Street & Road
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RD-357 Real Deal Ledger Joker Construction Street Sign Painting by RD-357 Real Deal
Heath Ledger Joker Construction Zone Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal NYC New York Construction Zone No Trespassing Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Reclaimed NYC New York Construction Zone No Trespassing Sign Painting Original Artwork Size 24x24 Batman Villian Played by Heath Ledger in the Movie as Joker Looking at the Viewer. RD Tag in Rust Red. RD-357's Heath Ledger Joker: A Fusion of Street Pop Art and Iconography The Heath Ledger Joker Construction Zone original street sign painting by RD-357, also known as Real Deal, encapsulates the essence of street pop art through its provocative use of public signage repurposed for artistic expression. Created in 2012, this mixed media acrylic and spray paint artwork transforms a New York City construction zone 'No Trespassing' sign into a canvas, depicting the iconic Batman villain played by Heath Ledger in a way that both challenges and captivates the viewer. Contextualizing RD-357's Artistic Approach RD-357, an artist whose real name remains elusive in the true spirit of street art anonymity, is known for his gritty interpretations of pop culture figures on unconventional canvases. This particular artwork measures 24x24 inches and is a testament to street art's versatility, pushing beyond traditional boundaries. RD-357 draws upon the anarchic spirit of the Joker, using a symbol of law and order – a construction sign – to present an image of chaos and rebellion. The irony is palpable; the sign, which once stood as a warning against unauthorized entry, now invites viewers to engage with the art in a personal, almost aggressive manner. Symbolism and Impact in RD-357's Joker Artwork This piece is not just a portrait; it is a statement. By choosing Heath Ledger's Joker, RD-357 taps into the collective consciousness of a society fascinated by the anti-hero archetype. Ledger's portrayal of the Joker was posthumously celebrated, and his death in 2008 left a cultural imprint that RD-357 leverages in this artwork. The juxtaposition of the Joker’s figure against the backdrop of a New York construction sign speaks volumes about the chaotic undercurrents within the perceived order of urban life. The use of mixed media, with acrylic and spray paint, highlights street art's raw, visceral nature, while also paying homage to the vibrancy of pop art. The viewer is confronted with the Joker's gaze, which, coupled with the bright warning colors of the construction sign, creates an unsettling yet magnetic presence. This interaction compels the audience to contemplate the layers of meaning behind the piece – from transforming public property into a medium for personal expression to the dialogue between art and spectator that challenges societal norms and the very definition of public space. In conclusion, RD-357's Heath Ledger Joker on a New York City construction sign is an outstanding example of how street pop art can merge cultural iconography with subversive messaging. Through this piece, the artist immortalizes a beloved film character and raises questions about authority, ownership, and the role of art in public discourse. The artwork remains a one-of-a-kind testament to the power of graffiti art to redefine spaces and provoke thought long after the paint has dried.
$2,620.00 $2,358.00
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Estevan Oriol Nipsey Hussle Giclee Print by Estevan Oriol x Taz x Risk Rock
Nipsey Hussle Giclee Print by Estevan Oriol x Taz x Risk Rock Artwork Limited Edition Print on MEDIUM Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 19x19 Hand-signed and numbered by Estevan Oriol, TAZ, and Risk Rock
$378.00
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Stephanie Buer Harper and John R Archival Print by Stephanie Buer
Harper and John R Archival Pigment Fine Art Limited Edition Print on 290gsm Museo Portfolio Rag Paper by Urban Pop Artist Stephanie Buer Modern Artwork. 2015 Signed & Numbered Limited Edition of 20 Artwork Size 20x16
$255.00
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Olek- Agata Oleksiak Project B Wall Street Bull Giclee Print Photo by Olek- Agata Oleksiak
Project B Wall Street Bull Digital C Giclee Print Photo by Olek- Agata Oleksiak Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2011 Signed & Numbered Limited Edition of 100 Artwork Photo Size 30x20 The Fusion of Street Pop Art & Graffiti Artwork in Olek's Project B Wall Street Bull The intersection of urban landscape and artistic expression is vibrant in Olek's Project B Wall Street Bull. This giclée print, a digital C type, encapsulates the dynamic energy of street pop art and graffiti artwork. Olek, the professional moniker of Agata Oleksiak, has forged a unique path in the art world, and this work is a testament to her innovative approach. The Wall Street Bull, an iconic symbol of financial prosperity and market optimism, is reimagined through Olek's lens, cloaked in a vivid, crochet-patterned skin juxtaposing the hard, metallic surface typically associated with the sculpture. The limited edition print is not only a visual spectacle but also a piece of commentary, blending the rebellious spirit of street art with the meticulousness of craft. Measuring 30x20 inches, each print from the edition of 100 is signed and numbered by Olek herself, underscoring the authenticity and exclusivity of the piece. Created in 2011, when street art was cemented in the high art world, Olek's work captures the era's zeitgeist—where the line between the gallery and the gutter was not just blurred but often entirely erased. Olek and the Cultural Significance of the Wall Street Bull Olek's choice of the Wall Street Bull as a canvas for her crochet art is far from arbitrary. The bull, located in the heart of New York's financial district, is a powerful image of financial strength and the undying spirit of capitalism. By enveloping it in a hand-crocheted cover, Olek introduces a soft, traditionally domestic craft to the harsh public sphere of finance and global markets. This bold move reflects the artist's tendency to challenge social norms and expectations, particularly those related to gender roles and societal perceptions of art and value. The artwork's title and visual impact suggest a duality: 'Project B' could imply a secondary, alternative route to the prevailing financial narrative. At the same time, the bull itself remains an emblem of mainstream success and power. Olek's work invites one to contemplate this duality, question the status quo, and recognize art's potential to comment on and interact with social and economic structures. Olek's Artistic Technique and the Giclée Printing Process Olek's artistic process is deeply rooted in the traditional craft of crocheting, which she has elevated to a contemporary art form. Her crochet works are often large-scale, encompassing people, objects, and even entire rooms in a second skin of intricate patterns and vibrant colors. The tactile nature of her work engages the viewer on a sensory level, while the visual patterns invite a closer examination of the themes and messages interwoven within the art. The giclée printing technique used to produce the prints of Project B Wall Street Bull is a sophisticated process that ensures the highest fidelity to the original artwork. Utilizing high-resolution digital scans and archival quality inks, giclée prints are known for their vibrant color, crisp detail, and longevity. This method is particularly suited to Olek's work, as it captures the complexity and nuance of her crochet patterns, translating the texture and depth of the original piece onto fine art paper. The Impact of Olek's Work on the Art World Olek's contributions to art are significant, particularly in street pop and graffiti artwork. Her works are not confined to the walls of galleries; they interact with the urban environment, drawing attention to overlooked spaces and objects. The artist's use of public spaces as her canvas democratizes the art experience, allowing individuals from all walks of life to engage with her creations. The Project B Wall Street Bull print captures the essence of Olek's practice: it is a work of art, a sociopolitical statement, and a challenge to conventional artistic mediums and messages. Collectors and admirers of street pop and graffiti art will find in this limited edition print a piece that celebrates its evolution and critically reflects the physical and symbolic spaces it occupies. In examining Olek's Project B Wall Street Bull, one sees the convergence of artistic innovation, cultural commentary, and the evolution of street art into a recognized and respected form of creative expression. Olek's work, particularly this print, stands as a bold statement on the power of art to transform and challenge our perceptions of the familiar.
