Tribal Druid & Native

Healer Veiled Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Adrian Cox, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Edition of 100- 13x24

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Black Venus Artwork Giclee Limited Edition Print on Heavy Paper by Pop Culture Graffiti Artist Lady Pink. Giclee print on heavy paper. Size 20” x 16”. Edition size is 50 prints. Hand-signed by Lady Pink 2021.

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Gentleman Lord 6-Color Hand-Pulled Limited Edition Letterpress Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. 9x12 Signed Numbered 2013

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Soul Rider The Welcomer Limited Edition Polyresin Sculpture Artwork by Legendary Fine Art Artist Dulk- Antonio Segura Donat. 2023 Limited Edition of 100 Artwork Size Painted cast resin 14 5/8 × 9 × 9 in | 37.1 × 22.9 × 22.9 cm  A limited edition of 100 pieces, they all come numbered with COA (Certificate of Authenticity) in a wooden box. New in Box. The Welcomer Soul Rider by Dulk: Whimsy and Symbolism in Street Pop Art & Graffiti Artwork The Welcomer Soul Rider is a surreal polyresin sculpture created by Antonio Segura Donat, the Spanish fine art and street pop artist known globally as Dulk. Part of his Soul Rider series, this piece channels Dulk’s signature mythology through playful forms and symbolic characters rooted in fantasy, ecology, and layered storytelling. Perched atop a polka-dotted mushroom pedestal, a candy-colored creature combining features of a rabbit, unicorn, and fantasy familiar stands poised, while another character, masked and horned, rides upon its back with a trumpet raised in mid-call. This imaginative and theatrical composition fuses theatricality and allegory in a format that merges narrative depth with toy-like precision, making it a striking example of Street Pop Art & Graffiti Artwork in three-dimensional form. The main figure wears a twisted unicorn horn, oversized spiraled eyes, and a jester-like collar, blending animal innocence with ceremonial significance. Its expression is frozen in blissful confusion, a hallmark of Dulk’s emotional ambiguity. Its pink body contrasts with the cool tones of the mushroom base, which includes hidden characters and details such as a small caterpillar clinging to its edge. The rear rider, with elongated ears and acorn-shaped headwear, wears a black mask and raises a musical instrument as if announcing an arrival. This dynamic scene evokes ritual, procession, and a sense of surreal celebration, offering a playful yet haunting narrative about identity, transformation, and observation. Symbolic Storytelling and Playful Dissonance in Dulk’s Visual World Dulk’s work often explores duality: light and shadow, celebration and extinction, innocence and decay. In The Welcomer Soul Rider, the characters feel as if summoned from a forgotten folklore or alternate realm, their features exaggerated yet precise. The pastel palette softens their eccentricity, giving them an approachable presence while maintaining mystery. The visual language combines influences from street art, classic fairytales, and ecological allegory. Like many of Dulk’s works, this sculpture poses more questions than it answers, inviting viewers to decipher its meanings through emotion and imagination. The mushroom base plays an important role as a symbol of regeneration and hidden ecosystems. It functions as both throne and stage. The oversized lock at the bottom of the mushroom base suggests something magical or secret beneath the surface. Dulk often uses such visual cues to suggest that there is more to the world than meets the eye. The mask worn by the trumpet bearer hints at themes of identity and voice, possibly symbolizing guardianship, ceremony, or disguise. These objects and forms speak to the layered complexity often found in Street Pop Art & Graffiti Artwork, where surface whimsy conceals subtextual urgency. Dulk’s Role in Sculptural Storytelling within Street Pop Art Antonio Segura Donat has emerged as a defining voice in the contemporary scene, merging his roots in muralism with a sculptural practice that transforms flat wall narratives into tangible objects. The Welcomer Soul Rider exemplifies how his storytelling transcends media, maintaining the emotional clarity and visual humor of his murals while exploring texture, volume, and space. The piece feels like a paused scene in an unwritten fable, both frozen in time and full of momentum. The sculpture aligns with the ethos of Street Pop Art & Graffiti Artwork by maintaining accessibility and visual immediacy while challenging conventions of fine art through character design, symbolic layering, and satirical edge. Dulk’s aesthetic borrows from animated films, street iconography, and folklore, resulting in a style that is deeply personal yet universally engaging. His work encourages reflection on environmentalism, empathy, and the fantastical narratives we carry within. The Welcomer Soul Rider as Collectible Myth and Emotional Totem The Welcomer Soul Rider is more than decorative sculpture—it functions as an emotional totem, a modern myth encased in resin. Dulk’s attention to posture, color, and prop placement ensures that the viewer is engaged from every angle, discovering new meanings and hidden figures with each turn. This piece joins the growing trend of character-based fine art sculptures that draw influence from the street while evolving into gallery-caliber works. Whether experienced as a standalone figure or part of the wider Soul Rider series, The Welcomer carries a distinct voice. It calls softly but persistently, echoing Dulk’s artistic message: protect imagination, embrace duality, and celebrate those who carry stories through the chaos of our modern world. Through characters that are strange yet familiar, Dulk builds a universe that speaks fluently in the language of Street Pop Art & Graffiti Artwork while remaining unmistakably his own.

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Lace Shawl 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. 30″ x 24″ 5-color Screenprint on 100lb cougar white, and it is signed out of an edition of 40

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Totem 3D Sculpture Print on Wood Panel Ready to Display by Glenn Barr Modern Pop Artist. 24.5" x 15.5" flat (62.23 x 39.37 cm) 24.5" x 15.5" x 15.5" standing (62.23 x 39.37 x 39.37 cm) Multi-dimensional fine art wood print on 1/4" sustainable wood Standing over 2 feet tall, this fascinating new artwork flirts with multiple dimensions as 2D surfaces interact within a 3D space, really making it more of a 2.5D creation. Featuring two double-sided fine art prints that become four unique intersections of art when put together.

