Virus

2 artworks

Filter

  • Trivaac Inhalation Vaccine HPM Spray Paint Can Sculpture by by Eddie Colla Trivaac Inhalation Vaccine HPM Spray Paint Can Sculpture by by Eddie Colla

    Eddie Colla Trivaac Inhalation Vaccine HPM Spray Paint Can Sculpture by by Eddie Colla

    Trivaac Inhalation Vaccine HPM Hand Made Limited Edition Mixed Media, Reclaimed Items, Spray Can Sculpture Artwork by graffiti street artist modern pop artist Eddie Colla. 2020 Signed & Numbered HPM Made & Printed Limited Edition of 30 Spray Paint Can Sculpture Artwork. These Are Art Pieces, They Are Not Medical Devices. "I originally made these fake inhalation vaccines as props for two installations I did with D Young V, Epilogue, and Memento Mori. The installations revolved around apocalyptic possibilities. These recycled Spray paint cans were meant to be discarded inhalation vaccines that the World Health Organization had distributed during a global pandemic. The labels contain information about application dosage and active ingredients. I did a lot of research regarding previous pandemics, such as H1N1 (bird flu). The idea was to create an artifact as real as possible to resemble a failed attempt to contain a global pandemic." Eddie Colla Artistic Representation of Global Pandemics Eddie Colla's "Trivaac Inhalation Vaccine" mixed media artworks reflect a hauntingly prescient take on global health crises through the lens of Street Pop Art and graffiti Artwork. This limited edition series, consisting of only 30 signed and numbered pieces, incorporates reclaimed items and spray paint cans to form sculptures that stand as poignant artifacts of apocalyptic possibilities. Created as part of two installations with fellow artist D Young V, "Epilogue" and "Memento Mori," Colla's sculptures were designed to represent discarded inhalation vaccines distributed by the World Health Organization during a fictional global pandemic. These installations explored themes of human vulnerability, societal collapse, and the interventions that come into play during such catastrophic events. The sculptures themselves, crafted to mimic the appearance and informational detail of real medical devices, resonate with the realism and urgency of a world grappling with the threat of pandemics. Colla's meticulous research into previous health crises, such as H1N1, informed the creation of this spray can sculpture. The labels on each canister are detailed with application dosage and active ingredients, contributing to the authentic feel of the pieces. This attention to detail not only enhances the visual impact of the sculptures but also embeds a narrative that ties them to the real-world context of public health emergencies. Cultural Commentary through Mixed Media The "Trivaac Inhalation Vaccine" sculptures starkly comment on the intersection of art, science, and societal response to global health challenges. By using reclaimed spray paint cans, Colla repurposes the mundane and aligns his work with the ethos of recycling and sustainability. These themes are increasingly relevant in contemporary discourse. These sculptures transform the spray can, a ubiquitous tool in street art, into a vessel of deeper meaning, reflecting on the throwaway culture and the implications of medical waste. This body of work also questions the efficacy and accessibility of healthcare interventions, highlighting the disparity between the intended purpose of medical devices and their actual implementation in crisis scenarios. Colla's sculptures suggest a history of use and urgency when these objects were vital to survival. The limited edition nature of these pieces emphasizes their uniqueness as artworks while alluding to the scarcity of resources that can occur in times of crisis. Street Pop Art & Graffiti Artwork's Evocative Power Eddie Colla's contribution to Street Pop Art and graffiti Artwork is characterized by his ability to evoke robust responses through objects that bridge art and reality. His sculptures are not passive objects; they are conversation starters that prompt viewers to think critically about the state of the world and our responses to impending dangers. In the tradition of street art, these works are accessible yet complex, visually striking yet laden with meaning. The "Trivaac Inhalation Vaccine" series underscores the evocative power of street pop art and graffiti to comment on and engage with current events. Through this series, Colla extends the narrative capabilities of street art beyond the walls and into the three-dimensional realm, offering a tangible connection to the issues that permeate our collective consciousness. In essence, Eddie Colla's "Trivaac Inhalation Vaccine" sculptures embody the innovative and reflective qualities of Street Pop Art and graffiti Artwork. By blending art with societal critique elements, Colla captures the imagination and ignites discourse, cementing his role as an artist who observes and participates in the broader conversations of our time. His work is a reminder of art's impact on interpreting, understanding, and questioning the world around us.