$591.00
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Cope2- Fernando Carlo Stacked MTA Subway Map 11 Original Spray Painting by Cope2- Fernando Carlo
Stacked MTA Subway Map 11 Original Spray Painting by Cope2- Fernando Carlo One of a Kind Artwork on Real New York Train Map by Street Art Pop Artist. 2011 Signed Spray Paint Painting Original Artwork Size 22.8x28.9 Custom Framed Subway Map from New York City.
$2,183.00 $1,965.00
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Logan Hicks Wire Webs Giclee Print by Logan Hicks
Wire Webs Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Logan Hicks. Logan Hicks is an American stencil artist, currently living and working in Los Angeles, California. His hand-cut stencil process involves cutting a separate stencil for each color, then layering each color upon the next until the final piece emerges, often hundreds of hours later, as a hyper-realistic masterpiece. Originally a screen printer, Logan sold off his equipment to finance his migration from the East Coast to the West Coast, turning to stenciling to re-invigorate his printing.
$269.00
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Stephanie Buer Rua da Fábrica Archival Print by Stephanie Buer
Rua da Fábrica Limited Edition Archival Pigment Fine Art Prints on Moab Entrada Rag Bright 290gsm Fine Art Paper by Graffiti Street Art and Pop Culture Artist Stephanie Buer. 2020 Signed Limited Edition Rua da Fábrica • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 12 x 12 inches Hand-signed and numbered by artist Stephanie Buer in a limited edition of 20
$228.00
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RD-357 Real Deal Punisher Crossing Original Street Sign Painting by RD-357 Real Deal
Punisher Crossing Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal Crosswalk Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Real Reclaimed NYC New York City Crossing Cross Walk Street Sign Painting Original Artwork Size 30x37.5 RD-357: Pioneering Street Pop Art on Urban Canvases RD-357, an artist known for his distinctive contribution to street pop art and graffiti artwork, has manifested his creativity through a unique, striking, and thought-provoking medium. His original piece titled "Punisher Crossing Original Street Sign Painting" encapsulates street art's raw essence while ingeniously infusing pop culture iconography elements. This work is a stellar example of RD-357's inventive use of everyday objects as canvases, transforming a mundane metal crosswalk street sign into a vibrant artwork that commands attention and sparks dialogue. The "Punisher Crossing" is a unique artwork that exudes the rebellious spirit and subversive edge often associated with street pop art. Created in 2012, this mixed media piece employs acrylic and spray paint on a real crossing sign measuring 30x37.5 inches. RD-357's choice to use an actual street sign as the foundation for his artwork not only repurposes the object but also embeds the art piece within the fabric of urban life it seeks to comment on. The sign, once a directive for pedestrians, now carries a powerful visual message, made all the more potent by its placement on an object of regulation and order. The Artistic Language of RD-357's Street Sign Paintings In "Punisher Crossing," RD-357 demonstrates a masterful control over color and composition. The background of the sign is ablaze with a vivid, almost violent splatter of yellow and red spray paint, reminiscent of the chaos and energy of city streets. Against this explosive backdrop, the figure of the Punisher is rendered with precision in acrylic, his stark, menacing presence immediately drawing the eye. The character's hand, outstretched and holding a gun, breaks the boundaries of the sign's frame, suggesting a defiance of constraints and a breaking free from imposed limits. RD-357's work is deeply embedded in the language of street pop art, a genre that combines the gritty, underground aesthetic of street art with the bright, graphic quality of pop art. His paintings, especially this piece, are a dialogue between the artist and the urban landscape, between the fictional characters of pop culture and the reality of the viewer's environment. By bringing the Punisher - a symbol of vigilante justice and anti-heroism - into the context of a crosswalk sign, RD-357 creates a juxtaposition that is at once startling and intriguing. The artwork becomes a statement on control and chaos, power and powerlessness, and the fine line between societal order and individual action. RD-357's Impact on Contemporary Street Art RD-357's contributions to the street art scene have been significant, and his influence can be seen in the way street pop art has evolved over the years. His artworks, particularly those on street signs, are more than mere paintings; they are interventions into the urban environment, which challenge the viewer to reconsider the role and potential of public space. The "Punisher Crossing" sign is emblematic of this approach, seamlessly integrating art into the city's daily liandlso elevating the discourse around street art. By signing his work, the artist claims ownership of a public domain piece, an act that is a form of artistic rebellion. The signature on "Punisher Crossing" is not merely a mark of authenticity; it is a declaration of presence, a proof of the artist's interaction with the world around him. Through works like this, RD-357 has etched his name into the annals of street pop art history, securing his place as a maverick who has expanded the possibilities of graffiti artwork. The "Punisher Crossing Original Street Sign Painting" by RD-357 stands as a testament to the power of street pop art to communicate, provoke, and inspire. By transforming a simple street sign into a complex and compelling work of art, RD-357 challenges perceptions, invites reflection, and continues influencing the ever-evolving narrative of street and graffiti art.
