Speckletone Fine Art Paper

Obey Radical Peace- Blue 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 375 May 7, 2021. Shepards Spin of the Capital Protest 2021 Where Cops Killed 5 Unarmed Protestors.

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No Place for Regrets Limited Edition 3-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Cotton Candy Machine Graffiti Street Artist Modern Pop Art. Art print version of the "National Poster Retrospecticus" print made for the Cotton Candy Machine show in August 2014. 18 x 24 inches. Three screens on French Speckletone stock. Signed and numbered edition of 200. Released 3 September 2014. The Cotton Candy Machine is an art studio and gallery owned and operated by artist Tara McPherson. She is a New York-based artist who is best known for her beautiful and thought-provoking illustrations, paintings, and toys. At the Cotton Candy Machine, Tara creates and sells her own artwork, as well as the work of other artists that she admires. The gallery features a variety of exhibitions throughout the year, showcasing different artists and styles. Tara's work often incorporates themes of nature, emotion, and fantasy, and her unique style has gained her a large following of fans and collectors. Her work has been featured in galleries and exhibitions all over the world, and she has worked with many notable clients, including Kidrobot, Dark Horse Comics, and The New York Times. Overall, the Cotton Candy Machine is a fantastic space for art lovers and collectors to explore and discover new and exciting pieces of art.

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Wetland Powers Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "This Wetland Powers print examines the repercussions of a Supreme Court largely in the pockets of big oil. The government is supposed to create the greatest good for the greatest number of people. Still, the conservative justices in the current Supreme Court have put the agendas of big oil and wealthy property owners ahead of safe and clean water for the citizenry. The concept of "common assets"… no one owns resources like air and water and needs to be protected for the benefit of all, seems lost on many people in business and government. It is up to us as voters to elect representatives who put the needs of the citizens first. The Supreme Court makeup is always important to consider when voting for our president since the sitting president selects appointees for Supreme Court justices." -Shepard Fairey- OBEY Shepard Fairey's "Wetland Powers": A Statement in Street Pop Art In street pop art, Shepard Fairey stands as a figure of monumental influence; his work is often intertwined with solid socio-political messages. The "Wetland Powers" silkscreen print by Shepard Fairey, also known as OBEY, is a striking example of his commitment to merging art with activism. Released in 2023, this limited edition piece, hand-pulled on cream speckletone fine art paper, is more than a visually arresting image; it's a conduit for a critical conversation about environmental justice and governance. Dissecting "Wetland Powers" by Shepard Fairey The artwork, sized at 18x24 inches, is part of a limited edition of 550 signed and numbered prints. In typical Fairey fashion, the piece combines a bold aesthetic with a message that challenges viewers to consider the impact of political decisions on the environment. The imagery features a female figure with elements that suggest a connection to nature and its defense. Fairey's work is known for its layered visual language; every element serves a symbolic purpose, and "Wetland Powers" is no exception. Environmental Advocacy through Art In "Wetland Powers," Fairey addresses the contentious issue of land rights versus environmental protection, particularly highlighting the Supreme Court's role in shaping the fate of U.S. wetlands. The print serves as a commentary on the court's decisions that Fairey perceives as favoring corporate interests over public environmental health. Through this piece, Fairey expresses his belief in safeguarding common assets — air, water, and land — for the collective good. The Cultural Resonance of Fairey's Work Shepard Fairey's art has always resonated with a broad audience, and his Obey campaign has become a cultural phenomenon. With "Wetland Powers," Fairey continues to tap into the collective consciousness, using his art as a platform to advocate for ecological and social responsibility. The work underscores the power of street pop art to transcend the canvas and become a vehicle for change, urging citizens to reflect on their role as voters and to elect leaders who prioritize the welfare of all. "Wetland Powers" is a testament to Shepard Fairey's enduring role as an artist at the forefront of street pop and graffiti artwork. His ability to address pressing global issues through compelling imagery cements his status as an artist dedicated to the intersection of art and advocacy. As a limited edition print, "Wetland Powers" represents Fairey's artistic prowess and embodies the spirit of street art as a form of engaged public discourse.

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Pandemonium Silkscreen Print by TOMO77 x Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by TOMO77 & Shepard Fairey & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print "TOMO77 has documented a period marked by isolation and confusion, from the earliest anxious days of the pandemic through more than a year of political and social unrest. Amid this graphic testimony of uncertainty, uproar, and division, TOMO77 leaves us with one question: Where do we want to go from here?" -Shepard Fairey- OBEY. The collaborative work of TOMO77 and Shepard Fairey in the "Pandemonium" silkscreen print profoundly represents the tumultuous period that marked the early 2020s. This limited edition piece, hand-pulled with four colors on cream speckletone fine art paper, stands as a cultural artifact, encapsulating the essence of street pop art and graffiti artwork. Signed by both TOMO77 and Shepard Fairey, the artwork is part of a limited run of 300, each piece numbered, indicating its value and scarcity. The artwork's dimensions, 18x24 inches, provide a substantial canvas for the intricate designs and stark contrasts that have become hallmarks of both artists. TOMO77's contribution to this piece is particularly poignant, as his work often grapples with themes of human behavior, social upheaval, and the influence of capitalism, especially within the context of an immigrant lens. The "Pandemonium" print reflects these themes, addressing the global disarray and introspection during significant societal and political unrest. Shepard Fairey's partnership with TOMO77 on this project enhances the narrative potency of the piece, as Fairey's legacy in street art and activism art adds depth to the print's conceptual framework. Through their combined efforts, "Pandemonium" becomes more than just an artwork; it is a visual question posed to the audience, challenging them to consider the direction of human progress in times of crisis. The print represents the artist's technical prowess and commitment to using art for reflection and potential change.

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Factory Stacks- Endless Power 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard Factory Stacks – Endless Power Silkscreen Print by Shepard Fairey Factory Stacks – Endless Power is a bold 6-color silkscreen print created in 2022 by Shepard Fairey, one of the most influential figures in Street Pop Art & Graffiti Artwork. Measuring 18x24 inches, this signed and numbered limited edition of 350 is printed on thick cream Speckletone paper and embodies Fairey’s hallmark aesthetic: a fusion of propaganda-style composition, socio-political messaging, and graphic design precision. It continues his Factory Stacks series, a visual campaign aimed at confronting environmental and systemic imbalances, particularly those surrounding the fossil fuel industry. Visual Language of Industrial Dominance This piece presents twin smokestacks emerging from a factory, exhaling thick plumes of smoke that bend into geometric arcs against a fractured backdrop. The composition is both imposing and elegant, rendered in Fairey’s signature palette of red, blue, cream, and black with accents of gold and grey. A section in the upper corner features graphic symbols such as currency and uniformed authority figures with the text “Endless Power,” visually connecting fossil fuel dependency to state and corporate control. Below, flames lick at the base of the structure, symbolizing destruction masked as progress. The stylized imagery and bold silhouettes evoke retro political posters, transforming the factory into an icon of unchecked industrial ambition. The title “Endless Power” is a biting irony. It speaks to the illusion of limitless energy consumption enabled by fossil fuels while referencing the political power structure that sustains this destructive system. Fairey uses the visual metaphor of pollution and fire not just as environmental warning signs, but as emblems of capitalism's refusal to pivot toward sustainability. Fine Art Printmaking as Street-Level Protest This edition is hand-pulled and silkscreened, showcasing Fairey’s technical prowess in layering crisp lines and vibrant color fields. The physicality of screenprinting—each layer applied with intention—parallels the artist’s belief in direct action. The Speckletone stock used adds texture and weight, reinforcing the piece’s physical presence and link to protest posters of the past. As a printmaker rooted in the street art tradition, Fairey embraces reproducibility without sacrificing uniqueness. His screenprints are both fine art artifacts and tools of mass communication. Factory Stacks – Endless Power does not rely on abstraction. It forces clarity, making its environmental critique visually immediate and emotionally provocative. Political Commentary Through Graffiti-Inspired Aesthetics Fairey’s work consistently straddles the space between fine art and graffiti, and this piece is no exception. By including symbols of nationalism, money, and smoke stacks, he aligns corporate power and environmental degradation in a single visual language. As part of the OBEY Giant campaign's broader ethos, the artwork invites viewers to question the legitimacy of authority, capitalism, and consumption. In the lower left of the piece, Fairey embeds the edition number and his signature, reinforcing its status as a collectible. Yet unlike conventional gallery art, this piece was made to communicate with the public. A portion of the proceeds from this release was donated to Greenpeace, underscoring the artist’s commitment to activism through art. Factory Stacks – Endless Power is not a lament—it is a visual demand. It reminds viewers that power, both political and industrial, is not endless unless people allow it to be. Through the bold format of Street Pop Art & Graffiti Artwork, Shepard Fairey transforms a grim industrial skyline into a battleground of ideas, urging action before the smoke becomes irreversible.

