Thierry Guetta’s artistic persona and body of work exist at the intersection of art spectacle and visual critique. His rise to prominence was propelled by his association with Banksy and the film Exit Through the Gift Shop, which introduced his confrontational yet celebratory style to global audiences. CamoSplash Orange Yellow encapsulates his ethos—where street art’s urgency meets pop art’s palette and scale. In the landscape of Street Pop Art & Graffiti Artwork, this piece represents the artist’s skill in manipulating abstraction as both a formal exercise and a cultural commentary. It is not simply about camouflage; it is about what society hides behind—the noise, the spectacle, the gloss, and the layers of color that make modern life both exciting and overwhelming. This print stands as a vibrant emblem of those contradictions.

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Skrillex NY Takeover 2- 2012 Music Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Archival Bright White Paper by MFG- Matt Goldman Max Goldman for Music Artist Skrillex . Lineup Features Skrillex, Zedd and Sazon Booya at Pacha Poster features "KR" of Skrillex's name. In 2012, Skrillex did a 5-night takeover of NYC with a series of highly sought-after parties and underplays. While the shows happened, the posters were never released. Together, the posters spell out Skrillex's name in a collage of lighting, cosmos, and terrain, in an attempt to capture the intensity of seeing Skrillex live. 18 x 24 inches Spot Color Offset Print Fluorescent Yellow, Fluorescent Green, Black Archival Bright White Paper Limited Edition of 200 Signed by MFG- Matt Goldman Printed in 2012

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1919- Pelican Tombs- Pennsylvania 2009 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Justin Anville. 2019 Signed & Numbered Limited Edition Gig Music Poster Artwork Size 18x24. 919, Pelican Tombs, Music, Event, Theatre of Living Arts, Philadelphia, Pennsylvania, June 3rd 2009, Live Nation The Synthesis of Music and Street Pop Art The convergence of music and visual arts often produces memorabilia that transcends the moment of its creation, embedding itself in the cultural fabric of a time and place. Such is the case with the limited edition gig poster for the event featuring "1919" and "Pelican Tombs" held at the Theatre of Living Arts in Philadelphia, Pennsylvania, on June 3rd, 2009. This striking piece of street pop art and graffiti artwork is a celebration of both the bands and the evocative power of graphic design within the realm of music. This limited edition gig poster is more than just a promotional tool; it is a collectible artwork that reflects the vibrancy and raw energy of the musical acts it represents. Created by the artist Justin Anville, the print is a four-color, hand-pulled silkscreen on fine art paper, a technique that lends the artwork a tactile quality that is both immediate and engaging. The choice of silkscreen printing, a favored method in both street art and pop art for its bold colors and sharp lines, allows the piece to stand out with a visual pop that mirrors the intensity of the live music experience. Visual Elements and Artistic Significance The artwork commands attention with its intricate design and contrasting color palette, which features a dominant red against a backdrop of more subdued tones. At the center, the stylized numerals "1919" are prominently displayed, intertwined with symbolic imagery that suggests a narrative extending beyond the bands' names. This typographic treatment is reminiscent of graffiti art, where letters become an integral part of the visual impact, often carrying meaning in their form as much as in their content. Cultural Imprint of the 2009 Event Poster Limited to a signed and numbered edition, the poster carries with it an aura of exclusivity. Measuring 18x24 inches, it is a sizable piece that was designed to be noticed, to be a talking point, and ultimately, to be remembered. As a piece of memorabilia, it serves as a timestamp, capturing the cultural zeitgeist of the late 2000s Philadelphia music scene, a period marked by a resurgence in indie and alternative genres. The inclusion of the Live Nation brand also signifies the commercial and mainstream acknowledgment of the genres and bands, hinting at their movement from the fringes into the spotlight. The Legacy of Gig Posters in Street Pop Art The significance of gig posters like this one extends beyond the night of the event itself. They are artifacts of cultural history, capturing the essence of musical movements and the artistic styles that accompany them. In the broader context of street pop art and graffiti artwork, gig posters are often the crossroads where music and visual art fans meet, share, and appreciate the interplay between these forms of expression. This particular poster, with its bold aesthetic and connection to a specific time and place, is a perfect illustration of how street art and music can come together to create something enduring. In the ever-evolving dialogue between music and visual arts, the 2009 limited edition gig poster for "1919" and "Pelican Tombs" stands as a testament to the power of this collaboration. It is not just a promotional item; it is a snapshot of a scene, a piece of street pop art, and a collectible that holds within its inks and paper the echoes of a night of music and the spirit of its time.

