Speckletone Fine Art Paper

The Lonesome Crowded West Tower Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY Marking the 25th anniversary of Modest Mouse's influential album "The Lonesome Crowded West," celebrated street artist Shepard Fairey, known as OBEY, crafted a striking limited edition silkscreen print. This 2022 piece, meticulously hand-pulled and comprising five colors on Cream Speckletone fine art paper, mirrors the layered complexity of the album it honors. The work measures 18x24 inches, a testament to the album's monumental impact on the alternative rock scene and Fairey's own artistic journey. Each of the 825 signed and numbered prints encapsulates Fairey's personal connection with the album, having first encountered its raw and eclectic sound in 1998, a year after its release. He describes the album as "multi-dimensional," resonating through its varied tones from the "aggressive and dissonant" to the "folky, jangly, and intimate." His favorite tracks, "Doin’ the Cockroach" and "Cowboy Dan," evoke contrasting emotions of exhilaration and introspective tension, revealing the dexterity of Modest Mouse's music and the profound lyrical skill of frontman Isaac Brock. In this piece, Fairey channels the essence of the album's themes, depicting an isolated tower amidst a vast, red-streaked landscape, symbolizing the album's exploration of urban isolation and the Western American experience. The contrast between the solitary building and the surrounding expanse eloquently captures the album's title, "The Lonesome Crowded West." This visual representation goes beyond mere album art; it is an intersection of Fairey's iconic style and Modest Mouse's sonic influence, bridging visual and auditory art forms. Fairey's engagement with Modest Mouse extends back to their 2000 "Black Glass" tour, for which he also created a poster. This long-standing relationship emphasizes the mutual respect between the artist and the band, illustrating how music and visual art can coalesce to form powerful cultural statements. His artistic expression is not only a tribute to the music but also an homage to Brock's poetic lyrics, which left an indelible impression on Fairey, prompting him to label Brock a true poet. As an influential figure in street art and pop culture, Fairey’s creation for Modest Mouse cements his position at the forefront of contemporary art. It serves as a visual anchor for the album’s legacy, ensuring that its cultural resonance extends into the visual realm. Collectors and fans of both the band and Fairey find in this print a confluence of two forms of rebellion and expression, solidified on paper but echoing far beyond.

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SF Fire Escape Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2011 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print  SF Fire Escape by Shepard Fairey - Street Pop Art & Graffiti Artwork in Urban Symbolism Shepard Fairey’s 2011 silkscreen print titled SF Fire Escape captures the architectural and cultural energy of San Francisco through the lens of Street Pop Art & Graffiti Artwork. Printed on cream Speckletone fine art paper in a signed and numbered edition of 450, this 18 by 24 inch hand-pulled silkscreen distills Fairey’s signature use of graphic contrast and political commentary into a dynamic composition of urban geometry. Utilizing his iconic red, black, and cream palette, the work presents a striking fire escape cutting across a modern building facade, marked with the bold face of Fairey’s now-famous Obey Giant icon peering through a window. The structure’s vertical lines intersect with diagonal staircases while an urban billboard pronounces no turns and one way, placing metaphorical emphasis on control, restriction, and the illusion of directional certainty. Architectural Linework and Urban Power Structures Fairey’s SF Fire Escape transforms mundane urban design into charged visual content. The fire escape, typically seen as a symbol of safety or last resort, becomes a jagged line of escape from conformity. Its stark white angles against the rigid grid of the building evoke urgency and possibility. The red and black panels lend a sense of urgency and institutional rigidity, while the silhouetted billboard adds a layer of societal direction or imposed path. Fairey’s placement of the Obey Giant face within the fire escape window interrupts the grid with an unexpected humanized symbol, referencing the artist’s ongoing critique of media saturation, surveillance, and systemic structures. It also acts as a quiet observer embedded in the architecture, watching yet contained. Screenprint as Political Medium in Street Pop Art Silkscreen printing has long served as Fairey’s chosen tool for reproducing messages quickly and accessibly. SF Fire Escape continues this legacy by maintaining the aesthetics of poster-making while functioning as a collectible art object. The choice of cream Speckletone paper, combined with bold silkscreened layers of ink, recalls the DIY ethos of flyposted propaganda art found throughout city streets. Fairey’s refined yet aggressive visual language harnesses the technique of repetition, limited color palette, and contrast to amplify urgency and power. This composition doesn’t merely portray an architectural moment but translates the city’s built environment into a metaphor for cultural lockdown and authoritarian cues masquerading as guidance. Embedded Iconography and Urban Resistance The Obey Giant face is not simply branding or ornament—it operates as a resistance symbol embedded in the built fabric of city life. By placing this face within the context of an urban fire escape, Fairey plays with the idea of surveillance, autonomy, and escape. His use of directional signage adds a layer of irony, questioning whether individuals in modern society are truly free to choose paths or simply navigating a framework of control. SF Fire Escape exemplifies Shepard Fairey’s ongoing role in reshaping contemporary Street Pop Art & Graffiti Artwork into socially reactive and politically charged print-based media, grounded in both the visual language of rebellion and the structure of the everyday.

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The Lonesome Crowded West Apt Block Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print Apartment Block Urban City Building Stylized. "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY In the pantheon of street art, few names are as synonymous with the movement's thrust into mainstream culture as Shepard Fairey. His collaboration with the band Modest Mouse for their tour poster celebrates a milestone—the 25th anniversary of their seminal album, "The Lonesome Crowded West." In true Fairey fashion, he interprets the album's ethos with a limited edition silkscreen print, meticulously hand-pulled with five colors on Cream Speckletone fine art paper. This process ensures each of the 825 pieces is imbued with the artist's personal touch. Measuring 18x24 inches, this signed and numbered print presents an apartment block—an urban icon that exemplifies the crowded isolation in the album's title. Fairey's stylized depiction of the apartment block resonates with the band’s exploration of the paradoxical loneliness of urban existence, embodying the spirit of Modest Mouse's music through visual art. His work is not merely an artistic rendition but a narrative of city life's juxtapositions—connectivity and isolation, sound and silence. This collaboration is particularly significant for Fairey, who has been a fan of Modest Mouse since 1998. The album left an indelible mark on him, with its tonal shifts from the raucous "Teeth Like God's Shoeshine" to the more subdued "Trailer Trash." Fairey extols Isaac Brock's songwriting, acknowledging the profound depth and poetic nature of his lyrics, especially considering Brock's youth. The two tracks that stood out to Fairey, "Doin' the Cockroach" and "Cowboy Dan," exemplify the album's range and Brock's lyrical prowess. Fairey's history with Modest Mouse dates back to the 2000 "Black Glass" tour poster, reinforcing his long-standing connection with the band. This print is another chapter in that narrative, solidifying the kinship between his visual art and their musical expression. The artwork is a tangible piece of pop culture history, intertwining the legacy of Fairey's street art with Modest Mouse's contribution to music. Collectors of Fairey’s work and fans of the band alike cherish this print as a symbol of the enduring relevance of "The Lonesome Crowded West" and the power of art to transcend mediums, capturing the essence of an era.

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Smokey Robinson- Red 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed by Fairey & legendary music artist Smokey Robinson. Screen Print 18 x 24 inches Edition of 450 2010 "I was amazed when Smokey contacted me to do a portrait to commemorate his 50 years in the music business, and a little nostalgic at the thought of his impact on me as a kid. Smokey came into the studio to hang out and sign them. He's a really nice, upbeat guy who has a real lust for life, maybe that's why he looks like he hasn't aged in 30 years. Believe it or not, Smokey signed every single print with his very beautiful and painstaking signature. It's worth picking up a print for that alone. Mention the name Smokey Robinson and the first thing that automatically comes to mind is Motown. It's understandable given that it was Robinson's hits, first as the leader of the Miracles, and then later as a solo artist that propelled the famed label during the 60s." -Shepard Fairey

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Demagogue 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musician Franz Ferdinand. Signed & Numbered Screen Print 18 x 24 inches Edition of 500 October 18, 2016 I’ve been a big fan of the band Franz Ferdinand since they first hit the scene in 2003. Stylistically, Franz mixes a pinch of glam rock, a nice serving of post-punk and a bit of dance-punk to create a sound that is irresistibly infectious. The band is undeniably stylish in their fashion and their album artwork which is frequently inspired by Russian Constructivism, one of my biggest inspirations as well. The lyrics of singer Alex Kapranos are witty, charming, and often insightful about human nature. Franz Ferdinand is a band of style and substance. -Shepard Fairey

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Just A Minor Threat Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed by Glen E Friedman x Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print Depicting Punk Rock Music Band Minor Threat & Ian MacKaye Stylized Raging Concert Photo by Glen E Friedman "I first heard Minor Threat in 1985 when I had been skateboarding and listening to punk and hardcore for a year. I was quickly becoming more confident, outspoken, and energized by D.I.Y. culture, and I was voraciously hungry for things that fuelled my emotional and intellectual evolution. Minor Threat was rocket fuel for my journey. Not only is their music a ferocious explosion of energy, but their playing is tight, and Ian MacKaye’s lyrics are intelligent and provocative. On top of that, Minor Threat created their own label, Dischord Records, to put out their music as well as records by other D.C. bands. Minor Threat and Dischord are profound influences on me, so I was very excited to collaborate with Glen on a Minor Threat print to celebrate the release of his new book “Just a Minor Threat.” Glen has the most intimate and powerful photos of Minor Threat, so it was possible to craft an illustration with strong images of all the band members. I’m also incredibly grateful to have the blessing of the members of Minor Threat." -Shepard Fairey- OBEY "Minor Threat is obviously one of the great foundations of hardcore punk rock. Inspiration for legions around the world, including Shepard and myself. As we’ve done with my last several books, Shepard and I got together and collaborated to make a print celebrating the release of the new publication. Shepard is one of my designing confidants and often gives me advice during my process of bookmaking so it makes sense that once the project comes to fruition, we enthusiastically make these prints of artists that inspire both of us. This print is based on separate images of each individual in the band as well as the always omnipresent audience that were a major part of incredible Minor Threat gigs. The book came out great and is different from previous books; it has its own voice, not only through the trove of never-before-seen photographs but also through the incredible essays throughout. Be inspired." -Glen E Friedman Just a Minor Threat Silkscreen Print by Shepard Fairey The Just a Minor Threat silkscreen print is a 2023 collaboration between Shepard Fairey (OBEY) and legendary punk photographer Glen E. Friedman. Hand-pulled on cream Speckletone fine art paper, this 18 x 24 inch print was released as a signed and numbered limited edition of 550, bearing the signatures of both Fairey and Friedman. The work depicts the iconic Washington, D.C. hardcore punk band Minor Threat, fronted by Ian MacKaye, rendered through Fairey’s graphic lens and grounded in Friedman’s historic concert photography. Punk Energy, D.I.Y. Culture, and Visual Urgency The composition captures the raw intensity of a Minor Threat performance, placing Ian MacKaye front and center in a moment of confrontation and release, microphone clenched and voice projected outward. Surrounding band members and the tightly packed audience form a dense, kinetic backdrop that reinforces the communal force of hardcore shows. Fairey’s limited palette of black, white, and aggressive red heightens the sense of urgency and resistance, echoing the band’s uncompromising sound and message. The layered textures and high-contrast rendering preserve the grit of Friedman’s original imagery while translating it into a bold, poster-driven visual language rooted in punk flyers, protest graphics, and street art traditions. Legacy, Collaboration, and Cultural Impact This print celebrates more than a band; it honors the enduring influence of Minor Threat and the D.I.Y. ethos they helped define. For Fairey, Minor Threat and Dischord Records were formative forces that shaped his creative confidence, political awareness, and commitment to independent culture. Glen E. Friedman’s intimate access to the band provides an authenticity that elevates the collaboration beyond tribute into historical document. Just a Minor Threat stands as a convergence of music history, photography, and contemporary Pop Street Art, making it a highly significant collectible for fans of punk, Shepard Fairey’s OBEY body of work, and the broader legacy of underground culture that continues to inspire artists worldwide.