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Endless Power Petrol Palace- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Red) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

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Chaos Mandala Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2025 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "This Chaos Mandala print merges two seemingly contrasting concepts and aesthetics…chaos and harmony. I have always been fascinated by the cyclical chaos of posters and graffiti accumulating on the streets and then being ripped at by humans and the elements. There is beauty in the layering and in accepting that there are too many variables of push and pull for any of us to control them all. For me, the philosophy to embrace is “enjoy the ride and savor the ephemeral." -Shepard Fairey- OBEY Chaos Mandala Silkscreen Print by Shepard Fairey Chaos Mandala by Shepard Fairey is a 2025 signed and numbered limited edition silkscreen print that seamlessly integrates Street Pop Art & Graffiti Artwork traditions into a contemplative visual dialogue. Measuring 18 by 24 inches and printed on cream speckletone fine art paper, the work was produced in a run of 550. At the center of the composition, Fairey’s mandala design anchors a vortex of pattern, color, and movement. This meticulously hand-pulled silkscreen reflects the artist’s fascination with order, disorder, and their coexistence in urban environments. It draws on motifs often found in Shepard Fairey's extensive body of work, including his emblematic star and iconography associated with the OBEY brand. The result is a striking meditation on impermanence, layering, and visual harmony through chaos. Visual Symmetry and Controlled Disorder At first glance, Chaos Mandala reads like a sacred geometry symbol, with symmetrical petals and radial balance flowing outward from a central OBEY star emblem. The crisp, mandala lines are contrasted against an explosively chaotic backdrop filled with distressed stenciling, spray textures, drips, and faded fragments of posters. This tension between fine control and organic erosion embodies the duality Shepard Fairey often explores in his work. The background elements simulate urban decay, recalling the visual noise of city walls plastered with flyers, propaganda, and graffiti. The use of stencil and screen printing techniques connects directly to street art methods, while the choice of color — vivid red, icy blue, and muted cream — allows the artwork to maintain a powerful presence while inviting close inspection of its layered surface. The Philosophical Dimension of Shepard Fairey’s Practice Shepard Fairey, born in the United States in 1970, has long used Street Pop Art & Graffiti Artwork as a platform for socio-political commentary. Chaos Mandala reflects a deeper philosophical current in his work. The piece is not just decorative but reflects an embrace of unpredictability and the fleeting nature of public expression. It acknowledges that beauty arises not only from design but also from entropy. Posters decay. Paint chips. Layers build up and tear away. Fairey captures that life cycle, not by resisting it, but by folding it into his aesthetic. The mandala — traditionally a spiritual symbol of harmony — becomes a container for the unpredictable, elevating the tension between permanence and erosion into a formal and emotional focal point. Technique, Texture, and Symbolic Integration The print was produced with meticulous care through a silkscreen process on high-quality cream speckletone paper, a tactile surface chosen for its texture and visual warmth. Every printed layer reinforces the idea of cumulative experience and environmental interaction. Fairey’s OBEY star, placed at the center, reinforces the cultural branding that has defined his public art for decades, while also transforming into a meditative hub for the surrounding chaos. With this work, Fairey continues his commitment to crafting Street Pop Art & Graffiti Artwork that blurs the lines between the street and the gallery, between rebellious expression and structured symbolism. Chaos Mandala is more than an aesthetic object — it is a conceptual reflection on the beautiful disorder of human mark-making. 

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Obey Radical Peace- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 375 May 7, 2021. Shepards Spin of the Capital Protest 2021 Where Cops Killed 5 Unarmed Protestors.

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Floral Takeover 2017 Cream Red Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. The "Floral Takeover 2017 Cream Red Silkscreen Print" is a significant entry in the oeuvre of Shepard Fairey, an artist whose work is synonymous with the intersection of Street Pop Art and graffiti Artwork. This piece is part of a limited edition of 200, each signed and numbered, denoting its value as a collectible. With dimensions of 18x24 inches, the silkscreen print is substantial enough to make a statement on any wall it adorns. Fairey, with his characteristic OBEY brand, has long been a provocateur, blending commercial art techniques with street art's subversive edge, and this work is a clear example of that fusion. Fairey's approach to creating new patterns for street installations and fine art pieces harks back to his early days when he would use discontinued wallpaper as a backdrop for his work. The transition to designing and printing his patterns demonstrates a progression in his artistic control and the evolution of his signature style. The 'Floral Takeover series showcases the artist's ability to adapt elements traditionally associated with interior design and repurpose them within the context of street art and pop culture. By doing so, Fairey blurs the lines between art as a purely aesthetic commodity and its function as a commentary on societal norms. In this print, Fairey plays with a cream speckle tone fine art paper that gives the work a textured, organic feel, contrasting with the precise and deliberate two-color silkscreen technique. The choice of cream as the base color amplifies the boldness of the red floral pattern, allowing the design to leap off the paper with a vivacity that captures the viewer's eye. The juxtaposition of color and form symbolizes Fairey's work, where contrast often serves as a visual metaphor for broader cultural and political contrasts. Moreover, the 'Floral Takeover' print series reflects Fairey's humor and his recognition of the interplay between art and the commercial world, as hinted at in his playful suggestion to "buy a couch to match." This statement encapsulates the artist's awareness of the commodification of art in pop culture and his role within that process. Through works like this, Fairey continues to challenge perceptions of what street art can be, bridging the gap between graffiti's rebel spirit and gallery pieces' polished finish.

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This Machine Kills Fascists AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2006 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Young Denny Laine From Rock Bands Moody Blues & Wings Leaning On Guitar. "This Machine Kills Fascists AP" is a captivating silkscreen print by the renowned street artist Shepard Fairey, commonly recognized by the moniker "OBEY". The artwork stands as a testament to Fairey's ability to merge street art sensibilities with the nuances of pop art, creating pieces that are both visually striking and politically charged. This particular piece is an Artist Proof (AP), a term in the art world that signifies a print from the original run that the artist keeps for personal records or as a reference. Not only is this proof marked with 'AP' and signed by Fairey, it's dated to 2006, highlighting its authenticity. The print's focal point is a meticulous depiction of young Denny Laine, a pivotal figure in the history of rock, having been a member of iconic bands such as Moody Blues and Wings. The image captures Laine leaning on a guitar, an emblem of his musical prowess and legacy. The choice of Laine as the subject adds layers of cultural and historical significance to the piece. Interestingly, the source of this print is a 1967 photo by Peter Webb, ensuring that the artwork encapsulates not only Fairey's interpretation but also the spirit of the original image. Shepard Fairey's decision to use Laine's image and pair it with the provocative statement "This Machine Kills Fascists" not only cements the print's position in pop and street art genres but also encourages the viewer to delve into the deeper socio-political implications and narratives surrounding the artwork. It's a harmonious blend of aesthetic allure and potent messaging, underscoring Fairey's mastery in communicating powerful ideas through visual mediums.

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Obey Conformity Trance- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 350 February 10, 2021 Obey as a pseudo-command in my art has always been a form of reverse psychology. My philosophy is actually “question everything”. Conformity is often more unconscious than conscious… an adaptation to structures we may not agree with and a submission to unseen forces of manipulation… unseen because our eyes and minds are not open wide enough. People come up with conspiracy theories like “the Illuminati” to explain the feelings that they are cogs in someone else’s machine, but the deconstruction of power and control requires nothing more than a conscious and diligent examination of how power and influence upon the government accumulate and concentrate under capitalism. Shepard Fairey

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Tub Chum Limited Edition 5-Color Hand-Pulled Silkscreen Print on Medium Weight Off-White Colored Speckletone Paper by John Vogl Graffiti Street Artist Modern Pop Art. Signed and numbered by John Vogl in pencil.

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Barb Wire Dove Collage Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print Barb Wire Dove Collage, an illustrious piece by globally acclaimed artist Shepard Fairey, demonstrates the compelling interplay of iconography and symbolism. Created in 2023, this limited edition artwork is a captivating fusion of pop art and street art aesthetics, meticulously hand-pulled on Speckletone Fine Art Paper. The exquisite detail of this silkscreen print, underscored by Fairey's signature technique, is a testament to his artistic proficiency. Emblematic of Fairey's work under his well-known OBEY brand, the Barb Wire Dove Collage commands attention through its layered narrative and striking visuals. Limited to a series of 450, each piece is signed and numbered by the artist, thereby underlining its exclusivity. The artwork, measuring 18x24, carries an impactful presence, with every inch filled with intricate design and thoughtful imagery. At the heart of this artistic expression lies a symbolic dove, ensnared in barbed wire, a potent metaphor often associated with peace trapped within the confines of societal or political unrest. The vivid pop-art colors utilized by Fairey further enhance the visual appeal of the artwork, making it a noteworthy addition to any collection. Shepard Fairey's reputation as a stalwart in the street and graffiti art domain lends further prestige to the Barb Wire Dove Collage. His work consistently challenges viewers, prompting introspection and dialogue around sociopolitical themes. As an emblem of his artistic journey and his continuing influence in the world of pop and street art, this piece is an emblematic representation of Fairey's distinct visual language and innovative approach to creating resonant imagery.