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The Crawler- White Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Prints by Cleon Peterson are an edition of 150. Made in June 2017, they are signed and numbered by the artist. Format : 20 x 26,75 inches (50,8 x 66 cm). The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Boudica Is Coming to HPM Embellished 6-Color Silkscreen Print by Jamie Reid Hand-Pulled on Distressed 400gsm Reverse Optimum Grey Card Limited Edition Artwork. 2018 Signed By Both Artists HPM Acrylic Hand Embellished Stencil & Numbered Limited Edition of 350 Artwork Size 17x25 Silkscreen Print of Queen Boudica on Horse Chariot Next To Skyscraper Building Art Car Boot Fair Edition Hand Distressed Boudica Is Coming: HPM Embellished Silkscreen Print by Jamie Reid and James Cauty The artwork Boudica Is Coming is an exemplary piece in the fusion of street pop art and graffiti-inspired visuals. Created by renowned British artists Jamie Reid and James Cauty, this work is an homage to rebellious iconography and the modern urban landscape. It is a limited edition of 350, hand-pulled on distressed 400gsm Reverse Optimum Grey Card, giving each piece a distinctive texture. Measuring 17x25 inches, the work captures the essence of street art culture while linking it to historical references, most notably through the imagery of Queen Boudica. The Iconography of Boudica in Street Pop Art Boudica, the ancient warrior queen of the Iceni tribe, is a recurring figure in British rebellious iconography. In this particular piece, Reid and Cauty draw a direct line between the defiant spirit of Boudica and the countercultural movements that define much of contemporary street art. She is depicted riding her iconic horse-drawn chariot, wielding strength and power. The juxtaposition of her figure against the backdrop of a modern skyscraper highlights the tension between history and the relentless progress of urbanization. This contrast is a central theme in street pop art, where historical and cultural symbols are frequently re-contextualized in contemporary urban environments. The use of Boudica in this context transforms her from a historical figure into a symbol of ongoing resistance. By placing her against a looming urban tower block, the artists are making a statement about the enduring relevance of rebellion in modern life. This ties into the broader themes of street pop art, where everyday environments, societal norms, and the tension between authority and individualism are challenged. Distressed Aesthetic and Graffiti Influences The aesthetic choices in Boudica Is Coming reflect the rough and gritty style often associated with graffiti artwork. The silkscreen is printed on distressed grey card stock, adding texture and uniqueness to each print. The distressed elements create a worn, almost decaying look, contrasting with the piece's vibrant neon colors. This distressing technique is particularly effective in replicating the look and feel of urban street walls, where posters and graffiti interact with the elements, slowly eroding into new forms. Jamie ReReid'sackground in graphic design and punk rock visuals plays a vital role in the pipiece'sverall composition. His work with the Sex Pistols and his distinctive collage style, which often includes defaced and altered political symbols, resonates throughout this silkscreen. The stencil-like appearance of Boudica and her chariot is reminiscent of street tagging, a nod to graffiti arart'soots. Meanwhile, James Cauty, known for his work with the KLF and as part of the art collective The Grey Organisation, brings a postmodern, dystopian sensibility to the piece. Combining these two artists creates a visual dialogue between rebellion, decay, and the ever-evolving cityscape. Hand-pulled and Hand-Embellished Elements A vital aspect of this edition is its hand-pulled silkscreen printing process. Each print is not just mechanically reproduced but crafted with care, resulting in slight variations between editions, making each piece unique. The silkscreen process, especially in the hands of Reid and Cauty, imbues the work with a tactile quality that draws the viewer in. The bold, almost fluorescent colors demand attention, creating a dynamic contrast between the monochrome tower block and the vibrancy of the lettering and Queen BoBoudica'silhouette. Further enhancing the print is the hand-embellished acrylic stenciling. Each print has been individually embellished by the artists, adding layers of paint extending beyond traditional prints' flatness. This manual intervention by the artists adds depth and texture, reinforcing the sense of the handmade, a cornerstone of street art and graffiti practices. These embellishments ensure that no two prints are exactly alike, adding to the value and collectability of the piece. Queen Boudica in the Urban Landscape The juxtaposition of Queen Boudica against a towering skyscraper is not merely a visual choice but a statement. It speaks to the encroachment of modernity on history, tradition, and natural landscapes. Skyscrapers, often symbols of corporate power and modernity, stand in stark contrast to the ancient, organic power represented by Boudica and her horse-drawn chariot. In this sense, Boudica Is Coming embodies the tension between the past and present, nature and industry, rebellion and order. The use of bold text in the piece, announcing Boudica Is Coming, adds a sense of immediacy and urgency. It speaks to the viewer in the way street art does, with its direct, almost confrontational messaging. The message itself hints at the idea of resurgence or the return of something powerful and transformative. Boudica becomes a stand-in for any number of modern resistances, whether political, social, or cultural. This is what makes the piece stand out in the world of street pop art and graffiti artwork. It engages the viewer visually and intellectually, prompting them to consider the implications of rebellion in the context of the modern city. It bridges history and contemporary street culture, creating a dialogue between the two. Boudica Is Coming by Jamie Reid and James Cauty is a powerful piece of street pop art that blends historical iconography with contemporary urban landscapes. Through its silkscreen process, hand-embellished elements, and the distressed aesthetic, it captures the raw energy of street art while commenting on the enduring relevance of rebellion and resistance. ItIt'sot just a print, but a visual and cultural statement that resonates within the framework of modern graffiti and pop art movements.

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Gravity of Youth Silkscreen Print by Lee Eelus Hand-Pulled 18-Color on 410gsm Satin Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of TBD Artwork Size 20.87x29.53 Silkscreen Print The Artistic Brilliance of "Gravity of Youth" by Lee Eelus Lee Eelus's "Gravity of Youth" is a testament to the remarkable synergy between silkscreen printing techniques and street pop art. This hand-pulled 18-color silkscreen print on 410gsm satin fine art paper stands out as a limited edition artwork, underscoring the meticulous craft and vibrant palette characteristic of Eelus's work. Measuring 20.87x29.53 inches, this piece is a 2023 release, signed and numbered by the artist, which adds to its exclusivity and appeal to collectors and fans of street pop and graffiti artwork. Technical Mastery and Aesthetic Appeal The technical complexity of "Gravity of Youth" is notable, with its 18 distinct colors requiring precision and skill to achieve the desired effect. The layering of colors in silkscreen printing is a painstaking process that demands a high level of expertise, which is evident in the flawless execution of this piece. The choice of satin fine art paper as a medium further accentuates the colors' vibrancy, giving the artwork a luxurious sheen that catches the eye and invites closer inspection. Visual Composition and Symbolism Visually, "Gravity of Youth" captures the essence of pop art with its bold use of color and graphic elements while incorporating the spontaneity and freedom synonymous with street art. The image presents a figure seated against a backdrop of multicolored arches that converge into a dark, star-filled space, suggesting a contemplation of the cosmos and our place within it. This juxtaposition of the vivid and the void creates a compelling narrative about youth and its ponderings on the infinite. Cultural Relevance and Impact In the cultural context, Eelus's work resonates with the spirit of street pop art and graffiti artwork, movements that have historically provided a voice to urban experiences and youthful perspectives. "Gravity of Youth," with its dynamic composition and introspective theme, echoes these sentiments, offering a visual commentary on the gravity that youth and vitality hold in a colorful and profound world. The Significance of "Gravity of Youth" In the pantheon of modern street pop art, "Gravity of Youth" is poised to be a significant piece, embodying the genre's essence while showcasing Lee Eelus's skill as a printmaker and artist. This limited edition silkscreen print not only marks a high point in Eelus's career but also serves as an inspiring example of the potential for street pop art and graffiti artwork to transcend traditional boundaries and engage with a broader audience on a deeper level.

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District N 34°- III Rare 9-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Bristol Paper by MAD Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 19.7x23.6 9-Color Screen Print on 300gsm Bristol Paper Size: 50 x 60 cm (19.7 x 23.6 Inches) Release: June 09, 2021 Run of: 25

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Daft Punk- Tron Metallic Silver Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artwork based on the famous music group Daft Punk. Gauntlet Gallery- "Daft Punk Deux" Art Show. The poster contains nods to the band Daft Punk. Within the design are references to Sound systems, mix stations, the pyramid designs from Daft Punk Albums, Digital Data, Energy, and more!

