On a Heartbeat Original Mixed Media Painting Graffiti Artist Modern Pop Art on Real Metal Street Sign by Chris RWK. 2022 Signed Original Mixed Media Acrylic & Spray Paint on Real 30x30 Street Stop Sign Immersed in various mediums, Chris began to store the images brought forward though these everyday experiences in what he refers to as a “mental journal”. This journal was a haven of his thoughts that he could refer back to whenever necessary.

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Sidewalk Closed Original Mixed Media Graffiti Artist Modern Pop Art on Real Metal Street Sign by Sonic Bad. 2012 Signed Original Spray Paint & Metal Street Sign Artwork Size 24x18 Depicting 2 1970s-80s Stylized Beat Boys, NYC Graffiti Tags & Bubble Letters on Street Closed Sign Sonic Bad's Ode to the Streets: The 'Sidewalk Closed' Series The 'Sidewalk Closed' artwork by Sonic Bad, an original piece created in 2012, infuses the rebellious spirit of 1970s and 80s street culture into a medium that is emblematic of urban restriction: a real metal street sign. This mixed media work, signed by the artist, is a striking example of how street pop art and graffiti can repurpose public regulatory objects into canvases that challenge and reinterpret their original intent. Reclaiming Urban Symbols in Street Art Sonic Bad's choice of canvas—a metal street sign—turns an everyday symbol of control into a representation of creative liberation. The artwork, sized at 24x18 inches, is vibrant with color and life, presenting a stark contrast to the sign's mundane purpose of demarcating boundaries. By painting over it, Sonic Bad claims the object for art, much like graffiti artists claim walls for their tags and murals. The piece itself is a dynamic collage of NYC graffiti tags and bubble letters, styles deeply rooted in the history of street art. It showcases two stylized beat boys, figures that resonate with the hip-hop culture that was burgeoning on the streets of New York City during the 70s and 80s. These characters are not only representations of a specific era but also symbols of the energy and rhythm of street life. The Visual Language of Graffiti and Its Evolution Sonic Bad's work serves as a visual lexicon of graffiti's evolution, encapsulating the transition from tagging—often a raw, text-based expression of identity—to more complex and stylized works. The 'Sidewalk Closed' series is particularly evocative of this shift, highlighting the movement from simple letterforms to elaborate and colorful representations that are as much about the artistry of the line as they are about the message. The aerosol paint, a medium synonymous with graffiti, brings authenticity to the piece, its drips and opacity echoing the textures of street art seen in the wild. The metal sign, once reflective and directive, becomes muted and textured under layers of paint, a metaphor for the way street art can change the nature and conversation around public spaces and objects. Sonic Bad and the Living History of Street Art Sonic Bad's 'Sidewalk Closed' is more than a singular work; it is part of the living history of street pop art and graffiti artwork. It reflects a time when street culture began to permeate every aspect of urban life, from the music that played out of boomboxes to the art that adorned the walls and sidewalks of the city. This piece is a celebration of that era, a nod to the roots of street art, and a statement on its enduring influence. The artist, by merging nostalgia with contemporary expression, invites onlookers to explore the depth and breadth of street art. Through this work, Sonic Bad not only pays homage to the pioneers of the genre but also places himself within the continuum of artists who have utilized the street as their gallery. His legacy lies in his ability to transform the ordinary into the extraordinary, ensuring that the spirit of the streets remains vibrant and visible.

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What A Graffiti Writer Sees Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by LushSux Graffiti Street Artist Modern Pop Art. Signed & Numbered Limited Edition of 40 Artwork Size 16x20 Graffiti Urban Industrial Street Scene Depicting Various Graffiti Throw Ups & Tags in Black & White. Insight into LushSux's "What A Graffiti Writer Sees" LushSux, the notorious graffiti street artist, presents a candid visualization of the urban landscape through the eyes of a graffiti writer with his work "What A Graffiti Writer Sees." This limited edition artwork, produced in a series of 40 archival pigment prints on 310gsm Museum Natural Fine Art Paper, measures 16x20 inches and is a signed and numbered offering from the artist. In black and white, the piece depicts a street scene brimming with various graffiti throw-ups and tags, capturing the raw essence of the graffiti artist's vision. Decoding the Urban Canvas in LushSux's Art The artwork is a monochromatic tribute to the graffiti culture, embodying the visual language and symbols that graffiti writers imbue in the urban environment. In this piece, buildings are not merely structures but potential canvases, bristling with opportunity and awaiting the artist's mark. LushSux translates the three-dimensional world into a flat surface yet retains the depth and complexity of the graffiti artist's perspective. Each element, from the roller tags to the dripping paint, is rendered authentically, highlighting the artist's intimate understanding of this art form. LushSux and the Graffiti Narrative Through "What A Graffiti Writer Sees," LushSux makes a poignant statement about perception and the often overlooked details in our surroundings. The piece transcends a simple depiction of graffiti; it explores the artist's psyche, the subcultural codes, and the often invisible dialogue between graffiti writers. It is a reflective piece, inviting the viewer to step into the shoes of those who see the city as a playground of expression. LushSux, as both a participant and observer in the graffiti scene, uses his artwork to bridge the street and the gallery, merging the visceral experience of street pop art with the contemplative space of fine art viewership. This artwork is not just a representation of a physical space; it is a window into the cultural and social underpinnings of the street art movement, a modern pop art phenomenon that continues to evolve and provoke.

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Video Surveillance 12x18- II Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. This Area is Under 24 Hour Surveillance Sign.  