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Shoplifters Welcome Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Faire.y Shepard Fairey's Collaboration with Jamie Reid in Street Pop Art The "Shoplifters Welcome Silkscreen Print" is a remarkable intersection of street pop art and political commentary, created by the influential Shepard Fairey in collaboration with Jamie Reid. This limited edition hand-pulled screen print on cream speckletone art paper is a testament to the potency of visual art as a tool for social critique. Released as part of Jamie Reid's Ragged Kingdom exhibition from March 16 to April 14, 2012, this artwork resonates with anti-establishment and dissent themes common in street pop art and graffiti artwork. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, has a history of infusing his work with sharp political insights. The artwork in discussion depicts a hand removing laws from a briefcase, a direct inference to the deregulation of Wall Street and the unshackling of financial institutions from legal constraints. This visual metaphor conveys the message of wealth inequality and corruption, both highly relevant to the zeitgeist of the early 2010s, especially in the Occupy Wall Street movement. Artistic Expression of Sociopolitical Issues The collaborative nature of this artwork, involving both Shepard Fairey and Jamie Reid, underscores a shared commitment to addressing pressing societal issues through art. Fairey's statement about the collaboration highlights their mutual interest in tackling the "timeless problems of corruption and wealth inequality," themes that are also deeply embedded in the philosophy of street pop art. The artwork becomes a canvas for discourse, echoing the sentiments of public protests and movements that call for justice and economic reform. In creating the "Shoplifters Welcome" piece, Fairey and Reid tap into the legacy of street pop art's ability to reach a broad audience. Street pop art, often found in public spaces, speaks directly to the masses, unfiltered by the gatekeeping of traditional art venues. Though housed within the confines of an exhibition, this print carries the spirit of street art by being a piece of graffiti artwork that one can own—a symbol of both rebellion and commodification. The limited edition nature of the print, being one of only 450, adds a layer of exclusivity to a piece that speaks about wealth disparity, creating an exciting tension between the artwork's message and its status as a collectible item. Each print, signed and numbered by Fairey, is a piece of art and a statement about the artist's role in society—as an observer, a critic, and a participant in the cultural dialogue about power and money. This artwork, sized 18x24, encapsulates a period of intense socio-political activism, serving as a historical document that captures the essence of the early 2010s. The stark imagery, reminiscent of propaganda art, is both a nod to the past and a commentary on the current state of affairs. It draws a parallel between the actions on Wall Street and the broader issues of regulatory oversight and the power imbalance, which remain relevant in discussions about the economy and governance. In the larger context of street pop and graffiti artwork, Shepard Fairey and Jamie Reid's "Shoplifters Welcome" print is a powerful reminder of art's role in society. It bridges the gap between aesthetic appeal and social commentary, functioning as a visual manifesto that calls for reflection and action. The piece is not merely an artwork to be viewed but a conversation starter, a call to arms, and a historical artifact.

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Don't Be a MFR AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2015 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print. Don't Be A Mother Fucker. Don't Be A MOTHER#*X!! R Respect & Justice. The Provocative Appeal of 'Don't Be a MFR' by Shepard Fairey Shepard Fairey's 'Don't Be a MFR AP' is a bold exemplar in street pop art and graffiti artwork. Fairey, an American artist and provocateur born on February 15, 1970, continues to push the boundaries of art and activism. This particular work, part of an artist-proof (AP) series released in 2015, is characteristic of Fairey's approach to engaging with cultural and societal themes through his art. The hand-pulled 5-color silkscreen print on cream speckle tone paper echoes Fairey's distinctive aesthetic while carrying a strong message of respect and justice. Symbolism and Messaging in 'Don't Be a MFR' The artwork's title, 'Don't Be a MFR,' captures the eye with its intentional censoring, a tactic that allows for a broad interpretation and stirs curiosity. Within the limited edition series of 550, each piece sized at 18x24 inches, Fairey's work resonates with the power of command and the gravity of a public service announcement. The print is decorated with the words' Respect & Justice,' a direct call to action central to much of Fairey's oeuvre. Fairey employs symbols like the skull enveloped in a flower, a duality that speaks to the juxtaposition of life and death, growth and decay, reinforcing the message of the consequences of one's actions. The overall design is reminiscent of emblems and seals, often associated with authority and institutions, which Fairey repurposes to deliver his socio-political commentary. The choice of bold, angular graphics, in conjunction with the roundness of the emblematic seal, displays the tension between disruption and order, a recurrent theme in street pop art. Impact on Street Pop Art and Cultural Discourse The 'Don't Be a MFR' series exemplifies the potential of street pop art to serve as a medium for societal reflection and critique. The use of a public vernacular and the direct address to the viewer exemplify Fairey's commitment to making art accessible and demanding attention. Each print in the series, bearing Fairey's signature, is a testament to the belief that art should not shy away from controversy but rather confront and challenge the viewer. This piece, in particular, adds to the rich tapestry of graffiti artwork that has historically been used to communicate messages to a broad audience, often bypassing traditional media and institutional spaces. Fairey's work is a modern-day manifestation of this tradition, utilizing the urban canvas to prompt a public introspection on issues of respect and justice. The artwork serves not just as a visual spectacle but as a catalyst for conversation and, ideally, for action. Shepard Fairey and the Continuum of Artistic Activism Shepard Fairey's 'Don't Be a MFR' continues the artist's enduring legacy in art and activism. Residing in Los Angeles, California, Fairey remains a significant influence, harnessing the vibrancy of street pop art to voice his dissent and mobilize public sentiment. His work is anchored in the belief that art is a powerful change agent capable of inspiring individuals to think critically about the world around them. This particular silkscreen print carries the OBEY logo, an integral aspect of Fairey's brand, which doubles as a command and a critique of authoritarian tendencies. The artwork's appeal lies in its ability to be aggressive and reflective at once, pushing observers to consider their role in maintaining or disrupting social justice. Fairey's dedication to the intersection of art and societal issues solidifies his position as an artist and a significant cultural instigator in contemporary times.

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Eyes On The King Verdict 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Ted Soqui Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey & Ted Soqui, Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 600. "I based this “Eyes on the King Verdict” print on photos taken by Ted Soqui during the LA riots of spring 1992. Ted has a long history of photographing activists and protests, which began after the “not guilty” verdicts on April 29, 1992, for the four officers who severely beat Rodney King. I especially love the central pic of a young woman protester in a Malcolm X hat contemplating the scene. I think it is important to consider the symbolic weight of the Rodney King verdict and the emotional impact on communities of color seeking justice and accountability. At the time, 30 years ago, I remember feeling enraged that such a blatant act of police brutality was going unpunished when it was captured on video. It is heartbreaking how frequently similar acts of violence and abuse of power by law enforcement have gone unpunished, even when caught on camera. I don’t ever condone violence or looting, but I understand why LA erupted in riots and protests after the King verdict. When people feel that the American system has failed them repeatedly, things can reach a boiling point. The urge to protest injustice and the right to do so are legitimate, even if looting is not legitimate. The LA riots were a tragic mixture. However, beware of those who try to conflate protest with “criminal agitation” or “inciting a riot.” When the system fails the people, it is nothing short of patriotic for the people to protest for a solution. Ted Soqui and I both signed the “Eyes on the King Verdict” print.” – Shepard

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Love Lotus 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 550 June 1, 2021 This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley’s passing. The series represents the amazing breadth of Marley’s character… the philosopher, the confrontational warrior for justice, and the evangelist for love and connection. Bob

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Modular Silkscreen Print by Add Fuel x Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Diogo Machado aka ADD FUEL’s art functions on several levels literally and metaphorically. His pieces master the aesthetics of traditional Portuguese tile work while adding his own playful character illustrations subversively woven into the designs. These two seemingly disparate styles are so elegantly blended together that discovering the oddity within the harmony is both bizarre and joyful. The actual and faux rips ADD FUEL incorporates into his art are more than just a nod to paper, the common material of modern street art, they’re also a provocative bit of visual dissonance since tiles don’t rip. Despite the incongruity of tiles and rips, ADD FUEL’s visually seductive compositions evoke a sense of time passed and a story behind each layer." -Shepard Fairey- OBEY Modular by Add Fuel x Shepard Fairey – Obey Collaborative Silkscreen in Street Pop Art & Graffiti Artwork Modular is a 2022 collaborative silkscreen print created by Portuguese artist Diogo Machado, known as Add Fuel, and American artist Shepard Fairey, the founder of OBEY. Hand-pulled on cream Speckletone fine art paper and released in a signed and numbered limited edition of 500, this 18 x 24 inch artwork exemplifies the synergy between ornamental heritage and contemporary visual resistance. The print layers traditional azulejo tile motifs, signature to Add Fuel’s practice, with Fairey’s distinct iconography and compositional balance. Faux paper rips tear through the layers, revealing dynamic juxtapositions of classic pattern, modern pop abstraction, and a central floral mandala infused with Fairey’s visual politics. The piece vibrates with blue, red, and white tonalities, echoing the dual themes of beauty and disruption at the core of their shared visual vocabulary. Tile Motifs, Illusion, and Layered History Add Fuel’s approach to traditional Portuguese tile work is at once reverent and subversive. By reinterpreting the symmetrical elegance of ceramic motifs with unexpected figures and graphic elements, he modernizes a centuries-old medium while injecting it with conceptual humor and narrative depth. In Modular, the faux rips slice through the precision of the tiles to expose underlying designs, mimicking the distressed layering often found in urban environments. These rips are visual contradictions—tiles do not tear—yet they ground the piece in the material reality of street posters, wheatpastes, and handbills. The effect suggests a story unfolding across time, where aesthetics are built upon each other, scraped away, and reassembled to create a living history. This illusion invites the viewer to peel back their own assumptions about permanence, tradition, and identity. Shepard Fairey’s Integration and Urban Influence Shepard Fairey’s signature influence is woven into the modular structure of the work through the inclusion of bold geometric symbology and red-toned central focal points. Known for his OBEY Giant campaign and the Hope poster for Barack Obama, Fairey brings a sharply honed graphic instinct to this collaboration. His presence in Modular is not dominant but seamlessly integrated, allowing the dialogue between his political design language and Add Fuel’s ornamental fluency to unfold in harmony. The composition carries Fairey’s commitment to layering, repetition, and symbolic forms of power, contributing to the conceptual weight of the piece without overpowering the decorative base. It is a rare fusion of design-minded street art and historic pattern making, emblematic of Fairey’s mission to preserve message within form. Craftsmanship and Concept in Street Pop Art & Graffiti Artwork This silkscreen print was meticulously crafted using multiple layers of ink on Speckletone paper, a choice that echoes the street origins of both artists’ practices while elevating the final result to gallery standards. Modular’s formal tension between classic ornament and pop symbolism makes it a quintessential example of contemporary Street Pop Art & Graffiti Artwork. It reflects an evolving aesthetic where collaboration expands meaning, and where cultural pasts are not preserved in silence but animated through visual intervention. For collectors and viewers, Modular offers a tactile and symbolic experience—a print that holds the precision of tradition and the urgency of the present in perfect contradiction. It stands as a testament to the transformative power of surface, story, and subversion.