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Stacked Bubble Throwies- Pink 2-Color Hand-Pulled Deckled Limited Edition Silkscreen Print on 335gsm Coventry Rag Fine Art Paper by Cope2 Rare Street Art Famous Pop Artwork Artist. Signed 2018 2-Color Screen Print on Hand-Deckled 335gsm Coventry Rag Fine Art Paper Size: 16 x 20 Inches Release: August 04, 2018 Run of: 20 It’s all by nature, not by art school. It’s from my very soul, with all my energy. Everyone is great in his special way. My way is to be an artist.”, he claims in one of his interviews. He started as part of the underground scene of New York and, even though tagging of walls and subway trains brought him to jail, this further extended his reputation and never discouraged him from writing. On the contrary, such legal issues led him to be open about experimenting with paintings canvas as an alternative to street art.

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Rowhouse 2 Hand-Pulled 17-Color Oval Silkscreen Print Art on Mohawk Superfine UltraWhite Paper by Pop Street Artist Pose- Jordan Nickel Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x30 Oval Hand Deckled Edge 4 Color Split Fountain "Rowhouse 2" emerges as a compelling reflection of the fusion of pop art, street art, and graffiti, masterfully conceived by the esteemed pop street artist Pose, also known as Jordan Nickel. The artwork vibrantly showcases a 17-color palette, elegantly brought to life through the hand-pulled oval silkscreen printing technique. This precise method ensures that each color pops brilliantly on the Mohawk Superfine UltraWhite Paper, a choice substrate celebrated for its ability to encapsulate rich, intricate details and sustain the depth of the vivid hues. This meticulous selection amplifies the visual resonance of the artwork, offering viewers a captivating experience. Navigating through the vibrant chaos of "Rowhouse 2", one is drawn into a whirlwind of urban motifs, abstract designs, and dynamic patterns. These elements, resonant of urban life and its multifaceted charm, are rendered with a finesse that only Pose could achieve. The artwork's unique oval shape provides a distinct frame, accentuated further by a hand deckled edge that seamlessly complements the 4-color split fountain technique, elevating its aesthetic allure. Revealed to the world in 2022, "Rowhouse 2" is not merely an art piece but a beacon of modern artistic expression. As a limited edition masterpiece, only 75 pieces exist, each distinctly signed and numbered by Pose. With dimensions of 18x30, it offers an immersive experience, drawing viewers into its intricacies. A testimony to the evolution and amalgamation of different art forms, "Rowhouse 2" by Pose is a testament to the enduring allure and transformative power of street and pop art in contemporary times.

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Crash Test Kalis- 8.38 Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist DGK. 7-ply Maple with Assorted Stain Veneers / Full Graphic Bottom / Top Screen Graphics / Josh Kalis Professional Endorsed Skateboard / 8.38" Width x 32.15" Length / 14.5" Wheelbase

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Obey Black Widows AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Pop art, street art, and graffiti have always been mediums that offer a raw and unfiltered reflection of society, culture, and the artist's personal feelings. Among the luminaries in this realm, Shepard Fairey stands tall, his unique creations resonating with both art aficionados and the masses alike. The "Obey Black Widows AP Dance Floor Riot" silkscreen print is a testament to his profound admiration for music and its intertwined relationship with visual arts. Crafted meticulously in 2011, this artist proof, hand-pulled, 1-color screen print on fine art paper, is not just an artwork but a fragment of Fairey’s soul, reverberating his passion for music. Shepard Fairey's initiation into the art world was not through the conventional means of art galleries but through album covers that acted as the visual symphony to the music he revered. Just as album art inspired emotions, memories, and an innate connection to the music, Fairey's street art endeavored to forge a similar connection with its audience. The silkscreen in question, sized at 13x13, embodies Fairey's attempt to harness the immense power and universal reach of music. His statement captures this sentiment eloquently, emphasizing how, despite art's intrinsic value, music has a superior prowess in touching human souls. His use of the term "REVOLUTIONS" is twofold, alluding to both the revolutions of a vinyl record and the socio-cultural revolutions music often incites. A deep dive into "Obey Black Widows AP Dance Floor Riot" offers viewers a chance to journey through Fairey’s inspirations. The fusion of punk's rebellious nature, the invigorating energy of music, and the democratizing force of street art crystallizes in this piece. For those who see art not just as an aesthetic expression but as a pulsating representation of society and individual emotion, this silkscreen print is both a tribute and an inspiration. Through such creations, Shepard Fairey champions the ethos that one needn't play an instrument to rock the world – sometimes, a canvas and a vision are all it takes.

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Jimi Hendrix- Dark Gradient Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 70 Artwork Size 22.5x30 Unique #7 Variant "Jimi", a five-color screen-print on hand torn archival art paper. Print is signed and numbered #7 with a thumbprint on the back. Print Size: 22.5in. x 30in.

