Speckletone Fine Art Paper

Tom Dula Black AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print—Lonesome Tree Stylized Old Gnarled Tree in Western Desert Setting. Thomas C. Dula was a former Confederate soldier who was convicted of murdering Laura Foster, based on a song made famous by Kingston Trio. Shepard Fairey Tom Dula Black AP 2012 Silkscreen Print Shepard Fairey, born Frank Shepard Fairey in the United States, created the Tom Dula Black silkscreen print in 2012 as part of his ongoing exploration of American folklore and historical narrative within Street Pop Art & Graffiti Artwork. This Artist Proof edition is signed and marked AP, distinguishing it from the standard numbered run and identifying it as part of a smaller subset traditionally reserved by the artist. The hand-pulled silkscreen measures 18 x 24 inches and is printed on cream Speckletone fine art paper, a textured stock frequently used in Obey editions for its archival strength and vintage character. The work references the story of Thomas C. Dula, a former Confederate soldier convicted in 1866 for the murder of Laura Foster, a case later embedded in American folk music through a ballad popularized in the twentieth century by The Kingston Trio. Fairey’s interpretation situates this narrative within a broader visual examination of justice, myth, and cultural memory. Lonesome Tree Imagery in Street Pop Art & Graffiti Artwork The composition centers on a stark, leafless tree rendered in bold black linework against layered red and gold tonal gradients. The gnarled branches stretch outward across a desert-like landscape, while intricate ornamental textures and faded imagery subtly emerge in the background. A rope hangs from one branch, symbolizing the historical implications of execution without overt depiction. The word Lonesome appears at the base, reinforcing the solitary and reflective tone of the image. Fairey’s use of distressed overlays and decorative patterning echoes vintage poster design while maintaining the graphic clarity associated with Street Pop Art & Graffiti Artwork. The restrained yet intense palette of crimson, ochre, and black heightens the emotional atmosphere and connects the work to Fairey’s broader visual language rooted in propaganda-inspired composition. Artist Proof Significance and Obey Historical Commentary Artist Proof editions carry particular importance in fine art printmaking, often representing early or reserved impressions from the print run and carrying enhanced collectibility. Within Street Pop Art & Graffiti Artwork, such AP markings underscore craftsmanship and direct artist involvement. The Tom Dula Black variant demonstrates how Fairey adapts a nineteenth-century American crime narrative into a contemporary silkscreen format, using symbolic landscape imagery rather than portraiture to communicate the story’s gravity. By merging archival textures, disciplined hand-pulled production, and culturally loaded symbolism, this 2012 Obey print stands as a thoughtful example of how Street Pop Art & Graffiti Artwork can reinterpret historical events through bold yet contemplative graphic storytelling.

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Smokey Robinson- Red 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed by Fairey & legendary music artist Smokey Robinson. Screen Print 18 x 24 inches Edition of 450 2010 "I was amazed when Smokey contacted me to do a portrait to commemorate his 50 years in the music business, and a little nostalgic at the thought of his impact on me as a kid. Smokey came into the studio to hang out and sign them. He's a really nice, upbeat guy who has a real lust for life, maybe that's why he looks like he hasn't aged in 30 years. Believe it or not, Smokey signed every single print with his very beautiful and painstaking signature. It's worth picking up a print for that alone. Mention the name Smokey Robinson and the first thing that automatically comes to mind is Motown. It's understandable given that it was Robinson's hits, first as the leader of the Miracles, and then later as a solo artist that propelled the famed label during the 60s." -Shepard Fairey

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Shark Bite- Rook Brand Limited Edition 4-Color Hand-Pulled Metallic Ink Silkscreen Print on French Speckletone Kraft Paper by Joe King Graffiti Street Artist Modern Pop Art. AP Artist Proof

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New Breed Chief- Rook Brand Limited Edition 2-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Joe King Graffiti Street Artist Modern Pop Art. AP Artist Proof

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American Expression Limited Edition 6-Color Hand-Pulled Silkscreen Print on 300gsm French Speckletone Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. n 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial’ about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Intended as a conceptual means of marketing absurdism, DENIAL also challenges traditional notions of graffiti and public art through his bold and often satirical visual subversions. Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Barb Wire Dove Collage Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print Barb Wire Dove Collage Silkscreen Print by Shepard Fairey The Barb Wire Dove Collage is a 2023 hand-pulled silkscreen print by Shepard Fairey (OBEY), produced as a signed and numbered limited edition of 450. Printed at 18 x 24 inches on Speckletone fine art paper, the work exemplifies Fairey’s mature collage-driven style, where iconic symbols are reassembled into layered political statements. The dove, a recurring motif throughout Fairey’s career, is rendered in bold cream tones against a black circular field, immediately drawing the eye while anchoring the composition with visual clarity and symbolic weight. Symbolism, Pattern, and Political Tension At the center of the image, the dove clutches a strand of barbed wire rather than an olive branch, transforming a universal symbol of peace into one marked by restriction, conflict, and unresolved struggle. Surrounding it, Fairey builds a dense patchwork of patterns inspired by global decorative traditions, currency engravings, and protest-era graphic textures. The fractured red, gold, teal, and blue background feels both ornamental and confrontational, suggesting cultural richness colliding with violence and control. This tension between beauty and brutality is intentional, reinforcing Fairey’s long-standing critique of power structures that commodify peace while perpetuating conflict. The distressed overlays and visible “collage” seams give the work a street-poster immediacy, as if it were torn from walls layered with history and dissent. Significance Within Street Pop Art & Graffiti Artwork Within Street Pop Art & Graffiti Artwork, Barb Wire Dove Collage stands as a distilled example of Shepard Fairey’s activist ethos. It merges clean graphic iconography with complex political messaging, making the piece accessible at a glance yet rewarding deeper reading. The relatively large edition size reflects Fairey’s belief in democratic distribution of ideas rather than exclusivity, while the hand-pulled silkscreen process preserves the tactile authenticity valued by collectors. For those collecting OBEY works, this print sits comfortably alongside Fairey’s most recognizable peace and protest imagery, offering a visually striking reminder that peace is not passive, but contested, fragile, and worth defending.

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Blondie Live at the Roundhouse- Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Live at the Roundhouse (Black) Screen Print 18 x 24 inches Edition of 150 June 23, 2017 It measures 18" x 24". Blondie the Punk Rock Music Artist Live Performance At The Roundhouse London England 2017 Gig Poster.

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Scratch on the Wire 1-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Paper by Shepard Fairey x Dennis Morris Rare Street Art Famous Pop Artwork Artist. 24 x 24 inches. Silver Metallic Ink Screenprint on thick cream Speckletone paper. Original photo by Dennis Morris. Signed by Shepard Fairey and Dennis Morris. Numbered edition of 600. Max order: 1 per customer/household. "Legendary reggae producer and pioneer of the dub sound, Lee “Scratch” Perry passed away on Aug. 29. I first discovered Lee Perry when I got deep into Bob Marley and the Wailers found out Perry had produced several seminal Wailers tracks. I also loved the Clash song “Police and Thieves” which I learned was a cover of the version by Jamaican artist Junior Murvin which Lee Perry had produced. Perry also co-produced the song “Complete Control” by the Clash." -Dennis Morris

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Dance of the Dragons Limited Edition 5-Color Hand-Pulled Silkscreen Print on French Speckletone in Natural 80lb Cover by Rhys Cooper Graffiti Street Artist Modern Pop Art. Melbourne boy Rhys Cooper has made a name for himself in the Rock poster scene over the past 10 years, working for such bands as Them Crooked Vultures, Rage Against the Machine, Queens of the Stone Age, Soundgarden and Pearl Jam amongst others. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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Just A Minor Threat Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed by Glen E Friedman x Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print Depicting Punk Rock Music Band Minor Threat & Ian MacKaye Stylized Raging Concert Photo by Glen E Friedman "I first heard Minor Threat in 1985 when I had been skateboarding and listening to punk and hardcore for a year. I was quickly becoming more confident, outspoken, and energized by D.I.Y. culture, and I was voraciously hungry for things that fuelled my emotional and intellectual evolution. Minor Threat was rocket fuel for my journey. Not only is their music a ferocious explosion of energy, but their playing is tight, and Ian MacKaye’s lyrics are intelligent and provocative. On top of that, Minor Threat created their own label, Dischord Records, to put out their music as well as records by other D.C. bands. Minor Threat and Dischord are profound influences on me, so I was very excited to collaborate with Glen on a Minor Threat print to celebrate the release of his new book “Just a Minor Threat.” Glen has the most intimate and powerful photos of Minor Threat, so it was possible to craft an illustration with strong images of all the band members. I’m also incredibly grateful to have the blessing of the members of Minor Threat." -Shepard Fairey- OBEY "Minor Threat is obviously one of the great foundations of hardcore punk rock. Inspiration for legions around the world, including Shepard and myself. As we’ve done with my last several books, Shepard and I got together and collaborated to make a print celebrating the release of the new publication. Shepard is one of my designing confidants and often gives me advice during my process of bookmaking so it makes sense that once the project comes to fruition, we enthusiastically make these prints of artists that inspire both of us. This print is based on separate images of each individual in the band as well as the always omnipresent audience that were a major part of incredible Minor Threat gigs. The book came out great and is different from previous books; it has its own voice, not only through the trove of never-before-seen photographs but also through the incredible essays throughout. Be inspired." -Glen E Friedman Just a Minor Threat Silkscreen Print by Shepard Fairey The Just a Minor Threat silkscreen print is a 2023 collaboration between Shepard Fairey (OBEY) and legendary punk photographer Glen E. Friedman. Hand-pulled on cream Speckletone fine art paper, this 18 x 24 inch print was released as a signed and numbered limited edition of 550, bearing the signatures of both Fairey and Friedman. The work depicts the iconic Washington, D.C. hardcore punk band Minor Threat, fronted by Ian MacKaye, rendered through Fairey’s graphic lens and grounded in Friedman’s historic concert photography. Punk Energy, D.I.Y. Culture, and Visual Urgency The composition captures the raw intensity of a Minor Threat performance, placing Ian MacKaye front and center in a moment of confrontation and release, microphone clenched and voice projected outward. Surrounding band members and the tightly packed audience form a dense, kinetic backdrop that reinforces the communal force of hardcore shows. Fairey’s limited palette of black, white, and aggressive red heightens the sense of urgency and resistance, echoing the band’s uncompromising sound and message. The layered textures and high-contrast rendering preserve the grit of Friedman’s original imagery while translating it into a bold, poster-driven visual language rooted in punk flyers, protest graphics, and street art traditions. Legacy, Collaboration, and Cultural Impact This print celebrates more than a band; it honors the enduring influence of Minor Threat and the D.I.Y. ethos they helped define. For Fairey, Minor Threat and Dischord Records were formative forces that shaped his creative confidence, political awareness, and commitment to independent culture. Glen E. Friedman’s intimate access to the band provides an authenticity that elevates the collaboration beyond tribute into historical document. Just a Minor Threat stands as a convergence of music history, photography, and contemporary Pop Street Art, making it a highly significant collectible for fans of punk, Shepard Fairey’s OBEY body of work, and the broader legacy of underground culture that continues to inspire artists worldwide.