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Moniferal New Orleans 2011 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. Moniferal New Orleans 2011 Giclee Print by Caledonia Curry aka Swoon Moniferal New Orleans 2011 is a signed and numbered giclee print by Caledonia Curry, known in the Street Pop Art & Graffiti Artwork world as Swoon. This edition was released in 2016 in a limited run of 175 prints and measures 19 by 13 inches. The piece was produced on heavy fine art rag paper and belongs to the celebrated Swoon Street Series Print Collection. The artwork captures a moment from a site-specific installation in New Orleans, where Curry’s wheatpastes often explored vulnerability, resilience, and environmental rebirth through intimate human subjects fused into complex natural motifs. Caledonia Curry’s Swoon in New Orleans The city of New Orleans has held profound significance in the evolution of Swoon’s practice. After the devastation of Hurricane Katrina, Curry became deeply involved in collaborative recovery and rebuilding projects throughout the city. Moniferal was part of a wave of wheatpaste installations that carried emotional and symbolic resonance. This print preserves one such work that fuses portraiture and organic motifs into a visual experience of transformation. The subject appears grounded and contemplative, surrounded by intricate botanical linework that resembles both roots and wings. The muted, earthy tones and layered texture reflect the raw surfaces of the wall on which it was originally installed, making the giclee not just a documentation, but a continuation of that street-born experience. Technical Excellence in Giclee Reproduction The giclee print of Moniferal New Orleans 2011 honors the detailed linework and subtle tonal shifts of Curry’s original wheatpaste. The fine art rag paper supports the texture and depth, allowing collectors to experience the dimensionality that her murals evoke in public spaces. The choice to publish this piece as part of the Street Series Print Collection reflects its importance in capturing the fragility and strength of the human spirit—a recurring focus in Caledonia Curry’s work. As with other prints in the series, the limited edition number and artist signature confirm its place within the lineage of Street Pop Art & Graffiti Artwork adapted for the fine art context. Legacy of Swoon’s Human-Centered Street Art Caledonia Curry has long centered her practice on the power of human expression amid urban decay and social upheaval. Moniferal New Orleans 2011 serves as an artifact of both artistic innovation and humanitarian response. The figure in the composition becomes a universal stand-in for the survivor, the nurturer, or the witness, her form interwoven with hand-cut patterns and street textures. This edition captures the sensitivity of Swoon’s touch and the importance of preserving transient urban interventions in enduring form. Through Moniferal, Curry continues to redefine the aesthetic and cultural reach of Street Pop Art & Graffiti Artwork.

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Obsidian 3- Suspension- Blue Variant 4-Color Full Bleed HPM Embellished Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. Obsidian 03 - 'Suspension': Weightlessness under the water allows all objects to hover in place. 4 color serigraph - 16 x 20 inch - on smooth natural stock. Blue Variant colorway in a limited edition of: 20 (w/ hand-painted detail)

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Passage of Time Silkscreen Print by Gats- Graffiti Against The System Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 Silkscreen Print Exploring 'Passage of Time' by Gats "Passage of Time" is a compelling silkscreen print by the artist Gats, known for their work under the moniker Graffiti Against The System. This 2023 piece is a signed and numbered limited edition of 150, each measuring 18x24 inches, hand-pulled on fine art paper. Gats are celebrated for their unique style, often featuring masks or faces adorned with intricate patterns, representing the diversity of the human experience and the universal language of graffiti art. This particular artwork may carry the artist's signature visual lexicon, rich with symbolism about the passage of time, possibly using the melting candles and intertwining forms to convey life's transient nature and legacy's endurance through art. As with much street pop art and graffiti, it may be laden with cultural and socio-political commentary, inviting deep reflection on the transience of existence and the marks we leave behind.

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Feral Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 12x18

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Roman Klonek Limited Edition Silkscreen Skateboard deck art by street pop culture artist Roman Klonek. 2020 Kidrobot Limited Edition Numbered of 112. Known worldwide for his artistic woodwork, Kidrobot is bringing German artist Roman Klonek's aesthetic to the world of designer skateboards.

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Creature Comforts Artwork Giclee Limited Edition Print on Museo Portfolio Rag Paper by Pop Culture Graffiti Artist Anthony Clarkson. Edition of 25 14x14 inches Fine art print on Museo Portfolio Rag Paper Hand signed and numbered by the artist

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Eclipse Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Julian Callos. Julian Callos - "Eclipse" limited edition fine art giclee print signed and numbered by the artist edition of 40 12" x 16" Eclipse Giclee Print by Julian Callos

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First Light Archival Print by Adrian Cox Archival Pigment Fine Art Limited Edition Print on 290gsm Bright White Moab Entrada Rag Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 "First Light Archival Print" by Adrian Cox is an art piece by the contemporary artist Adrian Cox. Adrian is known for his highly detailed and imaginative paintings, which often depict fantastical worlds, mythical creatures, and surreal landscapes. Archival prints are high-quality reproductions of original artwork that are made to last for a long time without any significant deterioration in color and quality. They are often printed on acid-free paper using pigment-based inks, which are resistant to fading and provide excellent color depth and sharpness. These prints are a popular choice among art collectors and enthusiasts who wish to enjoy and preserve the artwork without the expense of purchasing an original piece.