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Against All Odds- Blue Limited Edition 2-Color Silkscreen Print on Medium Weight Off-White Colored Speckletone Paper by Jeff Soto Graffiti Street Artist Modern Pop Art.

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SF Fire Escape AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2011 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print  SF Fire Escape AP by Shepard Fairey – Artist Proof Silkscreen Street Pop Art & Graffiti Artwork The SF Fire Escape AP Artist Proof silkscreen print by Shepard Fairey, produced in 2011, is a rare and impactful piece of Street Pop Art & Graffiti Artwork. This edition is signed by the artist and marked AP, denoting it as an Artist Proof distinct from the standard numbered run. The 18 by 24 inch screenprint was created on cream Speckletone fine art paper, a preferred medium for Fairey's hand-pulled works that allows for deep saturation and texture while maintaining archival integrity. Rendered in Fairey’s signature color palette of red, black, and off-white, this work reflects both his graphic design roots and his engagement with urban visual language. It presents a sharp architectural composition of a city scene featuring a fire escape, directional signage, and a familiar visage of the Obey Giant—an image that continues to serve as an anchor in Fairey's expansive catalog of visual resistance. Architectural Symbols and Urban Instruction This artwork immerses the viewer in the structured language of a city landscape, where fire escapes, windows, billboards, and building facades form a rigid system of navigation. The vertical and diagonal lines of the fire escape ladder and support beams fragment the space, giving a visual sense of entrapment or escape, depending on interpretation. A one-way sign reads no turns, emphasizing the illusion of freedom in a world filled with constraints. These directional cues play directly into Fairey’s critique of control mechanisms embedded in modern society. Through the use of screenprint layering and flat color fields, the artist isolates the experience of moving through controlled environments and highlights the architecture not as shelter but as signal. Obey Iconography as Watchful Presence The inclusion of the Obey Giant face within the window transforms an anonymous city structure into a subversive billboard. The face is not advertised but embedded, gazing from the inside out. It resists being consumed and instead looks back at the viewer. This silent presence underscores Shepard Fairey’s commentary on surveillance, authority, and cultural branding. Rather than remain outside of the built environment, his iconography has infiltrated the everyday, becoming part of the structure itself. As an Artist Proof, this particular print is a closer representation of Fairey’s intent, often reserved for personal use, exhibition circulation, or early release. It carries a stronger weight in terms of rarity and proximity to the original print development process. Screenprint Technique and Political Form Shepard Fairey’s silkscreen method is deeply connected to the legacy of protest poster art and graffiti stenciling. SF Fire Escape AP does not mimic graffiti—it elevates its ethos by repurposing urban symbols into controlled compositions on paper. Fairey’s repeated use of red and black signals urgency and authority, while the clean lines and grid-like layout suggest modernism stripped of comfort. The technique ensures precision while allowing for a handmade energy that reinforces its position within Street Pop Art & Graffiti Artwork. As an Artist Proof, it offers collectors and scholars insight into Fairey’s design refinement process, often with slight color or alignment differences that make each AP print unique. The work balances raw city experience with formal visual order, making it a compelling artifact of twenty-first century visual protest.  

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Love Lotus 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 550 June 1, 2021 This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley’s passing. The series represents the amazing breadth of Marley’s character… the philosopher, the confrontational warrior for justice, and the evangelist for love and connection. Bob

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We Own the Future Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2013 Signed by Shepard Fairey/Antonino D'Ambrosio & Numbered Limited Edition of 450 Artwork Size 18x24 Shepard Fairey X Antonino D'Ambrosio We Own the Future The Makers of Fire Transform Our World With Creative Response, 2013 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge. Published by Obey Giant, Los Angeles The "We Own the Future" silkscreen print by Shepard Fairey is part of his OBEY Giant series, which has become a hallmark of his street artist and graphic designer work. Known for his bold, iconic imagery and thought-provoking messages, Fairey has created numerous artworks that inspire conversation and challenge societal norms. "We Own the Future" is no exception. The print features a striking design with a central figure surrounded by bold typography and a collage of patterns and shapes. The artwork evokes a sense of empowerment and optimism, encouraging the viewer to consider their role in shaping the future. As with many of Fairey's works, the piece incorporates his signature use of color, particularly red, to create a strong visual impact. Although Shepard Fairey is often associated with his iconic "Hope" poster featuring Barack Obama during the 2008 presidential campaign, "We Own the Future" does not have any direct connection to Obama. Instead, this artwork is part of Fairey's broader body of work, which encompasses a range of themes and messages that often revolve around social issues, activism, and the power of the individual.

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Occupy Protester A.P. 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey, Rare Street Art OBEY Pop Artwork Artist. A.P. Artist Proof 2012 Signed & Numbered Occupy Protester, 2012 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) A.P. (aside from an edition of 450) Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles. Occupy Wall Street Shepard Fairey's 'Occupy Protester': A Beacon of Street Pop Art and Activism Shepard Fairey's 'Occupy Protester' is a poignant representation of the artist's involvement with the Occupy Wall Street movement and his continuous impact on street pop art and graffiti artwork. As an artist-proof (A.P.), this 2012 silkscreen print in colors on speckled cream paper was apart from the main edition of 450, enhancing its rarity and desirability among collectors and enthusiasts of the genre. Measuring 24 x 18 inches, the print is significant not only for its artistic merit but also for its strong political message. The 'Occupy Protester' features a figure wrapped in a scarf, with only the eyes visible, set against a backdrop of bold red and black stripes. This image is striking and filled with emotion, reflecting the intensity and urgency of the Occupy movement. The number "99%" prominently displayed in the artwork resonates with the movement's message, which protested against economic inequality and the disproportionate power of the wealthiest 1% of the population. Fairey's choice of speckle-tone paper adds an organic feel to the work, suggesting the grassroots nature of the protests. Cultural and Political Impact of Fairey's Work Shepard Fairey has long been an artist who uses his work to comment on social and political issues. 'Occupy Protester' continues this tradition, embodying the spirit of resistance and the call for change that defined the early 2010s. Published by Obey Giant, Los Angeles, the print serves as a historical document of the time, encapsulating the widespread feelings and sentiments among the participants of the Occupy Wall Street movement. Fairey's ability to communicate powerful messages through his art has solidified his position as a pivotal figure in the street pop art movement. The legacy of 'Occupy Protester' extends beyond its initial release. As a piece of street pop art, it has been instrumental in demonstrating the potential of art to influence public discourse and act as a catalyst for social change. The artist’s signature and numbering along the lower edge of the print serve as a reminder of the personal commitment and the voice of the artist behind the work. It is a testament to Fairey's dedication to his craft and his unwavering support for movements that seek to challenge the status quo. Legacy of 'Occupy Protester' in Street Art Shepard Fairey's 'Occupy Protester' is more than just a piece of art; it symbolizes a pivotal moment in contemporary history. It represents the synergy between art and activism and how street pop art can transcend traditional canvases to become a part of the collective consciousness. As an A.P. screenprint, it holds a special place in the chronicles of street art, signifying a moment when art and the artist stepped out of the shadows and into the arena of political activism. The print remains a powerful piece of visual communication, reflecting the ethos of a movement that sought to redefine power and privilege in the modern world.

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OBEY x Stereo Skateboards Music Club Event Limited Edition Gig Metallic Ink Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman x Shepard Fairey. This is an original commemorative poster Shepard Fairey & MFG- Matt Goldman designed for the release party of Shepard's new board series with Stereo Skateboard at Dance Right. 18 x 24 inches Screen Print Black, and Metallic Gold Cream Speckletone Paper Limited Edition of 300 Signed and Numbered by Shepard Fairey & MFG- Matt Goldman Released 2009

