Thailand

7 artworks

  • Holiday Thailand Grey Art Toy by Kaws- Brian Donnelly

    Kaws- Brian Donnelly Holiday Thailand Grey Art Toy by Kaws- Brian Donnelly

    Holiday Thailand Grey Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2025 Out of Print Limited Edition Artwork Size 7x11 New In Box Stamped/Printed Foot Depicting Kaws Companion Mother/Father/Friend and Child Holding Glow in the Dark GID Fluorescent Moon Sitting on a Bright Earth by Artist Kaws- Brian Donnelly. Holiday Thailand Grey Art Toy by KAWS – Brian Donnelly The Holiday Thailand Grey Art Toy by KAWS, the artistic alias of American creator Brian Donnelly, stands out as a rare and powerful work in the field of Street Pop Art & Graffiti Artwork. Released as a 2025 limited edition and now out of print, this collectible sculpture measures approximately 7 x 11 inches and arrives new in box with a printed stamp on the foot. Rendered in a muted grey palette, the artwork features the beloved Companion characters—an adult figure seated atop a vividly painted Earth while gently embracing a smaller child figure. Both characters hold a glow-in-the-dark fluorescent moon with a detailed textured surface, symbolizing both innocence and cosmic wonder in a world that increasingly values emotional narrative in contemporary vinyl art. Emotional Expression Through Form and Symbol Unlike the bright tones often used in earlier Companion works, the grey edition of the Holiday Thailand Art Toy emphasizes subtlety and seriousness. The seated figure may be interpreted as a mother, father, or guiding friend, creating a moment of quiet connection with the child nestled in their lap. The Earth below them is shown in bold blue and green, visually rooting this piece in themes of global care and responsibility. The glowing moon cradled between them becomes a shared point of light, a guiding symbol in the literal and figurative darkness. This interaction between figures and the celestial object elevates the sculpture from a collectible toy to a visual meditation on care, protection, and environmental consciousness. Brian Donnelly’s Continued Impact on Street Pop Art & Graffiti Artwork Brian Donnelly, born in Jersey City, USA, started his career tagging walls and bus stop advertisements, blending cartoon iconography with sharp social commentary. His rise from graffiti artist to global contemporary art figure is marked by his ability to blend street language with emotional depth. The Companion figure, instantly recognizable with its X-ed out eyes and Mickey Mouse-inspired gloves, has become an international symbol for vulnerability, connection, and modern alienation. In the Thailand Grey edition, Donnelly strips the form of bright color and instead uses the soft grey tones to focus attention on the body language and the emotional intimacy of the piece. The positioning of the child figure leaning into the adult’s chest creates a tender pause, often missing in the more satirical or energetic works of Street Pop Art & Graffiti Artwork. A Coveted Collectible in the Vinyl Art Toy Movement Each Holiday edition by KAWS ties the Companion character to a geographic or thematic location, and the Thailand release is no exception. While the colorful brown variant captures warmth, this grey version offers a more introspective aesthetic. The bright, hand-painted globe beneath the seated figure ensures that the sculpture’s message remains worldly and expansive, even as the figures themselves remain personal and inward-looking. The glow-in-the-dark moon feature enhances the sculpture’s interactive and ambient qualities, transforming under different lighting to reveal its full emotive power. Collectors and museums alike consider this edition a benchmark for contemporary vinyl-based Street Pop Art & Graffiti Artwork. Its scarcity, strong narrative, and signature KAWS execution make it a vital piece for those who seek work that blends simplicity with depth. The Holiday Thailand Grey Art Toy is not just a decorative figure—it is a sculptural story about human connection and cosmic hope.

