Virus

HazMad Spray Can Mutant Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Jeremy MadL x Martian Toys. Vinyl Figure Colorway Designed by Jeremy Madl 8” Tall 6 points of articulation 2 sets of shoes, Eraser and Vans Really RATTLES!! Ed. Of 250 It’s not safe in the streets! Not only are you hiding from the 5-0, battling for wall space against the rival crews, but now it’s just being outside! Danger from every angle has got this MadCan suited up so it can still get out and up while staying protected. This Rattlin’ 8” Vinyl Mad Mutant Spraycan is here to tower over your vinyl, dominate your walls and remind you to wash your hands. Designed by legendary Jeremy Madl and made by those alien misfit toymakers, Martian Toys, get ready for a gang of grungy tough mentally disturbed Mutant Spray Cans to rattle your cage.

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Pandemonium Hand-Pulled Deckled Color Silkscreen Print on Fine Art Paper by Desirable Artist Hijack Limited Edition Pop Art Artwork. 2020 Hand Numbered & Artist Stamped Limited Edition of 100 Hand-Deckled Artwork Size 22x22. Global Food Bank Covid Charity Print by Hijack. Introducing "Pandemonium" by Hijack: A Street Pop Art Reflection on Global Crisis Crafted amid the tumultuous era marked by the COVID-19 pandemic, the artwork "Pandemonium" by the street artist Hijack seizes the collective consciousness of a world grappling with uncertainty and upheaval. This piece is a hand-pulled, deckled color silkscreen print on fine art paper, embodying the artist's poignant response to the pandemic's impact on society. Hijack, whose real name remains part of his enigmatic persona, has become a notable figure in the contemporary street pop art and graffiti art scene, with works that often delve into the commentary on current events and social issues. The limited edition artwork, sized 22x22 inches, is a visual statement and a philanthropic endeavor, with its proceeds aimed at supporting global food banks during the pandemic. As a part of a limited run of 100 pieces, each hand-numbered and stamped by the artist, "Pandemonium" becomes a collectible piece of history, immortalizing the zeitgeist of the early 2020s. Symbolism and Technique in Hijack's "Pandemonium" "Pandemonium" exudes a striking balance between the immediacy of graffiti art and the calculated precision of pop art silkscreen printing. The image portrays a figure in protective gear, the silhouette and posture reminiscent of a healthcare worker and a biohazard cleaner. This duality highlights the frontline reality of the pandemic. The use of bright colors against the monochrome background draws attention to the subject and infuses the piece with a sense of vibrancy amidst the darkness, a hallmark of street pop art's capacity to find beauty and meaning in the grim and mundane. The fine art paper serves as the urban canvas for Hijack, much like the walls and alleyways of the cityscape serve other graffiti artists. The deckled edges of the paper echo the often rough and transient nature of street art, offering a contrast to the permanence that the limited edition print signifies. It is this interplay of the brief with the enduring that Hijack navigates through "Pandemonium," reflecting on the fleeting nature of the pandemic while capturing a moment in time that will be indelibly etched in history. The Cultural Resonance of "Pandemonium" in Street Art Discourse In the broader discourse of street pop art and graffiti artwork, "Pandemonium" resonates as a cultural artifact, a beacon of the times. The work emulates how street artists have historically used public spaces and accessible mediums to reflect societal sentiments, provoke thought, and inspire action. Hijack's choice to contribute to a global charity through his art reflects a tradition within street art to not only comment on social issues but also actively participate in societal change. The image's depiction of the character with a spray bottle labeled "COVID-19" evokes a sense of action and responsibility, an acknowledgment of the collective efforts to 'cleanse' the world of the viral threat. This representation goes beyond mere aesthetics; it is a rallying cry, a nod to the resilience of humanity in the face of a global crisis, and a testament to the role of art in documenting, responding to, and healing communal traumas. As a piece of street pop art, "Pandemonium" stands out for its ability to capture the essence of an unprecedented global event while maintaining the stylistic and thematic elements that define the genre. Hijack's work is not just an artistic response to a pandemic; it is a historical record and a commentary on the human condition, a reminder of the tumult and triumph that characterize our times. In the legacy of street art, "Pandemonium" will be remembered as a poignant reflection of the era it was created in, a testament to the power of art to encapsulate complex emotions and narratives. It is a visual dialogue between the artist and the world, a piece that speaks to the fear, hope, and indomitable spirit that has defined the human response to the COVID-19 pandemic. Through "Pandemonium," Hijack contributes to the rich tapestry of street pop art and graffiti artwork, which continues to evolve and resonate as a voice of the people in the public domain.

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Josh Has Dysentery Original One of a Kind Acrylic Painting Artwork on Stretched Canvas by Popular Street Graffiti Artist J-Flood. 2010 Original Painting Signed in Verso 24x10 Some light hairline cracking

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Joker Brand- Green Pink Original One of a Kind Mixed Media Acrylic & Spray Paint Painting Artwork on Cradled Wood by Popular Street Graffiti Artist Ben Frost. 2022 ‘Joker Brand’ - Acrylic and spray paint on board - Green/Pink variant 60cm x 60cm (23.5 x 23.5 inches) Signed, titled and dated on the reverse

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Buy Z-Bonds- Zombie Apocalypse Propaganda Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artist Ron Guyatt created this great propaganda poster to help support our fight against the looming zombie apocalypse. The posters educate the population to the need to military respond to the threat. Each poster is signed and numbered, measures 18″ x 24″, and is available in a limited edition of 100.

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Alice in Wasteland- Acid Limited Edition Archival Pigment Fine Art Prints on 330gsm Cotton Rag Museum Archival Paper by Graffiti Street Art and Pop Culture Artist ABCNT. ABCNT x Silent Stage Gallery Alice in Wasteland Fine Art Print "Acid" Edition Edition of 100 Print Measures 18″ x 24″ (approx.) 330 gsm cotton rag museum archival paper Hand Deckled...

