Virus

Stop Asking For Permission- White Limited Edition Screen Print with Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Skateboard art by street pop culture artist Eddie Colla. Since 2005, his wheatpastes and stencils can be found throughout public spaces in the Bay Area, Los Angeles, and Miami. Eddie's work first began to garner national recognition when his street art began incorporating images of Barack Obama throughout the 2008 Presidential election. His growing popularity landed him attention on internet blogs, features in six published books, and participation in the "Manifest Hope Art Gallery" shows at the 2008 Democratic National Convention and at the Presidential Inauguration in Washington D.C. His designs have been transformed many times over, from stickers, album and magazine covers.

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Covid No 19- Bleue Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. Bleue Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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Pandemonium Hand-Pulled Deckled Color Silkscreen Print on Fine Art Paper by Desirable Artist Hijack Limited Edition Pop Art Artwork. 2020 Hand Numbered & Artist Stamped Limited Edition of 100 Hand-Deckled Artwork Size 22x22. Global Food Bank Covid Charity Print by Hijack. Introducing "Pandemonium" by Hijack: A Street Pop Art Reflection on Global Crisis Crafted amid the tumultuous era marked by the COVID-19 pandemic, the artwork "Pandemonium" by the street artist Hijack seizes the collective consciousness of a world grappling with uncertainty and upheaval. This piece is a hand-pulled, deckled color silkscreen print on fine art paper, embodying the artist's poignant response to the pandemic's impact on society. Hijack, whose real name remains part of his enigmatic persona, has become a notable figure in the contemporary street pop art and graffiti art scene, with works that often delve into the commentary on current events and social issues. The limited edition artwork, sized 22x22 inches, is a visual statement and a philanthropic endeavor, with its proceeds aimed at supporting global food banks during the pandemic. As a part of a limited run of 100 pieces, each hand-numbered and stamped by the artist, "Pandemonium" becomes a collectible piece of history, immortalizing the zeitgeist of the early 2020s. Symbolism and Technique in Hijack's "Pandemonium" "Pandemonium" exudes a striking balance between the immediacy of graffiti art and the calculated precision of pop art silkscreen printing. The image portrays a figure in protective gear, the silhouette and posture reminiscent of a healthcare worker and a biohazard cleaner. This duality highlights the frontline reality of the pandemic. The use of bright colors against the monochrome background draws attention to the subject and infuses the piece with a sense of vibrancy amidst the darkness, a hallmark of street pop art's capacity to find beauty and meaning in the grim and mundane. The fine art paper serves as the urban canvas for Hijack, much like the walls and alleyways of the cityscape serve other graffiti artists. The deckled edges of the paper echo the often rough and transient nature of street art, offering a contrast to the permanence that the limited edition print signifies. It is this interplay of the brief with the enduring that Hijack navigates through "Pandemonium," reflecting on the fleeting nature of the pandemic while capturing a moment in time that will be indelibly etched in history. The Cultural Resonance of "Pandemonium" in Street Art Discourse In the broader discourse of street pop art and graffiti artwork, "Pandemonium" resonates as a cultural artifact, a beacon of the times. The work emulates how street artists have historically used public spaces and accessible mediums to reflect societal sentiments, provoke thought, and inspire action. Hijack's choice to contribute to a global charity through his art reflects a tradition within street art to not only comment on social issues but also actively participate in societal change. The image's depiction of the character with a spray bottle labeled "COVID-19" evokes a sense of action and responsibility, an acknowledgment of the collective efforts to 'cleanse' the world of the viral threat. This representation goes beyond mere aesthetics; it is a rallying cry, a nod to the resilience of humanity in the face of a global crisis, and a testament to the role of art in documenting, responding to, and healing communal traumas. As a piece of street pop art, "Pandemonium" stands out for its ability to capture the essence of an unprecedented global event while maintaining the stylistic and thematic elements that define the genre. Hijack's work is not just an artistic response to a pandemic; it is a historical record and a commentary on the human condition, a reminder of the tumult and triumph that characterize our times. In the legacy of street art, "Pandemonium" will be remembered as a poignant reflection of the era it was created in, a testament to the power of art to encapsulate complex emotions and narratives. It is a visual dialogue between the artist and the world, a piece that speaks to the fear, hope, and indomitable spirit that has defined the human response to the COVID-19 pandemic. Through "Pandemonium," Hijack contributes to the rich tapestry of street pop art and graffiti artwork, which continues to evolve and resonate as a voice of the people in the public domain.