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Rise Above Original One of a Kind Collage, Spray Paint & Silkscreen Painting Artwork on Fine Art Paper by Graffiti Artist Legends D*Face x Shepard Fairey. 2021 Signed bottom back right by both artists' original collage with archived screenshots and spray paint. Framed in beech-stained black. 21 1/4 x 18 7/8 in 54 x 48 cm Riot D*Face Ruined My Day The Collaborative Essence of D*Face and Shepard Fairey The artwork titled 'Rise Above' is a profound testament to the synergy between two titans of street pop art and graffiti artwork, DFace and Shepard Fairey. This original collage, composed of archived screenprints and spray paint on fine art paper, is a powerful expression of the socio-political commentary that both artists are renowned for. Signed by both DFace and Shepard Fairey in 2021, the piece is framed in beech-stained black, measuring 21 1/4 x 18 7/8 inches (54 x 48 cm), and carries the unmistakable spirit of rebellion and resistance that defines the work of both artists. The collaboration between D*Face and Shepard Fairey for 'Rise Above' is a landmark moment in street art history. Both artists have individually contributed significantly to the evolution of graffiti and street pop art, and their partnership in this piece is a dialogue between two distinct voices that share common thematic interests. The artwork's title, 'Rise Above,' encapsulates the essence of the artists' shared ethos—a call to transcend the status quo and challenge societal norms through art. 'Rise Above' is a masterful blend of techniques, with each layer of collage, spray paint, and silkscreen adding depth and texture to the piece. Archived screenprints are a nod to the artists' past works, creating a sense of continuity and legacy within their oeuvre. The spray paint element introduces a raw, visceral quality reminiscent of their work on the streets, while the silkscreen process adds precision and complexity. This combination of methods results in a piece rich in visual and conceptual density. Iconography and Message in 'Rise Above' The iconography used in 'Rise Above' is laden with meaning. The piece features a portrait characteristic of DFace's style, reminiscent of the comic book aesthetics and skeletal motifs he frequently employs. This figure holds a sign bearing the phrase "DFace Ruined My Day," a self-referential statement that plays with the artist's name and reputation for disrupting the norm. Shepard Fairey's influence is evident in the bold typographic elements and propaganda-style imagery that challenge viewers to question authority and power structures. The socio-political impact of 'Rise Above' is both timely and timeless. By blending their signature styles, D*Face and Shepard Fairey have created a piece that speaks to current socio-political issues while remaining relevant to future generations. The artwork's call to 'Rise Above' is a universal message of empowerment, urging viewers to engage with the world around them critically. The collaboration between these two artists serves as a reminder of the potent role that art can play in provoking thought and inspiring change. The Legacy of 'Rise Above' in Street Art 'Rise Above' contributes to the legacy of street art by showcasing the potential of collaboration within the genre. The partnership between D*Face and Shepard Fairey exemplifies how artists can come together to amplify their message and impact. As both artists have been pivotal in bringing street art into the mainstream consciousness, this piece also reflects the maturation of street art as a recognized form of fine art capable of conveying complex narratives and evoking strong emotional responses. 'Rise Above' is a striking piece of art that embodies the rebellious spirit of street pop art and graffiti artwork. The collaboration between D*Face and Shepard Fairey is a testament to the power of art to communicate, challenge, and inspire. The piece's layered complexity, both in technique and symbolism, offers a rich visual experience and a poignant message that resonates with the core values of street art. As 'Rise Above' continues to be appreciated by art enthusiasts and collectors, it is a significant contribution to contemporary art discourse, reminding us of the transformative power of artistic collaboration.

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Dissection of Ninja Turtle- Anatomy Sheet No 22 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

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Shark- Gold Original Hand-Painted Multiple on Laser Cut Wood Panel ready to hang by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Embleshed Limited Edition of 7 Artwork on Wood Size 9.25x17 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.” Shark Toof

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Anatomy of the Horse- Anatomy Sheet No 11 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2017 Signed & Numbered Limited Edition of 100 17x11 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 100 Year: 2017 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of 10 wild animals. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of animals.

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Lovers Stencil 10-Color Silkscreen Limited Edition Print Art on Fine Art Paper by Artist Aiko Contemporary Pop Artwork. 2016 Signed & Numbered Hand Stenciled Limited Edition of 40 Artwork Size 18x24 "I love to create images related to romantic momentos, lovers and kisses. My subjects are pretty much always about romantic stories, lovers and sexy girls in everyday life. My name, Aiko — which is the most common Japanese girl’s name — means love. Love has been my theme throughout my entire life, even from early childhood. I have loved creating art ever since I was little girl. I was always making art for myself, my mom, my family and my classmates. Just for fun. I enjoy making something that gives us a good feeling, and creating something beautiful that I can share with everyone. Something that is full of love." - Aiko Lovers by AIKO Lovers is a vivid and emotionally charged silkscreen by AIKO, an artist celebrated for blending street art, stencil techniques, and pop iconography with deeply personal themes of romance and femininity. This piece centers on an intimate portrait rendered in AIKO’s signature graphic style, combining bold linework with layered color fields and symbolic elements such as flowers, hearts, and playing card motifs. The result feels both playful and tender, balancing innocence with sensuality in a way that is instantly recognizable as AIKO’s visual language. The composition reflects AIKO’s roots in graffiti and stencil art while embracing the polish of fine art printmaking. The expressive face, softened by pastel tones and punctuated by strong black contours, draws the viewer into a moment of quiet affection. Surrounding graphic fragments and color accents add rhythm and movement, evoking fragments of memory, emotion, and fleeting romantic moments. Love, as both subject and atmosphere, permeates the work without feeling sentimental or forced. Produced in 2016, Lovers is a 10-color hand-pulled silkscreen print on fine art paper, measuring 18 x 24 inches. Each piece is signed and numbered by the artist and released in a highly limited edition of 40. With its small edition size, meticulous stencil layering, and deeply personal narrative, Lovers stands as a strong example of AIKO’s contribution to contemporary pop and street art, celebrating love as a powerful, lifelong creative force.

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I Choose To Heal Severed Connections Sangre Indigena (Indigenous Blood) Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2017 Signed & Numbered Limited Edition of 200 Artwork 18x24

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Studio Session 611 #31 8-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Arches Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. 2016 Studio Session #611, Limited Edition of 60 prints, print #31. Print size 22x30. Signed and numbered in pencil, printed on fine art Arches paper, 100% Cotton BFK Rives with deckled edges.

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Bird on Bike Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. ED 2