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Pharaoh Skull- Rook Brand Limited Edition 2-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Joe King Graffiti Street Artist Modern Pop Art. AP Artist Proof

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Street Weapons Danceright Music Club Event Limited Edition Metallic Gold Ink Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman x Shepard Fairey. Shepard and I ran a club night in Downtown LA from 2006 to 2014 called Dance Right. During that time, I created a flyer every week and from those flyers came a bunch of designs that ended up becoming clothing designs for OBEY Clothing and a collab poster that Shepard and MFG- Matt Goldman released in 2006. 18 x 24 inches Screen Print Black, Dark Red, Metallic Gold Cream Speckletone Paper Edition of 300 Signed and numbered by Shepard Fairey & MFG- Matt Goldman Released 2006

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NØISE/SSI Resurrectionem Ex-Mortuis Remix 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 18 inches Edition of 400 March 30, 2021 About I have been friends with John Goff for 25 years. He was a fan of my art and used to generously help me print. We often bonded over music from the Melvins, to Kraftwerk, to RUN-DMC. John has been a musician most of his life, playing in several different music projects over the years, including SSI which is a collaboration between John and his brother Will. When I started DJ’ing John would help me with the production of remixes. Eventually, we started producing some music together, and with the valuable addition of Merritt Lear and Joe Cassidy, we formed Nøise. -Shepard Fairey

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Off! You Will Do What We Say 2-Color Hand-Pulled Limited Edition Silkscreen Print on True White Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2019 Signed Limited Edition Print. 18 inches x 24 inches Edition of 600 July 11, 2019 Punk rock band OFF! which includes members from Black Flag, Circle Jerks, Redd Kross, The Burning Brides, and The Black Heart Procession is making a movie called “Watermelon,” and according to their lead singer Keith Morris, “You will do what we say”…… is an MK Ultra mantra from out of the shadows. - Shepard Fairey

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Diamond Lotus- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. Shepard Fairey (b. 1970) Diamond Lotus (Red), 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 360/400 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles

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Floral Takeover 2017 Black Red Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. The "Floral Takeover 2017 Black Red Silkscreen Print" by Shepard Fairey encapsulates the interplay of aesthetics within Street Pop Art and graffiti Artwork, signifying a profound narrative through its intricate design and bold color scheme. This piece exemplifies how traditional elements can be transformed into a new cultural vocabulary that challenges and expands the boundaries of fine art. Featuring a rich, vibrant red background overlaid with a contrasting black floral pattern, the artwork is a striking visual statement that captures the viewer's attention. Shepard Fairey, a pivotal figure in the street art movement, often incorporates motifs that reflect social and political activism. His work is known for its ability to decorate and provoke thought and conversation, a characteristic quintessential to the graffiti art movement. Silkscreen printing allows for the precision and consistency necessary for disseminating his message, harkening back to his roots in skateboarding and punk rock culture, where screen-printed designs were a means of rebellion and identity. Silkscreen printing used in this artwork is also a nod to the pop art tradition, a method popularized by artists like Andy Warhol, who sought to erase the boundaries between 'high' art and 'low' cultural imagery. Fairey's "Floral Takeover" is a contemporary continuation of this tradition, seamlessly blending street art's spontaneity and edginess with pop art's mass appeal and commercial aesthetics. The result is a striking work of art that is accessible and deeply layered in meaning. Through this print, Fairey extends the dialogue of street art into the more permanent and collectible domain of fine art prints, allowing for the transitory nature of street graffiti to be preserved and appreciated over time. The artwork becomes an important cultural artifact, representing the ever-evolving landscape of Street Pop Art and graffiti Artwork, embodying the transformative power of art in public spaces and the ongoing conversation between art and society.

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Cream & Blue Sedation in Bloom Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 150 Artwork Size 18x24 Sedation in Bloom Silkscreen Print Series.  "I originally worked on this poppy pattern art as part of my collaboration with artist Gordon Cheung. In our piece, we addressed the tragic murder of Vincent Chin and the historical use of anti-Asian imagery and symbols in Western culture. The poppy is a beautiful flower with many symbolic interpretations, including peace, death, sleep, and sedation. I often weave floral and decorative patterns into my art to draw viewers in and make challenging concepts more digestible. However, decorative appeal can sedate people and distract them from more important social issues. Whether in entertainment, alcohol, drugs, or conspicuous consumption, I think sedation is a major cause of social and political complacency and ignorance. These Sedation In Bloom prints serve the dual purpose of a decorative escape and a reminder to stay awake and aware!" -Shepard Fairey- OBEY. Cream & Blue Sedation in Bloom: Reflecting on Society Through Street Pop Art The Cream & Blue Sedation in Bloom silkscreen print by Shepard Fairey, an iconic figure in the street pop art and graffiti artwork realm, stands as a thought-provoking piece that goes beyond mere aesthetic pleasure. Fairey, born as Frank Shepard Fairey on February 15, 1970, in Charleston, South Carolina, USA, has carved a niche for himself with works that often reflect a blend of political activism and artistry. This particular artwork, a part of the Sedation in Bloom series, is no exception. Hand-pulled on cream speckletone fine art paper, the Cream & Blue Sedation in Bloom is a limited edition artwork, with each piece signed and numbered by Fairey himself. The size of the artwork, 18x24 inches, offers a substantial canvas for the expression of intricate and symbolic imagery. Limited to an edition of 150, these prints capture the exclusive nature of Fairey's work. The Symbolism of Poppies in Fairey's Visual Language The motif of the poppy in this series carries rich symbolic interpretations, ranging from peace to death, and from sleep to sedation. Fairey's choice of the poppy is deliberate and multifaceted; it is not only about creating a pleasing visual but also about the underlying message it conveys. The interplay of the serene blue on cream reflects a tranquil aesthetic, yet the poppies' association with sedation challenges the viewer to look deeper into the societal implications of the artwork. Fairey’s work is a commentary on the complacency and ignorance that he perceives as pervasive in society. The seductive nature of entertainment, alcohol, drugs, and material excess serves as a means to sedate the masses, distracting them from social and political engagement. Through the Cream & Blue Sedation in Bloom print, Fairey juxtaposes the allure of the poppies with a call to consciousness, urging the viewer to stay awake and aware amid societal distractions. Artistic Collaboration and Social Commentary The inception of this poppy pattern art arose from Fairey's collaboration with Gordon Cheung, where the duo addressed the harrowing murder of Vincent Chin and the use of anti-Asian motifs in Western culture. By incorporating these themes into his street pop art, Fairey elevates the conversation from street-level discourse to a wider socio-political dialogue. The prints serve as a decorative escape, yet they double as a potent reminder of the importance of staying alert to the world's inequities and injustices. Shepard Fairey's Cream & Blue Sedation in Bloom is a striking example of how street pop art can be a powerful medium for social critique. As viewers engage with the harmonious color scheme and the delicate floral patterns, they are also confronted with the societal urge to remain vigilant. Through this series, Fairey reiterates his belief in the capacity of art to ignite change, to unsettle the comfortable, and to provoke a reawakening of social consciousness. The artwork symbolizes the dual role of art in modern culture: as an object of beauty and as a catalyst for awareness and action.

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Cost of Oil AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2008 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print. The "Cost of Oil" silkscreen print by Shepard Fairey is a provocative piece that cuts to the heart of street pop art and graffiti artwork's capacity to confront and question socio-political issues. Released in 2008 as an artist proof (AP), this limited edition artwork is a visual exploration of the themes of energy consumption, environmental impact, and the geopolitical ramifications implicit in the pursuit of oil. Signed and marked as an AP by Fairey, the piece measures 18x24 inches and is printed on cream speckletone fine art paper. Known for his intelligent and critical approach to cultural commentary, Fairey's "Cost of Oil" embodies the essence of his street pop art practice. The artwork is anchored by the bold, declarative question, "What is the cost of oil?" which resonates against the backdrop of a commanding visual narrative. The image features a solitary figure, clad in a shirt emblazoned with "USA," filling up a Hummer's gas tank—a potent symbol of American consumption and the military-industrial complex. The radiant sunburst behind the figure and the dripping blood-red bottom underscores the dichotomy of light and darkness in the discourse around freedom and its costs. This 2-color hand-pulled print is a quintessential example of Fairey's work, aligning itself with the 'OBEY' campaign's goal to stimulate discussion and reflect on the pervasive propaganda in public spaces. The 'OBEY' motif has always sought to challenge observers to question the mechanisms and messages in their environment, and "Cost of Oil" extends this challenge to the global issue of oil dependency and its vast implications. As a piece of street pop art, the "Cost of Oil" is a catalyst for dialogue, pushing the boundaries of what art can communicate and how it can influence public thought. It's a stark reminder of the power of visual art as a means of activism and advocacy and of Fairey's enduring role in using his art to spotlight crucial issues. The print remains a relevant and stirring piece within the oeuvre of Fairey's work and the larger conversation about energy, environmentalism, and the actual price of consumption.

