Wood Panel Laser Cut & Cradled

The End Pt. 2 Original Hand-Painted Multiple Mixed Media Spray Paint Artwork on Laser Cut Wood Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered HPM Limited Edition of 10 Artwork Size 15x12 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Relics of Youth- II Limited Edition Hand-Embellished HPM Stenciled Montana Gold Spray Paint and Acrylic on Wood Panel by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2021 Signed Original Painting Artwork Size 18x18 Signed 2021 Montana Gold Spray Paint and Acrylic on Wood Panel Size: 18 x 18 x 2 Inches Release: November 01, 2021 Run of: 1

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Destroy, Rebuild, Repeat AP HPM Artist Proof 3D Print Framed on Wood Cradled Panel ready to hang by Quiccs Graffiti Street Artist Modern Pop Art. AP Artist Proof Signed, Small Drawings & Marked AP Framed Artwork Size 12x16 Frame Larger. 12 x 16 in. (30.48cm x 40.64cm) Three-layered fine art wood print, hand-signed and numbered by Quiccs This first of its kind three-layered fine art birch wood print starts with a 3/4" wood print. It’s then layered with a 1/2" custom shape pop-out pieces, then finished with a 1/4" custom cut layer to create a unique fine art piece. Layered Expression Through Precision Destroy, Rebuild, Repeat by Filipino graffiti and street pop artist Quiccs is a standout three-dimensional fine art wood print that encapsulates the ethos of transformation through destruction and creativity. Built from three distinct layers of wood — a 3/4-inch foundational panel, a 1/2-inch set of precision-cut pop-out pieces, and a final 1/4-inch top layer — the structure of this artwork mirrors its conceptual narrative. Each tier contributes to the visual complexity, bringing dynamic depth to a high-octane scene that merges elements of mecha, hip-hop, street culture, and toy aesthetics. Framed and ready to hang, this artist proof version measures 12 by 16 inches with the frame extending slightly larger to encase the sculptural form. Signature Characters in Street Pop Fusion At the heart of the piece is Quiccs’ iconic character TEQ63, rendered with bold outlines, heavy saturation, and mechanical armor stylings that fuse Japanese super robot design with urban cultural codes. A bandana-wrapped skull face, accented by skeletal insignias, and battle-worn mechanical limbs clash with elements like sneakers and vinyl spray marks — blending the militant with the playful. What sets this artist proof apart is the additional small hand-drawn character at the top right, a uniquely placed skull and crossbones sketched directly on the surface, reinforcing its rarity and giving insight into the artist’s own shorthand visual lexicon. Material Language and Conceptual Strength Executed on birch wood using archival printing methods, Destroy, Rebuild, Repeat captures the hard-edged sensibilities of graffiti culture while exploring new material possibilities in fine art editions. The decision to build on wood rather than canvas or paper grounds the work in craft traditions, while the digital print techniques and spray paint effects point forward toward urban futurism. The layered build mimics the complexity of Quiccs’ message — a repeating cycle of construction and collapse, identity and reinvention, that defines the experience of creators navigating a world of social chaos and resilience. Limited Rarity in Contemporary Street Pop Art This piece is part of a signed and numbered artist proof run marked AP 08/08 and features original embellishments and framing. As an experimental iteration of Quiccs’ art objects, it bridges collectible design with gallery-ready installation. The framed silhouette and physical texture highlight its significance not just as a visual spectacle but as a sculpture with weight and story. Created in 2018 during a time of widespread cross-pollination between streetwear, designer toys, and pop surrealism, Destroy, Rebuild, Repeat reflects the strength of Quiccs’ voice in the movement of Street Pop Art & Graffiti Artwork.