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Graffiti Is A Crime 12x18- I Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. Graffiti Is A Crime Sign. Graffiti as a Form of Street Pop Art and Graffiti Artwork Graffiti, often perceived as a rebellious or illegal act, has gradually evolved into a recognized form of art, gaining substantial attention in the realm of modern pop and street art. This transformation is vividly exemplified by the work of renowned graffiti artist Cope2. His piece titled "Graffiti Is A Crime 12x18-I Original Mixed Media Painting" is a striking representation of this evolution. Created in 2020, this artwork is not just a mere expression of street culture but a significant icon in the graffiti art world. It stands out as a signed original spray paint painting, featuring bubble letters on a real metal street sign. Measuring 12x18 inches, this piece encapsulates the essence of street pop art and graffiti artwork, blending the raw energy of street art with the sophistication of modern pop art. The choice of a real metal street sign as the canvas for this artwork speaks volumes about the artist's intention to blur the lines between what is considered legal and illegal, art and vandalism. By transforming a symbol of authority and regulation, a street sign, into a piece of art, Cope2 challenges the conventional perceptions of graffiti. This act of repurposing a street sign, an object typically associated with law and order, into a canvas for graffiti, traditionally viewed as a form of rebellion, creates a powerful contrast and commentary on the societal views of art and expression. The Cultural Significance of Graffiti in Modern Art The artwork "Graffiti Is A Crime" is not just a physical piece of art; it's a statement about the cultural and societal impact of graffiti. Historically, graffiti has been associated with underground movements, often being a tool for the voiceless to express their opinions and emotions. However, as seen through the works of artists like Cope2, graffiti has transcended these boundaries, finding its way into the world of high art and becoming a celebrated form of creative expression. This metamorphosis of graffiti from vandalism to a respected art form is significant in understanding the dynamics of modern art. It reflects the evolving attitudes towards what constitutes art and who gets to define it. By incorporating elements of pop culture, graffiti artists have brought a new dimension to the art world, one that resonates with a broader audience and reflects contemporary societal themes. This shift has not only given graffiti artists like Cope2 a platform to showcase their talent but has also prompted a reevaluation of street art's role in the broader context of art history. Impact on the Perception of Street Art and Graffiti The significance of "Graffiti Is A Crime" and similar works in the context of street pop art and graffiti artwork lies in their ability to challenge and redefine the boundaries of traditional art. These pieces are not just expressions of individual creativity but are also powerful tools for social commentary. They represent a form of artistic democracy, where the street becomes a gallery, accessible to all, and not just the elite few. This democratization of art through graffiti challenges traditional art paradigms and encourages a more inclusive understanding of what art can be. Moreover, the increasing acceptance and celebration of graffiti art in galleries and art exhibitions signify a cultural shift. It represents a growing recognition of the artistic value and social commentary embedded in these works. The journey of graffiti from the streets to the galleries is a testament to the changing perceptions of what is considered legitimate art. It highlights the importance of context, medium, and message in the world of art, proving that creativity knows no bounds and that art can emerge from the most unexpected places. The artwork "Graffiti Is A Crime" by Cope2 is a pivotal piece in the narrative of street pop art and graffiti artwork. It encapsulates the essence of graffiti's journey from the fringes to the forefront of modern art. This piece is not just a representation of artistic skill but a symbol of cultural evolution, challenging perceptions, and redefining the boundaries of art. As such, it holds a special place in the history of modern art, symbolizing the dynamic and ever-evolving nature of artistic expression.

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No Trespassing No Graffiti 12x18- III Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. No Trespassing No Graffiti Surveillance Sign. Challenging Norms with Cope2's Street Pop Art & Graffiti Artwork The piece "No Trespassing No Graffiti 12x18- III" by Cope2 is a provocative work that embodies the rebellious spirit of street pop art and graffiti artwork. The 2020 signed original spray paint painting features bubble letters on a real metal street sign, size 12x18 inches, boldly proclaiming "Graffiti Is A Crime." This artwork is a direct challenge to the legal and societal boundaries that have long been imposed on graffiti artists. Cope2, a name that carries weight in the graffiti world, uses this piece to confront the paradox of graffiti as an art form: its simultaneous existence as a celebrated creation and a criminal act. The medium of the actual metal street sign, an object that typically represents law and control, is subverted and repurposed as a canvas for free artistic expression. This inversion is symbolic of the very nature of street art — a medium that often exists in heavily regulated and surveilled spaces. By choosing this as his canvas, Cope2 does not just create a piece of art; he crafts a statement on the right to public space and the nature of artistic freedom. The Socio-Cultural Commentary of Cope2's Work "No Trespassing No Graffiti" is more than a visually striking piece; it serves as a socio-cultural commentary on the state of street art today. The bright colors and the unmissable bubble letters are quintessential elements of traditional graffiti, yet they stand in stark contrast against the formal, authoritative backdrop of the street sign. This contrast is a visual metaphor for the tension between the artist and the establishment, between creativity and conformity. The artwork captures what Cope2 represents — an artist who has thrived in the face of adversity and legal challenges for over three decades. This mixed media piece shows his dedication to the craft and his ability to adapt and evolve. He showcased his mixed-media the streets to a respected figure in modern pop art while maintaining the edge and authenticity of his street roots. Impact of "No Trespassing No Graffiti" on Street Pop Art & Graffiti Artwork Cope2's "No Trespassing No Graffiti" impact on the perception of street pop art and graffiti artwork cannot be understated. It is an embodiment of the defiance often intrinsic to this genre of art. Yet, it also represents a maturation of the form, a sign that street art has claimed its rightful place in contemporary art discourse. The piece stands as a symbol of resistance against the criminalization of graffiti, urging a reexamination of the laws and cultural perceptions that govern public expression. Through this work, Cope2 asserts the value of street art as a legitimate and powerful form of social and artistic expression. The painting is a direct engagement with the viewer, a call to question and redefine the boundaries of legality and artistry. It is a bold declaration that the presence of graffiti in the public sphere can be both an act of vandalism and a significant cultural artifact. "No Trespassing No Graffiti" is a pivotal piece in the narrative of street pop art and graffiti artwork. It is a testament to Cope2's enduring influence and his commitment to pushing the boundaries of what street art can convey. This artwork is not just a statement against prohibition; it is a proclamation of the transformative power of graffiti, its role in challenging the status quo, and its potential to change how we interact with and understand the urban landscape. It is a piece that encapsulates the complex identity of graffiti, standing as a vibrant example of the dialogue between artist, city, and society.