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SF Fire Escape AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2011 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print  SF Fire Escape AP by Shepard Fairey – Artist Proof Silkscreen Street Pop Art & Graffiti Artwork The SF Fire Escape AP Artist Proof silkscreen print by Shepard Fairey, produced in 2011, is a rare and impactful piece of Street Pop Art & Graffiti Artwork. This edition is signed by the artist and marked AP, denoting it as an Artist Proof distinct from the standard numbered run. The 18 by 24 inch screenprint was created on cream Speckletone fine art paper, a preferred medium for Fairey's hand-pulled works that allows for deep saturation and texture while maintaining archival integrity. Rendered in Fairey’s signature color palette of red, black, and off-white, this work reflects both his graphic design roots and his engagement with urban visual language. It presents a sharp architectural composition of a city scene featuring a fire escape, directional signage, and a familiar visage of the Obey Giant—an image that continues to serve as an anchor in Fairey's expansive catalog of visual resistance. Architectural Symbols and Urban Instruction This artwork immerses the viewer in the structured language of a city landscape, where fire escapes, windows, billboards, and building facades form a rigid system of navigation. The vertical and diagonal lines of the fire escape ladder and support beams fragment the space, giving a visual sense of entrapment or escape, depending on interpretation. A one-way sign reads no turns, emphasizing the illusion of freedom in a world filled with constraints. These directional cues play directly into Fairey’s critique of control mechanisms embedded in modern society. Through the use of screenprint layering and flat color fields, the artist isolates the experience of moving through controlled environments and highlights the architecture not as shelter but as signal. Obey Iconography as Watchful Presence The inclusion of the Obey Giant face within the window transforms an anonymous city structure into a subversive billboard. The face is not advertised but embedded, gazing from the inside out. It resists being consumed and instead looks back at the viewer. This silent presence underscores Shepard Fairey’s commentary on surveillance, authority, and cultural branding. Rather than remain outside of the built environment, his iconography has infiltrated the everyday, becoming part of the structure itself. As an Artist Proof, this particular print is a closer representation of Fairey’s intent, often reserved for personal use, exhibition circulation, or early release. It carries a stronger weight in terms of rarity and proximity to the original print development process. Screenprint Technique and Political Form Shepard Fairey’s silkscreen method is deeply connected to the legacy of protest poster art and graffiti stenciling. SF Fire Escape AP does not mimic graffiti—it elevates its ethos by repurposing urban symbols into controlled compositions on paper. Fairey’s repeated use of red and black signals urgency and authority, while the clean lines and grid-like layout suggest modernism stripped of comfort. The technique ensures precision while allowing for a handmade energy that reinforces its position within Street Pop Art & Graffiti Artwork. As an Artist Proof, it offers collectors and scholars insight into Fairey’s design refinement process, often with slight color or alignment differences that make each AP print unique. The work balances raw city experience with formal visual order, making it a compelling artifact of twenty-first century visual protest.  

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Black Sabbath Silver Black Crescent Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2013 Signed & Numbered Limited Edition of 125 Artwork Size 18x24 Silkscreen Print of Metal Roc n' Roll Music Band Black Sabbath Featuring Ozzy Osbourne. "Black Sabbath has been one of my favorite bands for 25 years. I was fortunate to meet Jack Osbourne through my friend Big Dave in 2000. My relationship with Jack and Big Dave has led to several great Ozzy and Sabbath projects. One of my biggest “I’m not worthy!” moments occurred when Dave took me backstage to meet the Sabbath guys in 2004 at Ozzfest, and bassist and lyricist Geezer Butler was wearing an Obey shirt! Sabbath is still a phenomenal live band, and I’m incredibly honored to do my second(the first was in 2005) Sabbath/Obey tour poster. Sabbath released a great new record called “13” recently(produced by Rick Rubin) and are touring in support of the album." -Shepard Fairey- OBEY. Shepard Fairey's Interpretation of Black Sabbath's Legacy In 2013, Fairey, inspired by Black Sabbath's influence on his life and art, created a limited edition silkscreen print to commemorate the band's U.S.A. tour. This signed and numbered edition, limited to 125 pieces and sized at 18x24 inches, became an emblem of Black Sabbath's enduring impact on rock music and a collectible piece of street pop art. The artwork, hand-pulled on cream speckletone fine art paper, features iconic Black Sabbath symbols, such as the cross and the winged disc, alongside Fairey's signature style, which often includes elements like the star and the stylized imagery of the eye. The fusion of street pop art with music often manifests in gig posters, a medium that Shepard Fairey, known widely for his OBEY brand, has mastered with a distinctive style that resonates deeply within the pop culture landscape. His work for the iconic metal rock n' roll music band Black Sabbath, particularly the silver and black crescent silkscreen print, encapsulates the essence of the artist's and the band's legacies. The significance of Fairey's Black Sabbath artwork lies in its ability to bridge music's auditory experience with art's visual stimulus. The print does not merely represent the band; it evokes the rebellious spirit of Black Sabbath's music, the dark and mystical themes they explore, and the cultural movement they spearheaded within the heavy metal genre. Fairey's artistic trademarks, such as the word 'obey,' infuses the piece with a sense of authority and provocation that complements the band's ethos. Collectibility and Influence in the Art World Fairey's anecdote about meeting the band and finding Geezer Butler wearing an OBEY shirt is a testament to the reciprocal influence between artist and musician. It underlines how street pop art and music often come full circle, with artists influencing musicians and vice versa. The print is a celebration of the band's return with the album "13" and a nod to the historical relationship between the artist and Black Sabbath. It is this narrative that imbues the artwork with a personal touch, making it a profound statement within the realms of both pop culture and street art. As a collectible, the Black Sabbath silkscreen print by Shepard Fairey stands at the intersection of music memorabilia and fine art. Its scarcity and the reputation of its creator heighten its value not only in monetary terms but also as a cultural artifact. Collectors and fans seek such pieces for their aesthetic appeal and their ability to capture a moment in history, a period where music and street pop art intertwine to create a tangible representation of a musical era. In the broader spectrum of street pop art and graffiti artwork, Shepard Fairey's Black Sabbath print represents the genre's potential to transcend the streets and enter into the world of high art and collector's items. The piece, with its intricate design work and deep cultural connections, stands as a testament to the power of visual art to celebrate and immortalize the spirit of music.

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Mayra Skull- Rook Brand Limited Edition 4-Color Hand-Pulled Metallic Ink Silkscreen Print on French Speckletone Kraft Paper by Joe King Graffiti Street Artist Modern Pop Art.

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Demagogue 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musician Franz Ferdinand. Signed & Numbered Screen Print 18 x 24 inches Edition of 500 October 18, 2016 I’ve been a big fan of the band Franz Ferdinand since they first hit the scene in 2003. Stylistically, Franz mixes a pinch of glam rock, a nice serving of post-punk and a bit of dance-punk to create a sound that is irresistibly infectious. The band is undeniably stylish in their fashion and their album artwork which is frequently inspired by Russian Constructivism, one of my biggest inspirations as well. The lyrics of singer Alex Kapranos are witty, charming, and often insightful about human nature. Franz Ferdinand is a band of style and substance. -Shepard Fairey

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The Future Is Equal AP Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist Proof. AP Artist Proof 2022 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print "I grew up at a time when women’s rights were on the rise and it was accepted that the ERA was destined to pass. With 38 states having ratified the ERA, it is time for our leaders to step-up and enact the will of the people by ensuring that the ERA is adopted. It is overdue that gender equality becomes the law of the land. This project resonated with me because the fight for gender equality has always been rooted in social-justice activism and there is still work to be done." -Shepard Fairey The Future Is Equal AP Silkscreen Print by Shepard Fairey The Future Is Equal AP Silkscreen Print by Shepard Fairey is a powerful visual statement in the world of Street Pop Art & Graffiti Artwork. Created in 2022 as a hand-pulled silkscreen on cream Speckletone fine art paper, this 18x24-inch artist proof edition is signed and marked AP by Fairey. The print embodies a direct message about gender equity and civil rights through a striking composition that combines historical references, contemporary visual cues, and a politically engaged aesthetic. The female figure at the center wears a red and black cap adorned with the symbol for feminism, her confident gaze set against a backdrop of legal and activist iconography. Her jacket bears the words ERA NOW, a clear call for the ratification of the Equal Rights Amendment. A public notice referencing the 1972 general election is also printed below, reinforcing the legal and historical dimension of the piece. Visual Symbolism and Stylistic Elements Fairey's visual language is rooted in propaganda poster design, and this work uses bold red, black, and blue tones to evoke urgency and clarity. The composition is organized like a page from a revolutionary newspaper, echoing historical civil rights publications. To the left, a figure representing Lady Justice appears, reinforcing the balance of law and equity. A banner at the top announces The Future Is Equal, styled like a newspaper headline, referencing The Daily Times and proclaiming the approval of the Equal Rights Amendment. In the lower right corner, demonstrators raise fists and signs, with slogans such as Power Women Free, tying the artwork directly to protest culture and ongoing feminist movements. These combined motifs reflect Shepard Fairey’s continued commitment to Street Pop Art & Graffiti Artwork that is both accessible and subversive. Social Justice Activism in Contemporary Art Shepard Fairey, born in the United States in 1970, has long used his work to highlight themes of justice, power, and equality. As a pop culture artist with roots in the street art movement, he brings social commentary into spaces both sanctioned and unsanctioned, often using silkscreen as a medium for its reproducibility and historical weight. This print connects directly with Fairey’s ongoing efforts to leverage visual art for political advocacy, including previous works supporting climate change awareness, anti-war efforts, and racial justice. The Future Is Equal AP stands as part of this lineage, using the visual tools of street propaganda to demand legislative change and public awareness of gender rights issues. Political Printmaking in the Street Pop Tradition This artwork reflects a broader tradition in graffiti and street pop movements of using printmaking and public imagery to amplify voices calling for systemic change. Fairey’s AP edition adds rarity and collector significance, while still embodying the core ethos of accessibility and activism. The image challenges viewers to recognize unfinished work around gender equity, invoking both the legacy of earlier activists and the responsibility of contemporary generations. The combination of scale, texture, and visual urgency captures the essence of what Street Pop Art & Graffiti Artwork can accomplish when fused with purpose and historical consciousness.  