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Eyes On The King Verdict 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Ted Soqui Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey & Ted Soqui, Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 600. "I based this “Eyes on the King Verdict” print on photos taken by Ted Soqui during the LA riots of spring 1992. Ted has a long history of photographing activists and protests, which began after the “not guilty” verdicts on April 29, 1992, for the four officers who severely beat Rodney King. I especially love the central pic of a young woman protester in a Malcolm X hat contemplating the scene. I think it is important to consider the symbolic weight of the Rodney King verdict and the emotional impact on communities of color seeking justice and accountability. At the time, 30 years ago, I remember feeling enraged that such a blatant act of police brutality was going unpunished when it was captured on video. It is heartbreaking how frequently similar acts of violence and abuse of power by law enforcement have gone unpunished, even when caught on camera. I don’t ever condone violence or looting, but I understand why LA erupted in riots and protests after the King verdict. When people feel that the American system has failed them repeatedly, things can reach a boiling point. The urge to protest injustice and the right to do so are legitimate, even if looting is not legitimate. The LA riots were a tragic mixture. However, beware of those who try to conflate protest with “criminal agitation” or “inciting a riot.” When the system fails the people, it is nothing short of patriotic for the people to protest for a solution. Ted Soqui and I both signed the “Eyes on the King Verdict” print.” – Shepard

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Off! You Will Do What We Say- Aqua Drab 2-Color Hand-Pulled Limited Edition Silkscreen Print on True White Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed Limited Edition Print. 18 inches x 24 inches Edition of 400 May 26, 2022 Punk rock band OFF! which includes members from Black Flag, Circle Jerks, Redd Kross, The Burning Brides, and The Black Heart Procession is making a movie called “Watermelon,” and according to their lead singer Keith Morris, “You will do what we say”…… is an MK Ultra mantra from out of the shadows. - Shepard Fairey

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Against All Odds- Pink Limited Edition 2-Color Silkscreen Print on Mint Speckletone Paper by Jeff Soto Graffiti Street Artist Modern Pop Art.

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Shoplifters Welcome Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Faire.y Shepard Fairey's Collaboration with Jamie Reid in Street Pop Art The "Shoplifters Welcome Silkscreen Print" is a remarkable intersection of street pop art and political commentary, created by the influential Shepard Fairey in collaboration with Jamie Reid. This limited edition hand-pulled screen print on cream speckletone art paper is a testament to the potency of visual art as a tool for social critique. Released as part of Jamie Reid's Ragged Kingdom exhibition from March 16 to April 14, 2012, this artwork resonates with anti-establishment and dissent themes common in street pop art and graffiti artwork. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, has a history of infusing his work with sharp political insights. The artwork in discussion depicts a hand removing laws from a briefcase, a direct inference to the deregulation of Wall Street and the unshackling of financial institutions from legal constraints. This visual metaphor conveys the message of wealth inequality and corruption, both highly relevant to the zeitgeist of the early 2010s, especially in the Occupy Wall Street movement. Artistic Expression of Sociopolitical Issues The collaborative nature of this artwork, involving both Shepard Fairey and Jamie Reid, underscores a shared commitment to addressing pressing societal issues through art. Fairey's statement about the collaboration highlights their mutual interest in tackling the "timeless problems of corruption and wealth inequality," themes that are also deeply embedded in the philosophy of street pop art. The artwork becomes a canvas for discourse, echoing the sentiments of public protests and movements that call for justice and economic reform. In creating the "Shoplifters Welcome" piece, Fairey and Reid tap into the legacy of street pop art's ability to reach a broad audience. Street pop art, often found in public spaces, speaks directly to the masses, unfiltered by the gatekeeping of traditional art venues. Though housed within the confines of an exhibition, this print carries the spirit of street art by being a piece of graffiti artwork that one can own—a symbol of both rebellion and commodification. The limited edition nature of the print, being one of only 450, adds a layer of exclusivity to a piece that speaks about wealth disparity, creating an exciting tension between the artwork's message and its status as a collectible item. Each print, signed and numbered by Fairey, is a piece of art and a statement about the artist's role in society—as an observer, a critic, and a participant in the cultural dialogue about power and money. This artwork, sized 18x24, encapsulates a period of intense socio-political activism, serving as a historical document that captures the essence of the early 2010s. The stark imagery, reminiscent of propaganda art, is both a nod to the past and a commentary on the current state of affairs. It draws a parallel between the actions on Wall Street and the broader issues of regulatory oversight and the power imbalance, which remain relevant in discussions about the economy and governance. In the larger context of street pop and graffiti artwork, Shepard Fairey and Jamie Reid's "Shoplifters Welcome" print is a powerful reminder of art's role in society. It bridges the gap between aesthetic appeal and social commentary, functioning as a visual manifesto that calls for reflection and action. The piece is not merely an artwork to be viewed but a conversation starter, a call to arms, and a historical artifact.

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I See Static Blue AP Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist Proof. AP Artist Proof 2016 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print. Static Is All That I See. Increase The Peace. I See Static Blue AP by Shepard Fairey The 2016 I See Static Blue Artist Proof silkscreen print by Shepard Fairey exemplifies the tension between distortion and perception in contemporary Street Pop Art & Graffiti Artwork. Executed with masterful precision on cream Speckletone fine art paper and signed and marked AP by the artist, this 18x24 inch hand-pulled silkscreen is a cryptic visual dialogue between media influence and the pursuit of peace. Fairey’s use of sharply defined geometry, vertical interference patterns, and symbolic layering invites the viewer into a hypnotic confrontation with sensory noise and propaganda. Visual Language Rooted in Power and Media Critique Fairey’s visual lexicon in I See Static Blue merges optical disruption with ideological clarity. The text Static Is All That I See appears embedded in a field of radiating blue lines, visually mimicking the interference of analog television static while metaphorically addressing the mental fog created by constant messaging and surveillance. Faces flank the central axis, fragmented by distortion lines, evoking themes of fractured identity in the information age. Below them, an all-seeing eye hovers—laced with a skull at its center—underscoring themes of control, mortality, and the ever-present gaze of media authority. The piece unravels the saturation of images that both numb and command attention, serving as a commentary on cognitive overload and ideological indoctrination. Street Pop Art & Graffiti Artwork as Message and Medium Fairey’s artwork lives at the junction of rebellion and refinement, where street aesthetics are elevated through design discipline. I See Static Blue carries influences from the psychedelic era’s visual frequencies and fuses them with propaganda art’s structural rigidity. Shepard Fairey, born in the United States in 1970, has remained one of the most politically vocal figures in Street Pop Art & Graffiti Artwork, using repetition, limited color palettes, and iconographic symbols to dismantle corporate and governmental narratives. The presence of Obey beneath the eye recalls his original campaign of subversion, turning advertising into art and instruction into satire. The visual message is never passive—it compels awareness. Color, Symbolism, and the Artist Proof Format Rendered in cool hues of cobalt blue, muted crimson, and cream, this print carries a colder psychological weight than many of Fairey’s politically aggressive pieces. The symmetry and balance suggest duality, yet the design’s eye strain effect disorients and provokes. This AP edition holds further value not just as a Shepard Fairey work, but as a limited variant meticulously signed and marked by hand. The combination of sharp lines and symbolic complexity elevates the piece into both an aesthetic and intellectual exercise, reflecting Fairey’s continued relevance in using the visual structure of Street Pop Art & Graffiti Artwork to reflect and resist.