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Coati The Gang is an Original Acrylic Graphite Pencil Painting by Dulk—Antonio Segura Donat. It is one of a Kind of Artwork Framed on Japanese Handmade Fine Art Paper by a Street Art Pop Artist. 2023 Signed Pencil & Acrylic Paint Original Painting Artwork Custom Framed by Artist Size 9.84x12.2 Unframed 7.09x9.46 Dulk's Fusion of Naturalism and Fantasy: "Coati The Gang" In the piece "Coati The Gang," Dulk, the artistic alias of Antonio Segura Donat, transports us to a realm where wildlife and imagination intertwine. This original artwork, brought to life through acrylic and graphite pencil on Japanese handmade fine art paper, demonstrates Dulk's unique ability to fuse elements of street art pop with classical painting techniques. Artistic Craftsmanship of Dulk's Original Painting This one-of-a-kind painting, meticulously framed by the artist, measures 9.84x12.2 inches with a slightly smaller canvas size of 7.09x9.46 inches when unframed. The bespoke nature of the frame enhances the viewing experience, tailored to accentuate the intricate details and delicate paper choice. The selection of Japanese handmade fine art paper for "Coati The Gang" mainly tells of Dulk's dedication to quality and craftsmanship, providing a subtle texture that complements the detailed brushwork and graphite precision. Captivating Imagery by Antonio Segura Donat "Coati The Gang" is a testament to Dulk's storytelling through visuals, with its central figure, the coati, portrayed in stunning detail amidst a cast of enchanting characters. The artwork is steeped in the rich tradition of naturalist illustration yet is distinctly modern in its execution and style. Dulk's narrative merges the organic world with a touch of the surreal, inviting the viewer to delve into a story that unfolds with every gaze. The use of acrylic paint brings a vibrancy to the artwork, while the pencil's subtlety allows for fine gradations and texture that give depth and life to the creatures within. The meticulous brush strokes and careful shading underscore the thematic elements of street pop art and graffiti artwork, where the message is often conveyed through the potency of the image itself. The "Coati The Gang" original painting is more than a piece of artwork; it is a window into Dulk's imaginative world, where the boundaries of street pop art and fine art beautifully collide. It represents the artist's commitment to bringing the wonders of the natural world into the urban art dialogue, establishing Dulk as a vanguard in the space where pop culture and wildlife conservation meet.

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God Is Great Script Woodblock Print by Unknown Hand-Pulled on Textured Fine Art Paper Limited Edition Artwork. 2008 Limited Edition Woodblock Woodcut Block Print Artwork Size 12x17 of Black & White Fictional Script Words from a St Louis Artist I Forgot the Name of. The Eloquent Silence of "God Is Great" Woodblock Print In visual art, few mediums speak as poignantly to the union of the ancient and the avant-garde as woodblock printing. The "God Is Great" woodblock print, a limited edition piece crafted in 2008, exemplifies the enduring relevance of this time-honored technique in modern artistic discourse. Although the creator from St. Louis remains unnamed, the artwork itself—a stark interplay of black and white fictional script on a textured fine art paper, size 12x17 inches—communicates a universal message that transcends the need for authorial identity. Woodblock Printing: A Dialogue Across Time Woodblock printing, one of the oldest methods of printmaking, has a storied history that stretches from ancient East Asia to contemporary art studios around the globe. The method involves carving an image into the surface of a block of wood, inking the surface, and then pressing it onto paper or fabric to create an impression. With its bold script and abstract composition, this particular piece reflects the technique's robust potential for precision and expression. The black and white color scheme of "God Is Great" reinforces the timeless nature of the print. At the same time, the enigmatic script suggests a language beyond words, an attempt to capture the inexpressible. With its minimalistic yet profound impact, this aesthetic finds echoes in the visual strategies of street pop art and graffiti, where the message is often condensed into symbols or stylized text that resonates with viewers on an instinctual level. Cultural Resonance in Contemporary Art "God Is Great" stands as an artifact of cultural resonance, embodying the essence of what many street artists and pop art practitioners aim to achieve—a piece that is accessible yet profound, immediate yet enduring. It prompts viewers to ponder the power of language, the act of communication, and the possibility of divine presence in the mundane. Despite the anonymity of its creator, the print carries a weight that speaks to the shared human quest for understanding and connection. This woodblock print's presence within pop art, street art, and graffiti is a testament to the fluid boundaries of art forms and the shared visual language that unites disparate genres. While the origin of "God Is Great" may be shrouded in mystery, the work becomes a vessel for contemplation and dialogue, inviting interpretation and engagement from those who encounter it. The "God Is Great" woodblock print, even without the renown of a known artist's signature, is a compelling testament to the power of traditional printmaking techniques in the contemporary artistic landscape. It reminds us that art, in its purest form, is a dialogue that spans history, transcends barriers, and continues to evolve, inviting each viewer to partake in its ongoing narrative.

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Matrilineal Original Die Cut Vinyl, Oil Paint on Wood Cradled Panel ready to hang by Dan Christofferson- Beeteeth Graffiti Street Artist Modern Pop Art. "Matrilineal" - 24"x32" Die-cut vinyl on the panel for my "West Was Won" show. -Dan Christofferson

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Sangra Azteca 16x20 Limited Edition Archival Pigment Prints on Fine Art Paper by Pooch Graffiti Street Artist Modern Pop Art.