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Dr. Revolt and Zephyr Limited Edition Photo Archival Pigment Prints on Fine Art Paper by Ricky Powell Graffiti Street Artist Modern Pop Art. 2020 Signed Numbered & Titled by Ricky Powell's Hand Limited Edition of 75 Artwork Size 20x15 Photo Archival Pigment Print. Includes COA Signed 2nd Time by Powell. The Convergence of Street Legends: Dr. Revolt and Zephyr Through the Lens of Ricky Powell In the swirling colors and defiant lines of street pop art and graffiti artwork, authenticity and innovation stand as pillars of the movement. Among the vibrant canvases of city walls, two names emerge with a resonant echo through time: Dr. Revolt and Zephyr. These graffiti artists are not just mere painters of the urban landscape; they are storytellers, cultural commentators, and pioneers of a form that has grown from illicit beginnings to a globally recognized art movement. Their collaboration with Ricky Powell, a legendary photographer known for his candid documentation of the street and hip-hop scenes, culminates in a series of limited edition photo archival pigment prints on fine art paper that captures the essence of an era. Dr. Revolt and Zephyr: Masters of the Spray Can Dr. Revolt, with his flair for electrifying lettering and cartoon figures, has been an integral part of the graffiti scene since its upsurge in the concrete jungles of New York. His work, rife with references to pop culture and subcultural codes, encapsulates the rebellious spirit of the 1970s and 80s. Similarly, Zephyr, renowned for his distinctive wild style and influence in the graffiti movement, has left an indelible mark on the art form. Both artists have witnessed the evolution of graffiti from an underground phenomenon to a legitimate artistic pursuit, and their works are studied and revered by enthusiasts and practitioners alike. The collaboration between Dr. Revolt and Zephyr is not just a meeting of two artists but a fusion of styles that have shaped the trajectory of street art. Their combined legacy is etched onto the surfaces of New York's urban fabric and chronicled in the memories of those who have seen the city's walls transform into galleries of the street. Ricky Powell's Photographic Tribute Into this world of aerosol and rebellion steps Ricky Powell, a photographer whose lens has captured the raw and unfiltered reality of the street. In 2020, Powell released a series of limited edition prints featuring Dr. Revolt and Zephyr, a visual homage to the titans of graffiti. These prints, limited to a run of 75, offer a glimpse into the world of these artists through the candid and intimate style that Powell is celebrated for. Each piece is a 20x15 archival pigment print, a medium chosen for its longevity and ability to reproduce the subtleties of Powell's original photographs with fidelity and depth. The prints are not merely reproductions; they are artifacts of cultural significance. Each one is signed, numbered, and titled by Powell's hand, imbuing them with his presence and blessing. Accompanying the prints is a Certificate of Authenticity, also signed by Powell, assuring collectors of the print's provenance and its place within the limited edition. This series stands as a testament to the era and the enduring influence of these artists within the pantheon of modern pop art. In these prints, we see Dr. Revolt and Zephyr not just as artists but as icons, their figures composed with the same care and respect as their own works. The settings are unmistakably urban, the backgrounds filled with the textures of the city that has been both their canvas and their muse. Powell's work captures the vibrancy and the impermanence of street art, a poignant reminder of the fleeting nature of graffiti, constantly at the mercy of the elements and the changing cityscape. The limited edition photo archival pigment prints by Ricky Powell, featuring Dr. Revolt and Zephyr, bridge the gap between photography and graffiti, between the ephemeral and the eternal. These prints offer a window into the soul of street pop art and graffiti artwork, encapsulating the spirit, the history, and the visual dialogue of the streets. They are more than just images; they are a celebration of a movement, a chronicle of its pioneers, and a tribute to the indomitable spirit of street art. Ricky Powell's work ensures that the legacies of Dr. Revolt and Zephyr, and the moments they shared, are preserved against the relentless march of time, held forever in the stillness of the frame.

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RR Crossing- True Legend Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. Paint on Street Sign Size: 30 x 30 Inches Release: March 24, 2021 Run of: 1 During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Da Street Corner Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Angel Gonzalez Graffiti Street Artist Modern Pop Art. Angel Gonzalez's debut silkscreen print, titled 'Da Street Corner' is one color (metallic gold) 18 x 24-inch screenprint. The screens were shot in the sun using a hand-cut rubylith with an edition size of 26.

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Zed's Dead Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jon Smith Graffiti Street Artist Modern Pop Art. Pulp Fiction inspired piece from Spoke Art's Quentin vs. Coen group art show. 12"x18" six-color screen print. signed and numbered edition of 80.

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Eastern Suspenso SSYM Series 24-Color Hand-Pulled Limited Edition Silkscreen Print on 310 gsm Coventry Rag (Deckle Edge) by Faile Rare Street Art Famous Pop Artwork Artist. This is the fourth print in our Savage Sacred Young Mind series from our exhibition by the same name at the Brooklyn Museum in 2016. The new work is a beautiful 24 color silkscreen print derived from a cropping of the Eastern Suspenso canvas in the exhibit. Eastern Suspenso is on a thick Coventry Rag 325gsm paper with a deckle edge measuring 23 x 35 Inches (58 x 89cm). Eastern Suspenso 24 colors, Silkscreen Ink on Coventry Rag 325gsm Paper 23 x 35 Inches (58x89cm) Print Edition of 300 Signed, Embossed and Numbered 2016