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Ian Curtis Heart and Soul Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 3-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "I first discovered Joy Division through my friend Jay Haley in 1985-86. Jay was a little more open-minded than I was, so he was listening to aggressive punk and hardcore, but also, more moody music like The Smiths, The Cure, early Cult, and Joy Division. I initially liked some of Joy Division’s melodies, but I generally found the music a bit cold, sparse, and haunting on the verge of depressing. However, the music grew on me over time and the qualities I just described as liabilities became assets. As I grew out of my punk rock orthodoxy phase I realized no band sounded quite like Joy Division. My love of Joy Division has only grown over the years along with my appreciation for their imagery. Joy Division’s image of elegant austerity is often connected to their artwork by Peter Saville, but a lot of credit should go to Kevin Cumminsfor his noir portraits of the band. I’ve loved Cummin’s photography for years, so I was delighted when he agreed to collaborate on a portrait of Ian Curtis, Joy Division’s singer who took his own life in 1980 at 23. Curtis was a unique singer but also a powerful lyricist, so the lyrics to the song Heart and Soul are woven through the art along with an angular divide through Curtis’s figure symbolizing the tension between heart and soul. Since Kevin actually knew Ian, I appreciated that he would allow me to interpret his iconic photo!" -Shepard Fairey- OBEY Shepard Fairey's "Ian Curtis Heart and Soul" silkscreen print is a powerful tribute to the enigmatic Joy Division frontman and his profound impact on music and visual culture. Released in 2023, this limited edition print encapsulates Fairey's deep personal connection to Curtis and the band's enduring legacy. The artwork, sized at 18x24 inches and limited to a series of 500, is meticulously hand-pulled, showcasing three colors on cream speckletone fine art paper, underscoring the raw and textured essence of the subject matter. Fairey's engagement with Joy Division's work began in the mid-1980s, a time marked by a musical awakening as he transitioned from a strict punk perspective to a broader appreciation of the haunting, sad sounds that defined Joy Division's discography. Fairey candidly discusses how the initial perception of the music as 'cold and haunting' eventually morphed into an understanding of its depth and uniqueness, revealing a narrative of personal and artistic growth. Integral to this print is Fairey's collaboration with Kevin Cummins, a photographer renowned for his poignant portraits of Joy Division, which have significantly shaped the band's visual narrative. The decision to weave the lyrics of "Heart and Soul" into the fabric of the portrait is both a literal and figurative intertwining of Curtis's lyrical genius with his visual representation. This design choice also hints at the complexities of Curtis's personal struggles, echoed in the stark contrast that bisects his figure in the artwork—a poignant reminder of the internal discord between passion and reason, emotion and intellect. Fairey's print is not merely a visual piece but a narrative collage that pays homage to the artistic influence and legacy of Ian Curtis. By embedding the soul-stirring lyrics of "Heart and Soul" within the artwork, Fairey invites viewers to engage with the piece on multiple levels: aesthetically, emotionally, and intellectually. The print transcends mere representation, becoming a conduit for the artist's reverence for Curtis's talents as a singer and lyricist and the enduring impact of Joy Division on music and popular culture, ensuring that the heart and soul of Ian Curtis's artistry continue to resonate through time.

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RFK Robert F Kennedy Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print From Friends of LAHSA Shepard Fairey – RFK Robert F. Kennedy Silkscreen Print in Street Pop Art & Graffiti Artwork Shepard Fairey’s RFK Robert F. Kennedy silkscreen print, released in 2023 as a signed and numbered edition of 500, is a striking example of political portraiture rooted in the traditions of Street Pop Art & Graffiti Artwork. Hand-pulled in two colors on speckletone fine art paper and sized at 18x24 inches, this piece was created in collaboration with Friends of LAHSA, a civic-focused initiative that aligns with Fairey’s longtime advocacy for social justice and equity. The print features a high-contrast, posterized portrait of Robert F. Kennedy accompanied by one of his most poignant quotes about moral courage and global solidarity. With his bold graphic style and use of iconic political imagery, Fairey reaffirms his place as one of the most influential figures in the evolution of street-inspired art into the contemporary gallery space. This artwork uses visual minimalism to amplify meaning. With only shades of blue and cream across a navy field and a solid red base for the quote, Fairey’s print references both mid-century political posters and wartime propaganda aesthetics. This creates instant recognition and authority, demanding attention much like a wheatpaste on a city wall. The portrait is defiant, hopeful, and idealistic—an image of a leader remembered for empathy and progressive vision. Through Fairey’s lens, Kennedy becomes a timeless symbol of ethical resistance, made relevant again through the voice of street art. Stylistic Roots in Protest and Public Messaging Fairey’s visual language has always blended graphic clarity with ideological intensity. Starting with his OBEY Giant campaign in the 1990s and culminating in his globally recognized HOPE poster for Barack Obama, Shepard Fairey has developed a formula that uses limited color palettes, bold typography, and photorealistic stenciling to produce maximum impact. This RFK print continues that lineage, with a layout that feels urgent and accessible. It is designed not just to be admired but to be read, shared, and posted. The poster format itself—a key tool in both political propaganda and graffiti wheatpasting—evokes the democratic intent of street art: to communicate complex ideas to everyday people, in everyday spaces. The quote printed beneath Kennedy’s portrait reinforces this intent. It’s not just a tribute; it’s a call to action. The choice of typeface, spacing, and alignment mimics the clear, rallying cadence of protest signs. Fairey does not use ornate or obscure fonts—his typography is strong, clean, and civic-minded. This decision keeps the focus on the message and mirrors graffiti’s utilitarian purpose: to declare something publicly and unapologetically. Street Pop Art's Voice in Contemporary Civic Dialogue Shepard Fairey’s influence extends beyond visual culture into the realm of activism. His consistent use of political figures, revolutionary icons, and socially conscious themes links him directly to the foundations of Street Pop Art & Graffiti Artwork. While many artists have transitioned from street to gallery, Fairey has retained a commitment to public communication. This RFK print, although gallery-sold and printed on premium paper, retains the visual and moral urgency of a mural or sticker drop. The collaboration with Friends of LAHSA (Los Angeles Homeless Services Authority) reinforces this by tethering the work to real-world causes—housing, dignity, and advocacy. Fairey’s portrait of Robert F. Kennedy does more than commemorate a figure from the past—it activates memory as a form of resistance. By resurrecting Kennedy’s image and words within a modern aesthetic framework, Fairey creates an emblem of enduring idealism. It’s a piece meant not only for collectors but for classrooms, city walls, and civic campaigns—any space where art and action converge. In the lineage of Street Pop Art & Graffiti Artwork, Shepard Fairey’s RFK print stands as both homage and declaration. It reflects the belief that visual culture can still inspire political courage and that the tools of street art—bold graphics, public messaging, and shared authorship—remain powerful instruments of change.

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Pandemonium Silkscreen Print by TOMO77 x Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by TOMO77 & Shepard Fairey & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print "TOMO77 has documented a period marked by isolation and confusion, from the earliest anxious days of the pandemic through more than a year of political and social unrest. Amid this graphic testimony of uncertainty, uproar, and division, TOMO77 leaves us with one question: Where do we want to go from here?" -Shepard Fairey- OBEY. Pandemonium by TOMO77 x Shepard Fairey Pandemonium is a collaborative silkscreen print by French street artist TOMO77 and Shepard Fairey (OBEY), created as a visual response to the global instability of the pandemic era. The composition centers on a powerful, red, hammer-wielding figure set against an ornate, circular backdrop, evoking cycles of collapse, resistance, and reckoning. Drawing from protest graphics, mythic symbolism, and political poster design, the image confronts a world gripped by crisis while refusing to look away from its underlying causes. Visual Language and Symbolism The stark contrast of black, white, and red reinforces the urgency of the message. TOMO77’s raw, expressive mark-making collides with Shepard Fairey’s precise, graphic framing, resulting in a piece that feels both chaotic and controlled. The central figure suggests labor, struggle, and collective action, while the surrounding decorative elements echo historical propaganda, religious iconography, and revolutionary printmaking traditions. Together, they create a visual tension that mirrors the social, political, and psychological unrest of the period it documents. Edition Details and Cultural Context Hand-pulled on cream Speckletone fine art paper, Pandemonium is a 2021 signed and numbered limited edition of 300, bearing the signatures of both TOMO77 and Shepard Fairey. Measuring 18 x 24 inches, the print functions as both a standalone artwork and a historical artifact of a turbulent moment in contemporary culture. As Fairey notes, the piece ultimately poses an open-ended question to the viewer, challenging us to consider not just what we have lived through, but where we choose to go next.

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Pattern of Denial Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print of Stylized Industrial Smoke Stacks, Flowers & Ducks. In the ever-evolving domain of contemporary art, Shepard Fairey's "Pattern of Denial Silkscreen Print" emerges as a profound representation of the tensions between industry and nature, deeply rooted in pop art, street art, and graffiti art aesthetics. Shepard Fairey, famously known for his OBEY campaign, brings forth a meticulously hand-pulled 5-color artwork on Cream Speckletone Fine Art Paper, capturing the beauty and the underlying concerns of our industrialized world. Crafted in 2023, this piece juxtaposes stylized industrial smoke stacks against an intricately patterned backdrop of flowers and ducks. The harmonious interplay of bold reds, calming blues, and muted earth tones brings to the foreground the striking contrasts of our modern world, where man-made structures often overshadow the natural beauty beneath them. At 18x24 inches, this artwork provides a substantial canvas, allowing viewers to immerse themselves in the details and contemplate the subtle nuances. Being a signed and numbered limited edition of 550, the artwork's exclusivity adds a layer of allure for art collectors and enthusiasts. Each piece carries a stamp of authenticity, underlining the artist's commitment to excellence and originality. As an icon in the pop culture art scene, Shepard Fairey's "Pattern of Denial" is a testament to his ability to address societal issues through visually captivating and thought-provoking art, serving as a poignant reminder of the delicate balance between progress and preservation.

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Chaos Mandala Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2025 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "This Chaos Mandala print merges two seemingly contrasting concepts and aesthetics…chaos and harmony. I have always been fascinated by the cyclical chaos of posters and graffiti accumulating on the streets and then being ripped at by humans and the elements. There is beauty in the layering and in accepting that there are too many variables of push and pull for any of us to control them all. For me, the philosophy to embrace is “enjoy the ride and savor the ephemeral." -Shepard Fairey- OBEY Chaos Mandala Silkscreen Print by Shepard Fairey Chaos Mandala by Shepard Fairey is a 2025 signed and numbered limited edition silkscreen print that seamlessly integrates Street Pop Art & Graffiti Artwork traditions into a contemplative visual dialogue. Measuring 18 by 24 inches and printed on cream speckletone fine art paper, the work was produced in a run of 550. At the center of the composition, Fairey’s mandala design anchors a vortex of pattern, color, and movement. This meticulously hand-pulled silkscreen reflects the artist’s fascination with order, disorder, and their coexistence in urban environments. It draws on motifs often found in Shepard Fairey's extensive body of work, including his emblematic star and iconography associated with the OBEY brand. The result is a striking meditation on impermanence, layering, and visual harmony through chaos. Visual Symmetry and Controlled Disorder At first glance, Chaos Mandala reads like a sacred geometry symbol, with symmetrical petals and radial balance flowing outward from a central OBEY star emblem. The crisp, mandala lines are contrasted against an explosively chaotic backdrop filled with distressed stenciling, spray textures, drips, and faded fragments of posters. This tension between fine control and organic erosion embodies the duality Shepard Fairey often explores in his work. The background elements simulate urban decay, recalling the visual noise of city walls plastered with flyers, propaganda, and graffiti. The use of stencil and screen printing techniques connects directly to street art methods, while the choice of color — vivid red, icy blue, and muted cream — allows the artwork to maintain a powerful presence while inviting close inspection of its layered surface. The Philosophical Dimension of Shepard Fairey’s Practice Shepard Fairey, born in the United States in 1970, has long used Street Pop Art & Graffiti Artwork as a platform for socio-political commentary. Chaos Mandala reflects a deeper philosophical current in his work. The piece is not just decorative but reflects an embrace of unpredictability and the fleeting nature of public expression. It acknowledges that beauty arises not only from design but also from entropy. Posters decay. Paint chips. Layers build up and tear away. Fairey captures that life cycle, not by resisting it, but by folding it into his aesthetic. The mandala — traditionally a spiritual symbol of harmony — becomes a container for the unpredictable, elevating the tension between permanence and erosion into a formal and emotional focal point. Technique, Texture, and Symbolic Integration The print was produced with meticulous care through a silkscreen process on high-quality cream speckletone paper, a tactile surface chosen for its texture and visual warmth. Every printed layer reinforces the idea of cumulative experience and environmental interaction. Fairey’s OBEY star, placed at the center, reinforces the cultural branding that has defined his public art for decades, while also transforming into a meditative hub for the surrounding chaos. With this work, Fairey continues his commitment to crafting Street Pop Art & Graffiti Artwork that blurs the lines between the street and the gallery, between rebellious expression and structured symbolism. Chaos Mandala is more than an aesthetic object — it is a conceptual reflection on the beautiful disorder of human mark-making. 