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Lively Up Yourself- Bob Marley 1-Color Hand-Pulled Limited Edition Letterpress Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 16 inches by 19.5 inches Edition of 450 May 19, 2021 This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley’s passing. The series represents the amazing breadth of Marley’s character… the philosopher, the confrontational warrior for justice, and the evangelist for love and connection. Bob

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Swan Song Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 4-Color on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 550 Size 36x24 Silkscreen Print The Swan Song print is a depiction of the precarious state of nature's delicate balance, with numerous species declining, eco-systems teetering on the brink of collapse, and climate scientists warning that time is running out to avert environmental consequences that could render zones inhabitable for millions. While certain groups may suffer more than others, this issue is universal as we all have an impact on both the problems and solutions. Unfortunately, the conscientious habits of individuals alone are insufficient to solve the problem. Unless corporations are pressured and regulated, they will continue to prioritize profits over the planet's health. The piece contains a news clipping revealing that Exxon-Mobile has known for over 40 years, based on their own internal scientific research, that burning fossil fuels is causing global warming, yet they concealed this information and publicly denied the impact of fossil fuels on climate change. A portion of the print's proceeds will be donated to Greenpeace USA to support their efforts to combat climate change. The Speckletone paper used in the print is made from recycled materials. Thank you for your concern.

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The Guns of Brixton- Paul Simonon Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Kate Simon Rare Street Art Limited Edition Artwork. 2011 Signed by Shepard Fairey/Kate Simon & Numbered Limited Edition of 450 Artwork Size 18x24 Small bump crease to upper edge. Shepard Fairey X Kate Simon The Guns of Brixton (Paul Simonon), 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. "The Guns of Brixton" is a song by the British punk rock band The Clash, written by their bassist Paul Simonon. It was featured on their 1979 album, "London Calling." Paul Simonon's artwork has become iconic in its own right, as he has pursued a successful career as an artist since the dissolution of The Clash. Shepard Fairey is a well-known American street artist, graphic designer, and activist, best known for his "OBEY Giant" campaign and the iconic "Hope" poster created for Barack Obama's 2008 presidential campaign. Combining his own artistic style with the legacy of punk rock, Fairey has created numerous works inspired by musicians and bands. Shepard Fairey created a silkscreen print inspired by "The Guns of Brixton" and featuring Paul Simonon. In this hypothetical artwork, Fairey would likely incorporate elements of his own signature style, such as bold colors, strong lines, and thought-provoking imagery, while paying tribute to the influence of The Clash and their music. The artwork might include references to the song's lyrics or imagery from the London Calling album cover, which features a photograph of Simonon smashing his bass guitar on stage based on photo by Kate Simon.

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Prophets Of Rage New Day Rising Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 600 Artwork Size 18x24 Silkscreen Print Prophets Of Rage Rap Music Group Fist in the Air. Shepard Fairey Prophets Of Rage New Day Rising 2017 Silkscreen Print Shepard Fairey, born in the United States in 1970, has consistently merged music culture with political messaging throughout his career in Street Pop Art & Graffiti Artwork. Prophets Of Rage New Day Rising, released in 2017, is a hand-pulled 2-color silkscreen print on cream Speckletone fine art paper measuring 18 x 24 inches. This signed and numbered limited edition of 600 was created in collaboration with the rap supergroup Prophets of Rage, whose members include artists from Rage Against the Machine, Public Enemy, and Cypress Hill. The print reflects Fairey’s long-standing connection to activist music and bold graphic protest imagery. Revolutionary Iconography and Music Activism in Street Pop Art & Graffiti Artwork The composition centers on a raised clenched fist emerging from a large red star, a universal symbol of resistance and solidarity. Above, a red globe sits within radiating circular forms, while skeletal figures and graphic emblems occupy the lower corners, reinforcing themes of struggle and urgency. The limited red, black, and cream palette recalls vintage propaganda posters, a visual language Fairey frequently references in Street Pop Art & Graffiti Artwork. The layered geometric framing and strong vertical symmetry amplify the sense of power, aligning the imagery with the confrontational energy of the band itself. Hand-Pulled Craftsmanship and Cultural Significance Produced as a 2-color silkscreen, the print demonstrates precise registration and bold contrast, hallmarks of Fairey’s studio editions. The cream Speckletone paper enhances the retro aesthetic, giving the work a textured, archival feel. As a signed and numbered edition of 600, Prophets Of Rage New Day Rising stands as both a collectible music poster and a politically charged art print. Through iconic symbolism and graphic clarity, Shepard Fairey reinforces how Street Pop Art & Graffiti Artwork can operate at the intersection of fine art, music culture, and social activism.

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Shoplifters Welcome Large Format Red Black Silver Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 50 Artwork Size 26x34.5 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Fairey. Shepard Fairey and Jamie Reid: Art as Social Commentary In collaboration with Jamie Reid, the "Shoplifters Welcome Silkscreen Print" by Shepard Fairey is a powerful example of how street pop art and graffiti artwork can encapsulate and critique social and economic issues. This piece, a limited edition print, was created for the "Ragged Kingdom" exhibition from March 16 to April 14, 2012. It has become a significant work in street art for its bold political statement. The artwork depicts a hand removing a document labeled "MONEY" from a briefcase, a visual representation of deregulation, particularly within the context of Wall Street. This act is set against an offer for 'shoplifters,' a satirical nod to the notion that the financial elite operates under a different set of rules than the average person. The print's striking use of the phrase "THIS DECADE ONLY!" further emphasizes the timely nature of the message, suggesting a window of opportunity for unchecked financial behavior. Art Reflecting the Times: Occupy Wall Street and Beyond Shepard Fairey's statement about the collaboration with Jamie Reid highlights their shared focus on corruption and wealth inequality themes, notably echoed by the Occupy Wall Street movement. The movement, which started in 2011, brought widespread attention to these issues, and Fairey and Reid's work provided a visual commentary that resonated with the public sentiment of the time. The artwork not only represents the artists' perspectives but also serves as a historical marker of the socio-economic climate of the early 2010s. The "Shoplifters Welcome" print is a prime example of how street pop art and graffiti artwork can transcend the boundaries of traditional art by directly engaging with social commentary. Fairey, known for his provocative approach, and Reid, with his history of punk aesthetic, combine their styles to create a piece that is as aggressive as it is artistic. The limited edition nature of the print, signed and numbered by Fairey, adds to its allure as a collectible item, even as it challenges the structures of economic power. In creating this print, Fairey and Reid employ the aesthetic of propaganda, utilizing bold colors and stark contrasts to draw attention to their message. The choice of silkscreen printing, a technique closely associated with street art due to its mass production capabilities, further ties the work to the grassroots nature of its messages. It is a medium that allows the artwork to be disseminated widely, mirroring the spread of ideas central to movements like Occupy Wall Street. The "Shoplifters Welcome" print is a testament to the enduring power and relevance of street pop art and graffiti artwork in contemporary discourse. It is a reminder that art can be an intelligent tool for social critique, reflecting the issues of its time and prompting conversations that can lead to change. Through their collaborative efforts, Fairey and Reid have created more than just a visual piece; they have crafted a narrative that challenges viewers to consider the imagery's deeper implications and question the status quo.

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Modular Silkscreen Print by Add Fuel x Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Diogo Machado aka ADD FUEL’s art functions on several levels literally and metaphorically. His pieces master the aesthetics of traditional Portuguese tile work while adding his own playful character illustrations subversively woven into the designs. These two seemingly disparate styles are so elegantly blended together that discovering the oddity within the harmony is both bizarre and joyful. The actual and faux rips ADD FUEL incorporates into his art are more than just a nod to paper, the common material of modern street art, they’re also a provocative bit of visual dissonance since tiles don’t rip. Despite the incongruity of tiles and rips, ADD FUEL’s visually seductive compositions evoke a sense of time passed and a story behind each layer." -Shepard Fairey- OBEY Modular by Add Fuel x Shepard Fairey – Obey Collaborative Silkscreen in Street Pop Art & Graffiti Artwork Modular is a 2022 collaborative silkscreen print created by Portuguese artist Diogo Machado, known as Add Fuel, and American artist Shepard Fairey, the founder of OBEY. Hand-pulled on cream Speckletone fine art paper and released in a signed and numbered limited edition of 500, this 18 x 24 inch artwork exemplifies the synergy between ornamental heritage and contemporary visual resistance. The print layers traditional azulejo tile motifs, signature to Add Fuel’s practice, with Fairey’s distinct iconography and compositional balance. Faux paper rips tear through the layers, revealing dynamic juxtapositions of classic pattern, modern pop abstraction, and a central floral mandala infused with Fairey’s visual politics. The piece vibrates with blue, red, and white tonalities, echoing the dual themes of beauty and disruption at the core of their shared visual vocabulary. Tile Motifs, Illusion, and Layered History Add Fuel’s approach to traditional Portuguese tile work is at once reverent and subversive. By reinterpreting the symmetrical elegance of ceramic motifs with unexpected figures and graphic elements, he modernizes a centuries-old medium while injecting it with conceptual humor and narrative depth. In Modular, the faux rips slice through the precision of the tiles to expose underlying designs, mimicking the distressed layering often found in urban environments. These rips are visual contradictions—tiles do not tear—yet they ground the piece in the material reality of street posters, wheatpastes, and handbills. The effect suggests a story unfolding across time, where aesthetics are built upon each other, scraped away, and reassembled to create a living history. This illusion invites the viewer to peel back their own assumptions about permanence, tradition, and identity. Shepard Fairey’s Integration and Urban Influence Shepard Fairey’s signature influence is woven into the modular structure of the work through the inclusion of bold geometric symbology and red-toned central focal points. Known for his OBEY Giant campaign and the Hope poster for Barack Obama, Fairey brings a sharply honed graphic instinct to this collaboration. His presence in Modular is not dominant but seamlessly integrated, allowing the dialogue between his political design language and Add Fuel’s ornamental fluency to unfold in harmony. The composition carries Fairey’s commitment to layering, repetition, and symbolic forms of power, contributing to the conceptual weight of the piece without overpowering the decorative base. It is a rare fusion of design-minded street art and historic pattern making, emblematic of Fairey’s mission to preserve message within form. Craftsmanship and Concept in Street Pop Art & Graffiti Artwork This silkscreen print was meticulously crafted using multiple layers of ink on Speckletone paper, a choice that echoes the street origins of both artists’ practices while elevating the final result to gallery standards. Modular’s formal tension between classic ornament and pop symbolism makes it a quintessential example of contemporary Street Pop Art & Graffiti Artwork. It reflects an evolving aesthetic where collaboration expands meaning, and where cultural pasts are not preserved in silence but animated through visual intervention. For collectors and viewers, Modular offers a tactile and symbolic experience—a print that holds the precision of tradition and the urgency of the present in perfect contradiction. It stands as a testament to the transformative power of surface, story, and subversion.