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1987 Original One of a Kind Mixed Media Spray Paint & Reclaimed Items Painting Artwork on Reused Wood by Popular Street Graffiti Artist Eddie Colla. 2019 Signed Original Mixed Media Spray Paint Acrylic Painting With Reclaimed Elements Artwork Size 34x34 "1987" 34 x 34 inches (86 x 86cm) Mixed media on wood 2019 Signed and titled on the back

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Sanctuary Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by J.A.W. Cooper Graffiti Street Artist Modern Pop Art. "Sanctuary was created in 2013 as part of my solo show "Laid Bare" which explored vulnerability as both a source of strength and discomfort. The setting for the piece is of personal significance, a verdant cave at the top of a waterfall in Big Sur. This cave is full of stacked rocks left by previous visitors though in all of my visits I never encountered anyone inside, and so it has the air of a place of significance for many people traveling along parallel lines but not intersecting. The purpose of a "sanctuary" is to provide asylum in a time of stress or danger and this cave gave me peace at a time when I was letting go of one facet of my life and fostering the growth of a new one; the severed stag head and the fawn." - J.A.W. Cooper

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Drop the Bomb- Zombie Apocalypse Propaganda Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artist Ron Guyatt created this great propaganda poster to help support our fight against the looming zombie apocalypse. The posters educate the population to the need to military respond to the threat. Each poster is signed and numbered, measures 18″ x 24″, and is available in a limited edition of 100.

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KAWS Companion 2020- Brown Limited Edition Vinyl Art Toy Collectible Artwork by Street Graffiti Artist Kaws. 2020 Open Out of Print Edition Kaws Rare Collectible Size 17.13 X 8.86 X 3.15 IN New In Box. Reflective Artistry in KAWS Companion 2020-Brown Marking a milestone in contemporary art, the KAWS Companion 2020-Brown is a vinyl art collectible that celebrates the 20th Anniversary of the iconic KAWS Companion. Launched on December 17th, 2020, this piece resonates with a global audience, mirroring the collective experience of that year. The figure's prone position, lying face down, captures a moment of stillness and reflection, an attribute that has made it a symbolic piece for display. Measuring 17.13 x 8.86 x 3.15 inches, this out-of-print edition adds a somber yet elegant touch to the series with its earthy brown tones, contrasting the typically vibrant KAWS palette. The KAWS Companion 2020-Brown embodies the street pop art movement's evolution, offering a form that is both a commentary on the year's events and a celebration of two decades of KAWS' contributions to the art world. Its flat design is a distinctive stylistic choice and enhances its displayability, making it a favored piece among collectors and enthusiasts of street graffiti art. KAWS Companion 2020-Brown: A Symbol of the Times The KAWS Companion 2020-Brown serves as a symbol of its era, encapsulating the feelings of pause and contemplation that defined the end of 2020. This collectible artwork, new in the box, extends beyond its function as a mere object. It takes on a narrative role that speaks to its viewers with an intimacy uncommon in limited-edition releases. The Companion's downcast form is a poignant reminder of the year's challenges, yet its existence as a piece of art also signifies hope and the enduring spirit of creativity. This figure's release demonstrates KAWS' awareness of his audience and the cultural moment, aligning with the essence of street pop art and graffiti artwork. The Companion 2020-Brown, through its very posture and color, communicates a universal sentiment that resonates across different contexts, bridging the gap between art and lived experience. Companion 2020-Brown: A Continuation of KAWS' Legacy The KAWS Companion 2020-Brown continues the artist's legacy and is a significant entry into the street pop art genre. Its rarity as an out-of-print edition has only increased its value as a piece of art history. KAWS, a pivotal figure in bringing street art into the collectible domain, showcases the maturation of his work through this figure, presenting a collectible that is as contemplative as it is captivating. The Companion 2020-Brown's flat design allows it to rest with a unique poise, inviting viewers to engage with the artwork personally. It is a testament to the potential of vinyl art toys to transcend their initial perception as playful objects and become profound statements within the artistic discourse. As street pop art continues to gain recognition, KAWS' Companion 2020-Brown stands as a testament to the genre's depth, diversity, and capacity to reflect contemporary narratives.

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Gas Mask Mickey Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ron English- POPaganda pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 5.6 Inches Release: April 19, 2021. These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