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Obsidian 3- Suspension- Foil 4-Color Hand-Embellished Full Bleed Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. Obsidian 03 - 'Suspension': Weightlessness under the water allows all objects to hover in place. 4 color serigraph - 16 x 20 inch - on smooth natural stock. Rare Foil colorway in a limited edition of: 7 (w/ hand-painted detail) Signed and numbered by the artist

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Ganas Dignity & Love- Red/Gold Limited Edition Hand Pulled 3-Color Serigraph Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 175 Artwork 8x10

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010101010 Silkscreen Print by Revok Hand-Pulled 4-Color Screen Print on 250g Hahnemühle Aquarellkarton Burgund Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Limited Edition of 140 Artwork Size 23.6x31.5 010101010 in Binary Means "U" Handmade item, includes minor imperfections to white area 010101010 – Silkscreen Print by Revok 010101010 is a striking silkscreen print by graffiti street artist Revok, an influential figure in the world of contemporary urban and abstract art. This artwork is a bold exploration of geometric forms, layering, and vibrant color interaction, featuring a composition of interlocking shapes set against a dynamic, textured background. The use of a limited color palette—black, white, red, and blue—enhances the contrast and depth of the piece, making it an impactful example of Street Pop Art and Graffiti Artwork. The print showcases Revok’s signature approach to structured abstraction, where rigid geometry meets expressive, hand-applied textures. The background pattern, reminiscent of graffiti tag textures or distorted digital interference, adds a sense of movement and energy, while the bold black and white shapes provide balance and stability. The interplay between these elements captures the tension between control and spontaneity, a recurring theme in Revok’s work. This silkscreen print stands as both a tribute to the artist’s graffiti roots and an evolution of his contemporary fine art practice. Revok and His Influence on Street Pop Art and Graffiti Artwork Revok, whose real name is Jason Williams, is an American street artist known for his pioneering contributions to modern graffiti and urban abstraction. Emerging from the Los Angeles graffiti scene in the 1990s, he became widely recognized for his large-scale murals, intricate layering techniques, and innovative use of found materials. His transition from graffiti bombing to fine art has been marked by an increasing emphasis on structure, repetition, and the exploration of industrial aesthetics. 010101010 is a prime example of Revok’s ability to translate the raw energy of graffiti into a refined, abstracted visual language. His work often reflects an interest in technology, coding, and urban environments, which is evident in the structured forms and digital-like repetition present in this print. By combining traditional street techniques with silkscreen precision, Revok continues to push the boundaries of what graffiti-influenced art can be, proving that it can exist both in the streets and in contemporary gallery spaces. The Role of Silkscreen Printing in Modern Urban Art Silkscreen printing has been a critical medium in the evolution of Street Pop Art and Graffiti Artwork, allowing artists to create highly detailed, multi-layered compositions while maintaining the unique textures and imperfections that make urban art so compelling. This method enables the replication of intricate linework, bold color blocking, and layered patterning, as seen in 010101010. The tactile quality of silkscreen prints adds depth and character, reinforcing the idea that each piece carries a sense of craftsmanship and artistic intent. Revok’s approach to silkscreen printing mirrors his work in graffiti, where repetition and layering create complexity within seemingly simple compositions. The precision of the process ensures that each print retains the integrity of his original design while allowing for slight variations that make every edition unique. The choice of abstract geometric forms within this print aligns with his ongoing exploration of balance, symmetry, and the relationship between digital aesthetics and handmade artistry. Collectibility and Cultural Impact of 010101010 010101010 represents a pivotal moment in Revok’s artistic evolution, reflecting his ability to merge graffiti traditions with contemporary abstraction. The limited nature of this print adds to its desirability among collectors, as Revok’s work continues to gain recognition in both urban art circles and fine art institutions. His influence on modern street art is undeniable, with his transition from graffiti writing to abstract compositions inspiring a new generation of artists who seek to blend traditional tagging with experimental design. This silkscreen print captures the essence of Revok’s artistic philosophy—structured chaos, precision within imperfection, and the constant push to redefine what urban art can achieve. Whether displayed in a private collection or a gallery setting, 010101010 stands as a testament to the evolution of graffiti from a subversive street practice to a respected and highly sought-after form of contemporary expression.

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Search For Harmony Limited Edition Hand-Embellished Archival Pigment Prints on 290gsm Moab Fine Art Paper by Meggs Graffiti Street Artist Modern Pop Art. Meggs cooperative practices have led to collaborations with various artists and brands from cultures worldwide. His commercial work with companies such as Nike, Stussy, Addict, New Balance, Burton, and Endeavor Snowboards has contributed to the constant evolution of his talent and furthering his range of designs and ideas.

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Tyto Alba- Moonlight Variant 9-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. Tyto Alba- Moonlight Variant is an 18″ x 24″ nine color screenprint, has an edition of 35

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On the Sunny Side of the Street- Yellow On Red Hand-Pulled 2-Color Silkscreen Print on 290gsm Coventry Rag Paper Deckled Edges by Artist Cleon Peterson Limited Pop Art Artwork. 2021 Signed & Numbered Limited Edition of 125 Artwork Size 14x20.5 Limited edition of 125 Hand-pulled 14 x 20.5” Yellow on Black screenprint on 290gsm Coventry Rag Paper with deckled edges. Signed and numbered. Cleon Peterson (b. 1973) On the Sunny Side of the Street (Yellow), 2021 Screenprint on Coventry Rag paper 20-1/2 x 14 inches (52.1 x 35.6 cm) (sheet) Ed. 125 Signed, numbered, and dated in pencil along the lower edge. Published by the artist. The art of Peterson has a robust anti-establishment character, and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist, and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks, paintings, prints, sculptures, and murals exhibited in the US, Europe, and Asia. "On the Sunny Side of the Street" is a yellow silkscreen print by Cleon Peterson, an American artist known for his provocative and often dark artwork. Peterson's work often explores themes of violence, power dynamics, and societal unrest, reflecting the complex and contradictory nature of human existence. This particular print, "On the Sunny Side of the Street," presents a different tone than much of Peterson's other work, given its title and yellow color. It could be an attempt to explore the brighter, more optimistic side of life, or perhaps it presents a contrasting view to the darker themes found in his other pieces. As an artist, Peterson is known for his ability to make striking visual statements that leave a lasting impact on viewers.