    Read more

    $316.00

  • Alice in Wasteland Acid Statue Sculpture by ABCNT Alice in Wasteland Acid Statue Sculpture by ABCNT

    ABCNT Alice in Wasteland Acid Statue Sculpture by ABCNT

    Alice in Wasteland- Acid Statue Polystone Sculpture Limited Edition Artwork by Artist ABCNT of Pop Graffiti Painting & Street Art Fame. 2020 Alice in Wonderland Limited 8.5" Statue

    Read more

    $460.00

Virus Covid 19 Graffiti Street Pop Artwork

Viral Imagery in Street Pop Art & Graffiti Artwork

When the topic of viruses infiltrates the realm of street pop art and graffiti artwork, it often carries a weight that transcends biological implications, embedding itself into society's cultural and social fabric. Street artists have, for decades, utilized the symbol of the virus to represent ideas of contagion beyond the literal, spreading messages as swiftly and potently as any pathogen. In the hands of a street artist, the image of a virus becomes a metaphor for spreading ideas, a tool for social commentary, or a critique of how information, trends, and even fear can increase in a society. This is especially palpable in urban environments where the high visibility of street art ensures the rapid dissemination of its intended message, akin to the infectious spread of a biological virus. As a subject in street pop art, the virus often takes on a stylized aesthetic, sometimes with vibrant colors and bold outlines, other times with a more sinister edge, alluding to its ominous implications.

Sociopolitical Commentary through Viral Street Art

The integration of viral motifs in street pop art frequently surfaces during sociopolitical unrest or health crises, as artists take to the streets to reflect the populace's mood. The artistic representations can vary from literal depictions of viruses to more abstract interpretations, symbolizing the pervasive nature of particular ideologies or social phenomena. In this context, a virus becomes a powerful symbol of the moment, capturing the unease, the uncertainty, and sometimes the resilience of the human spirit in the face of widespread challenges. Graffiti artists like Banksy have incorporated viral elements to underscore issues such as consumerism, surveillance, and inequality. The viral aspect often symbolizes how quickly these societal issues can spread and affect populations, suggesting a need for awareness and a call to action. The anonymity and speed with which graffiti art appears to mirror the stealth and swiftness of a viral outbreak, making the medium a metaphor for viral spread.

Street Art as a Cultural Virus

Beyond serving as a symbol for commentary, street pop art and graffiti act as cultural viruses, utilizing the strategies of replication and mutation to evolve and adapt to new environments. As a biological virus attaches to a host cell, street art latches onto public spaces, replicates through the sharing of images, and mutates as it is interpreted and reinterpreted by diverse audiences. This viral nature of street art is amplified in the digital age, where millions can instantly share and see a single piece of artwork, its impact magnified, and its lifespan extended far beyond that of its physical existence. Street art can go 'viral' online in hours, its message increasing through social media platforms, reaching an audience vast in size and scope. The artists behind such works, from Keith Haring's iconic figures to Shepard Fairey's Obey Giant campaign, understand the power of this virality. They craft their images to hook the viewer's attention and deliver a message that sticks, replicating how a virus implants itself into a host. Whether commenting on political issues, human rights, environmental concerns, or the art world, these artists ensure their work is infectious metaphorically, engaging the public consciousness and spreading their vision far and wide. To discuss street pop art and graffiti artwork in terms of viruses is to recognize the potent potential of visual art to affect minds and hearts, to spread from one person to another, carrying with it ideas that challenge, inspire, and provoke. Whether through a stenciled image hastily sprayed onto an alleyway wall or a meticulously planned mural covering the side of a building, the artist's plant seeds can flourish into movements, changing the landscape of our physical and mental environments. The art becomes a carrier of messages, a catalyst for change, and a beacon for collective experience, embodying the very characteristics of the viral entities it often depicts.

© 2024 Sprayed Paint Art Collection,

    Login

    Forgot your password?

    Don't have an account yet?
    Create account