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I am dancing Between Angels/ Love Stories B-Side HPM 24-Color Hand-Pulled Limited Edition Silkscreen Print With Acrylic, Silkscreen Ink, and Spraypaint⁠ on Deckled 310 gsm Coventry Rag by Faile Rare Street Art Famous Pop Artwork Artist. 2020 Signed & Numbered Limited Edition Dancing Between Angels / Love Stories B-Side⁠ 28 x 40 inches⁠ Hand-Painted Varied Edition of 22⁠ 
Acrylic, Silkscreen Ink and Spraypaint⁠ Coventry Rag 320gsm ⁠ Signed, Stamped and Embossed
⁠ "The title of this image comes from a line in the poem, "Painted Landscapes Deceive Me -- Dancing Between Angels and Angles". This was a reference to Marie Antoinette arriving in Strasbourg when she first became queen and the faux painted landscapes placed outside her window, created to make her feel welcome. A further reference to De Stijl and Aubette Dance Hall with the angled and rectilinear lines the movement was known for. Along with its proximity to the Cathedral and the angels that grace its walls. Bubbles sort of fly loosely and dance through space, somewhat the antithesis of what De Stijl conveyed but a nice reference to movement. We liked the idea of the girl tearing away the perceptions built up around her while trying not to lose herself." -Faile Artistic Narratives in Motion: The Tale of "Dancing Between Angels/Love Stories B-Side" by Faile "Dancing Between Angels/Love Stories B-Side," a compelling artwork by the artist collective Faile, is a testament to the intricate layering and storytelling inherent in street pop art & graffiti artwork. This limited edition piece, a hand-painted varied edition of 22, is a 24-color hand-pulled silkscreen print embellished with acrylic, silkscreen ink, and spray paint on deckled 310 gsm Coventry Rag paper. Spanning 28 x 40 inches, each print is signed, stamped, and embossed and carries a unique narrative that intertwines historical references with a modern artistic lexicon. "The title of this image comes from a line in the poem, "Painted Landscapes Deceive Me -- Dancing Between Angels and Angles." This was a reference to Marie Antoinette arriving in Strasbourg when she first became queen and the faux painted landscapes placed outside her window, created to make her feel welcome. A further reference to De Stijl and Aubette Dance Hall with the angled and rectilinear lines the movement was known for. Its proximity to the Cathedral and the angels grace its walls. Bubbles fly loosely and dance through space, somewhat the antithesis of what De Stijl conveyed but a nice reference to movement. We liked the idea of the girl tearing away the perceptions built up around her while trying not to lose herself." -Faile. Deconstructing Historical Illusions: Faile's Interpretive Canvas The narrative behind "Dancing Between Angels/Love Stories B-Side" draws from a rich tapestry of historical and artistic references. Inspired by a poem, the title alludes to the deceptive pastoral landscapes presented to Marie Antoinette upon her arrival in Strasbourg, designed to create an illusion of welcome and grandeur. Faile extends this metaphor to explore the concepts of perception and self within the framework of pop and street art. The work visually explores tearing away layers of pretense, a spirited dance between reality and artifice. The piece also pays homage to De Stijl, a Dutch artistic movement emphasizing abstraction and geometric forms. The sharp angles and rectilinear lines characteristic of De Stijl are present in the artwork, juxtaposed with the organic forms of bubbles and the fluidity of the central figure. This contrast is a deliberate nod to movement and dynamism, challenging the rigidity of De Stijl with the fleeting dance of bubbles through space. Movement and Metaphor: Faile's Fusion of Dance and Art At the heart of Faile's creation is the depiction of a female figure caught tearing through the facades surrounding her. This act is literal and symbolic, a dance of liberation that reveals the layers beneath the surface. The figure's upward reach and poised legs evoke a sense of balletic grace, suggesting that tearing away deception is as elegant as forceful. The angels and architectural elements referenced in the artwork serve to anchor the piece within a broader historical narrative, connecting the transient nature of street art with the permanence of cultural heritage. Including these elements creates a dialogue between the past and the present, infusing the work with a sense of timelessness. Visual Poetry: The Rhythmic Allure of Faile's Work "Dancing Between Angels/Love Stories B-Side" is, in essence, a visual poem that speaks to the heart of street pop art & graffiti artwork. It is a dance of colors and forms, a rhythmic composition that transcends the confines of its medium. Faile's work captures the spirit of pop art's dialogue with popular culture, blending it with the subversive edge of street art to create something wholly new and deeply resonant. Each print of this limited edition is a narrative fragment, inviting viewers to engage with the artwork on multiple levels. The dance depicted in the print is not just physical; it is an emotional and psychological journey, a dance of the soul that mirrors the complexity and vibrancy of the human experience. In the diverse world of street pop art & graffiti artwork, "Dancing Between Angels/Love Stories B-Side" by Faile is a powerful expression of the genre's capacity for storytelling and emotional depth. It stands as a reminder that art can be a vehicle for examining our perceptions, tearing away the layers that obscure truth, and celebrating the liberating power of dance and movement.

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Wire Webs Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Logan Hicks. Logan Hicks is an American stencil artist, currently living and working in Los Angeles, California. His hand-cut stencil process involves cutting a separate stencil for each color, then layering each color upon the next until the final piece emerges, often hundreds of hours later, as a hyper-realistic masterpiece. Originally a screen printer, Logan sold off his equipment to finance his migration from the East Coast to the West Coast, turning to stenciling to re-invigorate his printing.

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Alien Crossing Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield.

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Escape From New York Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield. Escape From NY. Edition Size: 50 Materials: Paper Dimensions: 9.0" x 16.0"

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Travis Playground Artwork Giclee Limited Edition Print on Museum Quality Matte Paper by Pop Culture Graffiti Artist Jimmys Night Market. 2021 Signed & Numebred Limited Edition of 100 Artwork Size 18x24 Travis Playground is a mix of nostalgic childhood memories combined with an energetic cyber punk world that was inspired from my time living in Asia. I wanted to create a surreal dream like illustration that would tap into our unconscious minds and challenge our own creativity. Each print is 18x24 signed and numbered - Limited to 100 - Printed on premium museum quality matte paper

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Road to Sanctuary 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. 30″ x 24″ 5-color Screenprint on 100lb cougar white, and it is signed out of an edition of 40

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Road to Sanctuary- Gold Variant 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. Gold Variant 30″ x 24″ 5-color Screenprint on 100lb cougar white, and it is signed out of an edition of 10