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20TwentyMinutes #10 Original Hand-Painted Acrylic on Laser Cut Birch Wood ready to hang by HoxxoH Graffiti Street Artist Modern Pop Art. "'Time waits for no man' has long been the catalyst that has propelled man to make use of his conscious existence. Time is an observable quantity created by man to keep track of the motions of our mysterious Universe. Yet now, perhaps more than ever does man seek to use time to alleviate the pressures of an unexplainable existence through applications that measure and calculate the value of our time.Posts and likes on social networks, the stock market’s peaks and falls, little monitors in our hands, monitoring us, always counting, ticking up and down, drowning us in sensory overload. Making us believe that time can be tracked and controlled in a convenient algorithm. Disguising time in programs meant to objectify and symbolize our presence as a glorified status amongst the cosmos." by Andrew Leshin

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The Cavalry Above The Clouds Original Acrylic Painting by Ben Kehoe One of a Kind Artwork on Wood Board by Street Art Pop Artist. 2013 Signed Acrylic Original Painting Size 20x16 Ready To Hang Ben Kehoe The Cavalry Above The Clouds Original Acrylic Painting 2013 The 2013 original acrylic painting The Cavalry Above The Clouds by American artist Ben Kehoe stands as a striking example of narrative imagination within contemporary Street Pop Art & Graffiti Artwork. Created on wood board and measuring 20 x 16 inches, this one-of-a-kind hand-painted piece blends surreal fantasy with symbolic undertones, demonstrating Kehoe’s signature ability to balance storytelling, humor, and social reflection through painterly technique. Signed by the artist and ready to hang, the work encapsulates the spirit of modern pop surrealism while remaining deeply rooted in the visual language of folk and street-influenced art. Imagery and Composition Set against a glowing orange sky filled with sweeping clouds, the painting depicts a lone figure riding a massive bald eagle through the heavens. The eagle, rendered in meticulous detail with layered feathers and a stern gaze, exudes both majesty and power. The rider, modest in scale and dressed in muted tones, grips the reins with a sense of calm determination, suggesting a symbolic partnership between human courage and natural strength. The backdrop’s warm tonal gradient evokes both serenity and tension — a dreamlike atmosphere that merges the mythic with the contemporary. The juxtaposition of the enormous bird of prey and the tiny rider introduces themes of freedom, dominance, and the pursuit of transcendence. Symbolism and Thematic Interpretation In The Cavalry Above The Clouds, Ben Kehoe explores the intersection between power and vulnerability, suggesting a narrative of human ambition soaring beyond earthly constraints. The eagle, long a symbol of freedom and national identity, becomes here a vessel for introspection rather than patriotism. The rider’s presence evokes the individual’s quest for control amid vast, unpredictable forces — an allegory for humanity’s ongoing negotiation with nature and self-determination. The painting’s surreal yet deliberate tone reflects Kehoe’s approach to allegorical storytelling, transforming fantastical imagery into layered social and psychological commentary. Ben Kehoe’s Artistic Vision Ben Kehoe, an American painter associated with the pop surrealist movement, is celebrated for his intricate narratives that blend humor, melancholy, and the absurd. His art often features anthropomorphic figures and fantastical scenes that mirror human emotion through metaphor and symbolism. Working primarily with acrylics on wood, Kehoe achieves a textural warmth and painterly precision that connect his work to both folk traditions and contemporary street-influenced aesthetics. The Cavalry Above The Clouds embodies his signature fusion of narrative depth and visual allure, offering a window into an imagined world where the boundaries between myth and modernity dissolve — a hallmark of Street Pop Art & Graffiti Artwork at its most contemplative and poetic.

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Star-Spangled Illusion Original Painting Spray Paint, Aerosol & Acrylic on Reclaimed Wood by Shark Toof Graffiti Street Artist Modern Pop Art. 2014 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 18x20.75 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.”

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Face Invader- Sugar High Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK

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Be Faithful Original Painting Spray Paint Aerosol & Acrylic Paint on Reclaimed Wood by Shark Toof Graffiti Street Artist Modern Pop Art. 2014 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 16.25x22 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.” -Shark Toof

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Pink Skull Flower Print on Laser Cut Wood Panel Framed Ready to Hang by Tara McPherson Modern Pop Artist. Artist Proof AP. 9.6 x 14 in. (24.384cm x 35.56cm) Fine art wood print on 1/2" sustainable birch wood, bright white finish Limited edition of 20 hand signed and numbered fine art wood canvas print. DesignerCon 2019 exclusive.