    $1,500.00

  • Holiday Thailand Brown Art Toy by Kaws- Brian Donnelly

    Kaws- Brian Donnelly Holiday Thailand Brown Art Toy by Kaws- Brian Donnelly

    Holiday Thailand Brown Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2025 Out of Print Limited Edition Artwork Size 7x11 New In Box Stamped/Printed Foot Depicting Kaws Companion Mother/Father/Friend and Child Holding Glow in the Dark GID Fluorescent Moon Sitting on a Bright Earth by Artist Kaws- Brian Donnelly. Holiday Thailand Brown Art Toy by KAWS – Brian Donnelly The Holiday Thailand Brown Art Toy is a standout limited edition vinyl sculpture by Brian Donnelly, an American artist known globally as KAWS. Released in 2025 and now out of print, this collectible piece represents a key moment in the evolution of Street Pop Art & Graffiti Artwork. Standing approximately 7 x 11 inches, the artwork features the artist’s signature Companion characters—recognizable by their cartoonish gloves, soft forms, and crossed-out eyes. In this edition, a large Companion figure sits on a brightly painted globe, holding a smaller child-like figure while both cradle a textured, glow-in-the-dark moon. The earth beneath them is rendered in bold blue and green, grounding the piece in a clear environmental and humanistic message. A Symbol of Care, Connection, and Responsibility This artwork differs from many of KAWS’ earlier works by emphasizing intimacy and quiet reflection over commercial parody. The large Companion, positioned as either a mother, father, or protector, gently supports the child figure in its lap. The shared moon held between them glows in the dark, adding a symbolic gesture of shared light, guidance, and imagination. The planetary imagery reinforces the sense of global connectedness and personal responsibility—an increasingly relevant theme in Street Pop Art & Graffiti Artwork. Rather than existing as a critique, this edition feels more like an offering of comfort and unity, a sentiment that has resonated widely with collectors and fans of Donnelly’s work. KAWS and the Expansion of Street Pop Art Brian Donnelly began his career tagging walls and subverting advertisements in New York City, later evolving into one of the most commercially and critically successful figures in contemporary Street Pop Art & Graffiti Artwork. His Companion character has appeared in sculptures, paintings, large-scale installations, and collectible toys. Each iteration of Companion holds a different emotional register, and the Holiday Thailand edition marks one of the most sincere. Donnelly’s decision to have the figure seated on Earth holding a celestial body is a continuation of his visual storytelling, often involving themes of isolation, care, and shared vulnerability. The X-ed eyes, once associated with irony or detachment, become here a symbol of a quiet inner world. Collector Significance and Artistic Detail This edition was part of the ongoing Holiday series that placed Companion figures in culturally symbolic locations around the world. For Thailand, the sculpture’s gentle posture and universal themes reflect a more spiritual tone. The glow-in-the-dark moon is made with detailed surface textures to mimic the actual lunar surface, enhancing its realism and tactile appeal. The foot of the figure is stamped and printed, certifying authenticity and aligning it with previous limited editions. Like many KAWS pieces, this edition sold out quickly and is now highly sought after. Its rarity, craftsmanship, and emotional resonance have made it a landmark example of collectible vinyl art within the context of Street Pop Art & Graffiti Artwork. Collectors and cultural institutions have increasingly embraced works like this for their ability to communicate complex feelings through simple forms. The Holiday Thailand Brown Art Toy stands as a powerful visual story about nurturing, fragility, and global consciousness, rendered in the familiar yet ever-evolving language of KAWS. This sculpture is not just a toy, but a meditation in vinyl—one that continues to influence the trajectory of Street Pop Art & Graffiti Artwork worldwide.