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Occupy Protester A.P. 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey, Rare Street Art OBEY Pop Artwork Artist. A.P. Artist Proof 2012 Signed & Numbered Occupy Protester, 2012 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) A.P. (aside from an edition of 450) Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles. Occupy Wall Street Shepard Fairey's 'Occupy Protester': A Beacon of Street Pop Art and Activism Shepard Fairey's 'Occupy Protester' is a poignant representation of the artist's involvement with the Occupy Wall Street movement and his continuous impact on street pop art and graffiti artwork. As an artist-proof (A.P.), this 2012 silkscreen print in colors on speckled cream paper was apart from the main edition of 450, enhancing its rarity and desirability among collectors and enthusiasts of the genre. Measuring 24 x 18 inches, the print is significant not only for its artistic merit but also for its strong political message. The 'Occupy Protester' features a figure wrapped in a scarf, with only the eyes visible, set against a backdrop of bold red and black stripes. This image is striking and filled with emotion, reflecting the intensity and urgency of the Occupy movement. The number "99%" prominently displayed in the artwork resonates with the movement's message, which protested against economic inequality and the disproportionate power of the wealthiest 1% of the population. Fairey's choice of speckle-tone paper adds an organic feel to the work, suggesting the grassroots nature of the protests. Cultural and Political Impact of Fairey's Work Shepard Fairey has long been an artist who uses his work to comment on social and political issues. 'Occupy Protester' continues this tradition, embodying the spirit of resistance and the call for change that defined the early 2010s. Published by Obey Giant, Los Angeles, the print serves as a historical document of the time, encapsulating the widespread feelings and sentiments among the participants of the Occupy Wall Street movement. Fairey's ability to communicate powerful messages through his art has solidified his position as a pivotal figure in the street pop art movement. The legacy of 'Occupy Protester' extends beyond its initial release. As a piece of street pop art, it has been instrumental in demonstrating the potential of art to influence public discourse and act as a catalyst for social change. The artist’s signature and numbering along the lower edge of the print serve as a reminder of the personal commitment and the voice of the artist behind the work. It is a testament to Fairey's dedication to his craft and his unwavering support for movements that seek to challenge the status quo. Legacy of 'Occupy Protester' in Street Art Shepard Fairey's 'Occupy Protester' is more than just a piece of art; it symbolizes a pivotal moment in contemporary history. It represents the synergy between art and activism and how street pop art can transcend traditional canvases to become a part of the collective consciousness. As an A.P. screenprint, it holds a special place in the chronicles of street art, signifying a moment when art and the artist stepped out of the shadows and into the arena of political activism. The print remains a powerful piece of visual communication, reflecting the ethos of a movement that sought to redefine power and privilege in the modern world.

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Icarus Democracy 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 500 Artwork Size 24x36 "Liberty and equality are principles most people value, but the challenge is to find the proper equilibrium between the two. Democracy is the mechanism our nation has used to balance the freedom and desires of the individual with policies that are fair and beneficial for the collective of society. Democracy requires dedicated maintenance. With the culture of the previous administration and many politicians undermining democracy itself, the folly of over-confidence about the guaranteed endurance of democracy will lead to potential disaster. The threat of fascism is very real. If you value democracy use your voice and your vote. I’d recommend reading Timothy Snyders “On Tyranny” to anyone who does not see the threats to democracy (and the principles it protects) as concerning. This print, “Icarus Democracy,” will also be available in person at Dallas Contemporary." -Shepard Fairey Shepard Fairey Icarus Democracy 2022 Silkscreen Print Shepard Fairey, born in the United States in 1970, remains one of the most influential figures in Street Pop Art & Graffiti Artwork through his OBEY campaign and politically charged print editions. Icarus Democracy, released in 2022, is a 3-color hand-pulled silkscreen print on cream Speckle Tone paper measuring 24 x 36 inches. This signed and numbered limited edition of 500 reflects Fairey’s continued engagement with civic themes, democratic responsibility, and the fragile balance between liberty and equality. Produced in the bold graphic style that defines his practice, the work merges classical symbolism with contemporary political commentary. Classical Myth and Democratic Symbolism in Street Pop Art & Graffiti Artwork The composition features a stylized Icarus figure gliding downward over ocean waves, framed by dramatic black radiating lines and a red sun bearing the words Liberty Democracy Equality. At the bottom, the phrase A Flight of Fancy in the Absence of Vigilance underscores the central warning embedded in the imagery. By referencing the myth of Icarus—whose overconfidence led to his fall—Fairey draws a parallel to the dangers of complacency within democratic systems. The restrained palette of red, black, and cool blue enhances the poster-like clarity, a hallmark of Street Pop Art & Graffiti Artwork that uses bold contrast and simplified forms to deliver urgent, accessible messages. Limited Edition Craftsmanship and Contemporary Political Relevance Hand-pulled in three colors, the print demonstrates the precision layering and tonal control that characterize Fairey’s silkscreen editions. The cream Speckle Tone paper provides a subtle texture that reinforces the vintage propaganda aesthetic he frequently references. As a signed and numbered edition of 500, Icarus Democracy stands as both a collectible fine art print and a civic statement, urging viewers to remain vigilant in protecting democratic values. Through mythological metaphor and striking graphic design, Shepard Fairey continues to define how Street Pop Art & Graffiti Artwork can function as both cultural artifact and call to action.

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Silhouetted Reaper- Morning Dew Green Limited Edition 2-Color Silkscreen Print on Cream Speckletone Paper by Jeff Soto Graffiti Street Artist Modern Pop Art. Soto’s infamous giant box robot creepin’ while ya sleepin’ against the night sky! This is a large two-color screenprint on 24? x 36? (61cm x 91cm) Cream Speckletone paper.

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Chaos Mandala Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2025 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "This Chaos Mandala print merges two seemingly contrasting concepts and aesthetics…chaos and harmony. I have always been fascinated by the cyclical chaos of posters and graffiti accumulating on the streets and then being ripped at by humans and the elements. There is beauty in the layering and in accepting that there are too many variables of push and pull for any of us to control them all. For me, the philosophy to embrace is “enjoy the ride and savor the ephemeral." -Shepard Fairey- OBEY Chaos Mandala Silkscreen Print by Shepard Fairey Chaos Mandala by Shepard Fairey is a 2025 signed and numbered limited edition silkscreen print that seamlessly integrates Street Pop Art & Graffiti Artwork traditions into a contemplative visual dialogue. Measuring 18 by 24 inches and printed on cream speckletone fine art paper, the work was produced in a run of 550. At the center of the composition, Fairey’s mandala design anchors a vortex of pattern, color, and movement. This meticulously hand-pulled silkscreen reflects the artist’s fascination with order, disorder, and their coexistence in urban environments. It draws on motifs often found in Shepard Fairey's extensive body of work, including his emblematic star and iconography associated with the OBEY brand. The result is a striking meditation on impermanence, layering, and visual harmony through chaos. Visual Symmetry and Controlled Disorder At first glance, Chaos Mandala reads like a sacred geometry symbol, with symmetrical petals and radial balance flowing outward from a central OBEY star emblem. The crisp, mandala lines are contrasted against an explosively chaotic backdrop filled with distressed stenciling, spray textures, drips, and faded fragments of posters. This tension between fine control and organic erosion embodies the duality Shepard Fairey often explores in his work. The background elements simulate urban decay, recalling the visual noise of city walls plastered with flyers, propaganda, and graffiti. The use of stencil and screen printing techniques connects directly to street art methods, while the choice of color — vivid red, icy blue, and muted cream — allows the artwork to maintain a powerful presence while inviting close inspection of its layered surface. The Philosophical Dimension of Shepard Fairey’s Practice Shepard Fairey, born in the United States in 1970, has long used Street Pop Art & Graffiti Artwork as a platform for socio-political commentary. Chaos Mandala reflects a deeper philosophical current in his work. The piece is not just decorative but reflects an embrace of unpredictability and the fleeting nature of public expression. It acknowledges that beauty arises not only from design but also from entropy. Posters decay. Paint chips. Layers build up and tear away. Fairey captures that life cycle, not by resisting it, but by folding it into his aesthetic. The mandala — traditionally a spiritual symbol of harmony — becomes a container for the unpredictable, elevating the tension between permanence and erosion into a formal and emotional focal point. Technique, Texture, and Symbolic Integration The print was produced with meticulous care through a silkscreen process on high-quality cream speckletone paper, a tactile surface chosen for its texture and visual warmth. Every printed layer reinforces the idea of cumulative experience and environmental interaction. Fairey’s OBEY star, placed at the center, reinforces the cultural branding that has defined his public art for decades, while also transforming into a meditative hub for the surrounding chaos. With this work, Fairey continues his commitment to crafting Street Pop Art & Graffiti Artwork that blurs the lines between the street and the gallery, between rebellious expression and structured symbolism. Chaos Mandala is more than an aesthetic object — it is a conceptual reflection on the beautiful disorder of human mark-making. 