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Idiot Giclee Print by Joan Cornellà Artwork Limited Edition Print on Archival Textured Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 25.59x21.25 Idiot Giclee Print by Joan Cornellà Idiot is a 2023 limited edition giclee print by renowned street pop artist Joan Cornellà. Signed and numbered, this piece is part of a collection of 100 prints, created on archival textured fine art paper. Measuring 25.59x21.25 inches, the artwork showcases Cornellà's distinctively humorous and absurd style, often characterized by simplistic cartoon figures and dark satirical themes. The image depicts a smiling man being scanned with a thermometer-like device reading "Idiot Certified," creating an immediate visual punch and exemplifying Cornellà’s signature approach to challenging societal norms. Joan Cornellà's Approach to Satire in Street Pop Art Joan Cornellà, a Spanish-born artist, is widely known for his minimalist, absurdist cartoons that take a critical look at modern society. His work frequently uses humor, often dark and uncomfortable, to shine a spotlight on the trivialities and absurdities of human behavior. Idiot is no exception, and in this print, Cornellà uses simple lines and bright colors to convey a biting critique on the ease with which society labels individuals, often without deeper understanding or nuance. Cornellà’s characters typically have smiling, vacant expressions, which only serves to heighten the absurdity of their situations. In Idiot, the juxtaposition of the smiling man with the thermometer reading “Idiot Certified” suggests a satirical commentary on the superficial judgments people face in a world driven by appearances and quick assessments. The "certification" of idiocy highlights the ridiculousness of relying on superficial indicators or societal validation to define self-worth or intelligence. This kind of critique is a hallmark of street pop art, where everyday symbols and elements are often recontextualized to critique social behavior and norms. The use of minimalistic, flat designs is a stylistic choice that enhances the immediacy of the message. Cornellà uses a bold color palette and simple lines to make the work visually striking, creating an art piece that immediately grabs attention while allowing viewers to quickly grasp its satirical meaning. The exaggerated, cartoon-like figures may appear simple at first glance, but they carry complex undertones about the human condition and the absurdity of modern societal structures. The Role of Dark Humor in Cornellà's Graffiti and Pop Art Cornellà’s work has been likened to graffiti and street pop art in that it distills complex social critiques into instantly recognizable images. His use of dark humor—a staple of his work—sets him apart within the pop art landscape. Idiot relies on a form of humor that is both biting and subtle, allowing viewers to laugh at the absurdity of the situation while recognizing the deeper societal issues being critiqued. The simplicity of the image belies the complexity of its social commentary, offering layers of interpretation. In street pop art, humor is often used as a tool to subvert traditional art norms or challenge authority. Cornellà's approach can be seen as a continuation of this tradition, where humor acts as a vehicle to critique social, political, and cultural systems. The absurdity in Idiot draws attention to how people often willingly conform to ridiculous standards without question. It reflects the increasingly superficial nature of society, where quick judgments based on surface-level interactions—much like a thermometer scan—can lead to reductive, often harmful, labels. The use of a medical device to certify idiocy also evokes a commentary on the over-reliance on technology or systems that dehumanize people. Cornellà’s work often critiques the technological and bureaucratic systems that strip individuals of their humanity, reducing them to a set of labels or metrics. This resonates with the broader themes in street pop art and graffiti, where artists often challenge the dehumanizing aspects of modern life, from politics to mass surveillance. Giclee Print as a Modern Medium for Street Pop Art The choice of giclee printing for Idiot aligns with the artist’s commitment to quality and the longevity of his artwork. Giclee printing is a process that uses high-resolution digital images and archival inks to create prints that are as close to the original as possible. This method ensures that the vibrant colors and sharp lines in Cornellà’s work are preserved over time. The use of archival textured fine art paper further enhances the print’s quality, providing a tactile, almost painterly feel to the image. Giclee printing is often used by modern street pop artists who want to maintain the integrity of their work while making it more accessible to collectors. In the case of Idiot, the giclee print allows Cornellà’s satirical cartoon to be appreciated in a physical format that retains all of the detail and color of the original digital design. By producing a limited edition of 100, Cornellà ensures that the artwork remains exclusive, while still making it available to a wider audience. In street pop art, the medium is often just as important as the message. By using high-quality printing techniques, Cornellà ensures that his satirical message—both humorous and critical—can stand the test of time, while also contributing to the ongoing conversation about what constitutes fine art in the context of street art and graffiti. The print is both a collectible item and a work of art with a strong social message. The Role of Social Commentary in Joan Cornellà's Artwork Cornellà’s artwork often revolves around themes of identity, societal expectations, and the absurdity of modern life. Idiot is a perfect example of how Cornellà uses simple imagery to dissect these complex ideas. The smiling man in the image, unperturbed by his "certified" idiocy, reflects the way individuals can become complicit in their own dehumanization by accepting societal labels. Cornellà’s work frequently critiques how people allow themselves to be categorized and diminished, all while maintaining a cheerful or passive demeanor. The absurdity of the situation is heightened by the fact that the character being labeled an "idiot" seems entirely unaware or unconcerned by the judgment being passed. This plays into Cornellà’s larger body of work, where individuals are often depicted as detached from the consequences of their actions or the systems that control them. In street pop art, this detachment is a common theme, reflecting how urban environments and societal structures can alienate individuals from themselves and each other. Idiot by Joan Cornellà is a masterful example of how street pop art and graffiti-inspired artwork can blend humor, absurdity, and critical social commentary. Through the use of minimalistic design, bright colors, and satirical humor, Cornellà challenges viewers to question how society defines intelligence, self-worth, and identity. The high-quality giclee print on archival fine art paper ensures that this artwork will remain a lasting and impactful piece within the world of contemporary art.

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Charlie Mask Grin- BTS Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda. Removeable Covid style mask made of cloth. Charlie Brown Cartoon Beyond The Streets Exclusive x Made By Monsters

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Cacophony Hand-Painted Multiple Archival Pigment Print on 3 Tiers of Laser-Cut Acrylic Panel ready to hang by Eddie Colla Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 25 Laser Cut Acrylic Artwork Size 18x18 "The Goldfish Girl was created almost a decade ago. I often revisit it, and she has been the longest continuing character I've created. I often write backstories for these characters to help me create the pieces, but they are generally never shared with the viewer. The Goldfish Girl was born in mainland China and raised mostly by a single father. Her mother passed away when she was 18 months old from cancer. She was often very ill as a child and was eventually diagnosed with a compromised immune system disorder, although a precise diagnosis was never given. This is the reason for always wearing the mask and gloves. Her father bred Goldfish for a living and taught her that trade as a kid. They worked side by side and rarely had visitors because of her condition. Often being extremely ill and also losing her mother made her childhood difficult. As most children do, she tried to find a reason for her misfortune, a reason for why all this had happened to her and her father. Eventually, she believed that her illness and her mother's cancer were punishment by nature. A curse for toying with nature by breeding goldfish. Eventually, her father passed away as well. Needing to make a living and also to taunt fate she illegally immigrated to Hong Kong. There is a famous goldfish market in Mong Kok on Tung Choi street, but it's commonly called goldfish street. With a compromised immune system the most dangerous thing to her was other people. As a challenge to fate, she moved to one of the most densely populated cities in the world. She got a stall on Tung Choi Street. This is her challenge, to taunt fate and win, becoming the master of her own fate. These images are vignettes of her life in Hong Kong. I've never given the character a name. Sometimes she is pictured with a boombox because music becomes a central companion to her mostly solitary life. In the piece Cacophony I wanted her to literally be surrounded by the city. In some way, I think I tried to create a character that embodied a lot of traits I aspire to. To remind me.” - Eddie Colla

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Stop The Virus Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 28 x 19" black and red screen print. Printed on 290gsm Arches Rag paper with decked edges. Each print is signed and numbered. Limited edition of 100. Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

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Marvin is Sick Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky.