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Alife Fire Hydrant Stencil HPM Art Spray on Printed 20lb. Bond stock Engineering Paper Mixed Media Artwork by NY Street Graffiti Artist Legend RD-357. 2019 Signed & Numbered Limited Edition Print by RD 357. ALIFE released a minimal run, and they sold out immediately. The print is signed by RD 357. This print has been framed, and ed and a minor crease is not noticeable when framed. This print will be shipped in the original print tube. RD 357 is an American graffiti artist and member of the 357 Crew, formed in 1985 and active on the subways during the mid-to late 1980s. He is from New York City, Manhattan's Upper East Side. W x 24" H x 36" Edition of 20 Spray enamel on printed 20lb. Bond stock, engineering paper. It is numbered and signed; some Creases Due To The Printing Process and Paper Add To The Style character of RD-357's Art, Number 2 of 20. RD-357: A Fusion of Engineering Precision and Street Artistry The urban landscape is a canvas for the bold, a playground for those who speak in the visual language of spray paint and stencils. It is within this vibrant world that the works of RD-357 come to life. His 'Alife Fire Hydrant Stencil HPM' art spray on printed 20lb. Bond stock engineering paper is not just a work of art but a statement, a confluence of precise engineering and the raw, unfettered spirit of New York street graffiti. RD-357, an American graffiti artist from Manhattan's Upper East Side, embodies the ethos of street pop art and graffiti artwork through his unique blend of technical precision and street sensibility. Born from the mid to late 1980s graffiti boom, RD-357 became a member of the formidable 357 crews known for their impact on the subway art movement. The 'Alife Fire Hydrant Stencil HPM' stands as a testament to RD-357's mastery over his medium and his deep understanding of the cultural heartbeat of New York City. This limited edition print, created in 2019, showcases the iconic image of a fire hydrant—a ubiquitous symbol of the streets, reimagined through the lens of RD-357's artistic vision. The print, an edition of only 20, speaks to the exclusivity and the demand for RD-357's work, having sold out immediately upon release. The signature of RD-357 graces each print, a seal of authenticity and a mark of the artist's engagement in his work. The Signature Alife Fire Hydrant Stencil: Iconography and Impact The choice of a fire hydrant as the focal point of this artwork is laden with significance. As a fixture of the cityscape, the hydrant symbolizes New York's functionality and chaos, a source of relief and an obstacle on the sidewalk. RD-357's portrayal elevates it to an icon, capturing the essence of the city's infrastructure as art. RD-357 delivers a crisp image juxtaposed with the fluidity and chance inherent in street art by employing a stencil technique coupled with spray enamel on engineering paper. The presence of minor creases in the prints adds to the artwork's character, infusing each piece with imperfections that echo the textures of the urban environment. Number 2 of the limited series is part of RD-357's vision, a piece of the narrative of New York's artistic evolution. In conclusion, the 'Alife Fire Hydrant Stencil HPM' by RD-357 is more than a mere collector's item; it is a piece of street art history. Through this work, RD-357 bridges the worlds of precision engineering and the spontaneity of street art, offering a piece that stands as both a functional object and a work of pop art. It reflects the artist's roots in the gritty reality of New York's streets and the finesse of his approach to the medium. This work is a celebration of RD-357's legacy and a tribute to the city that serves as his muse and canvas.

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Untitled Squid Misfit On Street 3-Color Hand-Pulled Limited Edition Silkscreen Print on Wove Paper by Buff Monster Rare Street Art From Famous Pop Artwork Artist. AP Artist Proof. Screenprint in colors on wove paper 24-1/8 x 18-1/4 inches (61.3 x 46.4 cm) (sheet, each) A.P; A.P Each signed, numbered and dated in pencil lower right. Mild scuffs and scratches most prominent in the black ink. Very mild handling creases.

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The Collector Limited Resin Sculpture Artwork by Modern Pop Artist Josh Keyes. 2017 Limited Edition Displayed With Box The Collector - is the 3rd sculpture by Josh Keyes from our Signature Series. Once started as a beautiful painting, it has now been turned into a fully detailed sculpture with a classy Matte White finish. Sculpture Size: 18" L x 7" W x 9" H approximately Medium: Resin Josh Keyes' "The Collector" stands as a remarkable manifestation of modern pop art, embodying the fusion of street art sensibilities and acceptable art discipline. This 2017 limited edition resin sculpture is the third in Keyes' acclaimed Signature Series, which captures his work's striking visual narratives and meticulous detail. The Transition from Canvas to Sculpture Originally conceived as a painting, "The Collector" transformed into a fully realized three-dimensional form, retaining its two-dimensional predecessor's intricate detail and profound thematic elements. The transition from painting to sculpture allowed for a new interpretation of Keyes' vision, presenting it in a tangible, touchable medium. The sculpture's matte white finish enhances its sophisticated silhouette, emphasizing the clean lines and the stark contrast between the subject and its environment. The sculpture commands presence with dimensions of approximately 18 inches in length, 7 inches in width, and 9 inches in height. Cast in resin, a medium celebrated for its durability and acceptable detail capacity, "The Collector" is both a robust and delicate piece, a testament to Keyes' ability to navigate the complexities of form and substance. A Statement in Street Pop Art & Graffiti Artwork "The Collector" resonates within street pop art and graffiti artwork through its bold statement and presence. Despite its pristine finish, the piece carries the spirit of street art—challenging the observer, engaging with environmental themes, and commenting on the interaction between the natural world and human-made structures. The rhinoceros, a frequent subject in Keyes' work, is depicted alongside a street light, a juxtaposition that invites viewers to contemplate the intrusion of urban development into natural habitats. In the broader context of Josh Keyes' portfolio, "The Collector" is a signature work that showcases his concern with ecological and post-apocalyptic themes. Keyes' art often features wild animals in urban settings, exploring the boundaries between human civilization and the natural world, a theme that resonates deeply in today's ecologically conscious society. The Cultural Impact of "The Collector" As a piece of art, "The Collector" transcends mere aesthetics to engage in a cultural dialogue. It visually explores the clashes and coexistence between urban life and nature. The sculpture's stark white color serves as a canvas, highlighting the shadows and contours of the piece and allowing the form to become the central narrative. This absence of color suggests a tabula rasa, or a blank slate, inviting many interpretations from the audience. Josh Keyes' work, particularly "The Collector," aligns with the ethos of modern pop art by drawing on recognizable imagery and repurposing it within a new context. In doing so, he creates a discourse that is accessible yet laden with depth, much like the street art and graffiti that adorn the walls of cities worldwide. It is a discourse that speaks to the ubiquity of environmental change and the pervasive impact of human influence on the natural world. In conclusion, Josh Keyes' "The Collector" is a profound piece that captures the essence of contemporary issues through the lens of street pop art and graffiti artwork. Its transformation from a detailed painting to a sculptural form allows it to occupy physical space and engage with audiences directly and tactilely. Through this work, Keyes continues to challenge viewers, prompting them to reflect on the intersection of human and animal domains and the delicate balance that must be maintained between progress and preservation. The sculpture, with its limited availability, not only serves as a piece of art but also as a collectible item that mirrors our society's current ecological and cultural challenges.