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Obey Conformity Trance- Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 350 February 10, 2021 Obey as a pseudo-command in my art has always been a form of reverse psychology. My philosophy is actually “question everything”. Conformity is often more unconscious than conscious… an adaptation to structures we may not agree with and a submission to unseen forces of manipulation… unseen because our eyes and minds are not open wide enough. People come up with conspiracy theories like “the Illuminati” to explain the feelings that they are cogs in someone else’s machine, but the deconstruction of power and control requires nothing more than a conscious and diligent examination of how power and influence upon the government accumulate and concentrate under capitalism. Shepard Fairey

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Critical Condition 4-Color Hand-Pulled Limited Edition Silkscreen Print on 100lb French Speckletone Paper by Al Diaz x Dave Navarro x Lifeafterdeath Rare Street Art Famous Pop Artwork Artist. 2019 Al Diaz and lifeafterdeath "Critical Condition" - 4 Color Screen Print, Limited Edition of 25 - 19 x 25" Critical Condition • 4 layer hand-pulled screenprint on French Speckletone 100 lb paper• 19 x 25 inches Hand-signed and numbered by artists Al Díaz and Dave Navarro in a limited edition of 25 "Distortion Skull" ink stamping on verso hand-applied by Dave Navarro Hand-produced in Albany, NY by Pepper Spray Press NYC

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Riot Cop Large Format Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2009 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 75 Large Format Artwork Size 29.25x40.5 Silkscreen Print 20 Year Retro Series. Faint Handling Creases. Shepard Fairey's OBEY: A Landmark in Street Pop Art and Graffiti Artwork Shepard Fairey's "Riot Cop" is a definitive piece that embodies the rebellious spirit and critical eye of street pop art and graffiti artwork. As part of the OBEY series, this large-format silkscreen print is more than a visual statement; it's a historical marker of the genre's evolution over two decades. Crafted with precision and care, the "Riot Cop" was hand-pulled in colors on cream Speckletone fine art paper, a medium that speaks to the quality and detail revered in fine art and the raw, unfiltered message often conveyed in street art. Released in 2009, each of the 75 editions of this large-format artwork, measuring 29.25x40.5 inches, was signed and numbered by Fairey. This gesture underscores the personal touch and authenticity valued in the world of art collectors. The artwork was reissued to mark the 20th anniversary of the OBEY project, which coincided with Shepard’s 20-year retrospective at the ICA Boston. This series, revisiting images from 1998 to 2000, showcases the artist's intention to refine previous works, substituting the iconic OBEY orange for metallic gold, lending the series an air of sophistication and timelessness. Impact and Contextual Significance of Fairey's Work The "Riot Cop" is more than an aesthetic creation; it's a commentary on authority, control, and the use of power. Fairey's work is deeply ingrained in the socio-political fabric of the times, often provoking thought on the mechanisms of society and governance. The prominent use of the word "OBEY" beneath the image of an authoritative figure wielding a baton is a direct call to the viewers to question the structures and rules that govern them. This challenge to the status quo is symbolic of the cultural force that street pop art and graffiti artwork have become, serving as an outlet for creativity and a powerful tool for social critique and activism. Shepard Fairey's journey from a skater kid with a sticker campaign to a celebrated artist with a globally recognized brand is a narrative that mirrors the ascension of street art into the mainstream consciousness. The "Riot Cop" is a testament to Fairey's growth as an artist, showcasing his skill in blending the aesthetics of street art with more profound political messages. The shift in the color palette in the anniversary series from orange to metallic gold signifies a physical transformation in the artwork. It represents a maturation of the OBEY message, which has evolved to maintain relevance in an ever-changing cultural landscape. Collectability and Legacy of the OBEY Series As a limited edition artwork, the "Riot Cop" occupies a unique space in the art market, appealing to street art enthusiasts and fine art collectors. The exclusivity of the piece and its social commentary have cemented its status as a highly desirable item. The legacy of Fairey's OBEY series is not limited to the collectors who own a piece of it; it extends to its influence on aspiring street artists and the dialogue it has inspired about the role of art in society. The series mainly works like the "Riot Cop," it continues to inspire a new generation of artists who see the urban landscape as a canvas for expressing their thoughts on contemporary issues. Shepard Fairey's "Riot Cop" from the OBEY series is a significant work that captures the essence of street pop art and graffiti artwork. It stands as a cultural artifact that encapsulates the ethos of a movement, the voice of an era, and the vision of an artist who has skillfully used silkscreen printing to challenge perceptions and invite introspection. Through his work, Fairey continues to demonstrate the power of art as a means of communication, a form of resistance, and a catalyst for change.

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Endless Power Petrol Palace- Blue 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Blue) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

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Don't Be a MFR AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2015 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print. Don't Be A Mother Fucker. Don't Be A MOTHER#*X!! R Respect & Justice. The Provocative Appeal of 'Don't Be a MFR' by Shepard Fairey Shepard Fairey's 'Don't Be a MFR AP' is a bold exemplar in street pop art and graffiti artwork. Fairey, an American artist and provocateur born on February 15, 1970, continues to push the boundaries of art and activism. This particular work, part of an artist-proof (AP) series released in 2015, is characteristic of Fairey's approach to engaging with cultural and societal themes through his art. The hand-pulled 5-color silkscreen print on cream speckle tone paper echoes Fairey's distinctive aesthetic while carrying a strong message of respect and justice. Symbolism and Messaging in 'Don't Be a MFR' The artwork's title, 'Don't Be a MFR,' captures the eye with its intentional censoring, a tactic that allows for a broad interpretation and stirs curiosity. Within the limited edition series of 550, each piece sized at 18x24 inches, Fairey's work resonates with the power of command and the gravity of a public service announcement. The print is decorated with the words' Respect & Justice,' a direct call to action central to much of Fairey's oeuvre. Fairey employs symbols like the skull enveloped in a flower, a duality that speaks to the juxtaposition of life and death, growth and decay, reinforcing the message of the consequences of one's actions. The overall design is reminiscent of emblems and seals, often associated with authority and institutions, which Fairey repurposes to deliver his socio-political commentary. The choice of bold, angular graphics, in conjunction with the roundness of the emblematic seal, displays the tension between disruption and order, a recurrent theme in street pop art. Impact on Street Pop Art and Cultural Discourse The 'Don't Be a MFR' series exemplifies the potential of street pop art to serve as a medium for societal reflection and critique. The use of a public vernacular and the direct address to the viewer exemplify Fairey's commitment to making art accessible and demanding attention. Each print in the series, bearing Fairey's signature, is a testament to the belief that art should not shy away from controversy but rather confront and challenge the viewer. This piece, in particular, adds to the rich tapestry of graffiti artwork that has historically been used to communicate messages to a broad audience, often bypassing traditional media and institutional spaces. Fairey's work is a modern-day manifestation of this tradition, utilizing the urban canvas to prompt a public introspection on issues of respect and justice. The artwork serves not just as a visual spectacle but as a catalyst for conversation and, ideally, for action. Shepard Fairey and the Continuum of Artistic Activism Shepard Fairey's 'Don't Be a MFR' continues the artist's enduring legacy in art and activism. Residing in Los Angeles, California, Fairey remains a significant influence, harnessing the vibrancy of street pop art to voice his dissent and mobilize public sentiment. His work is anchored in the belief that art is a powerful change agent capable of inspiring individuals to think critically about the world around them. This particular silkscreen print carries the OBEY logo, an integral aspect of Fairey's brand, which doubles as a command and a critique of authoritarian tendencies. The artwork's appeal lies in its ability to be aggressive and reflective at once, pushing observers to consider their role in maintaining or disrupting social justice. Fairey's dedication to the intersection of art and societal issues solidifies his position as an artist and a significant cultural instigator in contemporary times.

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Cost of Oil AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2008 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print. The "Cost of Oil" silkscreen print by Shepard Fairey is a provocative piece that cuts to the heart of street pop art and graffiti artwork's capacity to confront and question socio-political issues. Released in 2008 as an artist proof (AP), this limited edition artwork is a visual exploration of the themes of energy consumption, environmental impact, and the geopolitical ramifications implicit in the pursuit of oil. Signed and marked as an AP by Fairey, the piece measures 18x24 inches and is printed on cream speckletone fine art paper. Known for his intelligent and critical approach to cultural commentary, Fairey's "Cost of Oil" embodies the essence of his street pop art practice. The artwork is anchored by the bold, declarative question, "What is the cost of oil?" which resonates against the backdrop of a commanding visual narrative. The image features a solitary figure, clad in a shirt emblazoned with "USA," filling up a Hummer's gas tank—a potent symbol of American consumption and the military-industrial complex. The radiant sunburst behind the figure and the dripping blood-red bottom underscores the dichotomy of light and darkness in the discourse around freedom and its costs. This 2-color hand-pulled print is a quintessential example of Fairey's work, aligning itself with the 'OBEY' campaign's goal to stimulate discussion and reflect on the pervasive propaganda in public spaces. The 'OBEY' motif has always sought to challenge observers to question the mechanisms and messages in their environment, and "Cost of Oil" extends this challenge to the global issue of oil dependency and its vast implications. As a piece of street pop art, the "Cost of Oil" is a catalyst for dialogue, pushing the boundaries of what art can communicate and how it can influence public thought. It's a stark reminder of the power of visual art as a means of activism and advocacy and of Fairey's enduring role in using his art to spotlight crucial issues. The print remains a relevant and stirring piece within the oeuvre of Fairey's work and the larger conversation about energy, environmentalism, and the actual price of consumption.