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French Arrogance Silkscreen Print by 123Klan Hand-Pulled 3-Color on 80lb Speckletone True White Fine Art Paper Limited Edition Pop Street Art Artwork. 2016 Signed & Numbered Limited Edition of 75 Artwork Size 24x36 Silkscreen Print "French Arrogance" is a silkscreen print created by 123Klan, a French street art collective founded in 1992 by Scien and Klor. The collective is known for its fusion of graffiti, graphic design, and illustration in their artwork. They often create unique and bold pieces that draw inspiration from various influences such as hip-hop, punk, and pop culture. "French Arrogance" showcases 123Klan's style and attitude, incorporating elements of French culture and the street art scene. The print likely features strong colors, stylized text, and various symbols or icons related to the theme.

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Against All Odds- Pink Limited Edition 2-Color Silkscreen Print on Mint Speckletone Paper by Jeff Soto Graffiti Street Artist Modern Pop Art.

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Wetland Powers Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "This Wetland Powers print examines the repercussions of a Supreme Court largely in the pockets of big oil. The government is supposed to create the greatest good for the greatest number of people. Still, the conservative justices in the current Supreme Court have put the agendas of big oil and wealthy property owners ahead of safe and clean water for the citizenry. The concept of "common assets"… no one owns resources like air and water and needs to be protected for the benefit of all, seems lost on many people in business and government. It is up to us as voters to elect representatives who put the needs of the citizens first. The Supreme Court makeup is always important to consider when voting for our president since the sitting president selects appointees for Supreme Court justices." -Shepard Fairey- OBEY Shepard Fairey's "Wetland Powers": A Statement in Street Pop Art In street pop art, Shepard Fairey stands as a figure of monumental influence; his work is often intertwined with solid socio-political messages. The "Wetland Powers" silkscreen print by Shepard Fairey, also known as OBEY, is a striking example of his commitment to merging art with activism. Released in 2023, this limited edition piece, hand-pulled on cream speckletone fine art paper, is more than a visually arresting image; it's a conduit for a critical conversation about environmental justice and governance. Dissecting "Wetland Powers" by Shepard Fairey The artwork, sized at 18x24 inches, is part of a limited edition of 550 signed and numbered prints. In typical Fairey fashion, the piece combines a bold aesthetic with a message that challenges viewers to consider the impact of political decisions on the environment. The imagery features a female figure with elements that suggest a connection to nature and its defense. Fairey's work is known for its layered visual language; every element serves a symbolic purpose, and "Wetland Powers" is no exception. Environmental Advocacy through Art In "Wetland Powers," Fairey addresses the contentious issue of land rights versus environmental protection, particularly highlighting the Supreme Court's role in shaping the fate of U.S. wetlands. The print serves as a commentary on the court's decisions that Fairey perceives as favoring corporate interests over public environmental health. Through this piece, Fairey expresses his belief in safeguarding common assets — air, water, and land — for the collective good. The Cultural Resonance of Fairey's Work Shepard Fairey's art has always resonated with a broad audience, and his Obey campaign has become a cultural phenomenon. With "Wetland Powers," Fairey continues to tap into the collective consciousness, using his art as a platform to advocate for ecological and social responsibility. The work underscores the power of street pop art to transcend the canvas and become a vehicle for change, urging citizens to reflect on their role as voters and to elect leaders who prioritize the welfare of all. "Wetland Powers" is a testament to Shepard Fairey's enduring role as an artist at the forefront of street pop and graffiti artwork. His ability to address pressing global issues through compelling imagery cements his status as an artist dedicated to the intersection of art and advocacy. As a limited edition print, "Wetland Powers" represents Fairey's artistic prowess and embodies the spirit of street art as a form of engaged public discourse.

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Let There Be Dark Red Silkscreen Print by Shepard Fairey- OBEY x Niagara Hand-Pulled 3-Color on 320gsm Natural Coventry Rag Vellum Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 150 Artwork Size 24x18 Silkscreen Print "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights'" -Shepard Fairey- OBEY Exploring the Bold Realms of "Let There Be Dark" by Shepard Fairey: A Street Pop Art Icon Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is a striking embodiment of the symbiotic relationship between street pop art and contemporary visual culture. This limited edition piece, created in collaboration with Niagara, is a visual narrative encapsulating the energy and subversive undercurrents that course through this artistic movement. As a hand-pulled 3-color print on 320gsm Natural Coventry Rag Vellum fine art paper, it stands as a testament to Fairey's mastery over the medium and his unwavering commitment to pushing the boundaries of street art into the delicate art sphere. Produced in 2019, the artwork is part of a highly exclusive series, with only 150 signed and numbered editions available. The dimensions of the artwork, 24x18 inches, are significant not only for their visual impact but also for their ability to draw the viewer into the confrontational yet poised dynamic that defines the composition. Fairey's choice of subjects, Ron and Niagara, is particularly telling; their depictions are rendered with a stark contrast of black, white, and a commanding red, highlighting their iconic stances and the charged atmosphere they embody. Fairey's narrative intention behind "Let There Be Dark" is as compelling as the visual force of the artwork. In his words, he captures the essence of Ron and Niagara's personas, juxtaposing Ron's aggressive frontality with Niagara's seemingly delicate yet cunning disposition. The addition of a switchblade subtly caressed by Niagara adds a layer of danger and a nod to the femme fatale archetype. This imagery is not merely decorative; it is a deliberate act to challenge and subvert the viewer's expectations, a hallmark of Fairey's style that has cemented his place in street pop art and graffiti artwork. The title, "Let There Be Dark," invites interpretation, playing on the biblical phrase "Let there be light," suggesting a reversal or an embrace of shadow and complexity over simplicity and illumination. This reversal is symbolic of the more significant cultural critique often found in Fairey's work, where the binaries of good and evil, light and dark, are not just questioned but also deconstructed. Beyond the visual and thematic layers, the print's collectibility is further enhanced by its fine art attributes. The use of Coventry Rag Vellum fine art paper, known for its durability and smooth texture, ensures that the colors' vibrancy and the lines' precision remain intact over time. The paper choice reflects Fairey's nuanced understanding of materials and their role in elevating street art to OK art status. Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is an authentic representation of the spirit of street pop art. It bridges the gap between street art's raw expressiveness and silkscreen printing's calculated precision. With its limited edition status and the artist's signature, the print is not just a piece of art; it is a cultural artifact that captures the pulse of contemporary society and the ongoing dialogue between street art and the mainstream art world. It is a vivid example of how street pop art continues to shape and influence our visual language and cultural conversations.

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Educate to Liberate Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 4-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print Depicting Bobby Seale of the Black Panther Party in Stylistic 70s Retro Style. "The events this month honor the backbone leadership of the original Party. The work of BPPALN is to ensure the education initiatives and community outreach programs provide knowledge while improving the quality of life for the Elders, all the way to the youth of today." -Shepard Fairey- OBEY Educate to Liberate Silkscreen Print by Shepard Fairey Educate to Liberate is a 2021 silkscreen print by Shepard Fairey, released under his OBEY imprint. Hand-pulled in four colors on cream Speckletone fine art paper, this signed and numbered edition of 300 measures 18 x 24 inches. The composition presents a powerful portrait of Bobby Seale, co-founder of the Black Panther Party, rendered in Fairey’s signature graphic style with strong symmetry, ornate framing, and bold color contrasts that echo vintage political posters. Bobby Seale, the Black Panther Party, and Education as Power Bobby Seale is depicted not just as a historical figure, but as a symbol of organized resistance, community empowerment, and political education. The Black Panther Party placed education at the center of its mission, advocating for self-determination, critical awareness, and tangible community programs such as free breakfast initiatives and health clinics. Fairey’s use of the phrase “Educate to Liberate” reinforces the idea that knowledge is foundational to freedom, aligning directly with the Panthers’ philosophy that systemic change begins with informed and engaged communities. Shepard Fairey’s Visual Language and Ongoing Activism Stylistically, the print draws heavily from 1970s political and cultural aesthetics, combining propaganda-era ornamentation with modern street art clarity. Radiating lines, decorative borders, and emblematic seals frame Seale as an icon of enduring relevance rather than a figure confined to history. Fairey’s accompanying statement emphasizes honoring the original leadership of the Black Panther Party while supporting contemporary education initiatives and community outreach through BPPALN. Educate to Liberate stands as both a commemorative artwork and a call to action, reflecting Fairey’s long-standing commitment to using art as a vehicle for social consciousness and civic engagement.