    $1,500.00

  • Holiday Thailand Black Art Toy by Kaws- Brian Donnelly

    Kaws- Brian Donnelly Holiday Thailand Black Art Toy by Kaws- Brian Donnelly

    Holiday Thailand Black Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2025 Out of Print Limited Edition Artwork Size 7x11 New In Box Stamped/Printed Foot Depicting Kaws Companion Mother/Father/Friend and Child Holding Glow in the Dark GID Fluorescent Moon Sitting on a Bright Earth by Artist Kaws- Brian Donnelly. Holiday Thailand Black Art Toy by KAWS – Brian Donnelly The Holiday Thailand Black Art Toy by Brian Donnelly, professionally known as KAWS, is a 2025 limited edition vinyl collectible that brings emotional storytelling into the core of Street Pop Art & Graffiti Artwork. Standing 7 x 11 inches, the sculpture features the iconic KAWS Companion character in a nurturing pose—seated on a vibrant blue and green globe, gently cradling a smaller child figure. Together they hold a glow-in-the-dark fluorescent moon, detailed with a textured surface resembling the lunar landscape. Released in limited quantity and now out of print, this new-in-box edition is stamped and printed on the foot to confirm authenticity. The black edition is the most visually stark of the Thailand Holiday series, emphasizing silhouette, light, and shadow in its emotional impact. Monochrome Design with Universal Themes Rendered entirely in matte black vinyl, this version removes all color distractions from the figures themselves, allowing the Earth and the glowing moon to take visual prominence. The absence of color sharpens the emotional tone of the piece, drawing attention to the posture, gesture, and quiet intimacy between the adult and child Companions. This decision amplifies the sculpture’s symbolic weight, allowing it to speak to global responsibility, parental care, and environmental reflection. The use of black gives the figures a ghostlike presence, while the bright world beneath them remains alive and vibrant. The glowing orb adds a supernatural softness, inviting the viewer to consider themes of guidance, protection, and shared hope. KAWS’ Sculptural Language in Street Pop Art & Graffiti Artwork Brian Donnelly, born in the United States, rose from the streets of Jersey City where his early graffiti subverted public advertisements with satirical cartoons. His signature Companion figure became a modern icon in Street Pop Art & Graffiti Artwork, embodying themes of alienation, empathy, and memory. With the Holiday Thailand series, Donnelly introduced a softer, more meditative layer to the Companion's identity. The Holiday Black edition pushes this even further—its somber tone and striking globe-seat foundation underscore the idea of the figure as a caretaker of a fragile world. The signature X-ed eyes and cartoon gloves remain, but instead of sarcasm, they now seem to express stillness and reflection. A Collector’s Masterpiece in Emotional Minimalism As with all KAWS Holiday editions, this sculpture was highly sought after at release and quickly sold out. The black version has become especially desirable due to its aesthetic rarity and its ability to convey depth through restraint. The use of minimal color enhances the sculpture’s interaction with light, especially when the moon begins to glow in the dark. The piece shifts dramatically between day and night, with the moon’s gentle illumination bringing warmth to the shadowed figures. This kinetic transformation has made it not only a visual object but an emotional experience. For collectors and enthusiasts of Street Pop Art & Graffiti Artwork, the Holiday Thailand Black Art Toy is more than a figure—it is a moment suspended in time, balancing silence, care, and cosmic symbolism through the signature visual language of Brian Donnelly.