$2,620.00 $2,358.00
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Michael Polakowski Sunset Sunset Sunset Blotter Paper Archival Print by Michael Polakowski
Sunset Sunset Sunset Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Michael Polakowski pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.
$370.00
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Tim Page The Clash Under Westway Overpass Notting Hill London UK 1982 Blotter Paper Print by Tim Page
The Clash Under Westway Overpass Notting Hill London UK 1982 Blotter Paper Print by Tim Page Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2019 Signed & Numbered Limited Edition of XXX Archival Pigment Print on Perforated Blotter Paper Size: 7.5x5 Inches Limited blotter editions are hand-perforated by Zane Kesey. With a keen eye for the counter culture of the 60s and 70s, Tim Page, an author and photojournalist, captured some of the most unforgettable images of the Vietnam War. Despite being wounded in battle four times, Page's thrill-seeking nature kept him undeterred. His eccentric personality inspired Dennis Hopper's character in the famous movie Apocalypse Now. Page's fascinating life has been the subject of numerous documentaries, ten books, and two films. He even served as the UN's Photographic Peace Ambassador in Afghanistan for two years. Recently, he was recognized as one of the "100 Most Influential Photographers of All Time," cementing his place in the pantheon of great artists.
$381.00
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Chris RWK- Robots Will Kill Keep Moving Original Street Sign Spray Painting by Chris RWK- Robots Will Kill
Keep Moving Original Street Sign Spray Painting by Chris RWK- Robots Will Kill Mixed Media Modern Graffiti Paint Pop Art on Real Metal Ready To Hang. 2023 Signed Original Mixed Media Spray Paint Acrylic Painting on Reclaimed No Standing Anytime Metal City Sign Size 18x12 Innovation in Reclaimed Art by Chris RWK "Keep Moving" by Chris RWK, from the collective Robots Will Kill, stands as a testament to the transformative power of street art, taking an object as valid as a 'No Standing Anytime' metal city sign and repurposing it into a canvas for modern graffiti paint pop art. Created in 2023, this signed original mixed media spray paint and acrylic painting is a ready-to-hang piece that measures 18x12 inches, embodying the ethos of Street Pop Art and graffiti Artwork. Chris RWK's work is renowned for its ability to communicate complex emotions and societal narratives through street signs' deceptively simple visual language. By reclaiming and repurposing a metal city sign, he not only recycles the physical material but also reclaims the cultural and communicative space these signs occupy. The robot character, a recurring motif in Chris RWK's work, is depicted holding hearts—a sharp contrast to street signage's typically authoritative and impersonal nature. Cultural Commentary on Street Pop Art The piece is a cultural commentary, leveraging the ubiquitous nature of street signs to challenge viewers to reconsider their significance and meaning. By integrating heartfelt imagery on a sign that typically denotes restriction, Chris RWK flips the script, offering a narrative of movement and emotion where one would not expect it. This act of artistic rebellion is characteristic of the graffiti movement, which often seeks to interrupt the urban landscape with unexpected messages and visuals. Chris RWK's "Keep Moving" technique showcases the artist's skill with spray paint and acrylic, using these mediums to add depth and texture to the work. The choice of a metal sign as the substrate adds an industrial edge to the painting, grounding it firmly in the street art tradition and elevating it into a piece of pop art that can be appreciated in various settings. Impact and Significance in the Art World The significance of "Keep Moving" within the art world is multifaceted. It is a piece that blurs the boundaries between high art and street art, between vandalism and sanctioned creative expression. Chris RWK's work is part of a broader movement that sees street artists gaining recognition within the fine art world, with their works increasingly sought after by collectors and enthusiasts. "Keep Moving" is a striking piece of art and a reminder of the enduring influence of street art and its capacity to challenge and redefine the spaces it occupies. Chris RWK, through his work with Robots Will Kill, continues to push the envelope, creating pieces that are at once accessible and profound, simple in their execution but complex in their implications. This painting is a vibrant example of the power of Street Pop Art and graffiti Artwork to captivate and engage audiences, encouraging them to see the urban environment through a new lens.