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Trivaac Inhalation Vaccine HPM Hand Made Limited Edition Mixed Media, Reclaimed Items, Spray Can Sculpture Artwork by graffiti street artist modern pop artist Eddie Colla. 2020 Signed & Numbered HPM Made & Printed Limited Edition of 30 Spray Paint Can Sculpture Artwork. These Are Art Pieces, They Are Not Medical Devices. "I originally made these fake inhalation vaccines as props for two installations I did with D Young V, Epilogue, and Memento Mori. The installations revolved around apocalyptic possibilities. These recycled Spray paint cans were meant to be discarded inhalation vaccines that the World Health Organization had distributed during a global pandemic. The labels contain information about application dosage and active ingredients. I did a lot of research regarding previous pandemics, such as H1N1 (bird flu). The idea was to create an artifact as real as possible to resemble a failed attempt to contain a global pandemic." Eddie Colla Artistic Representation of Global Pandemics Eddie Colla's "Trivaac Inhalation Vaccine" mixed media artworks reflect a hauntingly prescient take on global health crises through the lens of Street Pop Art and graffiti Artwork. This limited edition series, consisting of only 30 signed and numbered pieces, incorporates reclaimed items and spray paint cans to form sculptures that stand as poignant artifacts of apocalyptic possibilities. Created as part of two installations with fellow artist D Young V, "Epilogue" and "Memento Mori," Colla's sculptures were designed to represent discarded inhalation vaccines distributed by the World Health Organization during a fictional global pandemic. These installations explored themes of human vulnerability, societal collapse, and the interventions that come into play during such catastrophic events. The sculptures themselves, crafted to mimic the appearance and informational detail of real medical devices, resonate with the realism and urgency of a world grappling with the threat of pandemics. Colla's meticulous research into previous health crises, such as H1N1, informed the creation of this spray can sculpture. The labels on each canister are detailed with application dosage and active ingredients, contributing to the authentic feel of the pieces. This attention to detail not only enhances the visual impact of the sculptures but also embeds a narrative that ties them to the real-world context of public health emergencies. Cultural Commentary through Mixed Media The "Trivaac Inhalation Vaccine" sculptures starkly comment on the intersection of art, science, and societal response to global health challenges. By using reclaimed spray paint cans, Colla repurposes the mundane and aligns his work with the ethos of recycling and sustainability. These themes are increasingly relevant in contemporary discourse. These sculptures transform the spray can, a ubiquitous tool in street art, into a vessel of deeper meaning, reflecting on the throwaway culture and the implications of medical waste. This body of work also questions the efficacy and accessibility of healthcare interventions, highlighting the disparity between the intended purpose of medical devices and their actual implementation in crisis scenarios. Colla's sculptures suggest a history of use and urgency when these objects were vital to survival. The limited edition nature of these pieces emphasizes their uniqueness as artworks while alluding to the scarcity of resources that can occur in times of crisis. Street Pop Art & Graffiti Artwork's Evocative Power Eddie Colla's contribution to Street Pop Art and graffiti Artwork is characterized by his ability to evoke robust responses through objects that bridge art and reality. His sculptures are not passive objects; they are conversation starters that prompt viewers to think critically about the state of the world and our responses to impending dangers. In the tradition of street art, these works are accessible yet complex, visually striking yet laden with meaning. The "Trivaac Inhalation Vaccine" series underscores the evocative power of street pop art and graffiti to comment on and engage with current events. Through this series, Colla extends the narrative capabilities of street art beyond the walls and into the three-dimensional realm, offering a tangible connection to the issues that permeate our collective consciousness. In essence, Eddie Colla's "Trivaac Inhalation Vaccine" sculptures embody the innovative and reflective qualities of Street Pop Art and graffiti Artwork. By blending art with societal critique elements, Colla captures the imagination and ignites discourse, cementing his role as an artist who observes and participates in the broader conversations of our time. His work is a reminder of art's impact on interpreting, understanding, and questioning the world around us.