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Moonage Daydream 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey OBEY. 2022 Shepard Fairey Numbered Limited Edition of 1910 18x24 inches. Screenprint on thick cream Speckletone paper. "David Bowie is one of my favorite musicians not only because so many of his songs possess magic, but also because he was creatively fearless and perpetually collaborative. I first discovered David Bowie in 1983 when his Let’s Dance album came out, and its hits like “Let’s Dance,” “China Girl,” and “Modern Love” were getting radio play. I became a die-hard Bowie fan once I picked up Ziggy Stardust and the Spiders From Mars at a flea market a few years later. Ziggy Stardust is one of my favorite albums ever. It makes sense that it was Bowie’s breakthrough album, not just because his newly adopted androgynous glam image was provocative and mesmerizing, but because the songs on the album are incredible! At first, my favorites were obvious rockers like “Suffragette City” and “Ziggy Stardust,” but over the years, folkier songs like “Soul Love” and “Starman” really grew on me. It’s almost impossible to pick a favorite Bowie song from Ziggy Stardust and the Spiders From Mars, much less Bowie’s entire catalog, but if I had to, I’d pick “Moonage Daydream.” –Shepard Shepard Fairey Moonage Daydream Silkscreen Print Moonage Daydream is a 2022 five-color hand-pulled silkscreen print by Shepard Fairey that honors David Bowie through the lens of Street Pop Art & Graffiti Artwork. The portrait captures Bowie during the Ziggy Stardust era, presenting him with stylized contours, cosmic backdrop, and sweeping graphic arcs that suggest motion, sound, and theatrical transformation. The palette of magenta, gold, black, and muted teal reinforces the glam rock atmosphere while maintaining the bold, poster-driven clarity that defines Fairey’s visual language. Printed on thick cream Speckletone fine art paper, the texture enhances the layered inks and gives the piece a tactile presence consistent with traditional screenprinting practices. David Bowie, Ziggy Stardust, and Cultural Impact David Bowie was born David Robert Jones in 1947 in the United Kingdom and died in 2016. He remains one of the most influential musicians and visual innovators of the twentieth century. The song Moonage Daydream appears on the 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, a landmark release that introduced Bowie’s androgynous alien rock persona to a global audience. The track is widely recognized for its dynamic instrumentation and lyrical futurism, combining theatrical performance with experimental sound. Fairey’s portrait draws from photographic outtakes associated with the Ziggy Stardust era, translating Bowie’s photogenic intensity into a graphic composition that balances reverence with reinterpretation. Within Street Pop Art & Graffiti Artwork, Bowie’s boundary-pushing identity aligns naturally with Fairey’s long-standing interest in cultural icons who challenge convention and expand artistic vocabulary. Edition Details and Artistic Significance This 18 by 24 inch silkscreen print is signed and numbered in a limited edition of 1910. The five-color hand-pulled process requires precise registration to achieve the smooth gradients and bold separations that define the portrait. The cosmic star field background and flowing graphic elements reinforce the sci-fi undertones of the original song while situating Bowie within a timeless visual space. Shepard Fairey’s real name is Frank Shepard Fairey. He was born in 1970 in the United States and remains active. Known for merging music, activism, and graphic design into cohesive visual statements, Fairey approaches Moonage Daydream as both tribute and reinterpretation. As a work of Street Pop Art & Graffiti Artwork, this print connects the rebellious energy of glam rock with the visual immediacy of contemporary screenprinted iconography, making it a significant collectible for admirers of both Bowie and Fairey’s socially engaged artistic practice.

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Pop Sub Final #2 Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Baizley Graffiti Street Artist Modern Pop Art. 2014 Numbered Limited Edition of 100 Artwork Size 12x12 Pop Sub Final #2 by John Baizley: A Vivid Collision of Decay and Desire Pop Sub Final #2 is a hand-pulled silkscreen print created by American artist John Baizley and released in 2014 as part of a numbered limited edition of 100. Measuring 12x12 inches and executed in four striking colors, the artwork combines the aesthetics of horror, iconography, and surrealism with the visual punch of Street Pop Art & Graffiti Artwork. The central image is a fusion of a bright violet apple and a human skull, masterfully rendered with intricate linework and surreal anatomical blending. Floating against a golden yellow background, the apple-skull hybrid pulses with visual tension—temptation and mortality locked in a single symbolic form. The work is immediately engaging and powerfully disturbing, pushing pop symbolism into darker terrain without sacrificing design clarity or impact. John Baizley: Musician and Street Pop Visionary John Baizley is a multidisciplinary creative based in the United States, widely recognized as the frontman and visual artist for the band Baroness. His contributions to the visual arts often explore themes of life, death, beauty, and corruption, all channeled through a precise illustrative style. Baizley’s artworks consistently merge symbolic storytelling with gothic sensibilities, positioning him uniquely in the Street Pop Art & Graffiti Artwork movement. His pieces feel both ancient and modern—referencing religious iconography, botanical studies, and comic book panels—while embracing the raw, bold aesthetics of silkscreen street prints. Pop Sub Final #2 is a clear extension of his visual ethos: detailed, emotionally evocative, and unafraid of confronting the darker truths hidden beneath seductive imagery. The Apple and Skull: A Pop Street Paradox This print centers on a singular image—a fruit with a skull embedded within its flesh. The apple’s familiar shape recalls cultural references to temptation, sin, and forbidden knowledge, while the embedded skull disrupts that familiarity with a message of inevitability and rot. The surreal juxtaposition evokes themes of consumption and consequence, presented with enough vibrancy to seduce before shocking. In the context of Street Pop Art & Graffiti Artwork, this visual strategy is essential. It lures with surface aesthetics but delivers substance through contradiction and discomfort. The use of bold pinks and golds, as well as the high-contrast rendering style, makes the image feel like it belongs on a wall, a poster, or a protest—alive in public, not locked in a gallery. Limited Print as Cultural Emblem Produced in a strictly limited edition of 100, Pop Sub Final #2 reinforces the handmade authenticity that defines effective street pop art. Each 12x12 print was screenprinted by hand, giving the work a tactile, material presence that mirrors the grit and immediacy of its subject. Unlike digital reproductions, this piece carries the imperfections and textures of the printing process, reinforcing the physicality of the art form. Baizley’s contribution to the Pop Sub series is not just an exercise in visual storytelling, but a testament to the role of contemporary printmakers in pushing graffiti and street aesthetics into layered, fine-art territories. This piece reminds the viewer that street pop can be both seductive and scathing, decorative and deadly.

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Mystical Natural Cosmic Friends Hand-Pulled 10-Color Silkscreen Print on 330gsm Black Plike Paper by Pop Artists Dabs Myla Limited Edition Artwork. 2022 Set of 4 Artworks, One Signed & One Numbered Limited Edition of 100 Artwork Size 6x8.5 With Hand-Embellished Envelope

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Crystal Cranium 9-Color Hand-Pulled Limited Edition Silkscreen Print on Citrine 290gsm Colorplan Fine Art Paper by Sheefy McFly- Tashif Turner Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Signed 9-Color Screen Print on Citrine 290gsm Colorplan Fine Art Paper Size: 18 x 24 Inches Release: August 06, 2021 Run of: 100