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Cut it Up Do it Yourself 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey x Beyond The Streets Rare Street Art OBEY Pop Artwork Artist. 2018 Signed & Numbered Limited Edition of 550 Print Size 18x24 May 8, 2018 "ABOUT The Cut it Up – Do it Yourself print is an iteration of my Obey Icon Face inspired by my history of using an X-acto knife to create designs, make collages, cut spray-paint stencils, and cut illustrations from Rubylith (a graphic art and screen printing film). Many of my well-known images, including the Obey Icon Face, were created using an X-acto, a marker, a photocopier, and cut and paste techniques before I knew how to use a computer. The computer is a great tool, but it can be too safe and sterile… Don’t be afraid to cut things up, make mistakes, and get some overspray on pristine paper!" -Shepard Fairey

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Bad Brains Punk Showcase- Rock For Light 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musicians Bad Brains. 2016 Signed & Numbered Limited Edition of 350 Artwork Size 18x24 Shepard Fairey's "Bad Brains Punk Showcase - Rock For Light" is a striking exemplar of the indelible impact of street pop art and graffiti artwork on the domain of music and culture. This two-color hand-pulled silkscreen print on cream speckle tone paper is a tribute to the legendary punk band Bad Brains, known for their explosive fusion of punk and reggae and their message of "Positive Mental Attitude." The limited edition print, part of a signed and numbered release of 350 pieces measuring 18x24 inches, encapsulates the raw energy and ethos of the band while also showcasing Fairey's iconic style that has become synonymous with the OBEY brand. Fairey, a street artist and graphic designer, rose to fame with his "Andre the Giant Has a Posse" sticker campaign, which later evolved into the OBEY Giant movement. This project aimed to stimulate curiosity and encourage people to question their relationship with their surroundings. The "Bad Brains Punk Showcase" piece continues Fairey's exploration of counterculture and music, prevalent themes throughout his body of work. His distinct approach to art, often characterized by bold, stylized images and a limited color palette, reflects his roots in the skateboarding scene and his admiration for the punk rock ethos. In this artwork, Fairey melds the band's iconography with his aesthetic to create a piece that is both a homage and a standalone work within the street pop art genre. The use of the star emblem, the dynamic composition, and the commanding typography are all hallmarks of Fairey's style while also paying respect to the cultural significance of Bad Brains. The result is a piece that resonates with fans of the band and Fairey's art, bridging the gap between music and visual art in a way symbolic of street pop art's role in contemporary culture. The artwork serves not only as a collector's item but also as an illustration of the synergy between visual art and music. It is a testament to the power of street pop art to transcend its origins and become a part of the cultural lexicon, capable of celebrating and immortalizing the pioneers of subcultures like punk rock. Fairey's "Bad Brains Punk Showcase - Rock For Light" is a vibrant reminder of the enduring legacy of Bad Brains and the rebellious spirit that fuels both their music and the world of street pop art.

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Black Sabbath Silver Black Crescent Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2013 Signed & Numbered Limited Edition of 125 Artwork Size 18x24 Silkscreen Print of Metal Roc n' Roll Music Band Black Sabbath Featuring Ozzy Osbourne. "Black Sabbath has been one of my favorite bands for 25 years. I was fortunate to meet Jack Osbourne through my friend Big Dave in 2000. My relationship with Jack and Big Dave has led to several great Ozzy and Sabbath projects. One of my biggest “I’m not worthy!” moments occurred when Dave took me backstage to meet the Sabbath guys in 2004 at Ozzfest, and bassist and lyricist Geezer Butler was wearing an Obey shirt! Sabbath is still a phenomenal live band, and I’m incredibly honored to do my second(the first was in 2005) Sabbath/Obey tour poster. Sabbath released a great new record called “13” recently(produced by Rick Rubin) and are touring in support of the album." -Shepard Fairey- OBEY. Shepard Fairey's Interpretation of Black Sabbath's Legacy In 2013, Fairey, inspired by Black Sabbath's influence on his life and art, created a limited edition silkscreen print to commemorate the band's U.S.A. tour. This signed and numbered edition, limited to 125 pieces and sized at 18x24 inches, became an emblem of Black Sabbath's enduring impact on rock music and a collectible piece of street pop art. The artwork, hand-pulled on cream speckletone fine art paper, features iconic Black Sabbath symbols, such as the cross and the winged disc, alongside Fairey's signature style, which often includes elements like the star and the stylized imagery of the eye. The fusion of street pop art with music often manifests in gig posters, a medium that Shepard Fairey, known widely for his OBEY brand, has mastered with a distinctive style that resonates deeply within the pop culture landscape. His work for the iconic metal rock n' roll music band Black Sabbath, particularly the silver and black crescent silkscreen print, encapsulates the essence of the artist's and the band's legacies. The significance of Fairey's Black Sabbath artwork lies in its ability to bridge music's auditory experience with art's visual stimulus. The print does not merely represent the band; it evokes the rebellious spirit of Black Sabbath's music, the dark and mystical themes they explore, and the cultural movement they spearheaded within the heavy metal genre. Fairey's artistic trademarks, such as the word 'obey,' infuses the piece with a sense of authority and provocation that complements the band's ethos. Collectibility and Influence in the Art World Fairey's anecdote about meeting the band and finding Geezer Butler wearing an OBEY shirt is a testament to the reciprocal influence between artist and musician. It underlines how street pop art and music often come full circle, with artists influencing musicians and vice versa. The print is a celebration of the band's return with the album "13" and a nod to the historical relationship between the artist and Black Sabbath. It is this narrative that imbues the artwork with a personal touch, making it a profound statement within the realms of both pop culture and street art. As a collectible, the Black Sabbath silkscreen print by Shepard Fairey stands at the intersection of music memorabilia and fine art. Its scarcity and the reputation of its creator heighten its value not only in monetary terms but also as a cultural artifact. Collectors and fans seek such pieces for their aesthetic appeal and their ability to capture a moment in history, a period where music and street pop art intertwine to create a tangible representation of a musical era. In the broader spectrum of street pop art and graffiti artwork, Shepard Fairey's Black Sabbath print represents the genre's potential to transcend the streets and enter into the world of high art and collector's items. The piece, with its intricate design work and deep cultural connections, stands as a testament to the power of visual art to celebrate and immortalize the spirit of music.

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Love Lotus 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 550 June 1, 2021 This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley’s passing. The series represents the amazing breadth of Marley’s character… the philosopher, the confrontational warrior for justice, and the evangelist for love and connection. Bob

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Let There Be Dark Red Silkscreen Print by Shepard Fairey- OBEY x Niagara Hand-Pulled 3-Color on 320gsm Natural Coventry Rag Vellum Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 150 Artwork Size 24x18 Silkscreen Print "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights'" -Shepard Fairey- OBEY Exploring the Bold Realms of "Let There Be Dark" by Shepard Fairey: A Street Pop Art Icon Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is a striking embodiment of the symbiotic relationship between street pop art and contemporary visual culture. This limited edition piece, created in collaboration with Niagara, is a visual narrative encapsulating the energy and subversive undercurrents that course through this artistic movement. As a hand-pulled 3-color print on 320gsm Natural Coventry Rag Vellum fine art paper, it stands as a testament to Fairey's mastery over the medium and his unwavering commitment to pushing the boundaries of street art into the delicate art sphere. Produced in 2019, the artwork is part of a highly exclusive series, with only 150 signed and numbered editions available. The dimensions of the artwork, 24x18 inches, are significant not only for their visual impact but also for their ability to draw the viewer into the confrontational yet poised dynamic that defines the composition. Fairey's choice of subjects, Ron and Niagara, is particularly telling; their depictions are rendered with a stark contrast of black, white, and a commanding red, highlighting their iconic stances and the charged atmosphere they embody. Fairey's narrative intention behind "Let There Be Dark" is as compelling as the visual force of the artwork. In his words, he captures the essence of Ron and Niagara's personas, juxtaposing Ron's aggressive frontality with Niagara's seemingly delicate yet cunning disposition. The addition of a switchblade subtly caressed by Niagara adds a layer of danger and a nod to the femme fatale archetype. This imagery is not merely decorative; it is a deliberate act to challenge and subvert the viewer's expectations, a hallmark of Fairey's style that has cemented his place in street pop art and graffiti artwork. The title, "Let There Be Dark," invites interpretation, playing on the biblical phrase "Let there be light," suggesting a reversal or an embrace of shadow and complexity over simplicity and illumination. This reversal is symbolic of the more significant cultural critique often found in Fairey's work, where the binaries of good and evil, light and dark, are not just questioned but also deconstructed. Beyond the visual and thematic layers, the print's collectibility is further enhanced by its fine art attributes. The use of Coventry Rag Vellum fine art paper, known for its durability and smooth texture, ensures that the colors' vibrancy and the lines' precision remain intact over time. The paper choice reflects Fairey's nuanced understanding of materials and their role in elevating street art to OK art status. Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is an authentic representation of the spirit of street pop art. It bridges the gap between street art's raw expressiveness and silkscreen printing's calculated precision. With its limited edition status and the artist's signature, the print is not just a piece of art; it is a cultural artifact that captures the pulse of contemporary society and the ongoing dialogue between street art and the mainstream art world. It is a vivid example of how street pop art continues to shape and influence our visual language and cultural conversations.