    $1,500.00

  • Panacea Silkscreen Print by MEUBON

    MEUBON Panacea Silkscreen Print by MEUBON

    Panacea Silkscreen Print by MEUBON Hand-Pulled on Superfine Eggshell White Fine Art Paper Limited Edition Screenprint Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 20.25x15.75 Silkscreen Print. ยาตำราหลวง สถานที่จำหน่าย มาตำราหง เภสัชกรรม- Royal Medicine, Place of Sale, Ma Tamra Hong Pharmacy Panacea by MUEBON – Satirical Remedy in Street Pop Art & Graffiti Artwork Panacea is a 2022 limited edition silkscreen print by Thai artist MUEBON, hand-pulled on Superfine Eggshell White fine art paper and sized at 20.25 x 15.75 inches. Signed and numbered in an edition of 300, the print fuses traditional Thai aesthetics with a satirical street art vocabulary. The composition mimics the layout and tone of a vintage Thai pharmacy sign, including typographic references to royal medicine, location details, and regulatory insignia. Into this framework, MUEBON inserts his signature character—a mischievous black bird with a human-like stance—tending to rows of vibrant cannabis plants. The juxtaposition of state authority, medical legitimacy, and pop rebellion is executed with surgical visual clarity and conceptual sharpness. Every line, crack, and graphic element contributes to a broader message about legality, hypocrisy, and shifting cultural norms. Medicinal Symbolism and Sociopolitical Irony MUEBON’s use of the title Panacea speaks to the idea of a cure-all, a universal solution to societal ailments—yet the print suggests that what is marketed as remedy is often framed through layers of control and contradiction. The character, rendered in precise color and personality, waters marijuana plants with the casual indifference of someone who has normalized the taboo. The background replicates worn wall textures and weathered signage, suggesting an official public notice, now subverted. Thai script boldly states phrases such as ยาตำราหลวง and สถานที่จำหน่าย—Royal Medicine and Place of Sale—while the central figure undermines the bureaucratic tone with punk defiance. This visual collision is classic MUEBON: combining cartoonish humor with institutional critique in the style of Street Pop Art & Graffiti Artwork that functions as both documentation and protest. Silkscreen Technique and Aesthetic Precision The print is produced through traditional silkscreen methods, allowing each color to hold intense saturation and edge integrity. Printed on Superfine Eggshell White paper, the artwork’s subtle surface texture enhances the vintage signage effect, reinforcing the piece’s illusion of age and wear. The controlled layering of imagery—grime, text, plants, stamps, and character—demonstrates MUEBON’s precision in translating complex political narratives into vibrant, accessible artworks. While rich in local cultural codes, the piece is globally readable, making it a standout example within Street Pop Art & Graffiti Artwork of how regional voice can achieve international resonance through strong visual composition and thematic clarity. MUEBON and the Cultural Anatomy of Legitimacy Panacea is not merely a print—it is a conversation between law, commerce, and personal autonomy. MUEBON uses humor and pop-inflected satire to explore Thailand’s evolving relationship with medical cannabis, government oversight, and cultural taboos. His signature bird character becomes a stand-in for the everyday citizen, navigating a system that selectively legalizes what it once criminalized. The work functions as a visual metaphor for the ways power, propaganda, and public health intertwine. In the context of Street Pop Art & Graffiti Artwork, Panacea delivers a multilayered narrative disguised as public signage. It invites laughter, sparks dialogue, and challenges viewers to reconsider what authority looks like when it is repackaged in colorful ink and symbolic contradiction. MUEBON continues to assert himself as a master of visual irony and cultural dissection through the lens of urban resistance.

    $500.00

  • Shark & Three Girls Show Archival Print by Shark Toof

    Shark Toof Shark & Three Girls Show Archival Print by Shark Toof

    Shark & Three Girls Show Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 40 Artwork Size 18x19 "This piece is significant in the journey towards my solo show in October titled "Ping Pong Show." Two Girls And Three Tigers illuminates the contemplation of nature, culture, predator vs. prey, and recent travels to Thailand and the middle east.The idea is a culmination of seduction, animal spirit, philosophy of culture and its roll in the idea of predator vs. prey. 1 square inch could take 1 - 5 days depending on how it's working with the painting as a whole. My process can be masochistic. It's a chess match. My roots as an illustrator is that everything is planned out. I'm going against the grain in more of a fine art direction by allowing the painting to guide me, to ask me questions. There are very small to very large details to this piece from color, to shape, and form. These details were in large part not preplanned and a manifestation of content. " - Shark Toof

    $400.00

  • Laissez-Fire No 1 Archival Print by Alex Face

    Alex Face Laissez-Fire No 1 Archival Print by Alex Face

    Laissez-Fire No 1 Limited Edition Archival Pigment Fine Art Prints on Hand-Deckled 290gsm Moab Entrada Paper by Graffiti Street Art and Pop Culture Artist Alex Face. 2022 Signed Edition of 100 - Fine art print on Moab Entrada 290gsm paper - 25 x 20 inches / 63.5 x 50.8 cm - Hand Deckled Edges - Each print is signed and numbered by the artist - Printed by Static Medium (Los Angeles)