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Overloading The Grid David Byrne AP Silkscreen Print by Shepard Fairey- OBEY x Bobby Grossman Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist Proof. AP Artist Proof 2024 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print of Talking Heads Singer David Byrne Photo by Bobby Grossman. "I’ve been a fan of the Talking Heads since I was a kid and heard songs like “Once in A Lifetime” and “Burning Down the House” on the radio, well before I discovered punk rock and understood the Talking Heads’ important role in the nascent punk scene as it developed in NYC at CBGB’s in the mid-70’s. I remember seeing the film Stop Making Sense on HBO as a teen and thinking the Talking Heads singer, David Byrne, was very weird and very fearless to dance around in an absurdly oversized suit. I didn’t yet realize that exploring the awkward nature of existence was precisely Byrne’s strong suit! Later, as I got a little more sophisticated, I realized how creatively adventurous the Talking Heads were both musically and with their visuals." -Shepard Fairey Overloading The Grid David Byrne AP by Shepard Fairey and Bobby Grossman The Overloading The Grid Artist Proof silkscreen print from 2024 brings together two highly influential figures of countercultural visual language: Shepard Fairey and Bobby Grossman. This hand-pulled screen print features the likeness of David Byrne, the iconic frontman of the Talking Heads, based on a classic photograph by Grossman and reimagined through Fairey’s unmistakable graphic aesthetic. Printed on cream Speckletone fine art paper and signed and marked AP by Shepard Fairey, this 18x24 inch edition merges photography, music history, and political design into a single portrait that reflects both artistic legacy and cultural disruption. The Legacy of David Byrne in Visual and Sonic Innovation David Byrne’s influence transcends music and bleeds into the worlds of performance art, fashion, and design. As the lead singer of Talking Heads, Byrne’s cerebral yet experimental style embodied the sensibilities of the downtown New York scene during the punk explosion of the 1970s. With an offbeat stage presence and a flair for embracing discomfort as a thematic device, Byrne made awkwardness a mode of expression and communication. His contributions to music videos, album artwork, and stage productions helped define the visual language of new wave and post-punk, laying the groundwork for a visual narrative style that continues to influence contemporary art and design. Shepard Fairey’s Graphic Interpretation Through Street Pop Art & Graffiti Artwork Shepard Fairey’s reinterpretation of Bobby Grossman’s photograph speaks directly to the ethos of Street Pop Art & Graffiti Artwork. With signature grid overlays, limited color palettes, and stark shadows, Fairey constructs a visual tension between formality and rebellion. His use of contrast and stylized design imbues the portrait with a power often reserved for propaganda art, reflecting his career-long interest in political messaging and iconography. The screen print format itself holds deep roots in street art and DIY culture, enhancing the piece’s connection to underground aesthetics. Fairey's technique amplifies Byrne’s gaze, turning the portrait into a symbol of creative defiance and urban sophistication. Bobby Grossman’s Influence on Cultural Memory Photographer Bobby Grossman captured the raw, behind-the-scenes energy of New York’s downtown scene with honesty and intimacy. His photography functioned not just as documentation but as an active component of the era’s aesthetic. This collaboration with Fairey pays tribute to Grossman’s influence as an image maker and archivist of punk, pop, and street art culture. His image of Byrne—now stylized, reframed, and elevated—finds new resonance within the larger context of contemporary art. By pairing Grossman’s lens with Fairey’s visual voice, the print becomes more than a portrait; it is a statement on the enduring impact of artists who shaped the language of resistance and reinvention through Street Pop Art & Graffiti Artwork.

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Shoplifters Welcome Large Format Red Black Silver Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 50 Artwork Size 26x34.5 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Fairey. Shepard Fairey and Jamie Reid: Art as Social Commentary In collaboration with Jamie Reid, the "Shoplifters Welcome Silkscreen Print" by Shepard Fairey is a powerful example of how street pop art and graffiti artwork can encapsulate and critique social and economic issues. This piece, a limited edition print, was created for the "Ragged Kingdom" exhibition from March 16 to April 14, 2012. It has become a significant work in street art for its bold political statement. The artwork depicts a hand removing a document labeled "MONEY" from a briefcase, a visual representation of deregulation, particularly within the context of Wall Street. This act is set against an offer for 'shoplifters,' a satirical nod to the notion that the financial elite operates under a different set of rules than the average person. The print's striking use of the phrase "THIS DECADE ONLY!" further emphasizes the timely nature of the message, suggesting a window of opportunity for unchecked financial behavior. Art Reflecting the Times: Occupy Wall Street and Beyond Shepard Fairey's statement about the collaboration with Jamie Reid highlights their shared focus on corruption and wealth inequality themes, notably echoed by the Occupy Wall Street movement. The movement, which started in 2011, brought widespread attention to these issues, and Fairey and Reid's work provided a visual commentary that resonated with the public sentiment of the time. The artwork not only represents the artists' perspectives but also serves as a historical marker of the socio-economic climate of the early 2010s. The "Shoplifters Welcome" print is a prime example of how street pop art and graffiti artwork can transcend the boundaries of traditional art by directly engaging with social commentary. Fairey, known for his provocative approach, and Reid, with his history of punk aesthetic, combine their styles to create a piece that is as aggressive as it is artistic. The limited edition nature of the print, signed and numbered by Fairey, adds to its allure as a collectible item, even as it challenges the structures of economic power. In creating this print, Fairey and Reid employ the aesthetic of propaganda, utilizing bold colors and stark contrasts to draw attention to their message. The choice of silkscreen printing, a technique closely associated with street art due to its mass production capabilities, further ties the work to the grassroots nature of its messages. It is a medium that allows the artwork to be disseminated widely, mirroring the spread of ideas central to movements like Occupy Wall Street. The "Shoplifters Welcome" print is a testament to the enduring power and relevance of street pop art and graffiti artwork in contemporary discourse. It is a reminder that art can be an intelligent tool for social critique, reflecting the issues of its time and prompting conversations that can lead to change. Through their collaborative efforts, Fairey and Reid have created more than just a visual piece; they have crafted a narrative that challenges viewers to consider the imagery's deeper implications and question the status quo.

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Silhouetted Reaper- Morning Dew Green Limited Edition 2-Color Silkscreen Print on Cream Speckletone Paper by Jeff Soto Graffiti Street Artist Modern Pop Art. Soto’s infamous giant box robot creepin’ while ya sleepin’ against the night sky! This is a large two-color screenprint on 24? x 36? (61cm x 91cm) Cream Speckletone paper.

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No Bees No Honey Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 325 Artwork Size 18x24 Gold Metallic Ink "The Clash are my all-time favorite band and their frontman, Joe Strummer, is a hero of mine for his music, lyrics, wit, compassion for the underdog, and stance against injustice. To celebrate the release of JOE STRUMMER 002 and in honor of Joe’s 70th birthday, a limited edition print inspired by the Joe Strummer and the Mescaleros song, JOHNNY APPLESEED. Joe’s lyric “If you’re after getting the honey, then you don’t go killing all the bees” applies to lots of things, like mistreating factory workers, but for me the idea that bees are pollinators who are crucial to sustaining Earth’s fragile eco-systems is a powerful idea. I hope to honor Joe’s music and extend his ideas with my No Bees No Honey print. A portion of proceeds will go to the Joe Strummer Foundation." -Shepard Fairey The intersection of street art, pop art, and graffiti has often found its voice through artists who transcend the confines of traditional media to bring forth powerful messages. One such eminent figure in this realm is Shepard Fairey, known widely for his iconic designs and thought-provoking artistry. His piece, "No Bees No Honey," is a color hand-pulled limited edition silkscreen print that stands as a testament to Fairey's artistic prowess and his ability to interweave poignant messages with his art. Created on cream speckle tone paper, the print embodies a vibrant play of colors and is accentuated by gold metallic ink that gives it a unique touch. The allure of this piece, however, isn't just its visual appeal but also its rarity. With only 325 signed and numbered pieces available, it stands as a collector's item and a beacon of Fairey's dedication to his craft. Sized at 18x24, the artwork captures attention with its intricate details and the symbolic imagery it presents. What elevates this piece from merely being a work of art to a profound statement is the backstory that inspired it. The artwork draws its essence from the legacy of Joe Strummer, frontman of "The Clash" and a stalwart figure revered by Fairey. Strummer's dedication to justice, his compassion for the marginalized, and his undying spirit resonate deeply with Fairey, making him a consistent source of inspiration. The inception of "No Bees No Honey" can be traced back to a song by Joe Strummer and the Mescaleros titled "JOHNNY APPLESEED." A line from this song, "If you’re after getting the honey, then you don’t go killing all the bees," serves as the driving philosophy behind Fairey's artwork. At a glance, this lyric speaks volumes about sustainability and the delicate balance of nature. By delving deeper, one recognizes its applicability to a myriad of societal issues, ranging from the exploitation of factory workers to the broader challenges faced by our ecosystem. The role of bees as indispensable pollinators, ensuring the continuation of life on Earth, is cleverly juxtaposed with Strummer's lyrics, creating an artwork that's as profound in its message as it is stunning in its design. Fairey's commitment to social causes and his admiration for Strummer converge in "No Bees No Honey," but they also manifest in tangible contributions. A part of the proceeds from this artwork is dedicated to the Joe Strummer Foundation, thereby furthering the cause and ensuring that art acts as a vehicle for positive change. In the world of contemporary art, pieces like "No Bees No Honey" remind us of the transformative power of creativity. Shepard Fairey's art is not just an aesthetic pleasure; it's a call to introspection, an invitation to ponder deeper societal issues, and a celebration of the indomitable spirit of figures like Joe Strummer.

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Muhammad Ali Heavyweight Ideals Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print of Boxer Muhammad Ali Face As Young Man in A Suit. "Based on an incredible photo by Howard Bingham provided by his son Dustin, I wanted to emphasize Ali's role as an outspoken citizen and activist. Ali was a civil rights activist, a conscientious objector to the Vietnam War, a philanthropist, and a U.N. Messenger of Peace. I admire that Ali stood up for what he believed even when he potentially faced jail and the end of his boxing career. The Chestnut St. YMCA, where we painted the Ali mural, is blocks from Ali's childhood school and a place he frequented in his youth. I'm very grateful to the YMCA for providing an incredible wall with an authentic connection to Ali's life. A project of this magnitude can't come to fruition without many people collaborating generously." -Shepard Fairey. Few names in pop and street art have achieved as much recognition and influence as Shepard Fairey, the creative force behind the OBEY brand. Fairey's "Muhammad Ali Heavyweight Ideals" silkscreen print is a testament to his craftsmanship as an artist and his dedication to spotlighting iconic figures with profound cultural significance. Drawing inspiration from a striking photograph by Howard Bingham, Fairey's depiction of a young Muhammad Ali in a suit is a compelling reflection of the boxer's legacy beyond the ring. This piece doesn't just highlight Ali as a world-class athlete but as a man deeply embedded in the socio-political issues of his time. Ali's vehement opposition to the Vietnam War, his role in the civil rights movement, and his later endeavors as a philanthropist and U.N. Messenger of Peace symbolize a life of purpose and conviction. In his tribute, Fairey magnifies these ideals, portraying Ali as a boxing legend and an activist willing to jeopardize his career and personal freedom for his beliefs. The choice of venue for the mural, the Chestnut St. YMCA, holds a poignant significance. Located blocks from Ali's childhood school and a regular spot for the young boxer, the YMCA wall is an authentic canvas, connecting Ali's formative years with his enduring legacy. Through this artwork, Fairey's intricate detailing, combined with his nuanced understanding of Ali's life, elevates the narrative of street and pop art. It underscores the potential of this medium to not only captivate visually but to instigate reflection on the profound impact of its subjects on history and culture.