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Detroit Series 16 Original Painting Spray Paint, Acrylic Paint, and Mixed Media on Cradled Wood by Cope2 Graffiti Street Artist Modern Pop Art. 2010 Signed & Titled Original Spray Paint Acrylic Paint Mixed Media Painting on Cradled Wood Panel Ready to Hang Graffiti Artwork Bubble Letter Size 24x24 "I've always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I've been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It's what made me Cope2. But I like to change it up and show all my different styles. So, with this show, I can show my evolution of style and how I've progressed. "Versatile" shows where I came from and what I'm doing now," Cope2 said from his studio in New York. -Cope2 Cope2's Detroit Series 16: An Emblem of Street Pop Art and Graffiti Artwork Cope2, a name synonymous with the gritty vibrancy of street pop art and graffiti artwork, presents us with "Detroit Series 16", which encapsulates the essence of urban expression. This 2010 original painting is a vivid example of the fusion of spray paint, acrylic paint, and mixed media on cradled wood. At a sizeable 24x24 inches, this ready-to-hang piece is an authentic Cope2 creation, complete with his iconic bubble letters that burst with the energy and spontaneity characteristic of his work. This particular piece of the Detroit Series is a rich tapestry of color, texture, and form. Using cradled wood as a substrate represents a departure from the temporary walls and subway cars that traditionally serve as canvases for graffiti artists. Cope2's choice of material marks a conscious step towards the permanence and longevity of his art, aligning with his desire to evolve and adapt over his thirty-plus years of creating. By employing a mixed media approach, Cope2 bridges the gap between graffiti's raw, street-level artistry and the refined, deliberate nature of studio-created works. The Evolution of Style in Cope2's Work The journey that Cope2 describes in his transition to mixed media paintings is evident in "Detroit Series 16". The artwork serves as a visual narrative of his stylistic evolution, revealing the layers of growth and change that define his career. In his own words, the versatility of his art showcases the breadth of his experience, from the unbridled expressions of 'hardcore graffiti' to the complex, multidimensional pieces he crafts today. The piece tells the story of an artist who is not content with the status quo, continuously pushing the boundaries of his medium to explore new techniques and concepts. The essence of street art, emphasizing accessibility and community engagement, is preserved in this work, even as it embraces elements of pop art's focus on mass media and popular culture. Cope2's work, mainly "Detroit Series 16", is a testament to the transformative power of art to convey personal journeys and societal narratives. It is a visual representation of the artist's belief in change, the potential of graffiti to evolve, and his ability to reflect these shifts through his art. Impact and Legacy of Cope2's Detroit Series The impact of "Detroit Series 16" extends beyond the visual appeal of its vibrant colors and intricate forms. It represents a moment in time within the broader narrative of street art's assimilation into the fine art world. Cope2's work, with its signature aesthetic and commitment to graffiti's core values, has played a pivotal role in redefining the perceptions of street-inspired art. The series, particularly this piece, exemplifies the fluid nature of contemporary art, where genres intersect and new forms emerge. As street art continues to gain recognition and respect within the art community, works like "Detroit Series 16" stand as milestones along this path of cultural acceptance. They are reminders of the roots of this art form in the uncommissioned, often unsanctioned expressions found in urban environments worldwide. Yet, they also signify the possibility of transcendence, of art that can rise from the streets to hang on the walls of collectors and enthusiasts who value the authenticity and raw power that graffiti embodies. In assessing Cope2's "Detroit Series 16" legacy, one cannot help but recognize the artist's influence on the trajectory of street pop art and graffiti artwork. His ability to navigate the transition from street to studio without losing the essence of graffiti's spirit is remarkable. The series offers a visual testimony to Cope2's enduring relevance in the art world, highlighting his role not just as an artist but as a chronicler of street art's dynamic and ever-evolving language. Through his creations, Cope2 continues contributing to the dialogue around what constitutes art, who can create it, and where it deserves to be seen.