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Quantumverse Artwork Giclee Limited Edition Print on 315gsm Innova Soft Textured Natural White Paper by Pop Culture Graffiti Artist Handiedan. 315 gsm Innova Soft Textured Natural White 11.75" x 14.75" / 29,7 x 37,5 cm Signed and numbered Edition: 30

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Social Distancing Simpsons Archival Pigment Fine Art Limited Edition Print on 310gsm Bauhaus Cotton Rag Paper by Artist Ben Frost, Street Pop Art Graffiti. 2020 Signed & Numbered Limited Edition of 40 Artwork Size 12x12. Ben Frost (b. 1975) Social Distancing, 2020 Archival digital print on Bauhaus Cotton Rag Stock paper 12 x 12 inches (30.5 x 30.5 cm) (sheet) Ed. 40 is signed and numbered in pencil along the lower edge and published by the artist. Intersecting Pop Culture and Social Commentary Ben Frost's "Social Distancing Simpsons" archival pigment fine art print is a piercing examination of contemporary society through the lens of street pop art and graffiti. This limited edition print, numbered and signed, reflects Frost's unique and often controversial approach to his art, blending pop culture icons with subversive messaging. Created in 2020, "Social Distancing Simpsons" is a compelling artwork set against the backdrop of a global pandemic, a time when social distancing became a ubiquitous part of life. By incorporating a familiar character from "The Simpsons," Frost taps into the collective consciousness and comments on the impact of societal changes on popular culture. The choice of using archival digital print on Bauhaus Cotton Rag Stock paper, a high-quality material, ensures that the vibrancy of the piece and the precision of its details are preserved. The image of the Simpson's character juxtaposed with a pharmaceutical label indicates Frost's style, often involving the fusion of disparate elements to create a jarring yet thought-provoking visual statement. This 12 x 12 inches print is a perfect square that captures the essence of Frost's artistic statement: a critique of consumerism, mental health, and the pharmaceutical industry. Ben Frost's Signature Style Frost's work is characterized by his unflinching willingness to confront and challenge viewers with uncomfortable truths about modern life. In "Social Distancing Simpsons," the collision of the cartoon world with the stark reality of medication speaks to a generation that finds solace in nostalgia while grappling with present-day anxieties. With its limited edition of 40, the artwork becomes a collector's piece, a snapshot of an era defined by isolation and the search for connection. Reflection of Street Pop Art and Graffiti Frost's art is a reflection of street pop art and graffiti in its directness and its utilization of visual language that is immediate and accessible. Incorporating street art aesthetics into fine art prints blurs the lines between high art and more democratic expressions in urban environments. "Social Distancing Simpsons" is a testament to the power of this genre to communicate beyond words, offering a visual critique that is both universal and deeply personal. In summary, "Social Distancing Simpsons" by Ben Frost is more than just an artwork; it is a commentary on the times, a mirror held up to the complexities and contradictions of contemporary life. Through his expert blending of pop culture references with cutting social commentary, Frost solidifies his place as a significant voice in street pop art and graffiti artwork. This piece, in particular, stands as a poignant reminder of 2020, capturing the essence of a moment that has left an indelible mark on society.

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Sick Icky Mouse Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky. Sick Icky Mouse by Brandon Sopinsky- A ghastly play n Disney's Mickey Mouse, this creature's skull is bared raw as his fur turns a sickly green. Limited edition Giclée art print artwork by famous artist Brandon Sopinsky.

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Pandemonium Silkscreen Print by TOMO77 x Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by TOMO77 & Shepard Fairey & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print "TOMO77 has documented a period marked by isolation and confusion, from the earliest anxious days of the pandemic through more than a year of political and social unrest. Amid this graphic testimony of uncertainty, uproar, and division, TOMO77 leaves us with one question: Where do we want to go from here?" -Shepard Fairey- OBEY. The collaborative work of TOMO77 and Shepard Fairey in the "Pandemonium" silkscreen print profoundly represents the tumultuous period that marked the early 2020s. This limited edition piece, hand-pulled with four colors on cream speckletone fine art paper, stands as a cultural artifact, encapsulating the essence of street pop art and graffiti artwork. Signed by both TOMO77 and Shepard Fairey, the artwork is part of a limited run of 300, each piece numbered, indicating its value and scarcity. The artwork's dimensions, 18x24 inches, provide a substantial canvas for the intricate designs and stark contrasts that have become hallmarks of both artists. TOMO77's contribution to this piece is particularly poignant, as his work often grapples with themes of human behavior, social upheaval, and the influence of capitalism, especially within the context of an immigrant lens. The "Pandemonium" print reflects these themes, addressing the global disarray and introspection during significant societal and political unrest. Shepard Fairey's partnership with TOMO77 on this project enhances the narrative potency of the piece, as Fairey's legacy in street art and activism art adds depth to the print's conceptual framework. Through their combined efforts, "Pandemonium" becomes more than just an artwork; it is a visual question posed to the audience, challenging them to consider the direction of human progress in times of crisis. The print represents the artist's technical prowess and commitment to using art for reflection and potential change.

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Infectious Substance Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Biohazard Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker. Slap Up In Perfect Condition. Reframing Perception through Street Pop Art Street pop art and graffiti artwork, characterized by their vibrant immediacy and cultural resonance, have a way of capturing the zeitgeist of the era in which they were born. The "Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker" series by graffiti artist Saber, whose real name is Ryan Weston Shook, exemplifies this phenomenon. With his 2020 collection of signed original slap-up graffiti art tags, Saber converges the world of hazardous material warnings with the rebellious spirit of street art. Each 4x4 marker-tagged piece carries his unique interpretation, transforming the ominous implications of the bio-hazard symbol into a canvas that speaks to the broader impact of what is genuinely infectious in our societies. Saber's Artistic Intervention on Bio-Hazard Symbols Saber's choice of the bio-hazard label as a substrate for his art is particularly telling. The symbol, designed to alert to dangerous pathogens, is recontextualized in his work to question the infectious nature of ideas, the virulence of art, and the power of expression to permeate and affect the public psyche. The contagious substance label, meant to protect by warning, is overlaid with Saber's tags that neither obscure the message nor dilute its significance. Instead, they add a layer of meaning, an artist's signature that challenges the viewer to question the boundaries between safety, censorship, public health, and public discourse. Modern Street Artwork as Social Commentary In modern street artwork, Saber's creations are a powerful testament to the artist's role as a social commentator. His work on the Uline S-180 stickers is a visual metaphor for 2020, a period marked by global health crises and a heightened awareness of biological hazards. By tagging these stickers, Saber connects the dots between the literal infectious agents the labels warn against and the metaphorical contagion of fear, misinformation, and societal unrest that characterized the year. The permanence of the marker on the glossy sticker mirrors the lasting impact of the year's events on the collective consciousness, ensuring that while the hazards may be contained, the dialogue they incite is not. In every line and color choice, Saber's art on the bio-hazard stickers demands engagement and reflects the unyielding nature of Street Pop Art and Graffiti Artwork. As a documented figure in the graffiti community, Saber's American roots and contributions continue to shape the conversation around the power of street art to reframe our perception of the symbols that dominate our public spaces. Each tag is a deliberate reclamation, a declaration that even the most exemplary of symbols can become a medium for enduring artistic expression.