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Protect the Sacred Limited Edition Graffiti Artwork Offset Lithograph Print on Cream Speckle Tone Paper by street artist Shepard Fairey. 2015 Signed & Numbered 24x36 Edition of 200- Protect the Sacred, 2015 Offset lithograph in colors on thick speckled cream paper 36 x 24 inches (91.4 x 61 cm) (sheet) Ed. 200 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles Protect the Sacred Offset Lithograph by Shepard Fairey Protect the Sacred by Shepard Fairey is a landmark piece of Street Pop Art & Graffiti Artwork that delivers both a powerful visual experience and an urgent social message. Released in 2015 as a signed and numbered limited edition of 200, this offset lithograph is printed on thick cream Speckletone paper and measures 24x36 inches. Fairey, one of the most influential voices in contemporary street art, uses this work to amplify Indigenous voices and underscore the importance of honoring land, culture, and environmental sanctity. Symbolism and Visual Composition The composition features a young Indigenous figure standing bare-backed at the edge of a sacred body of water, flanked by a trio of wild horses. The central figure stares into the distance, symbolizing spiritual reflection, generational strength, and resistance. A bold red sun radiates behind a jagged mountain range, creating a powerful sense of harmony and tension. The sun’s rays stretch out like a mandala, suggesting divine illumination and cyclical renewal. The use of high-contrast red, yellow, and black evokes both urgency and reverence—colors often tied to warning as well as heritage. Every element in the composition has a voice. The water, rendered in rippling blocks of red and yellow, suggests instability and reflection. The horses symbolize freedom, natural power, and cultural continuity. Shepard Fairey roots this work in deep respect for Indigenous traditions and cosmologies, which hold land and nature not as resources but as sacred relations. Offset Printing as Political Tool While Shepard Fairey is globally known for his screenprint and stencil work, the choice of offset lithograph printing for Protect the Sacred is intentional. Offset printing allows for broader distribution and reproduction fidelity, aligning with Fairey’s ethos of accessible political art. The print maintains his hallmark sharp linework, layering techniques, and propaganda-inspired layout, but presents them with the finesse of a high-resolution poster. This makes the work not just a collector’s object but a tool of advocacy—designed for walls, protests, and public dialogue. Activist Roots and Cultural Solidarity This artwork was created in support of Honor the Treaties, an organization that uses art to amplify the voices of Indigenous communities fighting for environmental justice. The print foregrounds the relationship between sacred land and Indigenous sovereignty—a central concern for Native activists and water protectors across North America. Fairey’s involvement in this movement is not performative; he lends his visual language, platform, and printing resources to amplify those historically silenced. Protect the Sacred stands as a prime example of how Street Pop Art & Graffiti Artwork can transcend aesthetic to become cultural weaponry. Shepard Fairey’s offset lithograph not only reminds the viewer of past injustices but demands present accountability. It is a call to remember, a call to protect, and a call to listen.

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Metallica Helping Hands Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2024 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print Featuring a Skull Flower For the Mega Rock bands Metallica, Sammy Hagar & Sistastrings "Metallica recently asked me to create the poster for their Helping Hands concert. Of course, I said yes because Metallica is one of my favorite bands and the tightest live band I have ever seen! Plus, the concert benefits some great causes. This print celebrates triumph over adversity while acknowledging that life is fragile and it’s in our hands to build the world we want for ourselves and our brothers and sisters." -Shepard Fairey- OBEY Metallica Helping Hands Silkscreen Print by Shepard Fairey - OBEY Shepard Fairey’s Metallica Helping Hands silkscreen print fuses raw rock iconography with the sharply tuned visual philosophy of Street Pop Art & Graffiti Artwork. Created for Metallica’s December 13th, 2024 concert at the YouTube Theater in Los Angeles, the artwork stands as both a promotional and cultural artifact—one that reinforces Fairey’s unique position at the nexus of music, politics, and visual rebellion. This limited edition, hand-pulled silkscreen print on 18x24 inch cream Speckletone paper is not only signed and numbered by Fairey himself, but also issued in a strict run of 500 copies, elevating its stature as both a collectible and a testament to contemporary poster art. Design Symbolism and Visual Impact The composition centers around a stark white hand clutching a stylized flower whose petals subtly morph into a skull motif, with the flower’s stem winding in a way that evokes both delicacy and defiance. This emblem, rendered in bold reds, blacks, and whites, signals duality—life and death, fragility and force, compassion and rebellion. The deliberate contrast between the flower’s soft curves and the jagged lines of the skull mirrors the complex ethos of Metallica’s music, where heavy riffs often meet introspective lyrics. Fairey’s hallmark typography and symmetrical layout deliver the immediacy and intensity familiar in his most iconic works, extending the print’s resonance far beyond mere merchandise. Metallica and the Culture of Amplified Resistance Metallica’s presence in pop culture transcends heavy metal. Their brand of amplified resistance, sharpened through decades of visual, sonic, and lyrical output, fits naturally into the framework of Street Pop Art. Fairey’s poster positions the band not just as musicians, but as cultural avatars whose artistic collaborations hold weight in the visual conversation around social change. By visually contextualizing the concert’s philanthropic mission—benefiting Metallica’s All Within My Hands Foundation—Fairey presents rock music not just as expression but as action, and art as an extension of that impact. Shepard Fairey’s Role in Street Pop Art & Graffiti Artwork Fairey’s artistic lineage is defined by disruption, clarity of message, and the subversive use of commercial aesthetics to question power structures. In this print, he leverages those core traits while paying homage to a band whose legacy aligns with his own. The print maintains the stylistic elements synonymous with Fairey’s OBEY imprint—sharp silhouettes, geometric precision, and symbolic weight—while also introducing a warmth and sentimentality not always seen in his politically charged works. The image of the skull flower, set against the backdrop of a performance by Metallica, Sammy Hagar, and Sistastrings, becomes a modern-day reliquary—a symbol of unity through sound, protest, and design. This piece not only enshrines a single event but expands its reach into the broader discourse of art activism, making it a defining example of what happens when two cultural juggernauts—Shepard Fairey and Metallica—merge on canvas within the framework of Street Pop Art & Graffiti Artwork.

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Pharaoh Skull- Rook Brand Limited Edition 2-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Joe King Graffiti Street Artist Modern Pop Art. AP Artist Proof

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Blondie Live at the Roundhouse- Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Live at the Roundhouse (Black) Screen Print 18 x 24 inches Edition of 150 June 23, 2017 It measures 18" x 24". Blondie the Punk Rock Music Artist Live Performance At The Roundhouse London England 2017 Gig Poster.

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Diamond Lotus- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. Shepard Fairey (b. 1970) Diamond Lotus (Red), 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 360/400 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles

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Barb Wire Dove Collage Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print Barb Wire Dove Collage Silkscreen Print by Shepard Fairey The Barb Wire Dove Collage is a 2023 hand-pulled silkscreen print by Shepard Fairey (OBEY), produced as a signed and numbered limited edition of 450. Printed at 18 x 24 inches on Speckletone fine art paper, the work exemplifies Fairey’s mature collage-driven style, where iconic symbols are reassembled into layered political statements. The dove, a recurring motif throughout Fairey’s career, is rendered in bold cream tones against a black circular field, immediately drawing the eye while anchoring the composition with visual clarity and symbolic weight. Symbolism, Pattern, and Political Tension At the center of the image, the dove clutches a strand of barbed wire rather than an olive branch, transforming a universal symbol of peace into one marked by restriction, conflict, and unresolved struggle. Surrounding it, Fairey builds a dense patchwork of patterns inspired by global decorative traditions, currency engravings, and protest-era graphic textures. The fractured red, gold, teal, and blue background feels both ornamental and confrontational, suggesting cultural richness colliding with violence and control. This tension between beauty and brutality is intentional, reinforcing Fairey’s long-standing critique of power structures that commodify peace while perpetuating conflict. The distressed overlays and visible “collage” seams give the work a street-poster immediacy, as if it were torn from walls layered with history and dissent. Significance Within Street Pop Art & Graffiti Artwork Within Street Pop Art & Graffiti Artwork, Barb Wire Dove Collage stands as a distilled example of Shepard Fairey’s activist ethos. It merges clean graphic iconography with complex political messaging, making the piece accessible at a glance yet rewarding deeper reading. The relatively large edition size reflects Fairey’s belief in democratic distribution of ideas rather than exclusivity, while the hand-pulled silkscreen process preserves the tactile authenticity valued by collectors. For those collecting OBEY works, this print sits comfortably alongside Fairey’s most recognizable peace and protest imagery, offering a visually striking reminder that peace is not passive, but contested, fragile, and worth defending.

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Obey Conformity Trance- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 350 February 10, 2021 Obey as a pseudo-command in my art has always been a form of reverse psychology. My philosophy is actually “question everything”. Conformity is often more unconscious than conscious… an adaptation to structures we may not agree with and a submission to unseen forces of manipulation… unseen because our eyes and minds are not open wide enough. People come up with conspiracy theories like “the Illuminati” to explain the feelings that they are cogs in someone else’s machine, but the deconstruction of power and control requires nothing more than a conscious and diligent examination of how power and influence upon the government accumulate and concentrate under capitalism. Shepard Fairey

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Revolution Girl Silkscreen Print by WK Interact x Shepard Fairey- OBEY Hand-Pulled 1-Color on Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2007 Signed by WK Interact & Shepard Fairey- OBEY Limited Edition of 250 (Not Numbered) Artwork Size 18x24 Silkscreen Print. Small Bump To Corner. WK Interact x Shepard Fairey Revolution Girl Silkscreen Print Revolution Girl is a 2007 hand-pulled silkscreen print created through a collaboration between WK Interact and Shepard Fairey (OBEY). Printed as a 1-color silkscreen on Speckletone fine art paper, this 18 x 24 inch edition was released in a limited run of 250 and is signed by both artists. Though not individually numbered, the print remains a highly collectible example of early collaborative street art energy. Urban Narrative Through Split Composition The artwork is divided into vertical panels, creating a fragmented, cinematic composition. On one side, a bold female figure in graphic black and white evokes propaganda-style portraiture, while the opposite side features WK Interact’s gritty urban imagery of a lone figure set against a graffiti-marked wall. The stark monochrome palette amplifies the raw street aesthetic, blending OBEY’s iconic poster language with WK Interact’s dynamic, motion-driven urban realism. Limited Edition Street Art Collaboration Hand-pulled on Speckletone fine art paper, Revolution Girl reflects the tactile quality and bold contrast associated with traditional screen printing. The 2007 release captures a moment when two influential street artists merged distinct visual styles into a unified political and cultural statement. Signed by both WK Interact and Shepard Fairey, this limited edition of 250 stands as a significant cross-over piece within contemporary street and pop art history.