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Infested Artwork Giclee Limited Edition Print on 300gsm Cold Press Watercolor Paper by Pop Culture Graffiti Artist Alex Kirzhner.

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Sick Icky Mouse Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky. Sick Icky Mouse by Brandon Sopinsky- A ghastly play n Disney's Mickey Mouse, this creature's skull is bared raw as his fur turns a sickly green. Limited edition Giclée art print artwork by famous artist Brandon Sopinsky.

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LushSux Condom- White Limited Edition Condom Art Collectible Artwork by street graffiti artist Lussux. 2013 Custom Condom Art Object Limited Edition, Not for use; this is artwork only! Unopened custom packaging from 2013 reads: Use This Condom Because I Don't Know What STD @Lushsux Gave Me...  

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Quantumverse Artwork Giclee Limited Edition Print on 315gsm Innova Soft Textured Natural White Paper by Pop Culture Graffiti Artist Handiedan. 315 gsm Innova Soft Textured Natural White 11.75" x 14.75" / 29,7 x 37,5 cm Signed and numbered Edition: 30

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Ortiz Masked- 7.75 Deck Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist DGK. Traditional 7-PlyWood, Medium Concave`

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Destroy America- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Alice in Wasteland- Acid Statue Polystone Sculpture Limited Edition Artwork by Artist ABCNT of Pop Graffiti Painting & Street Art Fame. 2020 Alice in Wonderland Limited 8.5" Statue

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1987 Original One of a Kind Mixed Media Spray Paint & Reclaimed Items Painting Artwork on Reused Wood by Popular Street Graffiti Artist Eddie Colla. 2019 Signed Original Mixed Media Spray Paint Acrylic Painting With Reclaimed Elements Artwork Size 34x34 "1987" 34 x 34 inches (86 x 86cm) Mixed media on wood 2019 Signed and titled on the back

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Just Future Rising 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2021 Signed & Numbered, Just Future Rising 18 inches by 24 inches Edition of 450 June 23, 2021 "I created for the Time “VOTE” cover just before the 2020 election. At the time, I wanted to address the very unique situation we were in as a country as we faced the Covid-19 pandemic, unrest around police brutality and racial discrimination, voter suppression, and intense political division. We are still facing all of those things, though the development of Covid vaccines has significantly improved public safety and benefitted the fight to end the pandemic. In this illustration, the usually clear-cut rebel symbol of a bandana covering a face takes on a different meaning during Covid, becoming an emblem of safety, respect for one’s fellow citizens, and a sign that the wearer believes in science." -Shepard Fairey The "Just Future Rising" is a striking silkscreen print by Shepard Fairey, an artist renowned for his profound impact on street and pop art through the OBEY series. This limited edition artwork, measuring 18 by 24 inches, was released on June 23, 2021, in a numbered series of 450 pieces. Each print is hand-pulled, utilizing four colors on fine speckle tone paper, highlighting Fairey's signature style that merges art with social commentary. This piece is an extension of his engagement with contemporary issues, as it initially accompanied the Time magazine “VOTE” cover crafted in the lead-up to the 2020 election. Fairey's work consistently echoes themes of political activism and cultural critique, and "Just Future Rising" is a vivid representation of that ethos. The image reflects the turbulent climate of its creation: a nation grappling with the COVID-19 pandemic, societal upheaval stemming from racial injustice, the challenges to democracy through voter suppression, and deep-seated political polarization. In this print, the image of a woman with a bandana covering her face symbolizes a multifaceted narrative—transforming a traditional sign of rebellion into a symbol of safety and solidarity in the face of a public health crisis. The bandana, adorned with intricate patterns, carries a badge that reads "The Future is Unwritten," reinforcing the message that change is possible and the future is in the hands of the people. Fairey's choice to depict the bandana, a classic rebel icon, as a protective mask denotes a profound shift in cultural symbols due to the pandemic. It reflects a respect for science and an acknowledgment of the collective effort required to navigate the crisis. The artwork transcends mere aesthetics, embodying the message that caring for one's community and being considerate of public health are now acts of rebellion in their own right. This resonates deeply with the artist's long-standing commitment to using his craft to support social and political change. In the portfolio of Shepard Fairey's creations, "Just Future Rising" is not just a piece of pop artwork; it is a cultural artifact born out of an era defined by upheaval and a call to action. It stands as a reminder of the power of art to influence discourse, inspire action, and reflect the complexities of the human experience in times of adversity.