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I Will Love You Until The End Limited Edition Hand-Embellished Spray Paint, Acrylic, Stencil, Mixed Media On Cradled Wood Panel by Denial Graffiti Street Artist Modern Pop Art. 2015 Signed Limited Edition of HPM 5 Hand Embellished Artwork Size 24x36 Wood Cradled Ready to Hang. I Will Love You Until The End by Denial: Innocence and Apocalypse in Street Pop Art & Graffiti Artwork I Will Love You Until The End is a 2015 limited edition hand-embellished mixed media artwork by Canadian pop and graffiti artist Denial. Each piece in the edition of five is uniquely created using spray paint, stencil, acrylic, and layered mixed media on a cradled wood panel measuring 24 x 36 inches. Signed and ready to hang, this large-scale painting merges emotional sincerity with a biting critique of global instability and modern chaos. It is a visual contradiction where romantic imagery collides with the language of war, solidifying Denial’s signature approach to Street Pop Art & Graffiti Artwork as both emotionally provocative and conceptually subversive. Contrasting Visual Elements and Emotional Duality The focal point of the work is the silhouette of a young boy and girl standing face to face, poised in a moment of tender affection. The boy hides a bouquet of flowers behind his back, a symbol of innocent love and youthful vulnerability. Behind them, however, explodes a massive mushroom cloud rendered in stark contrast with vibrant shades of red, yellow, and orange. This apocalyptic backdrop shatters the serenity of the foreground, suggesting that even the purest moments of love are not immune to the violent consequences of human decision-making. The boy’s gesture of giving and the girl’s attentive stance become metaphors for fragile hope amid destruction, underscoring how love persists in the shadow of looming catastrophe. Materials, Texture, and Hand-Painted Process Each work is created on wood panel, lending the artwork a raw, physical weight consistent with the grittiness of its street-art origins. The hand-embellished nature of the edition ensures that every panel is uniquely layered with stencil elements, expressive spray paint, and intentional imperfections. The use of negative space in the silhouettes contrasts with the explosively detailed background, drawing the viewer’s eye directly into the visual dialogue between affection and annihilation. The tactile nature of the panel surface and the layering of medium give depth and intensity to the emotional tension within the piece. Denial’s Vision and Cultural Commentary Denial, born Daniel Bombardier, is known for using irony, contradiction, and layered symbolism to critique media, consumerism, and political complacency. In I Will Love You Until The End, his use of youthful silhouettes is not nostalgic but intentionally ironic. The innocence of childhood becomes a symbol of hope, threatened by the ever-present specter of conflict. Denial’s art often exposes the absurdity of modern ideologies, and here he asks whether love can endure when the world is on fire. This piece reflects the duality often found in Street Pop Art & Graffiti Artwork—beauty versus chaos, sincerity versus spectacle, and human emotion standing resilient against systems of destruction. Through visual metaphor and confrontational aesthetics, Denial invites viewers to consider not only the fragility of affection but also its power in the face of oblivion.

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Psychedelic Spiral- 01 Original Hand-Painted Multiple Spray Paint, Ink Mixed Media on Laser Cut Wood Panel ready to hang by Tavar Zawacki (Above) Graffiti Street Artist Modern Pop Art. "The Psychedelic series were made in conjunction with my recent solo exhibition Remix. All of the Psychedelic series was designed with an emphasis on a sharp visual contrast. It's similar to 'Op-art' (Optical Art) which makes your eyes trip out. It's an effect that alters your perception as if you were on Psychedelic drugs. Some of the Psychedelic designs I made were featured in Remix, and some of them I created specifically for this series. This particular 'Sunset Strip' design I made with more complexity for my solo exhibition Remix. The Remix exhibition was about interchanging and swapping different cut patterns of the same design, in different colors to achieve the final piece. The Psychedelic series achieves a similar effect but in a more basic style of blocking out colors and allowing the negative space to reveal itself." - Above