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End of Empire Limited Edition Hand Pulled 2-Color Silkscreen Printed on White Coventry Rag Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. End of Empire, 2015 Screenprint in colors on White Coventry Rag paper 28 x 28 inches (71.1 x 71.1 cm) (sheet) Ed. 2/150 Signed, numbered and dated in pencil along lower edge Published by the artist Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

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Misty Moss Gorge Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Nicole Gustafsson.

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Soundproof Eyeball Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Rick Griffin pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

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Butterfly Trap Limited Edition Archival Pigment Print on 310gsm Fine Art Paper by Steven Lopez Graffiti Street Artist Modern Pop Art. "I’ve been exploring the monarch butterfly pattern on my portraits and while I enjoyed that aspect I wanted to understand how I could use it in other situations. I first drew the figure in my sketchbook while looking at the muse. I liked the flow of the drawing and pondered how I could use it in a painting. A few days later I came up with the idea while listening to Jamiroquai’s, Butterfly. This was the first time I added distress to the derrière.The under painting was applied by brush with coarse textures executed by palette knife. Under painting has been a big focal point for me. It’s helped me understand how to trap light and distinguish shadows with greater dexterity. A new door has opened which makes me feel like I’m learning all over again." - Steven Lopez

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The Wretched Whole Limited Edition Giclee Print on Velvet Cotton Rag by Skinner counter-culture street artist art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by calculated chaos.

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Lace Shawl- Foil Variant 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. AP Artist Proof 30″ x 24″ 5-color Screenprint on 100lb cougar white, and it is signed out of an edition of 5 Foil Variant

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Deseret Alphabet 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. AP Artist Proof. Weapons of Mass Creation Fest, Cleveland Ohio June 8 9 10 2012. Perforated lower edge perfectly intact.

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The Birth of Spirit Gardener Archival Print by Adrian Cox Archival Pigment Fine Art Limited Edition Print on 290gsm Bright White Moab Entrada Rag Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 150 Artwork Size 17x17 The "Birth of Spirit Gardener" archival print by Adrian Cox is a high-quality reproduction of original artwork by the talented contemporary artist Adrian Cox. The piece is part of Cox's larger body of work, in which he explores themes of identity, nature, and the interconnectedness of all living beings. Adrian Cox is known for his vivid and fantastical paintings that often feature a cast of hybrid creatures that inhabit a surreal, lush landscape. These creatures, called "Spirit Gardeners," act as caretakers for the environment, nurturing and protecting the land. In "The Birth of Spirit Gardener," the artist presents the origin of these beings, illustrating their connection to both the spiritual and natural world. This archival print is produced using high-quality materials, such as acid-free, archival paper and pigment-based inks, ensuring longevity and vibrancy of the artwork. As a result, the print captures the original painting's intricate details, rich colors, and emotional depth, allowing art enthusiasts and collectors to appreciate Adrian Cox's vision in their homes or galleries.

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Sweet Bee Artwork Giclee Limited Edition Print on 300gsm Fine Art Paper by Pop Culture Graffiti Artist Casey Weldon. "Each of the pieces was created using acrylic on a 16x16” piece of birch. Back in 2008, I did about 9 tiny headdress pieces, each featuring strange objects in an ornamental and ceremonial fashion. I liked the idea of using the craft of the headdress to display the objects and ideas we worship in modern society. After abandoning the idea for many years I came back to it last year with the intention of developing the original though in a more intricate, yet ambiguous fashion. Pun intended. These pieces were made in November of 2012 for the Prisma Collective’s group show “Second Sight” at Trifecta Gallery in Las Vegas." - Casey Weldon

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Serpents PP Printer Proof Letterpress Print by Gats- Graffiti Against The System Limited Edition 3-Color on Hand Deckled 250gsm Lenox Art Paper Graffiti Street Pop Artwork. PP Printer Proof 2016 Signed & Marked PP Limited Edition Artwork Size 12x18 Letterpress Print Gats- Graffiti Against The System' "Serpents": A Letterpress Legacy in Street Pop Art The "Serpents" by Gats- Graffiti Against The System, an acronym for Graffiti Against The System, is a symbolic work that encapsulates the raw essence and socio-political underpinnings of street pop art and graffiti. As a Printer's Proof (PP) letterpress print from 2016, this artwork showcases the distinct visual language for which Gats- Graffiti Against The Systemby has become renowned. It is a limited edition, three-color print on hand deckled 250gsm Lenox art paper, meticulously signed and marked by the artist, signifying its importance within the edition. The 12x18-inch size allows the intricate details and the stark contrasts of the letterpress technique to shine, emphasizing the artistry and message conveyed by the piece. Gats- Graffiti Against The Systemby is known for his iconic mask imagery, which is prevalent throughout his work and serves as a symbol of anonymity and universality. The "Serpents" print continues this thematic exploration, with the mask motif taking center stage, surrounded by serpentine forms that could be interpreted as literal and metaphorical representations. Letterpress printing adds a tactile depth to the work, harking back to a time when print was both a craft and a form of communication for the masses. Letterpress Printing and Its Resonance in Gats- Graffiti Against The System' Work The choice of letterpress for "Serpents" is particularly significant in the context of Gats- Graffiti Against The Systemby's oeuvre. Letterpress printing, with its origins in traditional craftsmanship, brings a historical weight to the work, juxtaposing the transience of graffiti with the permanence of printed art. The hand-deckled edges of the Lenox art paper contribute a delicate, almost antique quality to the print, suggesting that its message is timeless and enduring. Gats- Graffiti Against The Systemby's work is often laden with social commentary, and "Serpents" is no exception. The piece reflects Gats- Graffiti Against The Systemby's engagement with the urban environment, his critique of societal systems, and his contemplation of the individual's place within the larger context. The layered meaning within the print, combined with the striking aesthetic, indicates the power of street pop art to capture the viewer's gaze and provoke thought and discourse. The Cultural Impact of Gats- Graffiti Against The System' "Serpents" In street pop art and graffiti artwork, Gats- Graffiti Against The Systemby is a figure who bridges various artistic worlds. His work "Serpents" is not merely a static image but a dynamic interaction of historical printmaking techniques and contemporary street art sensibilities. As a limited edition PP print, it occupies a unique niche within the art market, appealing to collectors of fine art prints and fans of street art. In summary, "Serpents" by Gats- Graffiti Against The Systemby exemplifies the artist's dedication to a form of expression rooted in the history of printmaking while being deeply entrenched in the discourse of modern street art. His utilization of letterpress printing on high-quality Lenox paper underscores a commitment to craft in an age of mass production. Through works like "Serpents," Gats- Graffiti Against The Systemby continues to contribute to the narrative of street pop art, offering visually captivating and intellectually stimulating pieces. The print stands as a testament to the potential of street art to transcend its temporary nature and establish itself as a significant and lasting form of cultural expression.