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Chaos Mandala Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2025 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "This Chaos Mandala print merges two seemingly contrasting concepts and aesthetics…chaos and harmony. I have always been fascinated by the cyclical chaos of posters and graffiti accumulating on the streets and then being ripped at by humans and the elements. There is beauty in the layering and in accepting that there are too many variables of push and pull for any of us to control them all. For me, the philosophy to embrace is “enjoy the ride and savor the ephemeral." -Shepard Fairey- OBEY Chaos Mandala Silkscreen Print by Shepard Fairey Chaos Mandala by Shepard Fairey is a 2025 signed and numbered limited edition silkscreen print that seamlessly integrates Street Pop Art & Graffiti Artwork traditions into a contemplative visual dialogue. Measuring 18 by 24 inches and printed on cream speckletone fine art paper, the work was produced in a run of 550. At the center of the composition, Fairey’s mandala design anchors a vortex of pattern, color, and movement. This meticulously hand-pulled silkscreen reflects the artist’s fascination with order, disorder, and their coexistence in urban environments. It draws on motifs often found in Shepard Fairey's extensive body of work, including his emblematic star and iconography associated with the OBEY brand. The result is a striking meditation on impermanence, layering, and visual harmony through chaos. Visual Symmetry and Controlled Disorder At first glance, Chaos Mandala reads like a sacred geometry symbol, with symmetrical petals and radial balance flowing outward from a central OBEY star emblem. The crisp, mandala lines are contrasted against an explosively chaotic backdrop filled with distressed stenciling, spray textures, drips, and faded fragments of posters. This tension between fine control and organic erosion embodies the duality Shepard Fairey often explores in his work. The background elements simulate urban decay, recalling the visual noise of city walls plastered with flyers, propaganda, and graffiti. The use of stencil and screen printing techniques connects directly to street art methods, while the choice of color — vivid red, icy blue, and muted cream — allows the artwork to maintain a powerful presence while inviting close inspection of its layered surface. The Philosophical Dimension of Shepard Fairey’s Practice Shepard Fairey, born in the United States in 1970, has long used Street Pop Art & Graffiti Artwork as a platform for socio-political commentary. Chaos Mandala reflects a deeper philosophical current in his work. The piece is not just decorative but reflects an embrace of unpredictability and the fleeting nature of public expression. It acknowledges that beauty arises not only from design but also from entropy. Posters decay. Paint chips. Layers build up and tear away. Fairey captures that life cycle, not by resisting it, but by folding it into his aesthetic. The mandala — traditionally a spiritual symbol of harmony — becomes a container for the unpredictable, elevating the tension between permanence and erosion into a formal and emotional focal point. Technique, Texture, and Symbolic Integration The print was produced with meticulous care through a silkscreen process on high-quality cream speckletone paper, a tactile surface chosen for its texture and visual warmth. Every printed layer reinforces the idea of cumulative experience and environmental interaction. Fairey’s OBEY star, placed at the center, reinforces the cultural branding that has defined his public art for decades, while also transforming into a meditative hub for the surrounding chaos. With this work, Fairey continues his commitment to crafting Street Pop Art & Graffiti Artwork that blurs the lines between the street and the gallery, between rebellious expression and structured symbolism. Chaos Mandala is more than an aesthetic object — it is a conceptual reflection on the beautiful disorder of human mark-making. 

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Freedom/Prosperity At Any Price- Red Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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Separated Silkscreen Print by Kaws- Brian Donnelly Hand-Pulled on 250gsm Steel Gray Fine Art Paper Limited Edition Artwork. 2021 Signed & Numbered Limited Edition of 250 Artwork Size 16x20 Silkscreen Print of Kaws Companion Holding Head In Hands Sitting Cross Legged Sad or Thinking in Gray & Brown. The Influence and Style of KAWS in Contemporary Art Brian Donnelly, professionally known as KAWS, has made an indelible mark on the contemporary art scene, blending the realms of pop art, street art, and graffiti with his unique and recognizable aesthetic. His works often involve a reimagined approach to familiar characters from popular media, repurposed to explore and critique modern society and its values. One such work is his "Separated" silkscreen print, which depicts his iconic character, the Companion, in a moment of emotional reflection. This piece, rendered on 250gsm steel gray fine art paper, encapsulates the essence of Street Pop Art and Graffiti Artwork, speaking volumes through its silent, contemplative posture. Dissecting the Emotional Depth in KAWS' "Separated" Silkscreen Print KAWS' "Separated" is not just a visual piece; it's a conduit of emotion. The artwork features the Companion in a state that evokes sadness or deep thought, sitting cross-legged and holding its head in its hands. This introspective pose is a significant departure from the character's usual presentation and suggests a moment of vulnerability. The limited-edition artwork, with only 250 signed and numbered pieces, measures 16x20 inches, a size that is intimate yet impactful. The choice of gray and brown hues contributes to the somber mood, emphasizing the gravity of the character's introspection. As a silkscreen print, the piece also honors the tradition of hand-pulled prints, showcasing KAWS' commitment to craftsmanship in the digital age. KAWS' "Separated": A Commentary on Isolation in Urban Life The title "Separated" is a powerful commentary on the contemporary experience of isolation, particularly within urban life. In an era where screens often mediate connection, the Companion's pose can be interpreted as a metaphor for the collective loneliness of society. KAWS utilizes the visual language of Street Pop Art to communicate complex emotional states, mirroring the alienation that can be felt amidst the bustling activity of city streets. Through its poignant imagery, this artwork invites viewers to reflect on their own experiences of separation and solitude. The Collectibility and Impact of KAWS' Artwork in Modern Culture The exclusivity of the "Separated" edition adds to its desirability among collectors. KAWS' works are sought after not only for their striking visual appeal but also for their investment potential. His ability to transcend the traditional boundaries of art and enter the realms of fashion, design, and mass media has established him as a cultural icon. The "Separated" silkscreen print stands as a testament to his influence, resonating with audiences beyond the confines of the art world. It is a piece that captures the zeitgeist of contemporary urban life, cementing KAWS' position as a pivotal figure in the evolution of Street Pop and Graffiti Artwork. Exploring the Legacy of KAWS Through "Separated" In conclusion, Brian Donnelly's "Separated" silkscreen print is a significant work that embodies the emotional resonance, cultural critique, and aesthetic innovation that KAWS is known for. As a limited edition art, it represents the intersection of accessibility and exclusivity, a hallmark of KAWS' philosophy. The artwork's melancholy tone and introspective subject matter offer a poignant reflection on modern existence, establishing an enduring legacy for KAWS within Street Pop Art and Graffiti Artwork. Through "Separated," KAWS continues challenging viewers, inviting them to engage with the complexities of emotion and isolation in the contemporary social landscape.