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The Shape Of Capitalism Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Limited Edition Artwork Size 24x24 Featuring works from Denial’s nearly decade-long career, his often satirical approach works to combat mass media, consumerism, and advertising by taking familiar imagery and objects and re-contextualizing them into unique artistic statements that drive the viewer to question the worth and difference (if any) between art and advertising. Building on a long line of pop-driven work, Enjoy Denial finds Denial harnessing the negative corporate energies spewed upon society and turns them back against the established power structures that control our everyday lives. With this exhibition, Denial peels back layers of overloaded advertising and logos to shine a not-so-subtle light on the deceptions society combats daily from corporations. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Are We There Yet? HPM Stencil Acrylic Print by Denial- Daniel Bombardier Hand-Painted Multiple on Cradled Wood Ready to Hang Unique Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Edition of 20 HPM Unique Stencil Paint Artwork Size 11x11 on Cradled Wood Ready to Hang. Are We There Yet? HPM Stencil Spray Paint Print by Denial – Street Pop Art & Graffiti Artwork Denial, also known as Daniel Bombardier, presents Are We There Yet?, a thought-provoking stencil spray paint print that embodies the bold aesthetic of Street Pop Art & Graffiti Artwork. This signed and numbered hand-painted multiple, created in 2020 as part of a limited edition of 20, measures 11x11 inches on cradled wood, making it a ready-to-hang piece that merges modern pop culture influences with the raw energy of urban art. The composition features a striking female figure rendered in a classic pop art style, complete with halftone dots, bold black outlines, and a vibrant color palette. Her expressive, wide-eyed gaze is paired with the phrase Are We There Yet?, positioned prominently in a comic book-style text box. Behind her, a fractured peace sign stands out against a vivid pink background, hinting at themes of disillusionment, societal unrest, and the seemingly endless pursuit of progress. The sharp contrast between the bright, polished aesthetics and the underlying message creates a tension that is characteristic of Denial’s work, inviting viewers to engage with its deeper meaning. The Social Commentary Behind Are We There Yet? Denial is known for his satirical take on contemporary culture, using recognizable visual tropes to critique consumerism, politics, and societal expectations. Are We There Yet? plays on nostalgia while delivering a sharp commentary on the state of global affairs, particularly issues surrounding peace, stability, and progress. The use of the fractured peace sign suggests an erosion of ideals, questioning whether society is moving forward or stuck in a cycle of unresolved conflict. The expression on the female figure’s face conveys uncertainty, frustration, and perhaps even a sense of resignation. The phrase Are We There Yet? echoes a familiar sentiment of impatience, typically associated with long journeys, but within this context, it becomes a metaphor for social change and the struggles associated with achieving true peace. By utilizing pop art imagery reminiscent of mid-century comic book illustrations, Denial draws a connection between past ideals and present realities, emphasizing the contrast between what was promised and what has been delivered. The Artistic Techniques and Style of Denial Denial employs a mix of stencil-based street art techniques and pop art influences to create works that are both visually striking and conceptually engaging. His use of spray paint, bold colors, and sharp edges gives his work a sense of immediacy, while the incorporation of hand-painted elements ensures that each piece within the edition is unique. This method aligns with the tradition of Street Pop Art & Graffiti Artwork, where mass production aesthetics meet the raw individuality of street culture. The halftone dot effect, a signature element of pop art, references the mechanical printing techniques used in comic books and advertising, reinforcing the themes of mass media influence and consumer-driven narratives. The juxtaposition of the vintage-inspired aesthetic with modern socio-political themes creates a compelling dialogue, challenging viewers to reconsider the images and messages they consume daily. The cradled wood panel adds depth and texture to the artwork, making it feel like an object rather than just a two-dimensional print, further reinforcing its presence as a bold statement piece. The Impact of Are We There Yet? in Contemporary Urban Art Are We There Yet? stands as a powerful example of how Street Pop Art & Graffiti Artwork can be both visually captivating and socially reflective. Denial’s ability to blend humor, nostalgia, and critique allows his work to resonate with a broad audience, from pop culture enthusiasts to collectors seeking meaningful contemporary art. His commentary on peace and societal progress feels especially relevant in an era where global issues of conflict, inequality, and environmental crises remain at the forefront of public discourse. Denial continues to push boundaries within urban art, using his work as a platform for discussion and reflection. Are We There Yet? captures a moment of collective questioning, urging viewers to consider not only how far society has come but also how much further there is to go. Through his masterful use of pop culture iconography and street art sensibilities, Denial ensures that his work remains both impactful and unforgettable, solidifying his place within the ever-evolving landscape of modern Street Pop Art & Graffiti Artwork.