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Rua da Fábrica Limited Edition Archival Pigment Fine Art Prints on Moab Entrada Rag Bright 290gsm Fine Art Paper by Graffiti Street Art and Pop Culture Artist Stephanie Buer. 2020 Signed Limited Edition Rua da Fábrica • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 12 x 12 inches Hand-signed and numbered by artist Stephanie Buer in a limited edition of 20

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Sunset Sunset Sunset Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Michael Polakowski pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Street Shatter Art Epoxy Wood Mixed Media on Street Signed Framed Sculpture/Painting Artwork by street pop culture artist Sechor. 2021 Signed Artwork Size 20x20 Ready To Hang Framed Original Mixed Media Wall Art Sculpture made of epoxy mixed with wood chips on a real "Do Not Enter" street sign in a handmade frame, ready to hang.

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East 149th St Deck Fine Art Original One of a Kind Spray Paint Painting on Natural Skateboard Deck by Street Artwork Graffiti Artist Cope2. Paint on Natural Skate Deck Size: 7.25 x 29.375 Inches Release: September 02, 2021 Run of: 1 Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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East 153rd St Deck Fine Art Original One of a Kind Spray Paint Painting on Natural Skateboard Deck by Street Artwork Graffiti Artist Cope2. Paint on Natural Skate Deck Size: 5.875 x 23 Inches Release: October 05, 2021 Run of: 1 During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Mace Ave Deck Fine Art Original One of a Kind Spray Paint Painting on Natural Skateboard Deck by Street Artwork Graffiti Artist Cope2. Paint on Natural Skate Deck Size: 7.25 x 29.375 Inches Release: November 29, 2021 Run of: 1 Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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1969 Super Sport Camaro 8-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Lady Pink Rare Street Art Famous Pop Artwork Artist. 1969 Super Sport Camaro, 2021 8-Color Screen Print on Coventry Rag 290gsm Paper Deckled Edge 24 x 26 in (61 x 64.7 cm) Edition of 100 Signed and numbered by LADY PINK BEYOND THE STREETS Embossed This piece was inspired by the scene on the Lower East Side, before it was cleaned up and gentrified. PINK would travel to Jenny Holzer’s, right off of Houston Street, and would be witness to all the colorful people who came out at night. "It wasn’t pleasant. It was full of hookers and drug addicts. It was the stuff you heard about but to see it was pretty shocking.” -Lady Pink

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TC5 in the Ghost Yard Limited Edition Archival Pigment Fine Art Prints on 300gsm Moab Ebtrada Rag Paper by Graffiti Street Art and Pop Culture Artist Lady Pink. LADY PINK- Titled “TC5 In the Ghost Yard” Edition size 40 archival pigment prints. Hand-signed and numbered by Lady Pink, along with the DirtyPilot emboss. Sheet Size a LARGE 31”x 24”(78 cm x 60 cm). Printed on Moab Ebtrada Rag, 300gms. A heavy-weight paper acid-free art.

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Super Sport Camaro Supreme Tray Limited Edition Porcelain Art Glass Collectible Plate Artwork by OG Street Graffiti Artist Lady Pink. 2021 Lady Pink/Supreme Tray - Super Sport Camero - Shop - Supreme. Porcelain tray with printed graphic and printed logo on bottom. 5.9 x 7.1

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All Season Action- Hand-Embellished Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Rag Bright Paper by Graffiti Street Art and Pop Culture Artist Ces One- Rob Provenzano . All Season Action • Autographed archival pigment print • Additional unique aerosol and ink embellishments on Moab Entrada Rag Bright 290 GSM archival paper • 14 x 17 inches Hand-embellished, signed and numbered by artist CES in a limited embellished edition of 10

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Joshua Vides X CC Cone Limited Edition Ceramic Traffic Cone Sculpture Artwork by Legendary Fine Graffiti Street Artist Joshua Vides. 2021 Limited Edition of 100 - 9.5” height x 6” base. in ComplexCon Exclusive Joshua Vides, a renowned name in the contemporary art world, has emerged as a unique visual artist adept at blending pop art, street art, and graffiti into his work. Known for his distinctive monochromatic style, he effortlessly creates an immersive experience that bridges the divide between the two-dimensional and three-dimensional worlds. The latest offering from his brilliant repertoire is the 'Joshua Vides X CC Cone Art Object Sculpture.' Inspired by commonplace objects, Vides transforms them into artistic marvels that captivate the audience, effectively turning the ordinary into extraordinary. The CC Cone is no different. This art object, in its essence, is a reinterpretation of the humble traffic cone, yet the transformation is nothing short of revolutionary. Vides' singular technique entails outlining objects in bold, black lines against a stark white background, mimicking the look of a sketch or comic strip. The CC Cone is adorned with this distinctive style, breathing new life into an otherwise overlooked item. The starkness of the black and white design, coupled with the everyday simplicity of the traffic cone, delivers a startling contrast that captures the quintessential paradox of Vides' work: simplicity in design, complexity in perception. As is characteristic of Vides' work, the CC Cone also serves as a comment on modern life, consumer culture, and the urban landscape. This sculpture represents an intersection of art and life, challenging viewers to perceive the world around them through a fresh lens. The intersection of pop art, street art, and graffiti in this sculpture underscores its vitality, pushing the boundaries of the three genres while merging them into a harmonious entity. The 'Joshua Vides X CC Cone Art Object Sculpture' is not merely an art piece; it's a commentary, a challenge, and a testament to Vides' unmatched ability to transform the mundane into extraordinary art. The sculpture serves as a powerful reminder of the blurred lines between art and life, celebrating the beauty and complexity that often goes unnoticed in everyday objects.

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33rd Street Station Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Modern Pop Street Graffiti Artist Cope2. Signed & Numbered Archival Pigment Print on 290gsm Moab Fine Art Paper Size: 31.5 x 18 Inches Release: March 11, 2020 Run of: 100 Cope2 has always shown his respect for the writers before him and in his first steps in the world of graffiti, he was interested in learning from them. This is the way he described his first encounter with them in an interview with Widewalls in 2006: “When I started, to see these graffitis one subway cars was great – the colors, the letters – I wanted to learn from the original artists, not just copy. New York is the motherland of graffiti, I am part of the second generation and I wanted to get my special style.”