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MUSACK Terry Hall Tribute Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on True White Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print. Lynval Golding & Team Specials, Billy Idol, Jane Wiedlin, Tim Armstrong, Tony Kanal, Tom Dumont, Adrian Young, Fishbone, Jerry Harrison, Tre Cool, Fred Armisen, Jesse Michaels. Donita Sparks.The Jg All-Stars. Bite Me Bambi. Record Safari Gig Poster "Terry Hall, singer of the Specials, one of my favorite bands, died of pancreatic cancer a little less than a year ago. This past Saturday, Musack did an amazing tribute to Terry with a bonkers lineup, including Horace Panter and Lynval Golding of the Specials, Jane Wiedlin of the Go-Go’s, Fishbone, No Doubt (except Gwen), Tom Morello, Tim Armstrong and Jesse Michaels of Operation Ivy, Donita Sparks of L7, and others! I fell in love with the Specials in the summer of 1989, around the time I started listening to Operation Ivy and Fishbone, so to have members of all those bands celebrating Terry was incredible! I was also able to do the poster for the event based on a beautiful photo by Chalkie Davies. There are two versions of the print, one with the event lineup included and another that is a simpler tribute to Terry. The black and white print are editions of 325, but the show lineup print is a smaller quantity (edition of 300) because many were sold at the event, and all proceeds from those benefit Musack, an excellent music charity for kids. On a personal note, Terry came by my studio a couple of times, and we talked for hours. He was kind, thoughtful, and very open about life’s ups and downs. We talked about kids, mental health, insecurity, relationships, the therapeutic benefits of creativity, and many other heavy topics. He was a kindred spirit who I thought I’d be friends with for many years. This print was done with love… thanks for the tunes Terry!" -Shepard Fairey- OBEY MUSACK's tribute to the legendary Terry Hall, the iconic singer of the Specials, is encapsulated in a visually arresting silkscreen print crafted by Shepard Fairey, renowned for his OBEY art movement. This piece, hand-pulled in 2-color on True White Speckletone Fine Art Paper, is a testament to the profound influence Terry Hall had on the music industry and its fans. The artwork is an exquisite fusion of pop art, street art, and graffiti art, embodying the very essence of Terry Hall's spirit and impact on the world. Released in 2023 as a signed and numbered limited edition, with only 300 prints in circulation, the artwork measures 18x24 inches. The artistry is profound, drawing inspiration from a poignant photograph Chalkie Davies took. Two versions of this print exist, one showcasing an event lineup and the other serving as a more streamlined homage to Hall. While the black and white prints are available in editions of 325, the one bearing the event lineup is more exclusive, with a count of 300, many of which were already acquired during the event. The backstory of this piece is equally captivating. MUSACK's heartfelt tribute event celebrated Terry's life, boasting a staggering lineup of eminent musicians, from Horace Panter and Lynval Golding of the Specials to Jane Wiedlin of the Go-Go’s, Fishbone, and members of No Doubt, among others. Shepard Fairey's interactions with Terry add depth to the artwork. Terry, in his visits to Shepard's studio, revealed layers of his personality, discussing topics ranging from mental health to the therapeutic nature of creativity. Shepard saw him as a kindred spirit, and their interactions were laden with deep understanding and mutual respect. This artwork, hence, is not just an aesthetic masterpiece but a heartfelt tribute, reverberating with the essence of Terry Hall's life and legacy.

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Cream & Blue Sedation in Bloom Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 150 Artwork Size 18x24 Sedation in Bloom Silkscreen Print Series.  "I originally worked on this poppy pattern art as part of my collaboration with artist Gordon Cheung. In our piece, we addressed the tragic murder of Vincent Chin and the historical use of anti-Asian imagery and symbols in Western culture. The poppy is a beautiful flower with many symbolic interpretations, including peace, death, sleep, and sedation. I often weave floral and decorative patterns into my art to draw viewers in and make challenging concepts more digestible. However, decorative appeal can sedate people and distract them from more important social issues. Whether in entertainment, alcohol, drugs, or conspicuous consumption, I think sedation is a major cause of social and political complacency and ignorance. These Sedation In Bloom prints serve the dual purpose of a decorative escape and a reminder to stay awake and aware!" -Shepard Fairey- OBEY. Cream & Blue Sedation in Bloom: Reflecting on Society Through Street Pop Art The Cream & Blue Sedation in Bloom silkscreen print by Shepard Fairey, an iconic figure in the street pop art and graffiti artwork realm, stands as a thought-provoking piece that goes beyond mere aesthetic pleasure. Fairey, born as Frank Shepard Fairey on February 15, 1970, in Charleston, South Carolina, USA, has carved a niche for himself with works that often reflect a blend of political activism and artistry. This particular artwork, a part of the Sedation in Bloom series, is no exception. Hand-pulled on cream speckletone fine art paper, the Cream & Blue Sedation in Bloom is a limited edition artwork, with each piece signed and numbered by Fairey himself. The size of the artwork, 18x24 inches, offers a substantial canvas for the expression of intricate and symbolic imagery. Limited to an edition of 150, these prints capture the exclusive nature of Fairey's work. The Symbolism of Poppies in Fairey's Visual Language The motif of the poppy in this series carries rich symbolic interpretations, ranging from peace to death, and from sleep to sedation. Fairey's choice of the poppy is deliberate and multifaceted; it is not only about creating a pleasing visual but also about the underlying message it conveys. The interplay of the serene blue on cream reflects a tranquil aesthetic, yet the poppies' association with sedation challenges the viewer to look deeper into the societal implications of the artwork. Fairey’s work is a commentary on the complacency and ignorance that he perceives as pervasive in society. The seductive nature of entertainment, alcohol, drugs, and material excess serves as a means to sedate the masses, distracting them from social and political engagement. Through the Cream & Blue Sedation in Bloom print, Fairey juxtaposes the allure of the poppies with a call to consciousness, urging the viewer to stay awake and aware amid societal distractions. Artistic Collaboration and Social Commentary The inception of this poppy pattern art arose from Fairey's collaboration with Gordon Cheung, where the duo addressed the harrowing murder of Vincent Chin and the use of anti-Asian motifs in Western culture. By incorporating these themes into his street pop art, Fairey elevates the conversation from street-level discourse to a wider socio-political dialogue. The prints serve as a decorative escape, yet they double as a potent reminder of the importance of staying alert to the world's inequities and injustices. Shepard Fairey's Cream & Blue Sedation in Bloom is a striking example of how street pop art can be a powerful medium for social critique. As viewers engage with the harmonious color scheme and the delicate floral patterns, they are also confronted with the societal urge to remain vigilant. Through this series, Fairey reiterates his belief in the capacity of art to ignite change, to unsettle the comfortable, and to provoke a reawakening of social consciousness. The artwork symbolizes the dual role of art in modern culture: as an object of beauty and as a catalyst for awareness and action.

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Off! You Will Do What We Say 2-Color Hand-Pulled Limited Edition Silkscreen Print on True White Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2019 Signed Limited Edition Print. 18 inches x 24 inches Edition of 600 July 11, 2019 Punk rock band OFF! which includes members from Black Flag, Circle Jerks, Redd Kross, The Burning Brides, and The Black Heart Procession is making a movie called “Watermelon,” and according to their lead singer Keith Morris, “You will do what we say”…… is an MK Ultra mantra from out of the shadows. - Shepard Fairey

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Green Power Factory Blue 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2023 Signed & Numbered Limited Edition of 350 Artwork Size 18x24 "Green Power is a concept I’ve promoted in several pieces of my art. We need to transition to renewable sources of energy for the health of the planet. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that promote green power and put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring." -Shepard Fairey Shepard Fairey is an American contemporary street artist, graphic designer, activist, and founder of OBEY Clothing. He is known for his thought-provoking and socially-conscious artwork, often combining powerful imagery with provocative messages. The "Green Power Factory Blue Silkscreen Print" was created by Shepard Fairey and features his signature style and color scheme. It most likely represents themes of environmentalism, industry, and the need for sustainable energy solutions. The use of the OBEY logo in the title suggests that it may also convey an underlying message about recognizing and acting on these themes. As a silkscreen print, this artwork is created using a stencil-based printing technique where ink is forced through a mesh screen onto a surface. This method allows for producing multiple prints with a high level of detail and vivid colors. In the case of Fairey's work, the technique is particularly well-suited to his bold, graphic style.

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Universal Dignity 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed Limited Edition Print. 18 inches x 24 inches Edition of 600 June 3rd, 2022 "The “Universal Dignity” print aims to promote peace, equality, and humanity. I’d like to see a fundamental assumption that ALL people deserve respect and human dignity. This applies to the universal meaning of dignity, to be valued, and respected for what you are, what you believe in, and how you live your life. I consider myself a global citizen, and though I think the nations serve a structural function, all people should be equal, and everyone’s life counts the same regardless of where they live." -Shepard Fairey

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Tom Dula White AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print—Lonesome Tree Stylized Old Gnarled Tree in Western Desert Setting. Thomas C. Dula was a former Confederate soldier who was convicted of murdering Laura Foster, based on a song made famous by Kingston Trio. Shepard Fairey Tom Dula White AP 2012 Silkscreen Print Shepard Fairey, born Frank Shepard Fairey in the United States, created the Tom Dula White silkscreen print in 2012 as part of his continued exploration of American folklore, history, and visual propaganda language within Street Pop Art & Graffiti Artwork. This Artist Proof edition is signed and marked AP, distinguishing it from the standard run and reflecting a smaller subset traditionally retained by the artist. The hand-pulled silkscreen measures 18 x 24 inches and is printed on cream Speckletone fine art paper, a stock frequently used in Fairey’s Obey editions for its textured, archival quality. The composition references the story of Thomas C. Dula, a former Confederate soldier convicted in the 1866 murder of Laura Foster, a case that later became widely known through the folk ballad popularized in the twentieth century by The Kingston Trio. Fairey’s engagement with this narrative situates the print within a broader tradition of examining American myth, justice, and cultural memory. Symbolism of the Lonesome Tree in Street Pop Art & Graffiti Artwork The image centers on a stark, leafless tree stretching across a red and gold desert landscape, rendered in layered gradients and ornamental textures that echo vintage poster design and distressed printmaking techniques. A rope hangs from one of the branches, subtly invoking themes of execution and frontier justice without overt depiction of violence. The word Lonesome appears at the base, reinforcing the solitary atmosphere of the scene. Fairey’s restrained color palette of deep reds, burnt oranges, and cream tones creates a dramatic contrast that heightens the emotional weight of the subject matter. Within Street Pop Art & Graffiti Artwork, such symbolic reduction allows historical references to be communicated through simplified yet powerful visual cues, drawing viewers into reflection on the tension between legend and documented history. Artist Proof Editions and Historical Narrative in Obey Artwork Artist Proof prints hold particular significance in fine art printmaking, as they represent limited impressions outside the numbered edition and often serve as part of the artist’s archive. In the context of Street Pop Art & Graffiti Artwork, these AP editions emphasize craftsmanship and authenticity while reinforcing collectibility. Fairey’s Tom Dula White print demonstrates how Obey imagery frequently bridges historical narrative and contemporary design language, translating nineteenth-century folklore into a modern silkscreen format. By merging archival textures, symbolic landscape imagery, and disciplined hand-pulled production, the work stands as a refined example of how Street Pop Art & Graffiti Artwork can reinterpret American history through bold yet contemplative visual storytelling.