    $371.00

  • Scorch Archival Print by Alex Face

    Alex Face Scorch Archival Print by Alex Face

    Scorch Limited Edition Archival Pigment Fine Art Prints on Hand-Deckled 290gsm Moab Entrada Paper by Graffiti Street Art and Pop Culture Artist Alex Face. 2021 Edition of 100 Fine art print on Moab Entrada 290gsm paper 24 x 20 inches / 61 x 50.8 cm Hand Deckled Edges Each print is signed and numbered by the artist Printed by Static Medium (Los Angeles)

    $307.00

Thailand Graffiti Street Pop Artwork

Thailand – Cultural Layers and Urban Voice in Street Pop Art & Graffiti Artwork

Thailand has emerged as a dynamic epicenter for Street Pop Art & Graffiti Artwork in Southeast Asia, blending centuries-old traditions with contemporary visual rebellion. The country’s streets, alleyways, abandoned buildings, and public walls have become canvases for a new generation of artists who use aerosol, stencils, stickers, and character-based compositions to speak to political realities, spiritual heritage, and urban chaos. Thai artists have developed a language that fuses Buddhist symbolism, local cartoon aesthetics, royal imagery, and Western pop iconography, resulting in a uniquely localized yet globally resonant visual culture. This environment has become fertile ground for commentary on class, control, capitalism, and censorship, giving rise to a movement that is colorful, critical, and unmistakably Thai.

Characters, Satire, and Resistance in Bangkok Walls

The heart of Thailand’s graffiti and pop art movement beats loudest in Bangkok, where artists transform crowded cityscapes into zones of confrontation and celebration. Characters are everywhere—masked birds, mutated animals, sad-eyed robots, and hybrids of cultural symbols occupy walls as emotional avatars. These figures do not merely decorate; they provoke. Artists such as MUEBON and Alex Face deploy highly stylized mascots to address state surveillance, inequality, addiction, and consumer fatigue. Their work combines humor with resistance, subverting traditional narratives using approachable forms that disarm before they confront. Street Pop Art & Graffiti Artwork in Thailand often leans on metaphor, allowing complex issues to be coded in characters, color schemes, and text placement that blend satire with direct visual impact.

Traditional Aesthetics Reimagined in Modern Formats

What distinguishes Thailand’s contribution to Street Pop Art & Graffiti Artwork is its ability to remix traditional aesthetics without erasing their significance. Artists pull from temple murals, hand-painted signage, Buddhist iconography, and Thai typography to create layered compositions that feel both ancient and new. These references are not decorative—they carry historical weight. The juxtaposition of traditional gold leaf patterns with dystopian cartoon figures speaks to a nation grappling with transformation, power shifts, and cultural preservation. Many works incorporate Thai script to emphasize local voice and to communicate with native viewers, giving the work a deeper contextual resonance beyond its graphic appeal. Murals become narrative tapestries, each symbol acting as a fragment of identity caught in motion.

Thailand as a Global Voice Through Local Mark-Making

While rooted in Bangkok and Chiang Mai, Thailand’s street pop and graffiti artists are exhibiting globally, producing fine art prints, installations, and participating in international mural festivals. Yet their message remains distinctly Thai. The work speaks of street vendors, floods, economic protests, and spiritual rituals with a visual language that holds its own next to Western graffiti giants. This growing recognition does not dilute its message—it amplifies it. Thailand’s Street Pop Art & Graffiti Artwork tells stories of place, people, and persistence through every spray line and sticker drop. It exists as a dialogue between sacred tradition and urban critique, between spiritual symbolism and graphic confrontation. Artists working in this space are not mimicking global trends; they are rewriting them, using Thai identity, humor, and resilience as the foundation for a world-class visual movement.

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© 2025 Sprayed Paint Art Collection,

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