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Phone Booth- 18x18 Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Shishidomia. 2022 Limited Edition of 250 18x18 Japan Print

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Stand Alone Original Mixed Media Painting Graffiti Artist Modern Pop Art on Real Metal Street Sign by Chris RWK. 2022 Signed Original Mixed Media Acrylic & Spray Paint on Real 18x18 School Zone Street Sign. Chris RWK's Stand Alone: A New Dimension of Street Sign Art In the vibrant landscape of modern pop art and graffiti artwork, Chris RWK (real name Chris Roberts), an artist from New York, presents a compelling twist on the genre with his creation "Stand Alone." This piece, a signed original mixed media painting completed in 2022, defies conventional street art norms by utilizing an actual 18x18 school zone street sign as its canvas. The artwork's foundation in the natural and practical – a metal sign designed to impart rules – becomes a statement of artistic rebellion and creative liberation. The Fusion of Mediums in Chris RWK's Work "Stand Alone" is an innovative meld of acrylic and spray paint, mediums that have long been staples in the street artist's toolkit. By applying them to a metal street sign, Chris RWK bridges the gap between the everyday street objects we often overlook and the expressive potential they hold. His robot-like character, a recurring motif in his work, is depicted with a simplicity that speaks to childhood innocence, juxtaposed against the backdrop of an adult world filled with regulations and restrictions. The duality of this piece – the playful imagery against the stern, directive nature of a street sign – invites contemplation on the push and pull between the structured world we navigate and the imaginative freedom we often yearn for. This tension is at the heart of street pop art, where the mundane is transformed into the extraordinary. Embracing the Ordinary: The Iconography of Chris RWK In "Stand Alone," the ordinary is embraced and celebrated. Chris RWK elevates an ordinary street sign to a piece of art that can communicate complex emotions and ideas. The robot figure, often interpreted as a stand-in for the human experience, is portrayed alongside a heart symbol – a universal expression of love and connection. This simple yet profound imagery speaks to the artist's ability to find depth in simplicity, a hallmark of his broader body of work. The use of real-world objects in art is not new, but Chris RWK recontextualizes this approach within the framework of street pop art, inviting the viewer to see the potential for art in all things. Once a directive object, the street sign becomes a canvas for reflection, a medium through which the artist can connect with the audience on a personal level. Chris RWK's "Stand Alone" is a standout piece within the domain of graffiti artwork and modern pop art. It captures the essence of street art's transformative power, turning a mundane object into a source of artistic expression and commentary. As viewers encounter this piece, they are reminded that art is not confined to galleries or murals on building walls – it can emerge from the most unexpected places, offering new perspectives on the familiar fixtures of our everyday lives.

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Take Warning Original Mixed Media Painting Graffiti Artist Modern Pop Art on Real Metal Street Sign by Chris RWK. 2022 Signed Original Mixed Media Acrylic & Spray Paint on Real 12x18 Street Sign This use of intertextuality also serves to offer a comfort or familiarity of sorts to the viewer. Chris’ works frequently reveal everyday musings and people one would pass on the street without looking or thinking about twice.

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Fame City Pop Street Artwork Limited Edition Giclee Print on 310gsm Canson Infinity Rag Photographique Paper by Urban Graffiti Modern Artist Ces One- Rob Provenzano x Doves x Mast x Yes2. 2020 Signed & Numbered By All 4 Artists Limited Edition of 100 Artwork Size 36x12 "Fame City,” depicts a mural painted in Wynwood.

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Harper and John R Archival Pigment Fine Art Limited Edition Print on 290gsm Museo Portfolio Rag Paper by Urban Pop Artist Stephanie Buer Modern Artwork. 2015 Signed & Numbered Limited Edition of 20 Artwork Size 20x16

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Stairway To Heaven PP Printers Proof Archival Print by Josh Keyes Archival Pigment Fine Limited Edition Print on 290gsm Fine Art Paper Artwork. PP Printers Proof 2022 Signed & Marked AP Limited Edition of 175 Artwork Size 26x18 Printers Proof Edition of 175 26 x 18 inches / 66 x 45.72 cm Fine art print on 290gsm paper Hand signed and numbered by the artist

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Graffiti for Sale Silkscreen by Hijack Hand-Pulled 15-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 30x22 Hijack's "Graffiti for Sale" stands as a testament to the evolution of street art, an audacious blend of rebellion and commercialism. Crafted in 2022, this limited edition, hand-pulled 15-color screen print encapsulates the paradoxical nature of street art's rise to mainstream acclaim. Rendered on fine art paper, the composition spans 30x22 inches, creating an ample canvas to appreciate the artwork's meticulous detail and vivid chromatic play. The piece, limited to just 50 signed and numbered editions, brings to the forefront the contentious debate surrounding the commercialization of graffiti. At the center stands a poised figure, presumably an art dealer, holding a placard declaring "Graffiti for Sale." This central image, juxtaposed against a cacophony of vibrant graffiti tags and emblems, confronts the viewer with the tension between street art's roots in countercultural expression and its present-day commodification. Delving into the vivid backdrop, one can trace the raw energy of graffiti's underground origins. Explosions of color, wild typography, and iconic symbols sprawl chaotically, capturing the essence of a clandestine world of midnight tags and adrenaline-fueled mural sessions. However, the central figure's stoic presence serves as a constant reminder of the changing perceptions and commercial intersections of this once covert art form. In "Graffiti for Sale," Hijack manages to create a visual discourse that challenges viewers to contemplate the trajectory of street art. Has it been co-opted by the very establishment it once defied, or has its mainstream success given it a larger platform for its messages? The artwork doesn't answer these questions but rather encourages a dialogue, a true hallmark of meaningful art in any era.

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Graffiti for Sale One of a Kind 1 HPM Painted Silkscreen by Hijack Hand-Pulled 15-Color Screen Print on Fine Art Paper Limited Edition Street Art Artwork. 2022 Signed #1 of One of a Kind Edition of 5 HPM Custom Framed Hand Painted Artwork Size 30x22 Hijack's "Graffiti for Sale" is a distinctive artwork that boldly merges the worlds of commercialism with the unbridled spirit of street art. Created in 2022, this one-of-a-kind hand-pulled 15-color screen print exemplifies the artist's ability to juxtapose societal commentary with vibrant urban aesthetics. Using fine art paper as its canvas, the piece measures an impressive 30x22 inches, large enough to capture the intricate detailing and bold strokes that are trademarks of Hijack's style. As a testament to its exclusivity, "Graffiti for Sale" is signed as #1 in a very limited edition series, an HPM or Hand-Painted Multiple, where only five such pieces exist. Unlike traditional prints where each piece is a replica of the original, an HPM means that while the print may be the same, each artwork has unique hand-painted elements, making each one distinct. This specific artwork, being custom framed, adds an additional layer of sophistication, preserving its vibrancy and ensuring longevity. Delving deeper into the artwork's narrative, one is immediately drawn to the central figure, a poised individual holding a sign that reads "Street Art for Sale." This statement acts as a satirical nod to the commodification of street art, a once underground movement now showcased in galleries and auction houses worldwide. Surrounding the central figure is a whirlwind of colors, shapes, and forms - a chaotic representation of the bustling world of graffiti. Hijack's piece is not just art; it's a conversation, a statement, and a reflection on the ever-evolving world of street and pop art.