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Revolution Girl Silkscreen Print by WK Interact x Shepard Fairey- OBEY Hand-Pulled 1-Color on Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2007 Signed by WK Interact & Shepard Fairey- OBEY Limited Edition of 250 Artwork Size 18x24 Silkscreen Print. No Obey/WK Revolution Girl Prints Were Numbered in This Edition, and Half of WK Did not Sign; Both Artists Signed This Artwork. Small Crease to the Lower Right Facing Corner. "Revolution Girl" is a compelling collaboration between Shepard Fairey, the founder of OBEY, and WK Interact, an artist known for his dynamic street art. This one-color silkscreen print, produced in 2007, exemplifies a confluence of two distinctive styles that have shaped the visual vocabulary of street art and pop culture. Measuring 18x24 inches and printed on Speckletone fine art paper, the piece is part of a limited edition series with only 250. Significantly, this print is dual-signed by both artists, a rarity given that not all prints from this series were signed by WK Interact, and none were numbered, adding a layer of exclusivity to this artwork. The image is a stark, high-contrast depiction that conveys a sense of urgency and defiance, characteristic of Fairey's work, blended with the kinetic energy of WK Interact's approach to street art. The piece features a figure that is an assertive and revolutionary instance, capturing the ethos of protest and empowerment. This artwork speaks to the heart of street art’s purpose—to challenge norms and inspire change through visual disruption. The presence of a small crease on the lower right-facing corner of the print is a testament to its journey and authenticity, a nod to the often impermanent and rugged life of street art. By merging their distinct artistic signatures, Fairey and WK Interact create a narrative that is both a political and aesthetic statement, resonating with the core of pop art’s intent to blur the boundaries between 'high' art and 'low' culture. "Revolution Girl" stands not just as a work of art but as a cultural artifact that encapsulates the spirit of its era, where art became a loudspeaker for social and political discourse. This print is a testament to the influence of street art in the contemporary art scene, marking its evolution from the fringes to a recognized and vital form of artistic expression that engages public consciousness.

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SF Fire Escape Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2011 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print  SF Fire Escape by Shepard Fairey - Street Pop Art & Graffiti Artwork in Urban Symbolism Shepard Fairey’s 2011 silkscreen print titled SF Fire Escape captures the architectural and cultural energy of San Francisco through the lens of Street Pop Art & Graffiti Artwork. Printed on cream Speckletone fine art paper in a signed and numbered edition of 450, this 18 by 24 inch hand-pulled silkscreen distills Fairey’s signature use of graphic contrast and political commentary into a dynamic composition of urban geometry. Utilizing his iconic red, black, and cream palette, the work presents a striking fire escape cutting across a modern building facade, marked with the bold face of Fairey’s now-famous Obey Giant icon peering through a window. The structure’s vertical lines intersect with diagonal staircases while an urban billboard pronounces no turns and one way, placing metaphorical emphasis on control, restriction, and the illusion of directional certainty. Architectural Linework and Urban Power Structures Fairey’s SF Fire Escape transforms mundane urban design into charged visual content. The fire escape, typically seen as a symbol of safety or last resort, becomes a jagged line of escape from conformity. Its stark white angles against the rigid grid of the building evoke urgency and possibility. The red and black panels lend a sense of urgency and institutional rigidity, while the silhouetted billboard adds a layer of societal direction or imposed path. Fairey’s placement of the Obey Giant face within the fire escape window interrupts the grid with an unexpected humanized symbol, referencing the artist’s ongoing critique of media saturation, surveillance, and systemic structures. It also acts as a quiet observer embedded in the architecture, watching yet contained. Screenprint as Political Medium in Street Pop Art Silkscreen printing has long served as Fairey’s chosen tool for reproducing messages quickly and accessibly. SF Fire Escape continues this legacy by maintaining the aesthetics of poster-making while functioning as a collectible art object. The choice of cream Speckletone paper, combined with bold silkscreened layers of ink, recalls the DIY ethos of flyposted propaganda art found throughout city streets. Fairey’s refined yet aggressive visual language harnesses the technique of repetition, limited color palette, and contrast to amplify urgency and power. This composition doesn’t merely portray an architectural moment but translates the city’s built environment into a metaphor for cultural lockdown and authoritarian cues masquerading as guidance. Embedded Iconography and Urban Resistance The Obey Giant face is not simply branding or ornament—it operates as a resistance symbol embedded in the built fabric of city life. By placing this face within the context of an urban fire escape, Fairey plays with the idea of surveillance, autonomy, and escape. His use of directional signage adds a layer of irony, questioning whether individuals in modern society are truly free to choose paths or simply navigating a framework of control. SF Fire Escape exemplifies Shepard Fairey’s ongoing role in reshaping contemporary Street Pop Art & Graffiti Artwork into socially reactive and politically charged print-based media, grounded in both the visual language of rebellion and the structure of the everyday.

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Prophets Of Rage New Day Rising Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 600 Artwork Size 18x24 Silkscreen Print Prophets Of Rage Rap Music Group Fist in the Air. Visual art and music often produce iconic imagery that transcends time, and Shepard Fairey's "Prophets Of Rage New Day Rising" silkscreen print is a prime example of this phenomenon. Created in 2017, this piece is a visually arresting representation of the rap music group Prophets of Rage, a band known for its socially conscious music and activism. This artwork is part of a limited edition series, with only 600 signed and numbered prints, further accentuating its exclusivity and collectible nature. Each print, sized at 18x24 inches, is a hand-pulled two-color silkscreen on cream speckletone fine art paper, a testament to Fairey's meticulous crafting process and his commitment to quality. Fairey, a stalwart figure in contemporary street art, often referred to by his Obey brand, infuses his works with pop culture references and political messages, and this print is no exception. The central image of a clenched fist raised in the air is a universal symbol of resistance and solidarity. This motif, set against a red star, resonates with the band's radical ethos and calls to mind a long history of protest art. The inclusion of skeletal figures and apocalyptic imagery on the periphery serves to highlight the group's message of political upheaval and the need for systemic change. This print is not just a piece of merchandise for fans of the band; it stands on its own as a significant work within pop art, street art, and graffiti art. Fairey's work bridges the gap between art and social commentary, embodying the spirit of hip-hop culture's roots in activism and public discourse. The stark contrast of colors and the use of a globe in the backdrop suggest a worldwide call to action, one that is reflective of the global influence of hip-hop culture itself. Moreover, Fairey's "Prophets Of Rage New Day Rising" is emblematic of the capacity of street art to elevate popular culture and political thought into the realm of high art. By appropriating the visual language of the streets and the urgency of rap music's social critique, Fairey delivers a powerful statement on the role of the artist as a social commentator and the potential of art to ignite conversation. This piece serves as a reminder of the potency of visual expression in pop culture and its ability to encapsulate the zeitgeist of a movement, a moment, or in this case, the fierce energy of a band like Prophets of Rage.

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Factory Stacks- Earth First 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard Factory Stacks – Earth First Silkscreen Print by Shepard Fairey Factory Stacks – Earth First is a powerful 6-color hand-pulled silkscreen print created in 2022 by renowned American artist Shepard Fairey. Measuring 18x24 inches and printed on thick cream Speckletone fine art paper, this signed and numbered limited edition of 350 pieces fuses the political energy of graffiti with the precision and control of modern screenprint design. The work is part of Fairey’s continued focus on environmental activism through art and contributes to the broader conversation around the role of industry, power, and public accountability in climate policy. Industrial Might as Graphic Metaphor The print features a factory with twin smokestacks emitting bold trails of smoke against a fragmented and stylized backdrop of red, yellow, and blue—colors associated with urgency, fire, and warning. The building looms large, rendered with clean vector lines and high-contrast forms, while geometric elements and cultural motifs hover in the background, including currency iconography, flames, and architectural symbolism. The stark visual contrast between the rigid industrial structures and the organic chaos of smoke and fire underscores the clash between mechanized progress and ecological fragility. This image serves as a critique of global dependence on fossil fuels and the prioritization of profit over environmental sustainability. Shepard Fairey is known for embedding meaning within tightly structured visuals, and here he uses the monumental scale of the smokestacks as a metaphor for entrenched systems of power. The print’s backdrop includes references to government currency and propaganda textures, further emphasizing the complicity of institutional economics in environmental destruction. Screenprinting as Political Craft Fairey’s technical skill in hand-pulled silkscreening is evident in the crisp linework, bold palette, and balanced layering of texture and flat color. The artwork’s speckletone paper enhances the handmade quality of the piece, giving it the presence of a protest poster while retaining the refinement of collectible street pop art. The 6-color process allows for vibrant layering and nuanced interplay of light and form, with the red and black palette lending a sense of urgency and confrontation. By combining the visual language of commercial design with fine art methods, Fairey continues his legacy of making politically charged works that are accessible, reproducible, and grounded in visual activism. This piece fits into his broader OBEY aesthetic, which draws from punk, graffiti, and socialist propaganda to awaken public dialogue. Art as Environmental Statement Factory Stacks – Earth First is not merely a visual statement; it is a functional activist tool. A portion of the proceeds from this edition was pledged to Greenpeace, supporting global campaigns to combat climate change. Fairey encourages viewers to reflect on systemic inertia, corporate greed, and the governmental failure to transition away from environmentally destructive practices. His recommendation of Naomi Klein’s book “This Changes Everything” provides further intellectual grounding for the print’s message, aligning the work with contemporary thought leaders in environmental justice. This silkscreen print exemplifies the power of Street Pop Art & Graffiti Artwork as both a form of protest and a call to action. By merging aesthetics with advocacy, Shepard Fairey transforms industrial imagery into a demand for ecological responsibility and human accountability.