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Tub Chum Limited Edition 5-Color Hand-Pulled Silkscreen Print on Medium Weight Off-White Colored Speckletone Paper by John Vogl Graffiti Street Artist Modern Pop Art. Signed and numbered by John Vogl in pencil.

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Floral Takeover 2017 Red Black Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. Floral Takeover 2017 Red Black by Shepard Fairey (OBEY) Artwork Overview *Floral Takeover 2017 Red Black* is a striking ornamental composition by Shepard Fairey that showcases his mastery of pattern, repetition, and graphic balance. Drawing inspiration from vintage wallpaper, political poster design, and street-install aesthetics, the piece transforms a traditionally decorative floral motif into a commanding visual statement. The bold red florals layered against a deep black background create a high-contrast composition that feels both elegant and confrontational, a hallmark of Fairey’s visual language. Style and Concept This work reflects Fairey’s long-standing fascination with pattern as a tool for both beauty and disruption. Originally developed for street installations, these floral designs blur the line between fine art and urban intervention. By isolating the pattern as a stand-alone artwork, Fairey elevates decorative repetition into a meditative and powerful form, encouraging viewers to consider harmony, structure, and visual problem-solving as metaphors for broader social systems. The symmetrical vines and blossoms feel timeless, while the color palette anchors the piece firmly within the OBEY aesthetic. Edition Details Released in 2017, *Floral Takeover 2017 Red Black* is a hand-pulled, two-color silkscreen print on cream Speckletone fine art paper. The artwork measures 18 x 24 inches and is signed and numbered by Shepard Fairey in a limited edition of 200. As one of four color variations in the Floral Takeover series, this red-and-black version stands out for its bold intensity and graphic clarity, making it a highly desirable example of Fairey’s pattern-driven works within contemporary pop and street art.

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Bad Brains Punk Showcase Rasta AP Artist Proof 5-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musicians Bad Brains. AP Artist Proof 2016 Signed & Marked AP Limited Edition Artwork Size 18x24 Shepard Fairey's "Bad Brains Punk Showcase Rasta AP" is a culturally potent piece within the street pop and graffiti art landscape. As an artist proof of the limited edition series, this 5-color hand-pulled silkscreen print on cream speckle tone paper measures 18x24 inches and was released in 2016. Signed and marked as an artist-proof (AP), it is a collector's piece that delves into the pulsating heart of punk's ethos and reggae's rasta vibrations, manifested through the lens of Fairey's distinct style. This artwork resonates with the energy of Bad Brains, a band that epitomized the hardcore punk scene with its unique blend of punk and reggae, a hybrid that paralleled Fairey's melding of art forms. The print captures the band's spirit with the commanding phrase "Positive Mental Attitude!" a mantra that Bad Brains championed throughout their career. Fairey's work is a visual echo of this ethos, presenting the band members with a backdrop of rasta colors, which not only allude to their music's roots but also serve as a nod to a broader cultural movement. Fairey, known for his influence on street pop art through works like the iconic "OBEY" campaign and the Obama "HOPE" poster, continues his exploration of music's intersection with visual art in this print. The piece is saturated with the motifs of Fairey's "OBEY Propaganda" — the star, the bold lettering, and the stylized imagery. These elements merge, not promote a band, and celebrate an entire cultural movement, reflecting the potency of street pop art in capturing and promoting subcultural movements. The "Bad Brains Punk Showcase Rasta AP" print symbolizes Fairey's engagement with the punk scene and his ability to encapsulate its raw, unfiltered voice within his work. It's a testament to the enduring dialogue between music and visual art, which Fairey has continually fostered through his prints, murals, and street art. This piece doesn't just hang on a wall; it screams with the voice of a movement, echoing from the underground clubs to the sun-soaked streets where street art and graffiti have long found their home.

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OBEY Diamond Flower Round Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 24x24 Silkscreen Print “OBEY Diamond Flower Round is an open flower, a symbol of positive growth, surrounded by graphic vines and geometric framework. The graphic resolution of the elements in this image is meant to encourage harmony. I frequently use visual problem-solving, finding harmony and balance with visual elements as a guide for how problems in the wider world can be approached with every variable for resolution taken into consideration." -Shepard Fairey OBEY Diamond Flower Round by Shepard Fairey OBEY Diamond Flower Round is a 2023 limited edition silkscreen print by Shepard Fairey, released as a signed and numbered edition of 550. Hand-pulled on speckletone fine art paper, the work measures 24 x 24 inches and presents a perfectly balanced circular composition that highlights Fairey’s mastery of symmetry, pattern, and graphic restraint. The print centers on a stylized open flower framed within a diamond shape, all contained inside a circular border that reinforces a sense of completeness and cohesion. Symbolism, Geometry, and Visual Harmony At the heart of the composition is the open flower, a recurring symbol in Fairey’s work that represents growth, renewal, and possibility. Surrounding it are layered vines, petals, and geometric forms that interlock with precision. The use of red, black, teal, and gold creates visual tension while maintaining equilibrium, guiding the viewer’s eye in a continuous rhythm around the print. The diamond structure introduces contrast against the circle, emphasizing balance between opposing forces such as rigidity and fluidity, structure and nature. Design as a Metaphor for Problem Solving Fairey has described this piece as an exercise in visual problem-solving, where harmony is achieved by carefully considering every element within the system. Diamond Flower Round extends beyond decorative patterning into conceptual territory, suggesting that balance in design can serve as a model for addressing broader social and political challenges. By resolving complex visual variables into a unified whole, the artwork reflects Fairey’s belief that thoughtful, holistic approaches can lead to positive growth both aesthetically and in the wider world.

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Good To See You Henry Rollins 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Fine Art Paperby Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 250 Artwork Size 18x24 Silkscreen Print by Shepard Fairey- OBEY "My good friend Henry Rollins is on his “Good to See You” spoken word tour that kicked off earlier this year. I’ve collaborated with Henry many times. I’m constantly in awe and impressed by him. He is the hardest-working guy I know and stays up on social and political issues. I’m excited that he is on the road again and honored to design his 2022 tour art. The posters are available to purchase on his tour if you see him on the upcoming dates, signed by Henry and me." -Shepard Fairey

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The Last Card in the Deck- Why? Boston 2013 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Speckletone Fine Art Paper by James R Eads for Why?. The Last Card in the Deck" is an 18" x 24" three-color screen printed gig poster for WHY?'s June 19th tour date at Brighton Music Hall, Boston, MA. The gig poster is inspired by WHY?'s album Mumps

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Clementine AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Neil Young Music Influenced Woman Floating In Water Clementine AP Silkscreen Print by Shepard Fairey Clementine is a 2012 Artist Proof silkscreen print by Shepard Fairey, released as part of his ongoing exploration of music, emotion, and visual symbolism within Street Pop Art & Graffiti Artwork. This hand-pulled screen print was produced on speckletone fine art paper and marked AP, indicating its status as an Artist Proof from the original run. Signed by Shepard Fairey, the work measures 18 x 24 inches and exists outside the standard numbered edition, making it especially sought after by collectors. The composition depicts a woman floating horizontally in water, her body suspended between stillness and motion, evoking both serenity and vulnerability. The title Clementine references musical and lyrical influences often associated with Neil Young, whose themes of introspection and melancholy align closely with the tone of the image. Visual Atmosphere and Symbolic Elements The artwork is built around layered textures and earthy tones, with deep browns, blacks, and golds forming a dense, almost submerged environment beneath the figure. The waterline near the top of the composition creates a threshold between consciousness and surrender, while the woman’s outstretched arms and relaxed posture suggest a moment of release rather than distress. Subtle ornamental patterns and shadowed forms beneath her body add depth and complexity, hinting at unseen histories or emotional weight below the surface. Fairey’s use of contrast, both in color and negative space, reinforces the feeling of quiet tension, where beauty and unease coexist. The typography at the bottom anchors the image without overpowering it, allowing the scene to remain contemplative and open-ended. Music Influence and Place in Fairey’s Work Clementine fits squarely within Shepard Fairey’s body of work that draws inspiration from music as a vehicle for memory, mood, and social reflection. Much like his other Neil Young influenced pieces, this print prioritizes emotional resonance over overt political messaging, while still engaging with themes of fragility, endurance, and inner conflict. The floating figure can be read as a metaphor for navigating personal or cultural uncertainty, suspended between resistance and acceptance. As an Artist Proof, this edition carries added significance, reflecting Fairey’s direct involvement in the printing process and his commitment to craftsmanship. Clementine stands as a quieter, more introspective example of his Street Pop Art & Graffiti Artwork, demonstrating how restraint and atmosphere can be just as powerful as bold iconography.