$1,554.00 $1,399.00
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Blake Jones Rabbit A Frame Original Acrylic Sign Spray Painting by Blake Jones
Rabbit A Frame Original Acrylic Spray Paint Road Construction Street Sign Painting by Blake Jones One of a Kind Artwork Street Art Pop Artist. 2020 Signed Acrylic & Spray Paint on Reclaimed Road Construction A Frame Alert Street Caution Sign Painting Original Artwork Size 23.75x45.25 Rabbit A Frame by Blake Jones – Urban Whimsy on Reclaimed Canvas in Street Pop Art & Graffiti Artwork Rabbit A Frame is a 2020 original acrylic and spray paint artwork by American street pop artist Blake Jones, executed on a reclaimed road construction A-frame alert sign. Measuring 23.75 x 45.25 inches, this one-of-a-kind piece transforms functional street infrastructure into a playful and energetic canvas. Painted directly onto the iconic orange-and-white reflective barricade pattern, Jones’s unmistakable rabbit character peeks curiously from the lower corner of the signage, infusing humor and innocence into a symbol of civic caution. This unexpected collision of form and character is central to the practice of Street Pop Art & Graffiti Artwork, where urban detritus becomes a site for creativity, subversion, and visual storytelling. Recontextualizing Utility Through Character The inclusion of the rabbit—a recurring figure in Blake Jones’s universe of cartoon expressions—anchors the work in his broader practice of using character design to evoke joy, curiosity, and absurdity. The wide eyes and rounded lines of the rabbit stand in stark contrast to the rigid geometry and utilitarian purpose of the A-frame construction sign. The artist has left visible stenciled type reading LYONS PINNER on the lower bar, enhancing the piece’s authenticity as a reclaimed object from real city infrastructure. This juxtaposition of municipal function and personal expression creates a layered narrative, where the rigid visual language of public signage is softened by animated wonder. Jones’s approach doesn’t erase the object’s past—it amplifies it through aesthetic intervention. Medium, Surface, and Street Aesthetics Blake Jones employs a combination of acrylic brushwork and aerosol application to achieve vibrant contrast and edge clarity on the reflective metal surface. The texture of the sign, complete with scratches, dents, and weathered paint, provides a gritty, tactile base that elevates the artwork’s physical presence. Each imperfection in the surface becomes part of the final composition, tying the piece back to the street. The use of road sign material reinforces the core ethos of Street Pop Art & Graffiti Artwork—art made in, of, and for public space. The rabbit, rendered in bold turquoise with expressive black detailing, punctuates the sign with personality, reframing caution not as a warning, but as a playful greeting. Blake Jones and the Art of Reclaiming Urban Narratives Rabbit A Frame is more than just a clever object painting—it is a statement about how everyday materials can become carriers of joy, personality, and artistic transformation. Blake Jones continues to blur the line between street detritus and collectible art, using found materials as his platform for character-driven storytelling. His work reinserts humanity into spaces often ruled by standardization and silence. This piece invites viewers to see humor and imagination embedded in the fabric of their daily environment. As part of Street Pop Art & Graffiti Artwork, it stands as a vibrant reminder that art is not confined to canvas or gallery walls. It can live on the streets, on the signs we ignore, and in the characters that bring those spaces to life. Blake Jones reclaims these spaces with style, mischief, and undeniable charm.
$2,494.00 $2,245.00
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Nate Duval Williamsburg Silkscreen Print by Nate Duval
Williamsburg 3-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 100 Artwork Size 18x24 Graffiti Street Scene
$189.00
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Cash For Your Warhol Warhol House Sunrise Silkscreen Print by Cash For Your Warhol
Warhol House Sunrise Silkscreen Print by Cash For Your Warhol Hand-Pulled 3-Color on 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2021 Signed & Numbered Limited Edition of 40 Artwork Size 18x24 Silkscreen Print
$205.00
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Wane One Cod The Take Over PP Archival Print by Wane One Cod
The Take Over PP Archival Print by Wane One Cod Limited Edition Print on 310gsm Natural Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2016 Signed & Marked PP Limited Edition Artwork Size 24x17 Archival Pigment Fine Art Wane One Cod's 'The Take Over': A Statement in Street Pop Art 'The Take Over,' a PP (Printer's Proof) archival print by Wane One Cod, encapsulates the essence of street pop art through its vibrant depiction of graffiti on a moving canvas—a delivery truck in an urban setting. This 2016 limited edition print, crafted on 310gsm natural museum fine art paper and sized at 24x17 inches, is a collector's piece, each meticulously signed and marked as a Printer's Proof. The artwork reflects Wane One Cod's roots in the early New York graffiti movement and his transition into a pop artist whose works are revered in the contemporary art scene. With 'The Take Over,' Wane One conveys graffiti art's raw energy and commanding presence as it moves beyond static walls to become an integral part of the city's dynamic landscape. The print stands as a testament to the enduring influence of street art and its ability to transform everyday objects into vehicles of artistic expression.
$887.00
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Angel Gonzalez Da Street Corner Silkscreen Print by Angel Gonzalez
Da Street Corner Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Angel Gonzalez Graffiti Street Artist Modern Pop Art. Angel Gonzalez's debut silkscreen print, titled 'Da Street Corner' is one color (metallic gold) 18 x 24-inch screenprint. The screens were shot in the sun using a hand-cut rubylith with an edition size of 26.
$237.00
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OG Slick Where The Hose M30 Hand Embellished HPM Giclee Print by OG Slick
Where The Hose M30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. Where The Hose M30 by OG Slick: Urban Commentary and Graffiti Wit in Street Pop Art & Graffiti Artwork Where The Hose M30 is a 2025 hand-embellished giclee print by OG Slick, presented in a limited edition of 25. Each 30x30 inch print is produced on 310gsm deckled fine art paper, signed and numbered by the artist, and uniquely hand-finished using spray paint and various graffiti techniques. The central subject is a fire hydrant—painted, stickered, and transformed—set against a stark background, with the hand-scrawled question Where the hose at? hovering above in playful red script. The image merges cheeky wordplay with street realism, combining slick visual execution and raw cultural irreverence. Every HPM version differs, each featuring its own variation of paint splatter, spray application, and embellishment marks, reinforcing the individuality and rebellious spontaneity embedded in Street Pop Art & Graffiti Artwork. Symbolism, Humor, and Street-Level Critique The fire hydrant in Where The Hose M30 is rendered with a gritty aesthetic, adorned in layers of graffiti, tags, and stickers including OG Slick’s signature Japanese text, cartoon gloves, and pop references. These decals give the hydrant the look of a public object long claimed by urban artists. The playful title scrawled above evokes both literal and slang meanings, inviting multiple interpretations—part street joke, part cultural commentary. Whether read as a nod to graffiti beefs, territorial markings, or masculine bravado, the question itself is as much a provocation as it is a punchline. Some variants in the edition feature bursting spray streams, others are overlaid with bold magenta or buffed whiteout gestures, each echoing the transient, ever-changing nature of city surfaces and graffiti culture. Within Street Pop Art & Graffiti Artwork, OG Slick uses this hydrant not only as a subject but as a symbol of pressure, release, and public infrastructure hijacked by personal voice. OG Slick’s Artistic Practice and Visual Language OG Slick, a fixture of Los Angeles graffiti culture since the 1980s, is renowned for remixing commercial and municipal iconography through a filter of street aesthetics and satirical wit. His work blends cartoon-based visual familiarity with hardcoded graffiti influence, often embedding commentary on fame, ownership, and identity. In Where The Hose M30, he recontextualizes the mundane—turning a utilitarian fire hydrant into a sculptural character that carries attitude, history, and street-coded meaning. By layering his personal motifs over a public object, Slick continues his career-long tradition of turning the overlooked into a bold visual narrative. His attention to detail in both form and wordplay makes this piece an extension of the graffiti wall, a flat surface alive with attitude, cultural shorthand, and layered contradiction. Edition Variation and Urban Artifact Value As with all HPM releases by OG Slick, each copy of Where The Hose M30 is one of a kind. While the base giclee ensures fidelity to the original digital layout, the embellishments disrupt that uniformity, introducing chaos, imperfection, and hand-executed energy. Some prints are saturated in pink or buffed out with white spray, while others are activated with directional burst marks and smudges of black ink. These choices give each collector a unique relationship to the piece, similar to how different graffiti tags evolve across the city depending on who sees them, alters them, or covers them. OG Slick captures that energy in a fixed format that still feels in flux. The deckled paper adds a tactile frame to the work, reinforcing its status as both high art and cultural subversion. In Street Pop Art & Graffiti Artwork, Where The Hose M30 stands as a sharply humorous yet technically refined work that reclaims public visual space and retools it with attitude, commentary, and urban soul.