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Noir Flower Woman Red AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2022 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Woman Holding Large Lotus Flower. "The Obey Noir Flower Woman print is inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultivate justice, and hold optimism close to their hearts. We all face challenges and hostilities, but exterior forces don't control our inner strength and idealism. We do! Idealism leads to action. Those who perpetrate injustice rely on apathy to get away with their misdeeds. Nurture your inner idealism, and your constructive actions will follow. A portion of the proceeds from this print will benefit Greenpeace to support its work to enhance environmental protections and combat climate change." -Shepard Fairey. Shepard Fairey's "Noir Flower Woman Red AP" is a testament to the harmonious blend of pop art and street art, with a unique nod to graffiti culture. With the hand-pulled silkscreen method on fine art paper, this 18x24 print captures a woman delicately holding a giant lotus flower. This captivating artwork, released as an Artist Proof in 2022, is not only a rare find due to its limited edition run but also because of the personal touch added by Fairey through his signature and the distinctive "AP" mark. At a glance, the "Obey Noir Flower Woman" appears to be heavily influenced by Art Deco elements and Dark Wave album art aesthetics. Yet, beneath its visual layers lies a profound message. Shepard Fairey draws inspiration from those idealists who remain committed to environmental protection, champion justice, and foster a deep-seated optimism, even in the face of adversity. His work argues that external challenges can never overshadow the radiant light of one's inner resilience and idealism. Rather than being passive spectators, Fairey calls upon individuals to harness their inner idealism, transforming it into actionable change. This sentiment reverberates even more when considering that a portion of the proceeds from the sale of this print aids Greenpeace in its relentless battle against climate change and for enhanced environmental protections. This piece by Fairey isn't merely an artwork; it's an emblem that showcases the intersection of visual allure and impactful advocacy, a hallmark that distinguishes much of the art from the pop, street, and graffiti genres. As viewers immerse themselves in the intricate details of "Noir Flower Woman Blue AP," they are invited to reflect, respond, and act on the world around them.

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Faile Girl HPM Acrylic Silkscreen Print by Faile Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2007 Signed & Numbered Acrylic HPM Embellished Limited Edition of 16 Artwork Size 17.9x24 Faile is a Brooklyn-based artistic collaboration between Patrick McNeil (born 1975) and Patrick Miller (born 1976). Initially founded in 1999, the duo is known for their wide-ranging multimedia practice, recognized for its explorations of duality through a fragmented style of appropriation and collage. Working in the vein of popular culture and frequently referencing mass consumerism, Faile's work encompasses a variety of materials and techniques, including painting, silkscreening, stencils, stickers, sculpture, and more. Their art has been exhibited in a wide array of contexts, from city walls and lamp posts to galleries and museums around the world, such as Perry Rubenstein Gallery, New York; Dallas Contemporary, Dallas; and Palais de Tokyo, Paris. The name "Faile" is an anagram of "A life", which signifies the duo's shared philosophy towards their work. They are known to embrace the dichotomies of art and popular culture, acknowledging the fluidity and ubiquity of imagery in the modern world. HPM, or Hand-Painted Multiples, is a term used to describe a specific method of silkscreen printing. In HPM silkscreen printing, each piece of an edition is individually embellished or altered by the artist, thereby making each print within the edition unique. This technique can often be seen in street art and other forms of contemporary art. Silkscreen printing, also known as screen printing, is a process that involves pushing ink through a stenciled mesh screen to create a printed design. It's a popular technique used in a variety of different industries, such as fine art, fashion, and marketing, due to its versatility in adapting to different materials and surfaces. Artists like Faile often utilize HPM silkscreen printing to create limited editions of their work. This method allows them to produce a series of pieces that maintain a consistent theme or image, but with individual variations that make each piece unique. This can range from changes in color, to additional elements, to hand-finishing details. This results in each print being not just a copy, but a unique work of art.

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Tulleries Hand Finished Brass No 3 HPM Silkscreen Print by Fin DAC 24-Color Screen Print Ink on 1mm Corroded Brass Metal Limited Edition Pop Street Art Findac Artwork. 2022 Signed & Numbered Hand Finished HPM Embellished Limited Edition of 10 Artwork Size 24.4x33.07 Fin DAC's Tulleries Hand Finished Brass No 3 HPM Silkscreen Print In the dynamic domain of street pop art and graffiti artwork, Fin DAC has secured his position as a distinguished artist with his striking, hand-finished brass silkscreen prints. "Tulleries Hand Finished Brass No 3 HPM" is a profound example of his commitment to artistry, blending traditional screen printing techniques with innovative materials. This 2022 creation is part of a highly exclusive limited edition series, with only ten pieces available, each hand-signed and numbered, emphasizing its rarity and the artist's personal touch. An Exploration of Material and Method in Fin DAC's Work The piece, "Tulleries Hand Finished Brass No 3 HPM," expands the boundaries of street art and pop art. Using 1mm corroded brass as a substrate is unconventional and experimental, a testament to Fin DAC's inventive spirit. The 24-color screen print ink applied to the metal surface creates a textural contrast that is visually stunning and tactile. Each print, measuring 24.4x33.07 inches, is embellished by hand, ensuring that while each piece belongs to a series, it stands alone as a unique work of art. Symbolism and Aesthetics in Tulleries Hand Finished Brass No 3 HPM The artwork is a mesmerizing portrait featuring Fin DAC's characteristic fusion of urban style and classical elegance. The subject, a female figure with a richly detailed hairstyle and holding a ferret, is depicted against a backdrop of stylized script. The juxtaposition of the corroded brass with the vibrant colors used for the figure creates an interplay of decay and beauty, echoing the transient nature of street art. The dripping paint across the subject's eyes, a recurring element in Fin DAC's work, suggests a mask or alter ego, inviting the viewer to delve into the layered meanings of identity and presentation. Cultural Significance of Fin DAC's Artistic Contributions Fin DAC's "Tulleries Hand Finished Brass No 3 HPM" is a collector's piece and a significant cultural artifact within the street pop art movement. It represents the high level of craftsmanship and thematic depth that street art can achieve. The limited edition nature of the series speaks to the exclusivity often associated with fine art, yet the work retains the accessibility and public-oriented spirit of street art. Fin DAC's "Tulleries Hand Finished Brass No 3 HPM" is a vibrant testament to the artist's innovative approach to street pop art. By marrying the edginess of street art with the sophistication of fine art printmaking, Fin DAC continues to push the envelope, challenging perceptions and inviting art lovers to reconsider the boundaries of contemporary art.