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Windmill Root Village Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Nicole Gustafsson.

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Sunset at the Mill Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Nicole Gustafsson.

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Big Head Todd & The Monsters- Red Rock 2006 Music Limited Edition Gig Poster 3-Color Metallic Ink Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. AP Artist Proof, 12 x 34 – 3 color silkscreen (metallic copper) – S/N edition of 200. Big Head Todd at Red Rocks Amphitheater in Morrison Colorado on June 10th 2006

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Dismal Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 18x12

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Storm On The Horizon Giclee Print by Curiot Tlalpazotl Artwork Limited Edition Print on Moab Entrada Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 20x16 Mexican Indian Latin Themed Stylized Tribal Folk Lore. Storm On The Horizon Giclee Print by Curiot Tlalpazotl: Mythic Reverberations in Street Pop Art & Graffiti Artwork Storm On The Horizon is a limited edition giclee print created in 2014 by the renowned Mexican street pop art and graffiti artist Curiot Tlalpazotl. Printed on Moab Entrada fine art paper, this 20 x 16 inch signed and numbered work is part of a rare edition of only 30. The piece embodies the artist's signature synthesis of folkloric symbolism, futuristic mythologies, and visual storytelling rooted in pre-Hispanic culture. Curiot’s art is known for its balance of vibrancy and mystique, a fusion that transforms ancient cultural references into visual narratives accessible to contemporary viewers. Mesoamerican Spirituality Rendered Through Modern Techniques Storm On The Horizon depicts a surreal being woven from animal parts, ceremonial regalia, and neon-hued energies. The creature, haloed in pink tones and iridescent beams, appears in motion—arms outstretched and limbs spiraling—suspended in a timeless void. This hybrid entity channels elements from Mesoamerican iconography, but is rendered through a lens of post-digital surrealism. The concentric arrangement and flowing fur-like textures evoke the ceremonial attire worn in indigenous rituals, while the faceted, mask-like visage suggests an otherworldly spirit or deity. The soft gradients and fluid forms are enhanced by the high-fidelity giclee process, allowing each layer of color and detail to be captured with nuance and precision. Curiot Tlalpazotl’s Vision and Cultural Resonance Curiot, whose real name is Favio Martínez, is a Mexican-born artist recognized for his murals, prints, and gallery works that navigate themes of lost traditions, urban disconnection, and spiritual reawakening. His adopted surname, Tlalpazotl, reflects a re-rooting in indigenous language and identity, honoring the cultural legacies of Mexico’s past while confronting the fragmentation caused by colonization and modern consumer culture. Storm On The Horizon is emblematic of this vision—neither nostalgic nor didactic, it builds new symbols that are equally spiritual and psychedelic, anchored in Mexican folklore yet radically forward-looking. The palette’s warmth draws viewers in, only to reveal a deeper meditation on memory, loss, and the cyclical nature of history. Myth Reimagined as Street Pop and Fine Art Fusion The power of Storm On The Horizon lies in its ability to blend tribal aesthetics with contemporary techniques without diminishing either. As Street Pop Art & Graffiti Artwork, it operates in multiple spaces—public murals, fine art collections, and underground zines—while retaining its cultural pulse. Curiot's use of soft pastels, radiant geometries, and hybrid figures reinvents the language of street art, infusing it with ritualistic depth. This print, although a static object, hums with movement and metaphysical energy, suggesting both a literal and symbolic storm gathering force. It serves not only as a visual spectacle but as a portal into a cosmology that exists between ancestors and androids, gods and avatars, tradition and transcendence.