$2,494.00 $2,245.00
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Shepard Fairey- OBEY SF Fire Escape AP Silkscreen Print by Shepard Fairey- OBEY
SF Fire Escape AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2011 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print SF Fire Escape AP by Shepard Fairey – Artist Proof Silkscreen Street Pop Art & Graffiti Artwork The SF Fire Escape AP Artist Proof silkscreen print by Shepard Fairey, produced in 2011, is a rare and impactful piece of Street Pop Art & Graffiti Artwork. This edition is signed by the artist and marked AP, denoting it as an Artist Proof distinct from the standard numbered run. The 18 by 24 inch screenprint was created on cream Speckletone fine art paper, a preferred medium for Fairey's hand-pulled works that allows for deep saturation and texture while maintaining archival integrity. Rendered in Fairey’s signature color palette of red, black, and off-white, this work reflects both his graphic design roots and his engagement with urban visual language. It presents a sharp architectural composition of a city scene featuring a fire escape, directional signage, and a familiar visage of the Obey Giant—an image that continues to serve as an anchor in Fairey's expansive catalog of visual resistance. Architectural Symbols and Urban Instruction This artwork immerses the viewer in the structured language of a city landscape, where fire escapes, windows, billboards, and building facades form a rigid system of navigation. The vertical and diagonal lines of the fire escape ladder and support beams fragment the space, giving a visual sense of entrapment or escape, depending on interpretation. A one-way sign reads no turns, emphasizing the illusion of freedom in a world filled with constraints. These directional cues play directly into Fairey’s critique of control mechanisms embedded in modern society. Through the use of screenprint layering and flat color fields, the artist isolates the experience of moving through controlled environments and highlights the architecture not as shelter but as signal. Obey Iconography as Watchful Presence The inclusion of the Obey Giant face within the window transforms an anonymous city structure into a subversive billboard. The face is not advertised but embedded, gazing from the inside out. It resists being consumed and instead looks back at the viewer. This silent presence underscores Shepard Fairey’s commentary on surveillance, authority, and cultural branding. Rather than remain outside of the built environment, his iconography has infiltrated the everyday, becoming part of the structure itself. As an Artist Proof, this particular print is a closer representation of Fairey’s intent, often reserved for personal use, exhibition circulation, or early release. It carries a stronger weight in terms of rarity and proximity to the original print development process. Screenprint Technique and Political Form Shepard Fairey’s silkscreen method is deeply connected to the legacy of protest poster art and graffiti stenciling. SF Fire Escape AP does not mimic graffiti—it elevates its ethos by repurposing urban symbols into controlled compositions on paper. Fairey’s repeated use of red and black signals urgency and authority, while the clean lines and grid-like layout suggest modernism stripped of comfort. The technique ensures precision while allowing for a handmade energy that reinforces its position within Street Pop Art & Graffiti Artwork. As an Artist Proof, it offers collectors and scholars insight into Fairey’s design refinement process, often with slight color or alignment differences that make each AP print unique. The work balances raw city experience with formal visual order, making it a compelling artifact of twenty-first century visual protest.
$750.00
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Scott Listfield Its Like That PP Archival Print by Scott Listfield
Its Like That PP Printers Proof Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Scott Listfield, Street Pop Art Graffiti Legend. PP #1 Printers Proof 2018 Signed & Marked PP Artwork Size 16x23 Scott Listfield is a contemporary American artist known for his iconic paintings of an astronaut exploring landscapes dominated by pop culture icons and references. Listfield's work is often associated with graffiti art prints and street art prints due to his use of urban and post-apocalyptic themes. His astronaut figure, who is often portrayed with a visor obscuring his face, has become an instantly recognizable symbol in the world of contemporary art.This archival-quality print features the iconic "Its Like That" artwork by Scott Listfield. It's printed on heavy paper with a semi-gloss finish that produces vibrant color. Get museum-grade quality with longevity that lasts up to 200 years. Be the envy of your friends with this Its Like That PP Archival Print by Scott Listfield. Professionally printed on high-grade archival paper for top-quality color and detail, this art print will surely be a showstopper. Bring a touch of sophistication to your wall decor today!
$620.00
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Sechor Street Shatter Street Sign Graffiti Painting by Sechor
Street Shatter Art Epoxy Wood Mixed Media on Street Signed Framed Sculpture/Painting Artwork by street pop culture artist Sechor. 2021 Signed Artwork Size 20x20 Ready To Hang Framed Original Mixed Media Wall Art Sculpture made of epoxy mixed with wood chips on a real "Do Not Enter" street sign in a handmade frame, ready to hang.
$1,307.00 $1,176.00
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Stephanie Buer 5 North Archival Print by Stephanie Buer
5 North Archival Print by Stephanie Buer Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 40 Artwork Size 18x24 Archival Pigment Fine Art Stephanie Buer, the artist behind "5 North", presents an 18" x 24" archival pigment print. This limited edition artwork is numbered and signed by Stephanie herself, with only 40 copies available.