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Untitled from Blame Game- #3 Upside Down Face Hand-Pulled 11-Color Silkscreen Print on Saunders Waterford Hi-White Paper by Artist Kaws- Brian Donnelly Street Art Limited Edition Artwork. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 23x35 Framed With Large Custom Frame & Mat. KAWS (b. 1974) Untitled from Blame Game, 2014 Screenprint in colors on Saunders Waterford Hi-White paper 35 x 23 inches (88.9 x 58.4 cm) (sheet) Ed. 100 Signed, numbered, and dated in pencil along the lower edge. Published by Pace Prints, New York Unveiling KAWS' "Untitled from Blame Game - #3 Upside Down Face" In the dynamic intersection of street pop art and graffiti artwork, few names are as resonant as that of KAWS, the pseudonym of American artist Brian Donnelly. Born in 1974, KAWS has become an icon of contemporary art, bridging the worlds of art and mainstream culture. His piece, "Untitled from Blame Game - #3 Upside Down Face," is a compelling demonstration of his prowess in the art form. Created in 2014, this artwork is part of a limited edition of 100 hand-pulled 11-color silkscreen prints on Saunders Waterford Hi-White paper, each bearing the artist's signature, number, and date along the lower edge. Published by Pace Prints, New York, this piece exemplifies the seamless blend of commercial and fine art that KAWS is renowned for. The artwork is a bold expression of KAWS' unique aesthetic, featuring a signature character with an 'X' for each eye, a motif he has become famous for. This print, which is 35 x 23 inches, is framed with a large custom frame and mat, enhancing its visual impact. The 11-color silkscreen printing technique is a testament to KAWS' dedication to craftsmanship and quality, ensuring that each print offers a rich, vibrant palette and meticulous detail. The choice of Saunders Waterford Hi-White paper, known for its high quality, contributes to the artwork's premium feel and longevity. KAWS and the Evolution of Street Pop Art KAWS' journey in the art world is marked by his transition from a graffiti artist in the streets of New York to a towering figure in the global art scene. His work is celebrated for its fluidity in moving between various subcultures, including street art, pop art, and commercial imagery. The "Untitled from Blame Game" series perfectly illustrates how KAWS has transformed street art sensibilities into something that can be appreciated both in the buzzing city alleyways and the hushed galleries of fine art. His characters, though simplistic in form, convey a deep resonance with the viewer, often embodying themes of humanity, vulnerability, and isolation. KAWS' ability to evoke such emotion while maintaining a playful, accessible aesthetic is a hallmark of his work. This duality has endeared him to diverse audiences, from street art lovers to high-brow collectors. The Cultural Significance of KAWS' Artwork Beyond its visual appeal, the work of KAWS is deeply embedded in the cultural zeitgeist. His art captures contemporary life's essence, reflecting its complexities and simplicities. "Untitled from Blame Game - #3 Upside Down Face," like much of his work, is imbued with introspection, challenging the viewer to look beyond the surface. His pieces' recurring themes of deconstruction and recontextualization invite a dialogue about the nature of identity and recognition in a saturated media environment. Moreover, KAWS' influence extends beyond the canvas, impacting the broader design, fashion, and commercial branding landscape. His collaborations with major brands have pushed the boundaries of what is considered art, making his vision accessible to a broader audience and redefining the concept of what street pop art can be. "Untitled from Blame Game - #3 Upside Down Face" is not just a testament to KAWS' technical skill and artistic vision but also a symbol of the evolving narrative of street pop art and graffiti artwork. As a limited edition piece, it holds a special place in the annals of contemporary art, representing a moment in time where the lines between high art and street culture are not just blurred but beautifully intertwined.

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The Man Who Walks Through Walls AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print. Shepard Fairey x Blek le Rat The Man Who Walks Through Walls AP Silkscreen Print 2008 The 2008 The Man Who Walks Through Walls AP Artist Proof silkscreen print is a rare collaboration between Shepard Fairey, internationally recognized as OBEY, and stencil pioneer Blek le Rat. Hand-pulled on fine art paper and measuring 18 x 24 inches, this limited edition Artist Proof was signed by both artists and marked “AP,” distinguishing it from the standard numbered edition of 100. As an Artist Proof, it holds particular value among collectors of Street Pop Art & Graffiti Artwork, symbolizing both artistic experimentation and the direct approval of the creators. Imagery and Urban Context The composition combines stark stencil work with a heavily graffitied wall, embedding the artwork within the raw energy of urban life. At the center, a suited man carries bags labeled with text, positioned alongside a goat, while a police officer passes in the foreground. To the right, a telephone booth punctuates the scene, grounding the work in the everyday architecture of the city. The layering of graffiti tags, political scrawls, and the surreal juxtaposition of figures evoke themes of consumerism, authority, and rebellion. The suited figure in particular hints at urban alienation, while the presence of the goat and booth adds absurdity, making the composition at once humorous and sharply critical. Collaboration Between Shepard Fairey and Blek le Rat Blek le Rat, born Xavier Prou in 1951 in France, is widely credited as the father of stencil graffiti, bringing social commentary directly into the streets of Paris beginning in the 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, built his reputation through his OBEY sticker campaign and politically engaged prints, including the Hope poster of Barack Obama. Their collaborative works, such as The Man Who Walks Through Walls, highlight a shared belief in the role of public art as a platform for protest and dialogue. The merging of Fairey’s graphic sensibilities with Blek’s direct stencil approach emphasizes the continuity between two generations of politically minded street artists. Rarity and Significance of the Artist Proof The Artist Proof edition carries special weight within the print world, typically produced in very small quantities and often retained by the artists. Signed by both Shepard Fairey and Blek le Rat and marked AP, this print holds heightened collectible value and authenticity. Beyond rarity, its imagery and collaborative nature underscore the strength of street art as a vehicle for political and cultural critique. The Man Who Walks Through Walls AP silkscreen print is not just a fine art object but also a vivid statement on urban culture, consumerism, and resistance, making it a defining example within the history of Street Pop Art & Graffiti Artwork.

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