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OBEY x Stereo Skateboards Music Club Event Limited Edition Gig Metallic Ink Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman x Shepard Fairey. This is an original commemorative poster Shepard Fairey & MFG- Matt Goldman designed for the release party of Shepard's new board series with Stereo Skateboard at Dance Right. 18 x 24 inches Screen Print Black, and Metallic Gold Cream Speckletone Paper Limited Edition of 300 Signed and Numbered by Shepard Fairey & MFG- Matt Goldman Released 2009

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Rise Above Bird Letterpress Print by Shepard Fairey- OBEY Hand-Pulled on Cream Cotton Fine Art Paper Limited Edition Artwork Pop Culture Artist. 2021 Signed & Numbered Limited Edition of 450 Artwork Size 13x10 Letterpress Print of Bird with Flower Flying & Words Rise Above "The Rise Above Bird " is a simple twist on the white peace dove with an olive branch, but good guys don't always wear white! The "rise above" is a call to take the high road with a nod to one of my favorite Black Flag songs. Peace is radical punk!" -Shepard Fairey- OBEY. Shepard Fairey's "Rise Above Bird" letterpress print emerges as a striking piece of visual commentary in street and pop art. The artwork, a limited edition hand-pulled print on cream cotton fine art paper, showcases Fairey's adeptness at blending strong messages with iconic imagery. Limited to a series of 450, each piece is signed and numbered by the artist, reflecting its exclusivity and collectible nature. The print, measuring 13x10 inches, features a bird in mid-flight, carrying a flower—a symbol that deviates from the traditional white peace dove. The image is set against a backdrop of stylistic elements and the words "Rise Above," which serve as an encouraging motto and a tribute to the artist's favorite song by the band Black Flag. This piece symbolizes Fairey's larger body of work, which often intersects with the themes of rebellion and peace, a juxtaposition at the heart of much street pop and graffiti artwork. The term' rise above' does not merely suggest an elevation in position or status; it is an ideological summons, urging viewers to surpass the ordinary, to overcome adversity, and to reject complacency. Fairey's artistry here is not just in the piece's visual appeal but also in its capability to provoke thought and inspire action. Shepard Fairey's influence in modern street pop and graffiti artwork is undeniable. His works are infused with political and social undertones, calling for a challenge to the status quo and advocating for a radical form of peace that aligns with the punk ethos. The "Rise Above Bird" is a testament to Fairey's consistent vision, which has solidified his place as a pivotal figure in contemporary art. It stands as a bold statement in the ongoing dialogue about the power of art to enact change and the artist's role in a society that often needs to be reminded to look beyond the surface.

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The Lonesome Crowded West Tower Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY Marking the 25th anniversary of Modest Mouse's influential album "The Lonesome Crowded West," celebrated street artist Shepard Fairey, known as OBEY, crafted a striking limited edition silkscreen print. This 2022 piece, meticulously hand-pulled and comprising five colors on Cream Speckletone fine art paper, mirrors the layered complexity of the album it honors. The work measures 18x24 inches, a testament to the album's monumental impact on the alternative rock scene and Fairey's own artistic journey. Each of the 825 signed and numbered prints encapsulates Fairey's personal connection with the album, having first encountered its raw and eclectic sound in 1998, a year after its release. He describes the album as "multi-dimensional," resonating through its varied tones from the "aggressive and dissonant" to the "folky, jangly, and intimate." His favorite tracks, "Doin’ the Cockroach" and "Cowboy Dan," evoke contrasting emotions of exhilaration and introspective tension, revealing the dexterity of Modest Mouse's music and the profound lyrical skill of frontman Isaac Brock. In this piece, Fairey channels the essence of the album's themes, depicting an isolated tower amidst a vast, red-streaked landscape, symbolizing the album's exploration of urban isolation and the Western American experience. The contrast between the solitary building and the surrounding expanse eloquently captures the album's title, "The Lonesome Crowded West." This visual representation goes beyond mere album art; it is an intersection of Fairey's iconic style and Modest Mouse's sonic influence, bridging visual and auditory art forms. Fairey's engagement with Modest Mouse extends back to their 2000 "Black Glass" tour, for which he also created a poster. This long-standing relationship emphasizes the mutual respect between the artist and the band, illustrating how music and visual art can coalesce to form powerful cultural statements. His artistic expression is not only a tribute to the music but also an homage to Brock's poetic lyrics, which left an indelible impression on Fairey, prompting him to label Brock a true poet. As an influential figure in street art and pop culture, Fairey’s creation for Modest Mouse cements his position at the forefront of contemporary art. It serves as a visual anchor for the album’s legacy, ensuring that its cultural resonance extends into the visual realm. Collectors and fans of both the band and Fairey find in this print a confluence of two forms of rebellion and expression, solidified on paper but echoing far beyond.

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Downward Trajectory Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey Limited Edition Pop Art Artwork. 2019 Signed & Numbered Limited Edition of 500 Artwork Size 24x24 “Downward Trajectory is one of the many new works featured in my 30th-anniversary show in Los Angeles, “Facing the Giant: Three Decades of Dissent and New Works,” -Shepard Fairey Shepard Fairey Downward Trajectory Silkscreen Print Downward Trajectory by Shepard Fairey is a 2019 hand-pulled four-color silkscreen print that distills industrial architecture, environmental symbolism, and graphic precision into a powerful example of Street Pop Art & Graffiti Artwork. The composition features a modernist factory complex with three smokestacks releasing pale emissions into a sharply segmented sky of red, black, teal, and cream. In the foreground, two gas pumps sit beneath a minimal canopy, directly referencing fossil fuel infrastructure. The geometry is clean and deliberate, recalling mid-century industrial poster design while maintaining the confrontational clarity that defines Fairey’s visual identity. Printed on cream speckletone fine art paper, the subtle texture of the surface enhances the bold color blocking and reinforces the handcrafted quality of the silkscreen process. Environmental Commentary and Graphic Structure The title Downward Trajectory communicates a clear environmental warning, suggesting decline tied to industrial expansion and energy dependence. The angular divisions in the sky create tension and imbalance, visually reinforcing instability and ecological disruption. The dominant red fields introduce urgency, while the cooler industrial tones emphasize machinery, production, and systemic consumption. Fairey’s use of minimal forms and controlled palette ensures immediate legibility, a hallmark of effective Street Pop Art & Graffiti Artwork. Rather than relying on dense imagery, he reduces the scene to essential elements, allowing viewers to interpret the relationship between architecture, pollution, and resource extraction without distraction. The oil drop emblem placed in the upper corner functions as a subtle but direct reference to petroleum industry influence. Shepard Fairey Background and Edition Details Shepard Fairey’s real name is Frank Shepard Fairey. He was born in 1970 in the United States and remains active. Emerging from early street sticker campaigns and evolving into a globally recognized figure in contemporary urban art, he has consistently addressed themes of authority, corporate power, and environmental responsibility. Downward Trajectory continues that trajectory of socially engaged printmaking. This 24 by 24 inch silkscreen print is signed and numbered in a limited edition of 500. The four-color hand-pulled process demands precise registration and layering, ensuring sharp edges and consistent saturation throughout the edition. As a work of Street Pop Art & Graffiti Artwork, Downward Trajectory merges disciplined design with pointed ecological critique, making it a compelling addition for collectors who prioritize concept-driven contemporary printmaking.

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Wetland Powers Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "This Wetland Powers print examines the repercussions of a Supreme Court largely in the pockets of big oil. The government is supposed to create the greatest good for the greatest number of people. Still, the conservative justices in the current Supreme Court have put the agendas of big oil and wealthy property owners ahead of safe and clean water for the citizenry. The concept of "common assets"… no one owns resources like air and water and needs to be protected for the benefit of all, seems lost on many people in business and government. It is up to us as voters to elect representatives who put the needs of the citizens first. The Supreme Court makeup is always important to consider when voting for our president since the sitting president selects appointees for Supreme Court justices." -Shepard Fairey- OBEY Shepard Fairey's "Wetland Powers": A Statement in Street Pop Art In street pop art, Shepard Fairey stands as a figure of monumental influence; his work is often intertwined with solid socio-political messages. The "Wetland Powers" silkscreen print by Shepard Fairey, also known as OBEY, is a striking example of his commitment to merging art with activism. Released in 2023, this limited edition piece, hand-pulled on cream speckletone fine art paper, is more than a visually arresting image; it's a conduit for a critical conversation about environmental justice and governance. Dissecting "Wetland Powers" by Shepard Fairey The artwork, sized at 18x24 inches, is part of a limited edition of 550 signed and numbered prints. In typical Fairey fashion, the piece combines a bold aesthetic with a message that challenges viewers to consider the impact of political decisions on the environment. The imagery features a female figure with elements that suggest a connection to nature and its defense. Fairey's work is known for its layered visual language; every element serves a symbolic purpose, and "Wetland Powers" is no exception. Environmental Advocacy through Art In "Wetland Powers," Fairey addresses the contentious issue of land rights versus environmental protection, particularly highlighting the Supreme Court's role in shaping the fate of U.S. wetlands. The print serves as a commentary on the court's decisions that Fairey perceives as favoring corporate interests over public environmental health. Through this piece, Fairey expresses his belief in safeguarding common assets — air, water, and land — for the collective good. The Cultural Resonance of Fairey's Work Shepard Fairey's art has always resonated with a broad audience, and his Obey campaign has become a cultural phenomenon. With "Wetland Powers," Fairey continues to tap into the collective consciousness, using his art as a platform to advocate for ecological and social responsibility. The work underscores the power of street pop art to transcend the canvas and become a vehicle for change, urging citizens to reflect on their role as voters and to elect leaders who prioritize the welfare of all. "Wetland Powers" is a testament to Shepard Fairey's enduring role as an artist at the forefront of street pop and graffiti artwork. His ability to address pressing global issues through compelling imagery cements his status as an artist dedicated to the intersection of art and advocacy. As a limited edition print, "Wetland Powers" represents Fairey's artistic prowess and embodies the spirit of street art as a form of engaged public discourse.

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