$222.00
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Josh Keyes Pursuit Archival Print by Josh Keyes
Pursuit Archival Print by Josh Keyes Limited Edition on Hot Press Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 55 Artwork Size 12x12 Archival Pigment Fine Art Pursuit Archival Print by Josh Keyes: Wildlife Realism in Urban Collapse Josh Keyes is known for his surreal environmental narratives that merge wildlife realism with post-apocalyptic cityscapes, and Pursuit is a masterful continuation of that vision. Released in 2023 as a signed and numbered limited edition of 55, this 12x12 inch archival pigment print on hot press fine art paper exemplifies Keyes’ unique approach to Street Pop Art & Graffiti Artwork. The artwork features a bull elk in a desperate sprint through an abandoned urban corridor, pursued by a charging grizzly bear. The scene is rendered with astonishing precision and painterly detail, creating an uncanny juxtaposition between raw wilderness and manmade structure. Symbolism and Visual Commentary in Modern Urban Decay Pursuit does not merely present an animal chase—it constructs a metaphorical lens on modern society’s collapse and the reemergence of nature in the wake of human absence. The grass sprouting through cracked pavement, the eerie emptiness of towering buildings, and the animals reclaiming space once dominated by industry and commerce all speak to Keyes’ thematic obsession with environmental reclamation and decay. The elk’s expression captures both panic and resilience, while the bear’s momentum symbolizes the relentless force of nature. These themes situate the piece within a broader dialogue around extinction, survival, and the aftermath of ecological disruption, blending realism with speculative fiction in a way few artists manage. The Street Pop Art Aesthetic of Josh Keyes While Keyes is not traditionally a street muralist, his work channels the ethos of Street Pop Art & Graffiti Artwork through its socially urgent themes and confrontational composition. He infuses the immediacy and conceptual clarity of graffiti with the precision and control of classical painting. Each work feels like a warning and a dream, torn from the pages of ecological science fiction and pasted into the present. His hyper-detailed painting style, when transferred to a fine art print like Pursuit, retains its immersive quality, capturing motion, texture, and atmosphere with unrelenting clarity. The work becomes both collectible and powerful, a quiet revolution printed on museum-grade paper. Modern Mythmaking through Urban Wildlife Narratives Josh Keyes, an American contemporary artist, constructs modern myths by transporting wildlife into post-human environments. These settings, like the vacant city street in Pursuit, serve as stages for dramatic encounters that are at once primal and surreal. The story told in this limited edition print operates on both visual and conceptual levels. It evokes the urgency of climate instability, the vulnerability of wild species, and the fragility of constructed civilization. Pursuit is not just an image, it is a moment suspended in moral tension, a call to acknowledge the ecosystems intertwined with human legacy. Through this archival edition, Keyes cements his role as a chronicler of imagined futures grounded in present truths, a key figure in the visual narrative of modern environmental street pop art.
$288.00
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Jimmys Night Market Travis Playground Giclee Print by Jimmys Night Market
Travis Playground Artwork Giclee Limited Edition Print on Museum Quality Matte Paper by Pop Culture Graffiti Artist Jimmys Night Market. 2021 Signed & Numebred Limited Edition of 100 Artwork Size 18x24 Travis Playground is a mix of nostalgic childhood memories combined with an energetic cyber punk world that was inspired from my time living in Asia. I wanted to create a surreal dream like illustration that would tap into our unconscious minds and challenge our own creativity. Each print is 18x24 signed and numbered - Limited to 100 - Printed on premium museum quality matte paper
$229.00
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Lady Pink TC5 in the Ghost Yard Archival Print by Lady Pink
TC5 in the Ghost Yard Limited Edition Archival Pigment Fine Art Prints on 300gsm Moab Ebtrada Rag Paper by Graffiti Street Art and Pop Culture Artist Lady Pink. LADY PINK- Titled “TC5 In the Ghost Yard” Edition size 40 archival pigment prints. Hand-signed and numbered by Lady Pink, along with the DirtyPilot emboss. Sheet Size a LARGE 31”x 24”(78 cm x 60 cm). Printed on Moab Ebtrada Rag, 300gms. A heavy-weight paper acid-free art.