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LivEvil Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Van Saro & John Park Graffiti Street Artist Modern Pop Art. "This piece was the fourth or fifth collab that we did together. The themes varied but the composition stayed pretty consistent with Van’s beautifully painted figures anchoring my background colors and support characters. The quote provided by Van is from the Buddah. We had been staying pretty consistent with the compositions of our collabs, usually with one of Van’s oil figures left of center anchoring the piece while I handled the background color composition and added support characters. I don’t think we discussed anything before starting." - John Park

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1 • 12 • 5 • 24 Original Painting Mixed Media on Canvas by Eddie Colla Graffiti Street Artist Modern Pop Art. 2017 SIgned Original Acrylic & Spraypaint on Ready To Hang Canvas Artwork Size 18x24 "Through this, we hold steadfast when our challenge was to turn fate not to be victorious that possibility evaporated did not we endure together and often alone for all of us for tomorrow and yesterday and for what could've been and is and for what is and might well be lest we forget each of us and used memory and failing and standing when standing was all there was." -Eddie

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In This Together Woodblock Print by Ravi Amar Zupa Hand-Pulled on Reclaimed Wood Panel Limited Edition Artwork. 2020 Signed & Numbered Limited Edition of 40 Artwork Size 4x5.75 Woodblock Print on Ready To Hang Slightly Distressed Wood Panel Depicting a Jolly Roger Skull and Cross Bones with Crown. Artwork Says: Social Distancing With Love 2020 In This Together. "In This Together" is a profound woodblock print by Ravi Amar Zupa, an artist known for his intricate hand-pulled prints on reclaimed wood panels. This limited edition artwork, part of a collection of only 40, reflects a moment defined by the global pandemic and encapsulates the ethos of solidarity and resilience. Measuring 4x5.75 inches, the piece is a compact yet powerful statement, ready to hang and slightly distressed, which adds to its raw appeal. The print features the iconic Jolly Roger skull and crossbones, crowned, a symbol historically associated with piracy but recontextualized here to signify unity in adversity. Symbolism and Technique in Zupa's Work Ravi Amar Zupa's choice of imagery and text in "In This Together" is evocative and timely. Paired with a crown, the skull and crossbones traditionally symbolize death and power. However, in the context of this artwork, they take on a new meaning, representing the collective struggle and the need to 'reign' over the crisis with compassion, as suggested by the phrase "Social Distancing With Love." The woodblock print technique, a traditional form of printmaking, lends a sense of timelessness and connects the work to a long history of artistic expression. At the same time, the reclaimed wood panel serves as a reminder of sustainability and resourcefulness. Cultural Resonance of the Artwork The cultural resonance of "In This Together" within the street pop art and graffiti artwork scene is significant. It captures a shared sentiment that transcended borders during the pandemic—solidarity. Zupa's work often explores themes of social and political significance, and this piece is no exception. It speaks to the heart of street art's social role: to comment, unite, and inspire. This artwork is not just a reflection of the times but also a rallying cry, a statement of support and empathy that resonated deeply during a time of global uncertainty. Collectability and Impact on Contemporary Art The collectability of "In This Together" lies in its limited edition status, signed and numbered by Zupa, which adds an element of exclusivity. The work's size makes it accessible, while its message and craftsmanship make it a significant addition to any collection of contemporary street pop art and graffiti artwork. The piece's impact is further enhanced by its medium—woodblock printing on wood panel—which bridges traditional art-making techniques with modern themes, thus appealing to a wide range of art enthusiasts and collectors. "In This Together" by Ravi Amar Zupa is a compelling piece of contemporary art that resonates with the communal spirit of street pop art and graffiti artwork. Through traditional woodblock printing on reclaimed wood, Zupa creates an artwork that is both a testament to the times and a timeless piece of artistry. It stands as a symbol of unity and love in a year marked by separation and uncertainty, offering a message of hope and togetherness that is as universal as it is powerful.