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An Empire In Decline Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Rag Bright Paper by Modern Pop Street Graffiti Artist Al Diaz x Jilly Ballistic. Al Diaz & Jilly Ballistic "AN EMPIRE IN DECLINE" - Limited Edition, Archival Print - 8 x 24" AN EMPIRE IN DECLINE • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 8 x 24 inches Hand-signed and numbered by artists Al Diaz and Jilly Ballistic in a limited edition of 40

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The Never Sleep- Zombie Apocalypse Propaganda Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artist Ron Guyatt created this great propaganda poster to help support our fight against the looming zombie apocalypse. The posters educate the population to the need to military respond to the threat. Each poster is signed and numbered, measures 18″ x 24″, and is available in a limited edition of 100.

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Covid No 19- Verte Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Verte Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Stop Asking For Permission- White Limited Edition Screen Print with Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Skateboard art by street pop culture artist Eddie Colla. Since 2005, his wheatpastes and stencils can be found throughout public spaces in the Bay Area, Los Angeles, and Miami. Eddie's work first began to garner national recognition when his street art began incorporating images of Barack Obama throughout the 2008 Presidential election. His growing popularity landed him attention on internet blogs, features in six published books, and participation in the "Manifest Hope Art Gallery" shows at the 2008 Democratic National Convention and at the Presidential Inauguration in Washington D.C. His designs have been transformed many times over, from stickers, album and magazine covers.

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Not By Victory Limited Edition Hand-Embellished Screen Print & Mixed Media on Cradled Wood Panel by Eddie Colla Graffiti Street Artist Modern Pop Art. Since 2005, his wheatpastes and stencils can be found throughout public spaces in the Bay Area, Los Angeles, and Miami. Eddie's work first began to garner national recognition when his street art began incorporating images of Barack Obama throughout the 2008 Presidential election. His growing popularity landed him attention on internet blogs, features in six published books, and participation in the "Manifest Hope Art Gallery" shows at the 2008 Democratic National Convention and at the Presidential Inauguration in Washington D.C. His designs have been transformed many times over, from stickers, album and magazine covers.

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Inhalation Hazard Skull Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Skull Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Inhalation Hazard Skull and Cross Bones Jolly Roger Warning Label Uline S-5563 Sticker. Slap Up In Perfect Condition. Subversive Aesthetics in Street Pop Art Street Pop Art and Graffiti Artwork are distinguished by their raw, pulsating energy and penchant for transforming the ordinary into the extraordinary. The "Inhalation Hazard Skull Slap-Up Label Sticker" vividly embodies this transformative power. American artist Saber, born Ryan Weston Shook, has redefined the boundaries of art by bringing his original permanent marker drawings to the glossy skull stickers typically found in shipping and packaging. Each 4x4 piece is not just a slap-up graffiti art tag; it is a signed original that stands as a testament to the creativity and rebellious spirit of the street art movement. The series, marked by the jolly Roger skull and crossbones of the Uline S-5563 sticker, represents a provocative fusion of danger and artistry. Saber's Visual Commentary on Risk and Art Historically associated with piracy and poison, the skull and crossbones symbol takes on new life under Saber's hand. His work on these inhalation hazard labels is a bold commentary on the risks inherent in the act of creation itself, especially within the often illicit world of graffiti. Combined with the bold, chaotic lines of Saber's tag, this imagery creates a striking juxtaposition – a dialogue between the formal symbolism of danger and street art's personal, anarchic language. The pieces, created in the tumultuous year of 2020, resonate with the global atmosphere of anxiety and the need for an outlet, a voice amidst the chaos.  Street Pop Art as Cultural Narrative In the context of modern street artwork, Saber's "Inhalation Hazard Skull Slap-Up Label Sticker" is more than an artistic act; it is a cultural narrative. These stickers, once indicators of physical danger, now signal the presence of a different kind of hazard – the stifling of expression and the toxic environments that threaten creativity. Through his artwork, Saber challenges observers to reconsider the implications of the symbols that populate our world and recognize graffiti's power as a form of social and political discourse. Each sticker is a bold declaration of presence, a signature that marks the world with a message of resilience and resistance. In the face of adversity, Saber's art stands as a beacon of the enduring power of Street Pop Art and Graffiti Artwork, testifying to the indomitable urge to leave one's mark on the world.

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The Strain- Version 1 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Phantom City Creative Rare Street Art Famous Pop Artwork Artist. The Strain FX TV Show Fine Art From Mondo.

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Infested Artwork Giclee Limited Edition Print on 300gsm Cold Press Watercolor Paper by Pop Culture Graffiti Artist Alex Kirzhner.