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Respect the Land Silver Silkscreen by Gats- Graffiti Against The System Hand-Pulled 2-Color Screen Print on Black Sandpaper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 70 Artwork Size 9x11. Slight Natural Imperfections Found on Real Snadpaper From the Manufacturing Process, Including Small White Skuff. "Respect the Land Silver Silkscreen" by Gats- Graffiti Against The Systemby is an impactful piece of street art that uses traditional silkscreen printing to convey a powerful message about environmental conservation and respect for nature. This hand-pulled 2-color screen print on black sandpaper is a striking example of how Gats- Graffiti Against The System, a well-known figure in the street art community, blends gritty textures with poignant imagery to create art that resonates on both an aesthetic and a thematic level. Limited to a series of just 70, each 9x11 inch artwork is signed and numbered, emphasizing its uniqueness and the personal touch of the artist. The use of black sandpaper as a medium is remarkably evocative, as it introduces a tangible element of the urban environment into the viewer's space while also reflecting the roughness and resilience of the natural world. It's noteworthy that the sandpaper's natural imperfections, including tiny white scuffs that arise from the manufacturing process, contribute to the authenticity and rawness of each piece, underscoring the artwork's message about the imperfect but beautiful reality of our land. In this work, Gats- Graffiti Against The System employs iconographic elements that are recurrent in his art, such as stylized faces with elaborate patterns, which often represent the human connection to the earth and our responsibility towards it. The use of silver ink against the dark background not only brings contrast but also a sense of preciousness, as if to say that the land we inhabit is as valuable as any precious metal. The artwork serves as a reminder of street art's power to not only transform spaces but also to provoke thought and inspire action. Gats- Graffiti Against The Systemby has created a visually stunning work beyond mere decoration; it is a call to action, a reminder to recognize the intrinsic value of the land. This piece fits into the broader movement of pop art and graffiti that serves a social purpose, bringing the conversation about land stewardship into the spaces we inhabit every day. It's a bold statement in the quietest of tones, a whisper that carries the weight of a scream when protecting our planet.

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Bloom- AP Artist Proof Hand-Pulled Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. AP Artist 2019 Signed & Marked Limited Edition Artwork Size 18x24 "Bloom" stands as a testament to the expressive prowess of contemporary Latino artist Ernesto Yerena Montejano, who has managed to craft a harmonious fusion between pop art and street art aesthetics. The hand-pulled silkscreen print showcases his meticulous attention to detail and commitment to the art of printmaking. With "Bloom", the artist has chosen fine art paper as his canvas, lending an additional layer of sophistication to the artwork. Ernesto Yerena Montejano's work emerges from his brand "Hecho Con Ganas", which translates to "Made with Passion", and it's evident in every stroke and color choice of the print. This AP Artist proof from 2019 stands apart, not just as a representation of Montejano's artistic skills but as a testament to his identity and values. Signed and marked, this limited edition artwork measures 18x24 inches, ensuring it remains exclusive to a select group of art enthusiasts. One can sense the strong influences of street art or graffiti art, characterized by vibrant colors and bold lines. Yet, Montejano manages to infuse this with the more commercial and recognizable elements typical of pop art. The result is a captivating blend that draws viewers into its narrative, urging them to question, interpret, and engage with the piece. Ernesto Yerena Montejano's "Bloom" isn't merely a piece of art—it is a narrative, a cultural statement, and a reflection of the artist's deep-rooted passion for both his craft and his heritage. The work resonates deeply, a bridge between the modern urban landscapes of street art and the ever-evolving realm of pop art.

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Tenochtitlan- Hot Foil Hand-Pulled Limited Edition 2-Color Hot Foil Print on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper by Saner Rare Street Art Famous Pop Artwork Artist. 2022 Signed 2-Color Hot Foil Print on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper Size: 18 x 24 Inches Release: January 17, 2022 Run of: 25

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Ixtli- Hot Foil Hand-Pulled Limited Edition 2-Color Hot Foil Print on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper by Saner Rare Street Art Famous Pop Artwork Artist. 2022 Signed 2-Color Hot Foil Print on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper Size: 18 x 24 Inches Release: January 17, 2022 Run of: 25

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Between Man & God- White Limited Edition Hand Pulled 2-Color Silkscreen Printed on White Coventry Rag Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. Between Man & God (White), 2018 Screenprint in colors on Coventry Rag paper 28 x 43 inches (71.1 x 109.2 cm) (sheet) Ed. 36/150 Signed, numbered and dated in pencil along lower edge Published by the artist. Mild handling creases along the right edge. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Marchers Black Silkscreen Print by Cleon Peterson 2 Color Hand-Pulled on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2016 Signed & Numbered Limited Edition of 125 Artwork Size 13x34 Silkscreen Print of Tribal Men Carrying Bloody Swords Marching In Line. Marchers Black by Cleon Peterson – Limited Edition Silkscreen in Street Pop Art & Graffiti Artwork Marchers Black is a 2016 hand-pulled 2-color silkscreen print by Cleon Peterson, an American artist acclaimed for his stark allegories of violence, dominance, and control. This limited edition work is printed on 13 x 34 inch deckled fine art paper and was released in an edition of 125, each one signed and numbered by the artist. The image features six identical, stylized figures walking in strict formation, each with a sword slung over the shoulder. The figures are rendered in gold on a deep matte black background, emphasizing their ritualistic presence and evoking both ancient procession and modern conformity. The figures’ nudity, musculature, and uniform posture strip them of individual identity, instead casting them as instruments of institutional force, frozen in a silent parade of aggression. Conformity, Power, and the Aesthetic of Ritual In Marchers Black, Cleon Peterson isolates the mechanisms of systemic violence and repetition. The identical figures advance in step, their gestures calm yet loaded with menace. The blood-smeared blades on their backs are symbolic rather than graphic, suggesting not the moment of action but the aftermath—the silent normalization of brutality. The lack of expression or differentiation among the figures speaks to the erasure of individuality under oppressive structures, whether they be military, political, or societal. Their forward momentum, fixed and unrelenting, reads as both a march toward power and a descent into complicity. The black background serves not just as negative space but as psychological weight, amplifying the intensity of the gold silhouettes and enforcing a sense of visual and emotional gravity. Cleon Peterson’s Signature Themes in Street Pop Art & Graffiti Artwork Cleon Peterson is a leading voice in Street Pop Art & Graffiti Artwork, known for merging graphic minimalism with confrontational narratives. His compositions channel ancient mural traditions, propaganda design, and dystopian storytelling into modern allegories. Marchers Black exemplifies this approach by simplifying form to maximize meaning. While many artists in the genre celebrate rebellion, Peterson exposes the systems behind it—the hierarchies, the ritualistic cycles of violence, the role of submission in maintaining order. His work is not decorative but declarative, challenging viewers to confront the undercurrents of cruelty that persist beneath polished surfaces. Marchers Black is not a depiction of chaos, but of order so rigid it becomes inhuman. It visualizes the seduction and horror of control through the repetition of figures whose purpose is not to question, but to obey. Material Execution and Collector Impact Printed on premium deckled fine art paper using a two-layer silkscreen process, Marchers Black merges street aesthetics with refined printmaking tradition. The gold pigment contrasts dramatically against the matte black background, delivering a visual impact that echoes the thematic weight of the piece. Each print is hand-pulled and signed by Cleon Peterson, reinforcing its position as a deliberate and enduring object. As a limited edition of 125, it holds significant value for collectors interested in Street Pop Art & Graffiti Artwork that critiques systems of power without relying on spectacle. Marchers Black is both a visual mantra and a warning—documenting the quiet march of institutional violence, masked in symmetry, strength, and silence.