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Stop Asking For Permission- Silver Limited Edition Screen Print with Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Skateboard art by street pop culture artist Eddie Colla. Since 2005, his wheatpastes and stencils can be found throughout public spaces in the Bay Area, Los Angeles, and Miami. Eddie's work first began to garner national recognition when his street art began incorporating images of Barack Obama throughout the 2008 Presidential election. His growing popularity landed him attention on internet blogs, features in six published books, and participation in the "Manifest Hope Art Gallery" shows at the 2008 Democratic National Convention and at the Presidential Inauguration in Washington D.C. His designs have been transformed many times over, from stickers, album and magazine covers.

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Time Off Blue Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Legendary Modern Artist Kaws. 2023 BFF Out of Print Edition Size 11.02x7.09 Displayed With Box Printed Foot "Time Off Blue Fine Art Toy" refers to a designer toy created by Brian Donnelly, an artist known professionally as KAWS. KAWS is an American artist and designer known for his work in various fields, including painting, sculpture, and design. His work is characterized by a unique blend of street art, pop culture, and commercial design, often featuring his signature "Companion" character, which has a cartoonish, skull-like head with crossbones for eyes. KAWS' designer toys, often called "art toys" or "urban vinyl," have become highly sought-after collectibles in the art and toy market. The "Time Off Blue Fine Art Toy" is one of KAWS' out-of-print open edition releases featuring his iconic Companion character, with a distinctive Blue color scheme. These art toys are out of print and can be pretty valuable.

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What Party Figure- Yellow Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Legendary Modern Artist Kaws. 2020 Out of Print COVID Open Edition Size 5.1x11.3x3.7. New In Box Printed Foot. Yellow Chum is wondering what happened to the parties in 2020? The What Party Figure in yellow emerges as a poignant symbol in the oeuvre of Kaws, the influential modern artist whose works have continuously blurred the boundaries between commercial and fine art. This limited edition vinyl art toy sculpture stands at 5.1x11.3x3.7 inches, a size that is intimate yet substantial, allowing it to make a statement in any collection. Released in 2020, a year marked globally by the COVID-19 pandemic, this collectible piece takes on added resonance as its title, "What Party", echoes the year's isolation and the sudden absence of communal gatherings and celebrations. Crafted in bright yellow, the figure is instantly recognizable as a Kaws creation, with its characteristic crossed-out eyes and exaggerated hands, elements that have become synonymous with the artist’s unique visual language. The toy is not merely a playful item; it is a legitimate and impactful piece of art that comments on the human condition. Its vivid color can be interpreted as a beacon of hope or a siren call to attention, forcing viewers to ponder on the changes our society faced, especially during a time when the world came to an abrupt pause. Each sculpture comes brand new in its original box, indicating that it has never been displayed or handled. The printed foot of the figure ensures authenticity, an important aspect for collectors and admirers of Kaws' work. While this piece was categorized as an open edition, its availability became scarce as the demand outpaced supply, and it swiftly transitioned out of print, turning it into a sought-after artifact. The What Party Figure stands not just as a testament to Kaws' enduring influence in the intersection of pop art, street art, and graffiti art but also as a cultural commentary encapsulated in vinyl. It captures the essence of a unique moment in history, symbolizing the collective yearning for connection in a time of global upheaval and the enduring power of art to reflect and resonate with the zeitgeist.

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Stop Asking For Permission- Gold Limited Edition Screen Print with Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Skateboard art by street pop culture artist Eddie Colla. Since 2005, his wheatpastes and stencils can be found throughout public spaces in the Bay Area, Los Angeles, and Miami. Eddie's work first began to garner national recognition when his street art began incorporating images of Barack Obama throughout the 2008 Presidential election. His growing popularity landed him attention on internet blogs, features in six published books, and participation in the "Manifest Hope Art Gallery" shows at the 2008 Democratic National Convention and at the Presidential Inauguration in Washington D.C. His designs have been transformed many times over, from stickers, album and magazine covers.