$684.00
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RD-357 Real Deal Zombie Hand Tag Original Street Sign Painting by RD-357 Real Deal
Zombie Hand Tag Original Street Sign Painting by RD-357 Real Deal Spray Paint Mixed Media One of a Kind of Artwork on New York City No Parking Notice Sign Pop Graffiti Street Art Artwork. 2014 Signed Spray Painting Original Artwork on Real NYC Reclaimed No Parking Metal Urban City Street Sign Size 18x12 of a Decapitated Zombie Hand Grasping & Spraying a Can of Krylon Spray Paint with the RD Tag in Purple. RD-357's Vivid Depiction of Urban Rebellion: The Zombie Hand Tag The 'Zombie Hand Tag' original street sign painting by RD-357, also known as Real Deal, is a provocative piece of street pop art and graffiti that embodies the rebellious spirit of urban street culture. Completed in 2014, this artwork uses a New York City 'No Parking' metal sign as its canvas, transforming a mundane object of urban regulation into a striking visual statement. The depiction of a decapitated zombie hand grasping and actively using a can of Krylon spray paint infuses the piece with a sense of post-apocalyptic creativity and survival. Interpreting the Symbolism in RD-357's Art This piece is rich with symbolism that resonates with the ethos of graffiti and street pop art. The zombie hand, often a symbol of horror and the macabre, is presented here as a vessel of artistic creation, subverting its usual connotations of death and decay. By wielding a can of Krylon, the hand breathes life into an art form that thrives on the fringes of society. The RD tag in purple spray paint marks the artist's signature and serves as an act of claiming territory, a fundamental aspect of graffiti culture. The choice of a 'No Parking' sign as the medium is deliberate and insightful. It represents the restrictions and boundaries imposed by society, which street art often aims to transgress. The act of a zombie hand, a symbol of defiance against mortality, spraying over such a sign is a metaphor for the resilience of street art. It refuses to be confined or controlled, much like the undead refusing to remain in the grave. The Aesthetics and Technique in RD-357's Zombie Hand Tag RD-357's technique in creating this piece highlights street art's raw and unapologetic beauty. The artwork, measuring 18x12 inches, showcases the artist's skill in manipulating spray paint, a medium often dismissed by the traditional art world but revered in street culture. The dripping paint from the Krylon can, the textured portrayal of the zombie flesh, and the striking contrast between the hand and the sterile sign it occupies all contribute to a composition that is as much a visual triumph as a statement piece. The use of mixed media, incorporating both the physical sign and the spray paint, reflects the layered nature of street art. It is both an object and a message, a tangible piece of the city's fabric and a commentary. The artwork challenges viewers to see beyond the surface to understand the depth and complexity of the messages conveyed through this unique artistic expression. Conclusion: The Cultural Impact of RD-357's Work The 'Zombie Hand Tag' is a potent example of how street pop art and graffiti can alter perceptions and engage with viewers on a visceral level. RD-357's work demonstrates street art's transformative power, which can turn a simple traffic sign into a thought-provoking piece that questions authority and celebrates the irrepressible nature of human creativity, even in the face of societal collapse. RD-357, whose real name and country of origin remain unknown, much like the enigmatic nature of street art itself, has created a piece that stands as a testament to the enduring spirit of street pop art and graffiti. The 'Zombie Hand Tag' is a visual spectacle and a narrative of resistance, a declaration that even in a world overrun by the metaphorical zombies of conformity and control, the artist's spirit remains unvanquished.
$710.00
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Ricky Powell Basquiat on The Street Archival Print by Ricky Powell
Basquiat on The Street Limited Edition Photo Archival Pigment Prints on Fine Art Paper by Ricky Powell Graffiti Street Artist Modern Pop Art. 2020 Signed Numbered & Titled by Ricky Powell's Hand Limited Edition of 75 Artwork Size 20x15 Photo Archival Pigment Print. Includes COA Signed 2nd Time by Powell. "Basquiat on The Street" is an archival print by the late Ricky Powell, a renowned New York City street photographer who captured the vibrant culture of the city during the 1980s and 1990s. Known as "The Rickster," Powell photographed many iconic figures from the worlds of music, art, and fashion. This particular print features the legendary Jean-Michel Basquiat, an American artist of Haitian and Puerto Rican descent who rose to prominence during the 1980s. Basquiat's work is known for its raw, expressive style and its commentary on race, class, and culture. His art often featured graffiti-like elements, which made him a significant figure in the street art movement. In "Basquiat on The Street," Ricky Powell captures Basquiat in his natural environment, surrounded by the urban landscape that inspired his art. The archival print is likely produced using high-quality, acid-free materials to ensure the longevity of the image. These prints are often sought after by collectors and fans of both Basquiat's work and Powell's photography.
$625.00
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Shishidomia Phone Booth 18x18 Giclee Print by Shishidomia
Phone Booth- 18x18 Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Shishidomia. 2022 Limited Edition of 250 18x18 Japan Print
$135.00
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Ricky Powell Dondi Archival Pigment Print by Ricky Powell
Dondi Limited Edition Photo Archival Pigment Prints on Fine Art Paper by Ricky Powell Graffiti Street Artist Modern Pop Art. 2020 Signed Numbered & Titled by Ricky Powell's Hand Limited Edition of 75 Artwork Size 20x15 Photo Archival Pigment Print. Includes COA Signed 2nd Time by Powell. "Dondi" is an archival pigment print by Ricky Powell, an American photographer known for his candid, street photography and his close association with the New York City hip-hop and cultural scene. Archival pigment prints are high-quality digital prints made using pigment-based inks and acid-free, archival-grade paper. The combination of these materials ensures the longevity and color stability of the print, with a life expectancy of 100 years or more. This printing method is often used by photographers and artists for limited edition prints, exhibitions, and collectors. Ricky Powell (1961-2021) was born and raised in New York City. He gained notoriety in the 1980s and 1990s, capturing images of musicians, artists, and celebrities, especially those related to the hip-hop scene. Powell's iconic photographs include images of the Beastie Boys, Run-DMC, LL Cool J, Andy Warhol, Jean-Michel Basquiat, and many others. His candid, street-style approach to photography made him a beloved figure in the world of art and pop culture.