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Big Twinkie Ghostbusters Silkscreen Print by Tim Doyle Hand-Pulled 8-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Limited Edition of 150 Artwork Size18x24 Ghostbusters Movie Tribute, 4th Unreal Estate show

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Williamsburg 3-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 100 Artwork Size 18x24 Graffiti Street Scene

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Nipsey Hussle Giclee Print by Estevan Oriol x Taz x Risk Rock Artwork Limited Edition Print on MEDIUM Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 19x19 Hand-signed and numbered by Estevan Oriol, TAZ, and Risk Rock

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Keep Moving Original Street Sign Spray Painting by Chris RWK- Robots Will Kill Mixed Media Modern Graffiti Paint Pop Art on Real Metal Ready To Hang. 2023 Signed Original Mixed Media Spray Paint Acrylic Painting on Reclaimed No Standing Anytime Metal City Sign Size 18x12 Innovation in Reclaimed Art by Chris RWK "Keep Moving" by Chris RWK, from the collective Robots Will Kill, stands as a testament to the transformative power of street art, taking an object as valid as a 'No Standing Anytime' metal city sign and repurposing it into a canvas for modern graffiti paint pop art. Created in 2023, this signed original mixed media spray paint and acrylic painting is a ready-to-hang piece that measures 18x12 inches, embodying the ethos of Street Pop Art and graffiti Artwork. Chris RWK's work is renowned for its ability to communicate complex emotions and societal narratives through street signs' deceptively simple visual language. By reclaiming and repurposing a metal city sign, he not only recycles the physical material but also reclaims the cultural and communicative space these signs occupy. The robot character, a recurring motif in Chris RWK's work, is depicted holding hearts—a sharp contrast to street signage's typically authoritative and impersonal nature. Cultural Commentary on Street Pop Art The piece is a cultural commentary, leveraging the ubiquitous nature of street signs to challenge viewers to reconsider their significance and meaning. By integrating heartfelt imagery on a sign that typically denotes restriction, Chris RWK flips the script, offering a narrative of movement and emotion where one would not expect it. This act of artistic rebellion is characteristic of the graffiti movement, which often seeks to interrupt the urban landscape with unexpected messages and visuals. Chris RWK's "Keep Moving" technique showcases the artist's skill with spray paint and acrylic, using these mediums to add depth and texture to the work. The choice of a metal sign as the substrate adds an industrial edge to the painting, grounding it firmly in the street art tradition and elevating it into a piece of pop art that can be appreciated in various settings. Impact and Significance in the Art World The significance of "Keep Moving" within the art world is multifaceted. It is a piece that blurs the boundaries between high art and street art, between vandalism and sanctioned creative expression. Chris RWK's work is part of a broader movement that sees street artists gaining recognition within the fine art world, with their works increasingly sought after by collectors and enthusiasts. "Keep Moving" is a striking piece of art and a reminder of the enduring influence of street art and its capacity to challenge and redefine the spaces it occupies. Chris RWK, through his work with Robots Will Kill, continues to push the envelope, creating pieces that are at once accessible and profound, simple in their execution but complex in their implications. This painting is a vibrant example of the power of Street Pop Art and graffiti Artwork to captivate and engage audiences, encouraging them to see the urban environment through a new lens.

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Warhol House Sunrise Silkscreen Print by Cash For Your Warhol Hand-Pulled 3-Color on 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2021 Signed & Numbered Limited Edition of 40 Artwork Size 18x24 Silkscreen Print

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Cafe Terrace At Night Giclee Print by Adam Lister Artwork Limited Edition Print on 300gsm Hot Press Matte Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 8x10 "Café Terrace at Night" is a famous painting by Dutch post-Impressionist artist Vincent van Gogh, originally created in September 1888. The painting captures a nighttime scene at a café in the Place du Forum in Arles, France, where van Gogh was residing at the time. The artwork is well-known for its vibrant colors, unique brushwork, and captivating composition. Adam Lister, a contemporary artist, has reinterpreted this iconic work in his signature pixelated, 8-bit style. The "Café Terrace at Night" giclee print by Adam Lister pays tribute to the original masterpiece while showcasing Lister's own artistic perspective. The print features the familiar scene of the café, but with the characters, buildings, and surroundings rendered in the simplified, geometric forms characteristic of Lister's style. A giclee print is a high-quality reproduction of an original artwork, created using a specialized inkjet printer. The process involves spraying microscopic dots of pigment-based ink onto archival-quality paper or canvas, resulting in a long-lasting, vibrant, and highly detailed print. This method allows art enthusiasts to appreciate and collect Adam Lister's reinterpretation of "Café Terrace at Night" at a more accessible price point than an original painting.

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The Clash Under Westway Overpass Notting Hill London UK 1982 Blotter Paper Print by Tim Page Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2019 Signed & Numbered Limited Edition of XXX Archival Pigment Print on Perforated Blotter Paper Size: 7.5x5 Inches Limited blotter editions are hand-perforated by Zane Kesey. With a keen eye for the counter culture of the 60s and 70s, Tim Page, an author and photojournalist, captured some of the most unforgettable images of the Vietnam War. Despite being wounded in battle four times, Page's thrill-seeking nature kept him undeterred. His eccentric personality inspired Dennis Hopper's character in the famous movie Apocalypse Now. Page's fascinating life has been the subject of numerous documentaries, ten books, and two films. He even served as the UN's Photographic Peace Ambassador in Afghanistan for two years. Recently, he was recognized as one of the "100 Most Influential Photographers of All Time," cementing his place in the pantheon of great artists.

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