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The End Pt2- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered HPM Limited Edition of 20 Artwork Size 11x11 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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As Seen on TV- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Outstanding Print on Wood Panel Framed Ready to Hang by Sabek x OuterSpace Project Street Art Modern Pop Artist. 2019 Signed & Numbered Framed Limited Edition of 50 Artwork Size 14x14 Ready To Hang Outstanding by Sabek 14 x 14 in. (35.56cm x 35.56cm) Exclusive fine art wood print on 1/2" sustainable Birch, bright white finish hand signed and numbered Edition of 50.

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Keith Morris Photograph Print on Wood Panel Ready to Hang by Edward Colver x Keith Morris Street Art Photo Modern Pop Artist. 10 x 12 in. (25.4 x 30.48 cm) Fine art wood print on 1/2" sustainable birch wood, natural gloss finish Limited edition of 100 signed and numbered fine art wood canvas print by Edward Colver and Keith Morris classic punk rock artists printed on sustainable Birchwood with archival UV protected ink. The photograph was hand-selected by Keith Morris, frontman of Black Flag, Circle Jerks and Off!

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Wolf Like Me Original Painting Acrylic on Mixed-Media Reclaimed Wood Panel by Bask Graffiti Street Artist Modern Pop Art. “The esthetic of my work is similar to the Detroit landscape. The re-purposed nature of my art plays off of panels, wood, signs, that once were proudly displayed. But over the years they stopped serving their intended purpose and thrown out. The inspiration behind the work I made for this show was Detroit's strengths, struggles, and landscape. I took the opportunity to move to Detroit fourteen years ago, but for a number of reasons beyond my control, my stay lasted only 4 years. However, that was long enough for the city to have a profound impact on my work as well as my consciousness towards social and political issues. And even though I haven't called Detroit home in 9 years, the impression it stamped on me is something I hope I never lose. And it was this appreciation for the influence that DETROIT has had on me, that inspired the work I made for the show.” -Bask

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HYPE Box Limited Handmade Silkscreen Wooden Box Mixed Media Sculpture Artwork by graffiti street artist modern pop artist Skewville. Very limited number hand made and signed 2021

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Japanese School Girl Flag Limited Run Hand-Distressed Multiple HPM on Wood Cradled Panel ready to hang by Eddie Colla Graffiti Street Artist Modern Pop Art. 2012 10x10 Signed Numbered on Verso Edition of 20

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Face Invader- Buttons Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK

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SlapTag Urban Decay Original One of a Kind Montana Gold Spray Paint and Acrylic Painting Artwork on Wood by Popular Street Graffiti Artist Lyric One. Signed Original 2021 Montana Gold Spray Paint and Acrylic on Wood Panel Size: 18 x 18 x 2 Inches Release: November 01, 2021