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Obey Radical Peace- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 375 May 7, 2021. Shepards Spin of the Capital Protest 2021 Where Cops Killed 5 Unarmed Protestors.

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Tunnel Vision Version 2- Alternate Gold Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey Rare Street Art Limited Edition Artwork. 2018 Signed by Shepard Fairey & Numbered Limited Edition of 700 Artwork Size 18x24 Shepard Fairey (b. 1970) Tunnel Vision 2018 Screenprints in colors on speckled cream paper 18 x 24 inches (45.7 x 61 cm) Ed700 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. Tunnel Vision Version 2 Gold Silkscreen Print is a limited-edition artwork created by American contemporary street artist Shepard Fairey, who is best known for his OBEY Giant campaign and the iconic Barack Obama "Hope" poster. Fairey's work often combines street art aesthetics with political messages, drawing inspiration from graphic design, propaganda, and counterculture. The Tunnel Vision Version 2 - Gold Silkscreen Print features an eye-catching design with Fairey's signature style. The print showcases a mixture of geometric patterns, bold lines, and contrasting colors, with the blue colorway offering an alternative to the original print. Like many of Fairey's works, the piece has a thought-provoking theme that encourages the viewer to question societal norms and the status quo. As a silkscreen print, the artwork is produced using a stencil-based printing process that involves applying ink through a mesh screen onto a substrate. This method allows for vibrant colors and sharp, precise details, making it a popular choice for artists and printmakers. Since it is a limited-edition print, collectors and fans of Shepard Fairey's work should act quickly to secure a copy before they sell out.

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The Lonesome Crowded West Apt Block Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print Apartment Block Urban City Building Stylized. "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY In the pantheon of street art, few names are as synonymous with the movement's thrust into mainstream culture as Shepard Fairey. His collaboration with the band Modest Mouse for their tour poster celebrates a milestone—the 25th anniversary of their seminal album, "The Lonesome Crowded West." In true Fairey fashion, he interprets the album's ethos with a limited edition silkscreen print, meticulously hand-pulled with five colors on Cream Speckletone fine art paper. This process ensures each of the 825 pieces is imbued with the artist's personal touch. Measuring 18x24 inches, this signed and numbered print presents an apartment block—an urban icon that exemplifies the crowded isolation in the album's title. Fairey's stylized depiction of the apartment block resonates with the band’s exploration of the paradoxical loneliness of urban existence, embodying the spirit of Modest Mouse's music through visual art. His work is not merely an artistic rendition but a narrative of city life's juxtapositions—connectivity and isolation, sound and silence. This collaboration is particularly significant for Fairey, who has been a fan of Modest Mouse since 1998. The album left an indelible mark on him, with its tonal shifts from the raucous "Teeth Like God's Shoeshine" to the more subdued "Trailer Trash." Fairey extols Isaac Brock's songwriting, acknowledging the profound depth and poetic nature of his lyrics, especially considering Brock's youth. The two tracks that stood out to Fairey, "Doin' the Cockroach" and "Cowboy Dan," exemplify the album's range and Brock's lyrical prowess. Fairey's history with Modest Mouse dates back to the 2000 "Black Glass" tour poster, reinforcing his long-standing connection with the band. This print is another chapter in that narrative, solidifying the kinship between his visual art and their musical expression. The artwork is a tangible piece of pop culture history, intertwining the legacy of Fairey's street art with Modest Mouse's contribution to music. Collectors of Fairey’s work and fans of the band alike cherish this print as a symbol of the enduring relevance of "The Lonesome Crowded West" and the power of art to transcend mediums, capturing the essence of an era.

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The Lonesome Crowded West Tower Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY Marking the 25th anniversary of Modest Mouse's influential album "The Lonesome Crowded West," celebrated street artist Shepard Fairey, known as OBEY, crafted a striking limited edition silkscreen print. This 2022 piece, meticulously hand-pulled and comprising five colors on Cream Speckletone fine art paper, mirrors the layered complexity of the album it honors. The work measures 18x24 inches, a testament to the album's monumental impact on the alternative rock scene and Fairey's own artistic journey. Each of the 825 signed and numbered prints encapsulates Fairey's personal connection with the album, having first encountered its raw and eclectic sound in 1998, a year after its release. He describes the album as "multi-dimensional," resonating through its varied tones from the "aggressive and dissonant" to the "folky, jangly, and intimate." His favorite tracks, "Doin’ the Cockroach" and "Cowboy Dan," evoke contrasting emotions of exhilaration and introspective tension, revealing the dexterity of Modest Mouse's music and the profound lyrical skill of frontman Isaac Brock. In this piece, Fairey channels the essence of the album's themes, depicting an isolated tower amidst a vast, red-streaked landscape, symbolizing the album's exploration of urban isolation and the Western American experience. The contrast between the solitary building and the surrounding expanse eloquently captures the album's title, "The Lonesome Crowded West." This visual representation goes beyond mere album art; it is an intersection of Fairey's iconic style and Modest Mouse's sonic influence, bridging visual and auditory art forms. Fairey's engagement with Modest Mouse extends back to their 2000 "Black Glass" tour, for which he also created a poster. This long-standing relationship emphasizes the mutual respect between the artist and the band, illustrating how music and visual art can coalesce to form powerful cultural statements. His artistic expression is not only a tribute to the music but also an homage to Brock's poetic lyrics, which left an indelible impression on Fairey, prompting him to label Brock a true poet. As an influential figure in street art and pop culture, Fairey’s creation for Modest Mouse cements his position at the forefront of contemporary art. It serves as a visual anchor for the album’s legacy, ensuring that its cultural resonance extends into the visual realm. Collectors and fans of both the band and Fairey find in this print a confluence of two forms of rebellion and expression, solidified on paper but echoing far beyond.

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Flower Power Blue Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2021 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Silkscreen Print Shepard Fairey's "Flower Power Blue" silkscreen print is an iconic representation of the dynamic fusion between pop art, street art, and graffiti art. This hand-pulled print, realized on Speckletone fine art paper, depicts a compelling fusion of vibrant colors and assertive designs, characteristic of Fairey's recognizable aesthetic. Produced in 2021, "Flower Power Blue" exemplifies Fairey's propensity for utilizing powerful symbology in his art. The piece depicts a flourishing flower, its vibrant blue petals spreading outwards in an explosion of color, symbolizing growth, resistance, and the indomitable spirit of nature against the urban backdrop. The intricate detailing, a testament to Fairey's prowess as an artist, is also suggestive of the artist's ongoing dialogue with the environment. Fairey, also known by his street name OBEY, has been an influential figure in street art and pop art circles. His unique style combines elements of graffiti and stencil techniques, with a keen focus on societal commentary. In "Flower Power Blue", Fairey channels this commentary through symbolism and color, creating a layered narrative for the audience to interpret. As a limited-edition piece, this artwork holds a special significance for collectors. Only 375 prints were made, each one signed and numbered by Fairey himself. Measuring 18x24 inches, the print's size complements the visual impact of its design, rendering it a captivating addition to any art collection. The artwork's limited nature also adds a degree of exclusivity, contributing to its appeal among art enthusiasts. Shepard Fairey's "Flower Power Blue" is, in essence, a visual testament to the power of street art as a medium for societal critique and commentary. This silkscreen print, with its vivid colors, potent symbolism, and the exclusivity of its limited-edition status, embodies Fairey's significant contribution to the realms of pop art and street art.

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Does She Look Down Limited Edition 3-Color Hand-Pulled Silkscreen Print on Speckled Cream Paper by Pop Artist Shepard Fairey. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24

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LAndmarked Limited Edition 3-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Krush Graffiti Street Artist Modern Pop Art. "L Andmarked" was produced in collaboration with Krush and The Seventh Letter, a three-color screenprint on Speckleton paper. This book is a print released at the time of the "LA marked" art show. It's a classic print of Los Angeles' dreamy, hot, dreamy environment with 20th-century advertising designs and typography that are about to disappear from classic spots such as the subculture area of ​​Los Angeles. ..

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Flower Power Red Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2021 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Silkscreen Print Shepard Fairey's "Flower Power Blue" silkscreen print is an iconic representation of the dynamic fusion between pop art, street art, and graffiti art. This hand-pulled print, realized on Speckletone fine art paper, depicts a compelling fusion of vibrant colors and assertive designs, characteristic of Fairey's recognizable aesthetic. Produced in 2021, "Flower Power Blue" exemplifies Fairey's propensity for utilizing powerful symbology in his art. The piece depicts a flourishing flower, its vibrant blue petals spreading outwards in an explosion of color, symbolizing growth, resistance, and the indomitable spirit of nature against the urban backdrop. The intricate detailing, a testament to Fairey's prowess as an artist, is also suggestive of the artist's ongoing dialogue with the environment. Fairey, also known by his street name OBEY, has been an influential figure in street art and pop art circles. His unique style combines elements of graffiti and stencil techniques, with a keen focus on societal commentary. In "Flower Power Blue", Fairey channels this commentary through symbolism and color, creating a layered narrative for the audience to interpret. As a limited-edition piece, this artwork holds a special significance for collectors. Only 375 prints were made, each one signed and numbered by Fairey himself. Measuring 18x24 inches, the print's size complements the visual impact of its design, rendering it a captivating addition to any art collection. The artwork's limited nature also adds a degree of exclusivity, contributing to its appeal among art enthusiasts. Shepard Fairey's "Flower Power Blue" is, in essence, a visual testament to the power of street art as a medium for societal critique and commentary. This silkscreen print, with its vivid colors, potent symbolism, and the exclusivity of its limited-edition status, embodies Fairey's significant contribution to the realms of pop art and street art.