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KAWS Companion 2020- Grey Limited Edition Vinyl Art Toy Collectible Artwork by Street Graffiti Artist Kaws. 2020 Open Out of Print Edition Kaws Rare Collectible Size 17.13 X 8.86 X 3.15 IN New In Box. KAWS Companion 2020-Grey: An Emblem of Modern Collectivism The KAWS Companion 2020-Grey is a limited edition collectible poignant embodiment of modern art's intersection with street culture. Released in 2020 as an open but out-of-print edition, this piece by KAWS—renowned for infiltrating street graffiti into high art—commemorates the 20th anniversary of the Companion series. Measuring 17.13 x 8.86 x 3.15 inches, the figure's portrayal, lying face down, captures a universal sentiment of retrospection and introspection, particularly resonant at the close of a tumultuous year. The subdued grey palette offers a stark, elegant visual, reinforcing the figure's narrative potency. This vinyl art toy's flat design, a deliberate choice by KAWS, ensures that it serves as a collectible and displayable work of art. It bridges the gap between the playfulness of a toy and the gravitas of a sculpture, further blurring the lines between street pop art and fine art. The KAWS Companion 2020-Grey, new in its box, has swiftly become a rare collectible, coveted by art enthusiasts and collectors alike for its aesthetic appeal and representation of the art movement's zeitgeist. Contemplative Aesthetics in KAWS' Companion Series The KAWS Companion 2020-Grey advances the narrative of Street Pop Art and graffiti Artwork, encapsulating an era's reflective mood while maintaining the artist's iconic aesthetic. The figure's recumbent form offers a silent dialogue between the artwork and its beholder, a poignantly relevant characteristic to the KAWS' oeuvre. This Companion continues the tradition of inviting engagement through a visual language that is at once accessible and complex, a testament to KAWS' mastery of artistry. Beyond its status as a collectible, the KAWS Companion 2020-Grey is a cultural artifact, epitomizing the year's collective experiences through the lens of street art. The figure's widespread appeal is a tribute to the influence of KAWS' art, confirming the artist's role as a pivotal figure in the evolution of street art into a recognized and respected art form. KAWS Companion 2020-Grey: Celebrating Two Decades of Influence The release of the KAWS Companion 2020-Grey marks two decades of the Companion's influence on street art and pop culture. This collectible is not merely a reflection of KAWS' artistic journey; it is a marker of street art's progression and pervasive impact on contemporary culture. The Companion's design, with its distinctive features and the artist's signature grey scale, offers a visual commentary on the passage of time and the continuous relevance of street art in public discourse. As an object, the KAWS Companion 2020-Grey invites admiration and contemplation, encouraging a dialogue about the intersections of art, commerce, and society. Its existence as an out-of-print edition adds to its allure, making it a significant piece for those who seek to understand the transformative power of street pop art and graffiti artwork. Through this figure, KAWS celebrates the enduring legacy of the Companion series and its resonating impact on the art world.

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Covid No 19- Bleue Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Bleue Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Destroy America- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Breathe Right Original Painting Oil On Linen w/ Custom Walnut Frame by David Molesky Graffiti Street Artist Modern Pop Art. 2014 Signed & Custom Framed Original Oil Painting Artwork Size 24x20 "This painting is from my series of paintings based on media images of the revolution in Kiev. Its the largest of the eight paintings so far and the one that I spent the most time on. I feel like the figure captures the energy that originally drew me into the subject matter. The paintings of this series are a departure from my earlier figurative painting. For the last decade or so I had tried to depict universal time and avoided man-made objects. I’ve dropped that dogma. I love that the subject is current, and also contains elements that seem from another era." - David Molesky

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Forever | Never Artwork Giclee Limited Edition Print on Hahnemuhle Fine Art Rag Paper by Pop Culture Graffiti Artist Nimit Malavia. Nimit Malavia is a Canadian visual artist and illustrator known for his intricate and imaginative artworks. His style often combines delicate line work with a strong sense of narrative, drawing inspiration from various sources such as mythology, fairy tales, and contemporary culture. Malavia's work typically incorporates a mix of traditional and digital media, including ink, watercolor, and Photoshop.

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The Strain- Version 2 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Phantom City Creative Rare Street Art Famous Pop Artwork Artist. The Strain FX TV Show Fine Art From Mondo.

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Covid No 19- Sarcelle Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Sarcelle Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Quarantine High Vis Tagged Original Slap-Up Label Marker Painting/Drawing Art on Mailing Label by Tru Graffiti Legend Saber Urban Street Artist. 2020 Signed Marker Original Quarantine Collection Slap Up Graffiti Art Tag 6.5x3 Tagged on Virus Covid Quarantine High Visibility Neon Orange Warning Label.

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The Californian PP Printers Proof Archival Print by Jeff Soto Limited Edition Print on Natural Museum Fine Art Paper Pop Artist Modern Artwork. PP Printer Proof 2019 Signed & Marked PP Limited Edition Artwork Size 24x36 Archival Pigment Fine Art Jeff Soto's 'The Californian' PP Printer's Proof: A Convergence of Street and Fine Art Jeff Soto, an esteemed figure in the pop art and graffiti scene, presents "The Californian," a PP (Printer's Proof) archival print that encapsulates the intersection of street art sensibilities with the refinement of fine art printmaking. Released as a limited edition print on natural museum fine art paper in 2019, each piece in this collection is meticulously signed and marked as a Printer's Proof by Soto himself, attesting to the work's authenticity and exclusivity within the art community. Sized at 24x36 inches, this archival pigment fine art print represents Soto's exploration of thematic and stylistic elements that resonate deeply with the essence of California, rendered through a modern artistic lens. Jeff Soto's work often traverses the surreal and fantastical, and "The Californian" is no exception. The artwork is a visual narrative, rich with symbolism and imbued with the fantastical elements characteristic of Soto's style. The use of vibrant colors, intricate designs, and robotic figures intertwined with natural elements speaks to the complex relationship between technology and the natural world. Soto's work contemplates the evolving landscape of California—a place renowned for its technological advancements and breathtaking natural beauty. Technique and Symbolism in 'The Californian' Creating a Printer's Proof, like "The Californian," involves a level of craftsmanship and attention to detail that bridges the gap between the raw, expressive energy of street art and the precision of fine art printmaking. The PP designation is traditionally used to denote prints that verify the printed edition's quality. In the case of limited editions, they are often highly coveted by collectors for their closeness to the artist's original vision. Soto's decision to create a PP edition reflects a nod to the traditional printmaking process and an acknowledgment of the print as an artwork in its own right. In "The Californian," Soto's use of archival pigment on fine art paper ensures that the rich textures and depths of color are preserved, providing a print that stands the test of time physically and conceptually. The piece is a dialogue between the immediacy and impermanence of graffiti art and the enduring nature of fine art prints, allowing the work to be appreciated in diverse settings, from urban walls to gallery spaces. Cultural Impact of Jeff Soto's 'The Californian' "The Californian" PP Printer's Proof is a testament to Jeff Soto's enduring impact on street pop art and graffiti artwork. By transposing his work from large-scale murals to the more intimate medium of fine art prints, Soto enables a broader audience to engage with his artistic vision. The cultural impact of this piece lies in its ability to convey a narrative that is at once personal and universal, reflecting the artist's Californian roots while addressing global concerns about the intersection of human innovation and nature. Moreover, the artwork underscores the transformative power of street art, from an often ephemeral urban expression to a lasting artifact of contemporary culture. Soto's work, particularly in the form of limited edition prints like "The Californian," invites ongoing discourse on the role of street art in the contemporary art world, challenging perceptions and encouraging a reevaluation of the boundaries between street art, pop art, and fine art. "The Californian" by Jeff Soto is a vibrant representation of the fusion of street art's spontaneity and the longevity of fine art prints. As a PP Printer's Proof, it is a collector's item that captures a moment in Soto's artistic journey. It offers insight into the complexities and dualities that define the modern Californian identity and the broader human experience.