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Covid No 19- Sarcelle Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. Sarcelle Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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Drop the Bomb- Zombie Apocalypse Propaganda Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artist Ron Guyatt created this great propaganda poster to help support our fight against the looming zombie apocalypse. The posters educate the population to the need to military respond to the threat. Each poster is signed and numbered, measures 18″ x 24″, and is available in a limited edition of 100.

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Covid No 19- Rose Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. Rose Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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Sanctuary Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by J.A.W. Cooper Graffiti Street Artist Modern Pop Art. "Sanctuary was created in 2013 as part of my solo show "Laid Bare" which explored vulnerability as both a source of strength and discomfort. The setting for the piece is of personal significance, a verdant cave at the top of a waterfall in Big Sur. This cave is full of stacked rocks left by previous visitors though in all of my visits I never encountered anyone inside, and so it has the air of a place of significance for many people traveling along parallel lines but not intersecting. The purpose of a "sanctuary" is to provide asylum in a time of stress or danger and this cave gave me peace at a time when I was letting go of one facet of my life and fostering the growth of a new one; the severed stag head and the fawn." - J.A.W. Cooper

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Alice in Wasteland- Acid Limited Edition Archival Pigment Fine Art Prints on 330gsm Cotton Rag Museum Archival Paper by Graffiti Street Art and Pop Culture Artist ABCNT. ABCNT x Silent Stage Gallery Alice in Wasteland Fine Art Print "Acid" Edition Edition of 100 Print Measures 18″ x 24″ (approx.) 330 gsm cotton rag museum archival paper Hand Deckled...

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Infectious Substance Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Biohazard Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker. Slap Up In Perfect Condition. Reframing Perception through Street Pop Art Street pop art and graffiti artwork, characterized by their vibrant immediacy and cultural resonance, have a way of capturing the zeitgeist of the era in which they were born. The "Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker" series by graffiti artist Saber, whose real name is Ryan Weston Shook, exemplifies this phenomenon. With his 2020 collection of signed original slap-up graffiti art tags, Saber converges the world of hazardous material warnings with the rebellious spirit of street art. Each 4x4 marker-tagged piece carries his unique interpretation, transforming the ominous implications of the bio-hazard symbol into a canvas that speaks to the broader impact of what is genuinely infectious in our societies. Saber's Artistic Intervention on Bio-Hazard Symbols Saber's choice of the bio-hazard label as a substrate for his art is particularly telling. The symbol, designed to alert to dangerous pathogens, is recontextualized in his work to question the infectious nature of ideas, the virulence of art, and the power of expression to permeate and affect the public psyche. The contagious substance label, meant to protect by warning, is overlaid with Saber's tags that neither obscure the message nor dilute its significance. Instead, they add a layer of meaning, an artist's signature that challenges the viewer to question the boundaries between safety, censorship, public health, and public discourse. Modern Street Artwork as Social Commentary In modern street artwork, Saber's creations are a powerful testament to the artist's role as a social commentator. His work on the Uline S-180 stickers is a visual metaphor for 2020, a period marked by global health crises and a heightened awareness of biological hazards. By tagging these stickers, Saber connects the dots between the literal infectious agents the labels warn against and the metaphorical contagion of fear, misinformation, and societal unrest that characterized the year. The permanence of the marker on the glossy sticker mirrors the lasting impact of the year's events on the collective consciousness, ensuring that while the hazards may be contained, the dialogue they incite is not. In every line and color choice, Saber's art on the bio-hazard stickers demands engagement and reflects the unyielding nature of Street Pop Art and Graffiti Artwork. As a documented figure in the graffiti community, Saber's American roots and contributions continue to shape the conversation around the power of street art to reframe our perception of the symbols that dominate our public spaces. Each tag is a deliberate reclamation, a declaration that even the most exemplary of symbols can become a medium for enduring artistic expression.

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Covid No 19- Orange Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. Orange Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Feral Nude Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 12x18

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Covid No 19- Verte Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. Verte Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Covid No 19- Mauve Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. Mauve Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Covid No 19- Rouge Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. Rouge Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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Groundhog Day 731 Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Denial, Street Pop Art Graffiti Legend. 2022 Signed Limited Edition of 25 18x24. February 2 2020 Everyday Covid Lies With Bill Murray As A Reporter Based On The Movie.

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