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Special Offer Company of Thieves Original Painting Spray Paint, Acrylic and Mixed Media On Wood Panel by Ben Frost Graffiti Street Artist Modern Pop Art. 2013 Signed Original Acrylic & Spray Paint Painting Artwork Size 24x32 Special Offer Company of Thieves by Ben Frost: A Bold Exploration of Consumerism in Street Pop Art & Graffiti Artwork Special Offer Company of Thieves by Ben Frost is a striking original painting that blends spray paint, acrylic, and mixed media on a wood panel, capturing the disruptive energy of Street Pop Art & Graffiti Artwork. Created in 2013, this signed original measures 24x32 inches and showcases Frost's signature technique of fusing provocative imagery with consumer advertising. In this piece, a masked figure reminiscent of a famous cartoon character poses against a chaotic background filled with sale tags, price reductions, and marketing slogans. Frost manipulates the visual language of consumerism to confront the viewer with uncomfortable truths about the commodification of the human body and the pervasive influence of branding on modern identity. The Construction and Thematic Power Behind Special Offer Company of Thieves Ben Frost's use of spray paint and acrylic creates a visually aggressive texture that complements the jarring content of Special Offer Company of Thieves. The bold red and pink sale signage backdrop amplifies the sense of urgency and seduction that underpins modern consumer marketing tactics. Over this chaotic scene, Frost places a stark black and grey figure, partially painted and adorned with minimal red fabric, pulling at her clothing in a suggestive manner. The figure's head, shaped like mouse ears, adds an unsettling pop culture reference, linking innocence and corporate branding with overt sexuality. Frost’s work forces viewers to confront the exploitative dynamics often hidden beneath glossy advertising and sanitized entertainment. His layered use of mixed media reinforces the fragmentation of identity in consumer culture, a powerful hallmark of Street Pop Art & Graffiti Artwork. Ben Frost’s Role as a Leading Voice in Modern Street Pop Art & Graffiti Artwork Ben Frost, born in Australia, has consistently pushed the boundaries of Street Pop Art & Graffiti Artwork through his fearless critique of advertising, pharmaceutical industries, and entertainment culture. His art draws from the familiar yet distorts it to reveal the underlying absurdities and contradictions of contemporary life. In Special Offer Company of Thieves, Frost exemplifies this approach by turning commercial symbols into a backdrop for rebellion and introspection. His vivid use of color, juxtaposition of icons, and aggressive presentation demand active engagement rather than passive viewing. Frost’s ability to provoke thought and discomfort through humor and distortion has solidified his position as one of the foremost artists in the evolution of modern pop-influenced graffiti and street art. The Cultural and Artistic Importance of Special Offer Company of Thieves Special Offer Company of Thieves holds significant value as a piece of Street Pop Art & Graffiti Artwork that directly engages with contemporary issues of consumer exploitation and commodification. The choice of a wood panel as the base gives the piece a durable, street-like quality, while the combination of spray paint and acrylic layers adds depth and vitality. The deliberate clash between the figure and the chaotic pricing background captures the overload of stimuli that defines modern advertising and consumer experience. Signed by Ben Frost, this 2013 original painting remains a critical work that not only reflects the aesthetic evolution of street pop art but also challenges audiences to question the narratives sold to them daily through media and commerce.