$625.00
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RD-357 Real Deal Techno Standpipe Original Street Sign Painting by RD-357 Real Deal
Techno Standpipe Original Street Sign Painting by RD-357 Real Deal Spray Paint Mixed Media is one of the kinds of artwork on New York City FDNY Standpipe Notice Sign Pop Graffiti Street Artwork. 2014 Signed Spray Painting Original Artwork on Real Reclaimed NYC Fire Fighter Metal Urban City Street Sign Size 13x18 Futuristic Sci-Fi Cyborg Robot Woman with Guns & Future Weapon Arm Replacement—RD Tag in Rust Red. RD-357's Techno Standpipe: A Metaphor of Futurism in Street Art The original Techno Standpipe street sign painting by RD-357, also known as Real Deal, is a compelling piece of street pop art that seamlessly blends technology and urban grit. Created in 2014, this work of art reimagines a New York City Fire Department standpipe notice sign as a backdrop for a dystopian narrative. The piece, signed by RD-357, features a futuristic sci-fi cyborg woman armed with advanced weaponry, conveying powerful themes of transformation and the intersection of humanity and technology. Symbolism and Significance in RD-357's Artwork In 'Techno Standpipe,' the cyborg woman symbolizes the evolving relationship between humans and machines. Her robotic arm replacement, depicted with meticulous detail, suggests enhancement and perhaps the loss of human elements, a theme that resonates deeply in an era where technology increasingly interfaces with every aspect of life. The choice of a standpipe sign, an emblem of safety and regulation, contrasts with the unrestrained and anarchic spirit of the cyborg, creating a visual paradox that challenges the viewer to consider the implications of technological advancement. The RD tag in rust red serves as the artist's signature and integration into the piece's aesthetic, echoing the rust and decay that often accompany urban infrastructure. This artwork, measuring 13x18 inches, uses spray paint to bring to life the textures and tones of metal and flesh, bridging the gap between the industrial and the organic. RD-357's Technique and Artistic Vision RD-357's execution of 'Techno Standpipe' demonstrates a masterful use of mixed media, combining the stark, flat surface of a metal sign with the depth and dynamism of spray paint. The artist employs shading, contouring, and color contrasts to give the cyborg figure a three-dimensional appearance, projecting her out of the sign's flatness and into the viewer's space. The shadows and highlights create a sense of movement, suggesting action and energy, symbolic of street pop art's dynamic nature. The artwork's gritty realism, underscored by the wear and tear on the sign itself, reflects the urban environment's influence on RD-357. Using a real street sign repurposes the found object and contextualizes the art within the living, breathing cityscape. This piece thus becomes a conversation between the artist, the medium, and the ever-changing urban landscape. The Cultural Resonance of 'Techno Standpipe' As a piece of street pop art and graffiti, 'Techno Standpipe' carries within it the pulse of contemporary culture, where concerns about the encroachment of technology into the human sphere are ever-present. RD-357 captures this zeitgeist, presenting a future vision that is both a warning and a wonder. The artwork invites introspection on the viewer's part, urging them to contemplate the direction in which society is headed. RD-357, whose real name and country of origin remain anonymous, maintains the tradition of street artists who operate under pseudonyms, preserving the mystery and rawness central to the genre. The 'Techno Standpipe' is a bold statement within RD-357's oeuvre, a one-of-a-kind piece that embodies the transformative and provocative power of street pop art and graffiti artwork. It is a visual manifesto of the times, a metallic cry from the city's heart that resonates with modern existence's complexities.
$710.00
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OG Slick Caution Bump Metal Street Sign Giclee Print by OG Slick
Caution Bump Metal Street Sign Giclee Print by OG Slick Artwork Limited Edition Print Graffiti Pop Street Artist. 2025 Signed & Numbered Limited Edition Artwork Size 12x12 Metal Stylized Street Sign Mickey Hand with Cocaine Bump of Drugs. Ready to Hang. "The sign is a cautionary tale to stay clear and to beware of the pitfalls of drug abuse with a humorous twist. I have been clean and sober going on 22 years and take sobriety very seriously, but my art, not so much." -OG Slick Caution Bump by OG Slick: Street Sign Subversion in Street Pop Art & Graffiti Artwork Caution Bump is a 2025 signed and numbered limited edition artwork by OG Slick, executed on a stylized metal street sign and measuring 12x12 inches. The piece features a yellow caution sign with the word BUMP in bold black type, interrupted by a gloved cartoon hand appearing to scoop a bump of white powder from the surface. This hand, instantly recognizable from OG Slick’s recurring iconography, reinterprets familiar cartoon symbolism into sharp-edged satire. Slick merges public signage, pop culture references, and controversial content into a compact visual confrontation, producing a piece that functions both as a sculptural object and a warning, delivered with biting humor. Ready to hang and fabricated in metal, this edition exemplifies the dimensional push of Street Pop Art & Graffiti Artwork into tangible, everyday objects reshaped by urban commentary. Concept, Satire, and Cultural Double Meaning The humor in Caution Bump masks a serious undertone. The imagery plays on a literal and figurative reading of the word bump—referencing a road hazard while also suggesting the use of illicit drugs. The white powder and hand gesture reinforce the double entendre, creating a tension between slapstick visual language and stark realism. The cartoon glove is stylized yet suggestive, positioned mid-act in a way that speaks directly to the viewer. The entire work operates as a visual pun, repurposing a familiar street symbol into a cautionary tale about substance abuse, recklessness, and glamorized vice. OG Slick’s ability to inject layered meaning into a simple configuration is a hallmark of his work in Street Pop Art & Graffiti Artwork. He doesn’t lecture or sanitize. Instead, he uses visual familiarity to disarm and challenge. Material Format and Sculptural Adaptation What sets Caution Bump apart is its format. Rather than being confined to canvas or paper, the piece is printed on a real metal street sign, lending it authenticity and urban texture. The rust, scratches, and scuffs are part of the aesthetic—reminders of public space, decay, and civic visual language. By transforming a sign meant for regulation into an artwork designed for disruption, OG Slick blurs the boundary between functional object and cultural statement. The inclusion of his signature cartoon glove motif adds continuity to his visual universe while recontextualizing it into a different material narrative. The print is giclee-based but enhanced by its hard surface and physical depth, aligning it with both graffiti installation and gallery-ready sculpture. OG Slick’s Personal Message and Artistic Irreverence OG Slick, a Los Angeles-based pioneer in graffiti culture, brings personal experience into this piece. Having been sober for over two decades, Slick approaches drug imagery not to glorify but to critique and deflate. His perspective is rooted in lived experience, yet his art retains an irreverent, comedic tone. Caution Bump becomes a commentary on perception—the way serious topics are often cloaked in humor, and how familiar imagery can carry dangerous implications. In Street Pop Art & Graffiti Artwork, this balance of sincerity and sarcasm is essential. Slick leans into this contradiction, using parody and design to challenge the viewer to think twice about what’s being referenced. It’s a sign to laugh at—but also one to heed. A reminder, not just of physical bumps in the road, but of choices, danger, and the cultural tendency to disguise serious problems in pop gloss.
$500.00
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Sainer Henryk Nowak Giclee Print by Sainer- Etam Cru
Henryk Nowak Pop Street Artwork Limited Edition Giclee Print on 290gsm Moab Entrada Cotton Rag by Urban Graffiti Modern Artist Sainer- Etam Cru. 2016 Signed 33x28 Limited Edition of 100
$381.00