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Green Power Factory Blue 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2023 Signed & Numbered Limited Edition of 350 Artwork Size 18x24 "Green Power is a concept I’ve promoted in several pieces of my art. We need to transition to renewable sources of energy for the health of the planet. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that promote green power and put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring." -Shepard Fairey Shepard Fairey is an American contemporary street artist, graphic designer, activist, and founder of OBEY Clothing. He is known for his thought-provoking and socially-conscious artwork, often combining powerful imagery with provocative messages. The "Green Power Factory Blue Silkscreen Print" was created by Shepard Fairey and features his signature style and color scheme. It most likely represents themes of environmentalism, industry, and the need for sustainable energy solutions. The use of the OBEY logo in the title suggests that it may also convey an underlying message about recognizing and acting on these themes. As a silkscreen print, this artwork is created using a stencil-based printing technique where ink is forced through a mesh screen onto a surface. This method allows for producing multiple prints with a high level of detail and vivid colors. In the case of Fairey's work, the technique is particularly well-suited to his bold, graphic style.

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Overloading The Grid David Byrne AP Silkscreen Print by Shepard Fairey- OBEY x Bobby Grossman Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist Proof. AP Artist Proof 2024 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print of Talking Heads Singer David Byrne Photo by Bobby Grossman. "I’ve been a fan of the Talking Heads since I was a kid and heard songs like “Once in A Lifetime” and “Burning Down the House” on the radio, well before I discovered punk rock and understood the Talking Heads’ important role in the nascent punk scene as it developed in NYC at CBGB’s in the mid-70’s. I remember seeing the film Stop Making Sense on HBO as a teen and thinking the Talking Heads singer, David Byrne, was very weird and very fearless to dance around in an absurdly oversized suit. I didn’t yet realize that exploring the awkward nature of existence was precisely Byrne’s strong suit! Later, as I got a little more sophisticated, I realized how creatively adventurous the Talking Heads were both musically and with their visuals." -Shepard Fairey Overloading The Grid David Byrne AP by Shepard Fairey and Bobby Grossman The Overloading The Grid Artist Proof silkscreen print from 2024 brings together two highly influential figures of countercultural visual language: Shepard Fairey and Bobby Grossman. This hand-pulled screen print features the likeness of David Byrne, the iconic frontman of the Talking Heads, based on a classic photograph by Grossman and reimagined through Fairey’s unmistakable graphic aesthetic. Printed on cream Speckletone fine art paper and signed and marked AP by Shepard Fairey, this 18x24 inch edition merges photography, music history, and political design into a single portrait that reflects both artistic legacy and cultural disruption. The Legacy of David Byrne in Visual and Sonic Innovation David Byrne’s influence transcends music and bleeds into the worlds of performance art, fashion, and design. As the lead singer of Talking Heads, Byrne’s cerebral yet experimental style embodied the sensibilities of the downtown New York scene during the punk explosion of the 1970s. With an offbeat stage presence and a flair for embracing discomfort as a thematic device, Byrne made awkwardness a mode of expression and communication. His contributions to music videos, album artwork, and stage productions helped define the visual language of new wave and post-punk, laying the groundwork for a visual narrative style that continues to influence contemporary art and design. Shepard Fairey’s Graphic Interpretation Through Street Pop Art & Graffiti Artwork Shepard Fairey’s reinterpretation of Bobby Grossman’s photograph speaks directly to the ethos of Street Pop Art & Graffiti Artwork. With signature grid overlays, limited color palettes, and stark shadows, Fairey constructs a visual tension between formality and rebellion. His use of contrast and stylized design imbues the portrait with a power often reserved for propaganda art, reflecting his career-long interest in political messaging and iconography. The screen print format itself holds deep roots in street art and DIY culture, enhancing the piece’s connection to underground aesthetics. Fairey's technique amplifies Byrne’s gaze, turning the portrait into a symbol of creative defiance and urban sophistication. Bobby Grossman’s Influence on Cultural Memory Photographer Bobby Grossman captured the raw, behind-the-scenes energy of New York’s downtown scene with honesty and intimacy. His photography functioned not just as documentation but as an active component of the era’s aesthetic. This collaboration with Fairey pays tribute to Grossman’s influence as an image maker and archivist of punk, pop, and street art culture. His image of Byrne—now stylized, reframed, and elevated—finds new resonance within the larger context of contemporary art. By pairing Grossman’s lens with Fairey’s visual voice, the print becomes more than a portrait; it is a statement on the enduring impact of artists who shaped the language of resistance and reinvention through Street Pop Art & Graffiti Artwork.

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Lemmy Damaged Case 1-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2021 Signed & Numbered Lemmy Damaged Case 18 inches by 24 inches Edition of 550 September 10, 2021 "I was first intrigued to check out Motörhead because the guys from G.B.H. were in a few photos wearing Motörhead t-shirts with the band’s great “snaggletooth” logo. “Ace of Spades” is the first Motörhead song I heard, and I didn’t know how to categorize it – punk, metal, hard rock?…but I knew it sounded AWESOME!" -Shepard Fairey

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Bad Brains Punk Showcase- Rock For Light 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musicians Bad Brains. 2016 Signed & Numbered Limited Edition of 350 Artwork Size 18x24 Shepard Fairey's "Bad Brains Punk Showcase - Rock For Light" is a striking exemplar of the indelible impact of street pop art and graffiti artwork on the domain of music and culture. This two-color hand-pulled silkscreen print on cream speckle tone paper is a tribute to the legendary punk band Bad Brains, known for their explosive fusion of punk and reggae and their message of "Positive Mental Attitude." The limited edition print, part of a signed and numbered release of 350 pieces measuring 18x24 inches, encapsulates the raw energy and ethos of the band while also showcasing Fairey's iconic style that has become synonymous with the OBEY brand. Fairey, a street artist and graphic designer, rose to fame with his "Andre the Giant Has a Posse" sticker campaign, which later evolved into the OBEY Giant movement. This project aimed to stimulate curiosity and encourage people to question their relationship with their surroundings. The "Bad Brains Punk Showcase" piece continues Fairey's exploration of counterculture and music, prevalent themes throughout his body of work. His distinct approach to art, often characterized by bold, stylized images and a limited color palette, reflects his roots in the skateboarding scene and his admiration for the punk rock ethos. In this artwork, Fairey melds the band's iconography with his aesthetic to create a piece that is both a homage and a standalone work within the street pop art genre. The use of the star emblem, the dynamic composition, and the commanding typography are all hallmarks of Fairey's style while also paying respect to the cultural significance of Bad Brains. The result is a piece that resonates with fans of the band and Fairey's art, bridging the gap between music and visual art in a way symbolic of street pop art's role in contemporary culture. The artwork serves not only as a collector's item but also as an illustration of the synergy between visual art and music. It is a testament to the power of street pop art to transcend its origins and become a part of the cultural lexicon, capable of celebrating and immortalizing the pioneers of subcultures like punk rock. Fairey's "Bad Brains Punk Showcase - Rock For Light" is a vibrant reminder of the enduring legacy of Bad Brains and the rebellious spirit that fuels both their music and the world of street pop art.

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I See Static Blue AP Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist Proof. AP Artist Proof 2016 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print. Static Is All That I See. Increase The Peace. I See Static Blue AP by Shepard Fairey The 2016 I See Static Blue Artist Proof silkscreen print by Shepard Fairey exemplifies the tension between distortion and perception in contemporary Street Pop Art & Graffiti Artwork. Executed with masterful precision on cream Speckletone fine art paper and signed and marked AP by the artist, this 18x24 inch hand-pulled silkscreen is a cryptic visual dialogue between media influence and the pursuit of peace. Fairey’s use of sharply defined geometry, vertical interference patterns, and symbolic layering invites the viewer into a hypnotic confrontation with sensory noise and propaganda. Visual Language Rooted in Power and Media Critique Fairey’s visual lexicon in I See Static Blue merges optical disruption with ideological clarity. The text Static Is All That I See appears embedded in a field of radiating blue lines, visually mimicking the interference of analog television static while metaphorically addressing the mental fog created by constant messaging and surveillance. Faces flank the central axis, fragmented by distortion lines, evoking themes of fractured identity in the information age. Below them, an all-seeing eye hovers—laced with a skull at its center—underscoring themes of control, mortality, and the ever-present gaze of media authority. The piece unravels the saturation of images that both numb and command attention, serving as a commentary on cognitive overload and ideological indoctrination. Street Pop Art & Graffiti Artwork as Message and Medium Fairey’s artwork lives at the junction of rebellion and refinement, where street aesthetics are elevated through design discipline. I See Static Blue carries influences from the psychedelic era’s visual frequencies and fuses them with propaganda art’s structural rigidity. Shepard Fairey, born in the United States in 1970, has remained one of the most politically vocal figures in Street Pop Art & Graffiti Artwork, using repetition, limited color palettes, and iconographic symbols to dismantle corporate and governmental narratives. The presence of Obey beneath the eye recalls his original campaign of subversion, turning advertising into art and instruction into satire. The visual message is never passive—it compels awareness. Color, Symbolism, and the Artist Proof Format Rendered in cool hues of cobalt blue, muted crimson, and cream, this print carries a colder psychological weight than many of Fairey’s politically aggressive pieces. The symmetry and balance suggest duality, yet the design’s eye strain effect disorients and provokes. This AP edition holds further value not just as a Shepard Fairey work, but as a limited variant meticulously signed and marked by hand. The combination of sharp lines and symbolic complexity elevates the piece into both an aesthetic and intellectual exercise, reflecting Fairey’s continued relevance in using the visual structure of Street Pop Art & Graffiti Artwork to reflect and resist.

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