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What Party Figure- Orange Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Legendary Modern Artist Kaws. 2020 Out of Print COVID Open Edition Size 5.1x11.3x3.7. New In Box Printed Foot. Orange Chum is wondering what happened to the parties in 2020? The What Party Figure in Orange emerges as a poignant symbol in the oeuvre of Kaws, the influential modern artist whose works have continuously blurred the boundaries between commercial and fine art. This limited edition vinyl art toy sculpture stands at 5.1x11.3x3.7 inches, a size that is intimate yet substantial, allowing it to make a statement in any collection. Released in 2020, a year marked globally by the COVID-19 pandemic, this collectible piece adds resonance as its title, "What Party," echoes the year's isolation and the sudden absence of communal gatherings and celebrations. Crafted in bright Orange, the figure is instantly recognizable as a Kaws creation, with its characteristic crossed-out eyes and exaggerated hands, elements that have become synonymous with the artist’s unique visual language. The toy is not merely a playful item; it is a legitimate and impactful piece of art that comments on the human condition. Its vivid color can be interpreted as a beacon of hope or a siren call to attention, forcing viewers to ponder on the changes our society faced, especially during a time when the world came to an abrupt pause. Each sculpture comes brand new in its original box, indicating that it has never been displayed or handled. The printed foot of the figure ensures authenticity, an essential aspect for collectors and admirers of Kaws' work. While this piece was categorized as an open edition, its availability became scarce as the demand outpaced supply, and it swiftly transitioned out of print, turning it into a sought-after artifact. The What Party Figure stands not just as a testament to Kaws' enduring influence in the intersection of pop art, street art, and graffiti art but also as a cultural commentary encapsulated in vinyl. It captures the essence of a unique moment in history, symbolizing the collective yearning for connection in a time of global upheaval and the enduring power of art to reflect and resonate with the zeitgeist.

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Icky Mouse Original One of a Kind Colored Pencil Painting Artwork on Reclaimed Paper by Popular Street Graffiti Artist Brandon Sopinsky. 2013 Icky Mouse Original Colored Pencil Drawing by Brandon Sopinsky

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1 • 12 • 5 • 24 Original Painting Mixed Media on Canvas by Eddie Colla Graffiti Street Artist Modern Pop Art. 2017 SIgned Original Acrylic & Spraypaint on Ready To Hang Canvas Artwork Size 18x24 "Through this, we hold steadfast when our challenge was to turn fate not to be victorious that possibility evaporated did not we endure together and often alone for all of us for tomorrow and yesterday and for what could've been and is and for what is and might well be lest we forget each of us and used memory and failing and standing when standing was all there was." -Eddie 1 • 12 • 5 • 24 Original Mixed Media Painting on Canvas by Eddie Colla 1 • 12 • 5 • 24 is a powerful original mixed media painting on canvas by graffiti street artist Eddie Colla. Created in 2017, this signed artwork is an 18x24-inch piece executed with acrylic and spray paint, embodying the raw energy and layered narratives that define Street Pop Art and Graffiti Artwork. The piece presents a haunting portrait of a masked individual, rendered in high-contrast black and sepia tones, with textures and distressed effects that evoke themes of resilience, rebellion, and survival. Eddie Colla is known for his ability to capture the psychological and emotional weight of contemporary struggles through his art. His figures, often masked or adorned in protective gear, reflect themes of identity, resistance, and societal unrest. The grommeted edges and weathered surface of this piece reinforce its industrial and urban aesthetic, making it feel like a fragment of a larger, unseen history. This painting is not just a portrait but a narrative encapsulated in texture, symbol, and form, urging viewers to consider the deeper implications of endurance, defiance, and memory. Eddie Colla and His Influence on Street Pop Art and Graffiti Artwork Eddie Colla is an American street artist and contemporary painter whose work frequently explores themes of urban decay, civil disobedience, and existential perseverance. His art is deeply influenced by graffiti culture, punk aesthetics, and dystopian storytelling, often featuring masked figures navigating hostile or uncertain environments. Through his work, Colla addresses issues of personal freedom, governmental control, and the struggles of marginalized communities. 1 • 12 • 5 • 24 exemplifies his signature visual language—characters with obscured identities, layered textures that mimic aged or decayed surfaces, and cryptic numbering or lettering that suggest coded messages or hidden histories. His use of stencil and spray paint techniques, combined with hand-painted elements, bridges the worlds of fine art and street culture, reinforcing the transient and defiant spirit of graffiti. This painting is a striking representation of his ongoing exploration of survival and memory, serving as both an aesthetic statement and a cultural reflection. The Symbolism and Aesthetic Power of 1 • 12 • 5 • 24 The masked figure in this painting stands as a powerful emblem of both protection and protest. The gaze, partially obscured yet intensely expressive, draws the viewer into a moment of contemplation—what is the subject confronting, and what struggles have they endured? The rough, textured background and muted color palette amplify the sense of history embedded in the piece, as if the painting itself has witnessed unseen conflicts and untold stories. The presence of the cryptic numbering, 1 • 12 • 5 • 24, invites interpretation, suggesting themes of coded messages, dates of significance, or an abstract reference to time and memory. Colla’s distressed, layered surfaces reflect the impermanence of both urban landscapes and human experiences. The grommets in the canvas further enhance the industrial aesthetic, reinforcing the idea that this is not just a piece of art but a relic—an artifact from a moment of resistance or an imagined future where survival is an act of defiance. The artwork’s ability to evoke emotion while maintaining a sense of mystery is what makes it a compelling addition to the discourse of Street Pop Art and Graffiti Artwork. Collectibility and Cultural Impact of Eddie Colla’s Work Eddie Colla’s work has gained significant recognition within contemporary urban art circles, with his pieces exhibited in galleries and public installations worldwide. His ability to translate street culture into fine art has made his work highly collectible among enthusiasts of modern graffiti and dystopian-themed art. This piece, being an original mixed media work, holds unique value as it captures the raw essence of his style and thematic focus. 1 • 12 • 5 • 24 stands as a testament to the resilience of human expression in challenging times. It resonates with audiences who appreciate art that is both visually striking and conceptually profound. The combination of hand-painted details, stencil work, and industrial elements makes it a distinctive work within Colla’s portfolio, reinforcing the importance of art as a means of resistance, remembrance, and social commentary.