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Calaveras de las Flores 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist.

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Mayra Skull- Rook Brand Limited Edition 4-Color Hand-Pulled Metallic Ink Silkscreen Print on French Speckletone Kraft Paper by Joe King Graffiti Street Artist Modern Pop Art.

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Soul Rider The Guardian Limited Edition Polyresin Sculpture Artwork by Legendary Fine Art Artist Dulk- Antonio Segura Donat. 2022 Limited Edition of 100 Artwork Size 10x16 “SOUL RIDER - THE GUARDIAN”the latest polyresin sculpture by Dulk- Antonio Segura Donat. A limited edition of 100 pieces, they all come numbered with COA (Certificate of Authenticity) in a wooden box. Box is sealed & never opened, use caution when opening it as the artwork is delicate. Soul Rider The Guardian by Dulk: Symbolic Journey in Street Pop Art & Graffiti Artwork Soul Rider The Guardian is a 2022 limited edition polyresin sculpture created by Spanish fine artist and street art icon Antonio Segura Donat, known professionally as Dulk. Measuring 10 x 16 inches and released in an edition of 100 pieces, each sculpture arrives in a laser-etched wooden box with a certificate of authenticity. This piece continues Dulk’s tradition of blending animal mythology, surreal landscapes, and layered symbolism into tangible objects that echo the larger murals and installations that have defined his role in Street Pop Art & Graffiti Artwork. The sculpture features a large blue parrot with elaborate feather detailing, perched atop a cactus base. Its back carries a mysterious rider—a humanoid rabbit figure adorned in ceremonial robes, antlers, and a tribal mask. The rider holds a staff topped with a sunflower bearing a purple heart, while a small bear-like character hugs the base. The parrot’s eyes are wide and expressive, with subtle asymmetry that gives it an alert, almost sentient presence. Its design draws from classical mythologies while presenting a contemporary visual language saturated with clean color palettes and stylized geometry. Guardianship, Movement, and Memory in Sculptural Form Soul Rider The Guardian reflects Dulk’s continued exploration of environmentalism, spiritual journeying, and character symbolism. The idea of a guardian is central to the sculpture’s identity—suggesting a role of protection, vigilance, and the weight of guiding something sacred. The rider and the parrot form a single traveling entity, echoing themes of migration and mythic pilgrimage. This duality of creature and guide, mount and messenger, encapsulates Dulk’s interest in harmony between beings and the ecosystems they represent. The parrot is a carrier of color and voice, often associated with communication and mimicry, but here it becomes a grounded protector. The rabbit rider, masked and antlered, represents ritual, mystery, and cultural synthesis. These archetypes merge to create a visual allegory that feels both ancient and speculative. The combination of flora and fauna, organic and fabricated forms, serves as a metaphor for our entangled relationship with nature and technology. It is this complexity that places Dulk’s work firmly within the expanding world of Street Pop Art & Graffiti Artwork. Dulk’s Signature Language and Collector-Scale Execution The sculpture’s design is true to Dulk’s larger visual universe—where animals become spiritual avatars, and objects carry symbolic meaning. The careful execution in polyresin allows for high fidelity in textures and forms. The stylized wings, spiraled horns, patterned garments, and tiny floral elements are all sculpted with precision, reflecting Dulk’s background in both graphic illustration and muralism. Every piece of the sculpture contributes to the narrative, encouraging viewers to see the work not just as a character, but as a scene. The boxed presentation and limited run heighten its status as a fine art collectible, though it remains grounded in street-level ideology—accessible, emotional, and community-aware. This is not a piece of static decoration, but a three-dimensional story in pause. As with Dulk’s murals, the colors are vivid but harmonious, designed to be both emotionally charged and visually soothing. Each choice of hue, pose, and object placement reinforces a sense of journey, fragility, and resilience. Street Pop Mythology and the Contemporary Art Object Antonio Segura Donat, born in Spain, continues to define and evolve the visual and conceptual space of Street Pop Art & Graffiti Artwork through sculptural releases like Soul Rider The Guardian. The artwork serves as a physical embodiment of his narrative philosophy: stories told through animal forms, infused with ecological reverence and mythic tone. While his murals scale buildings and public spaces, this sculpture brings that monumental energy into a personal format, maintaining the integrity and intention of his street-based work. Soul Rider The Guardian is a totem of imagination and empathy, built for collectors who seek meaning beyond the surface. It honors the idea that guardianship is not about dominance, but about care, presence, and shared protection. With its careful balance of form, color, and emotion, the sculpture stands as both a sacred object and a call to remember the quiet power of responsibility. Dulk continues to remind the world that fantasy, when sculpted with sincerity, can reveal deeper truths about how we live, what we value, and who we choose to follow.

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