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Blood of My Blood- Call the Banners Series Limited Edition 5-Color Hand-Pulled Silkscreen Print on 250gsm Heavy Paperd With Metallic Inks by Rhys Cooper Graffiti Street Artist Modern Pop Art. 5 color silkscreen poster on heavy 250gsm paper stock printed with metallic inks. Signed and numbered edition of 200. Size of the banners will be 12 x 38 inches All posters numbered and signed.

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Cut it Up Do it Yourself 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey x Beyond The Streets Rare Street Art OBEY Pop Artwork Artist. 2019 Signed & Numbered Limited Edition of 500 Print Size 18x24 August 9, 2019 Beyond The Streets In Store Only Blue Variant "ABOUT The Cut it Up – Do it Yourself print is an iteration of my Obey Icon Face inspired by my history of using an X-acto knife to create designs, make collages, cut spray-paint stencils, and cut illustrations from Rubylith (a graphic art and screen printing film). Many of my well-known images, including the Obey Icon Face, were created using an X-acto, a marker, a photocopier, and cut and paste techniques before I knew how to use a computer. The computer is a great tool, but it can be too safe and sterile… Don’t be afraid to cut things up, make mistakes, and get some overspray on pristine paper!" -Shepard Fairey Shepard Fairey Cut It Up – Do It Yourself Blue Variant Silkscreen Cut It Up – Do It Yourself (Blue Variant) is a 2019 signed and numbered limited edition silkscreen print by Shepard Fairey, created in collaboration with Beyond The Streets. Hand-pulled in three colors on cream Speckle Tone paper, this 18 x 24 inch print was released in an edition of 500 and sold exclusively in-store on August 9, 2019. Featuring Fairey’s iconic OBEY face reimagined through collage aesthetics, the piece reflects the artist’s deep roots in DIY street art culture. OBEY Icon and the X-Acto Legacy The composition divides the OBEY face into four quadrants, each featuring stylized hands gripping bold X-Acto knives in red and black. The fragmented layout references cut-and-paste techniques that defined Fairey’s early process—physically slicing Rubylith, assembling photocopies, and building imagery long before digital tools dominated design. The blue-toned background softens the contrast while emphasizing the raw, graphic shapes. As Fairey explains, the work is a tribute to experimentation: embracing mistakes, overspray, and the tactile energy of handmade creation. Beyond The Streets Edition and Cultural Significance Released as part of the Beyond The Streets exhibition, this blue variant stands as a collectible moment within Shepard Fairey’s broader OBEY print catalog. The cream Speckle Tone paper enhances the vintage poster aesthetic, while the clean three-color screenprint preserves the sharp, graphic impact. Limited to 500 signed examples, Cut It Up – Do It Yourself captures the ethos of independent street art production—hands-on, imperfect, and unapologetically bold.

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Dirty South Dance Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey Rare Street Art Limited Edition Artwork. 2007 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 A few faint scratches to black areas. Shepard Fairey (b. 1970) Dirty South Dance, 2007 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 300 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles Dirty South Dance Silkscreen Print is a piece of artwork created by Shepard Fairey, the American contemporary street artist, graphic designer, and activist best known for his "OBEY Giant" and Barack Obama "HOPE" campaigns. Fairey's artwork is often characterized by its bold and thought-provoking imagery, combining elements of graffiti, pop art, and political activism. The Dirty South Dance Silkscreen Print is part of Fairey's OBEY series, which is derived from the "OBEY Giant" sticker campaign he started in 1989. The series aims to promote critical thinking and question societal norms, government control, and the influence of media and advertising on our lives. The Dirty South Dance print may feature Fairey's signature style, including bold colors, striking design elements, and a mix of typography and imagery. The piece may focus on the "Dirty South" music scene, which refers to a subgenre of hip-hop that originated in the southern United States, particularly in cities like Atlanta, Houston, and New Orleans. The artwork may attempt to capture the spirit of the music, its artists, and the culture surrounding it while also incorporating Fairey's sociopolitical messages. As a silkscreen print, the Dirty South Dance artwork would have been created using a stencil-based printmaking technique in which ink is pushed through a mesh screen to transfer the design onto paper or canvas. This process allows for the production of multiple copies, each considered an original print, and is a popular method for creating street art and posters. Collectors and fans of Shepard Fairey's work may be interested in acquiring the Dirty South Dance Silkscreen Print for its unique design and strong cultural commentary.

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Off! You Will Do What We Say- Aqua Drab 2-Color Hand-Pulled Limited Edition Silkscreen Print on True White Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed Limited Edition Print. 18 inches x 24 inches Edition of 400 May 26, 2022 Punk rock band OFF! which includes members from Black Flag, Circle Jerks, Redd Kross, The Burning Brides, and The Black Heart Procession is making a movie called “Watermelon,” and according to their lead singer Keith Morris, “You will do what we say”…… is an MK Ultra mantra from out of the shadows. - Shepard Fairey

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Bob Mould AP Signed Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2008 Signed Autograph by Bob Mould Across The Face in Marker & Shepard Fairey- OBEY Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print Depicting Bob Mould of the Music Bands Hüsker Dü, Sugar & The Jacks. District Line. "Bob Mould was the guitar player and co-songwriter of Husker Du, one of the most progressive hardcore/indy bands of the '80s. Originally one of the most successful bands on SST records, they were among the first American indie bands to sign to a major label. They are credited with paving the way for bands like Sonic Youth, The Pixies, and Nirvana. I borrowed Husker Du's Zen Arcade album from a friend in my 10th-grade year and quickly collected the rest of their catalog. I especially recommend their album Flip Your Wig. After Husker Du broke up, Bob formed Sugar and now performs solo. His new album District Line is awesome." -Shepard Fairey- OBEY Shepard Fairey's Tribute to Bob Mould: Merging Music and Street Art The Bob Mould AP Signed Silkscreen Print by Shepard Fairey, a figure synonymous with OBEY and a towering presence in street pop art, is a limited edition artwork that pays homage to Bob Mould's profound influence on the music scene. As an Artist Proof from 2008, this piece holds a special place within the edition of 500, featuring Fairey's signature 5-color technique on cream speckletone fine art paper, measuring 18x24 inches. Mould's autograph across the face in marker adds a personal touch, intertwining the visual narrative with the tactile memory of the musician's hand. This print captures the likeness of Mould, known for his groundbreaking work with bands Hüsker Dü, Sugar, and The Jacks, and the essence of his impact on the hardcore/indie genres. Fairey's acknowledgment of Mould's legacy, from the seminal album "Zen Arcade" to "Flip Your Wig" and beyond, underscores the print's importance as a piece of cultural history. Fairey, who has a storied history of integrating his art with social commentary and the music industry, uses this print to honor a musician who has been pivotal in shaping the landscape of modern American indie music. Bob Mould and the Evolution of American Indie Music in Visual Art Bob Mould's journey through the evolution of American indie music is intricately woven into the fabric of this silkscreen print. Shepard Fairey's artistic rendering goes beyond mere portraiture; it is a symbolic representation of the era that saw bands like Sonic Youth, The Pixies, and Nirvana reshape the musical landscape, with Mould and Hüsker Dü leading the charge. As a fan who found inspiration in his youth's raw and passionate soundtracks, Fairey's connection to Mold's music informs the artwork's intimate and reverent portrayal. The print is a visual testament to Mould's ongoing relevance, with Fairey highlighting the musician's solo works like "District Line." The piece symbolizes the confluence between street pop art and the visceral energy of the music that often serves as its soundtrack. Fairey's ability to infuse his work with the spirit of the music he admires adds depth to the print, elevating it from a mere collectible to a significant narrative artifact within the canon of street pop art and graffiti artwork. Shepard Fairey's Bob Mould AP Signed Silkscreen Print is not just a confluence of visual art and music but a celebration of the enduring legacy of an artist who has helped shape the sound of a generation. As a street pop art piece, it embodies the rebellious heart of the indie movement. It stands as a testament to the power of art to transcend mediums and become a unifying force for cultural reflection and appreciation. The limited edition nature of the print, coupled with the personal signatures of both Mould and Fairey, cements its status as a collectible piece that captures a pivotal moment in the interplay between music and visual art.

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Swan Song Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 4-Color on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 550 Size 36x24 Silkscreen Print The Swan Song print is a depiction of the precarious state of nature's delicate balance, with numerous species declining, eco-systems teetering on the brink of collapse, and climate scientists warning that time is running out to avert environmental consequences that could render zones inhabitable for millions. While certain groups may suffer more than others, this issue is universal as we all have an impact on both the problems and solutions. Unfortunately, the conscientious habits of individuals alone are insufficient to solve the problem. Unless corporations are pressured and regulated, they will continue to prioritize profits over the planet's health. The piece contains a news clipping revealing that Exxon-Mobile has known for over 40 years, based on their own internal scientific research, that burning fossil fuels is causing global warming, yet they concealed this information and publicly denied the impact of fossil fuels on climate change. A portion of the print's proceeds will be donated to Greenpeace USA to support their efforts to combat climate change. The Speckletone paper used in the print is made from recycled materials. Thank you for your concern.

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Autumn Arrives Limited Edition 6-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by John Vogl Graffiti Street Artist Modern Pop Art. Six color screenprint on French Speckletone KraftPaper 18 x 24 inches. Signed and numbered edition of 600 Released on Friday, September 6, 2013.

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