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Between Here And There 2 Limited Edition Archival Pigment Prints on 310gsm Museum Natural White Fine Art Paper by Mimi Yoon Graffiti Street Artist Modern Pop Art. INFO

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What Party Figure- Pink Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Legendary Modern Artist Kaws. 2020 Out of Print COVID Open Edition Size 5.1x11.3x3.7. New In Box Printed Foot. Pink Chum is wondering what happened to the parties in 2020? The What Party Figure in Pink emerges as a poignant symbol in the oeuvre of Kaws, the influential modern artist whose works have continuously blurred the boundaries between commercial and fine art. This limited edition vinyl art toy sculpture stands at 5.1x11.3x3.7 inches, a size that is intimate yet substantial, allowing it to make a statement in any collection. Released in 2020, a year marked globally by the COVID-19 pandemic, this collectible piece adds resonance as its title, "What Party," echoes the year's isolation and the sudden absence of communal gatherings and celebrations. Crafted in bright Pink, the figure is instantly recognizable as a Kaws creation, with its characteristic crossed-out eyes and exaggerated hands, elements that have become synonymous with the artist’s unique visual language. The toy is not merely a playful item; it is a legitimate and impactful piece of art that comments on the human condition. Its vivid color can be interpreted as a beacon of hope or a siren call to attention, forcing viewers to ponder on the changes our society faced, especially during a time when the world came to an abrupt pause. Each sculpture comes brand new in its original box, indicating that it has never been displayed or handled. The printed foot of the figure ensures authenticity, an essential aspect for collectors and admirers of Kaws' work. While this piece was categorized as an open edition, its availability became scarce as the demand outpaced supply, and it swiftly transitioned out of print, turning it into a sought-after artifact. The What Party Figure stands not just as a testament to Kaws' enduring influence in the intersection of pop art, street art, and graffiti art but also as a cultural commentary encapsulated in vinyl. It captures the essence of a unique moment in history, symbolizing the collective yearning for connection in a time of global upheaval and the enduring power of art to reflect and resonate with the zeitgeist.

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Multiform Blotter Art Surreal Artwork Limited Edition Offset Lithograph Print on Perforated Paper Sheet by Artist Naoto Hattori. 2014 Signed & Hand-Numbered Limited Edition of 150 Artwork Size 8.3x10.8 Perforated Blotter Sheet

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Stop Asking For Permission- Gold Limited Edition Screen Print with Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Skateboard art by street pop culture artist Eddie Colla. Since 2005, his wheatpastes and stencils can be found throughout public spaces in the Bay Area, Los Angeles, and Miami. Eddie's work first began to garner national recognition when his street art began incorporating images of Barack Obama throughout the 2008 Presidential election. His growing popularity landed him attention on internet blogs, features in six published books, and participation in the "Manifest Hope Art Gallery" shows at the 2008 Democratic National Convention and at the Presidential Inauguration in Washington D.C. His designs have been transformed many times over, from stickers, album and magazine covers.

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LivEvil Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Van Saro & John Park Graffiti Street Artist Modern Pop Art. "This piece was the fourth or fifth collab that we did together. The themes varied but the composition stayed pretty consistent with Van’s beautifully painted figures anchoring my background colors and support characters. The quote provided by Van is from the Buddah. We had been staying pretty consistent with the compositions of our collabs, usually with one of Van’s oil figures left of center anchoring the piece while I handled the background color composition and added support characters. I don’t think we discussed anything before starting." - John Park

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Feral Nude Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 12x18

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Time Off Black Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Legendary Modern Artist Kaws. 2023 BFF Out of Print Edition Size 11.02x7.09 Displayed With Box Printed Foot "Time Off Black Fine Art Toy" refers to a designer toy created by Brian Donnelly, an artist known professionally as KAWS. KAWS is an American artist and designer known for his work in various fields, including painting, sculpture, and design. His work is characterized by a unique blend of street art, pop culture, and commercial design, often featuring his signature "Companion" character, which has a cartoonish, skull-like head with crossbones for eyes. KAWS' designer toys, often called "art toys" or "urban vinyl," have become highly sought-after collectibles in the art and toy market. The "Time Off Black Fine Art Toy" is one of KAWS' out-of-print open edition releases featuring his iconic Companion character, with a distinctive Black color scheme. These art toys are out of print and can be pretty valuable.

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