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War 100 Tablets AP HPM Stencil on Board by Ben Frost Hand-Painted Multiple Panel Graffiti Street Artist Modern Pop Art. AP Artist Proof 2023 Signed & Marked AP HPM Spray Paint & Acrylic Print Artwork Size 11x14 (Total Run of 10 + 2AP) Ben Frost's Artistic Commentary The "War 100 Tablets AP HPM Stencil on Board" by Ben Frost is a provocative piece that epitomizes modern pop art's daring and often subversive nature. Created as a hand-painted multiple (HPM) and a part of a limited edition series, this work reflects the artist's critical eye on societal issues, employing a combination of stencil artistry, spray paint, and acrylic techniques to render his vision on an 11x14 inch board. Frost's piece is bold in its aesthetic and message, immediately capturing attention with the stark contrast of the black and white imagery juxtaposed with the striking red accents. The presence of the word "WAR" in capital letters alongside the words "CONTROLLED DRUG" and "KEEP OUT OF REACH OF CHILDREN" suggests a powerful commentary on the nature of conflict and the pharmaceutical industry's role in society. As an Artist Proof (AP) in 2023, it is marked distinct from the total run of 10 with an additional 2 APs, signifying its rarity and the artist's direct involvement in its creation. Techniques and Style Frost is renowned for his street pop art and graffiti artwork, which often utilizes the visual language of advertising and consumerism to explore deeper themes. The "War 100 Tablets" is a clear example of this, as it mimics the look of a medication box, suggesting that war is being 'sold' to the public much like any over-the-counter drug. The stencil technique used by Frost is a hallmark of street art, allowing for sharp, precise lines often associated with mass-produced items, further emphasizing the piece's commentary on commercialism. The artist's use of spray paint and acrylic lends the work a textured, layered look characteristic of graffiti art. This blend of materials and techniques is a deliberate choice by Frost to blur the lines between high art and street art, creating a piece that is accessible yet complex, with a finish that invites closer inspection. Cultural Impact and Collectibility Frost's "War 100 Tablets" is a visually striking piece and a collectible item within the art community. The limited number of panels produced, coupled with the hand-painted aspect, ensures that each piece within the series is unique. The AP designation indicates that the artist kept this piece as proof, marking it as an essential part of the edition's history. Collectors and enthusiasts of street pop art and graffiti artwork are often drawn to such pieces for their cultural relevance, investment potential, and as a means of supporting the arts. Frost's wWithical edge and contemporary style appeal to Frost's work to those looking to own art that speaks to the zeitgeist of the current era. Legacy and Influence Ben Frost's work, including "War 100 Tablets," contributes to the ongoing dialogue about the intersection of art, commerce, and social issues. By bringing the techniques and styles of street art into a fine art context, he challenges preconceived notions about the value and message of graffiti and street pop art. The artist's signature on the piece is a testament to its authenticity and his reputation in the art world, ensuring that it will remain a significant work for years to come. The "War 100 Tablets AP HPM Stencil on Board" by Ben Frost is a poignant critique of modern society, utilizing the visual strategies of street pop art and graffiti artwork to engage with contemporary issues. Its creation as a hand-painted multiple adds to its exclusivity and allure, marking it as a significant piece within the modern pop art movement and a valuable collector's item. Frost's astute blend of accessible art forms with nuanced social commentary ensures his work remains relevant and thought-provoking, inviting viewers to question and contemplate the world around them.

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Nasty Nas- Cut The Record Original One of a Kind Mixed Media on Laser Cut Wood Panel With Industrial Resin Painting Artwork by Popular Street Graffiti Artist Tavar Zawacki (Above). Mixed Media on Laser Cut Wood Panel With Industrial Resin Size: 22 x 22 Inches (56 x 56 cm) Release: May 06, 2016. Cut the Record (Nas), 2014 Mixed media on laser cut wood panel with industrial resin 22 inches (55.9 cm) diameter Ed. 1/1 Signed to reverse. "The 'Cut The Record' series was made solely for this release and was part of my most recent exhibition Remix. This was a very personal series for me, as I selected 10 of my favorite musicians to portray and Remix. All of the 10 musicians I selected to make for this series are personal favorites of mine. Music I actually listen to on a day-to-day basis. For my exhibition, I kinda tweaked the meaning of Remix to fit the swapping and sampling of different, but similar pieces of woodcuts I had made on the pieces. With the 10 musicians, I selected for the 'Cut The Record' series each has either had their music remixed and or remixed music themselves. Since Illmatic Album in 1994, I don’t think a week has gone by since I’ve listened to that album. One of my favorite albums." - Above

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Matrilineal Original Die Cut Vinyl, Oil Paint on Wood Cradled Panel ready to hang by Dan Christofferson- Beeteeth Graffiti Street Artist Modern Pop Art. "Matrilineal" - 24"x32" Die-cut vinyl on the panel for my "West Was Won" show. -Dan Christofferson

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Get Home Safely Limited Edition Hand-Embellished Acrylic, Spray Paint and Ink on Wood Panel by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 8 Artwork Size 18x18 I am a self-taught artist from Newport News, VA. I began to pursue art as a child drawing everything from cartoons, comics, action figures and athletes. My inner thoughts and my experiences are captured through layers of bright bold colors and patterns coupled with images from my a childhood that is utilized to express me.

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Vandalism Print on Wood Panel Framed Ready to Hang by Johnny Rodriguez (KMNDZ) Street Art Modern Graffiti Pop Artist. Nothing New Under the Sun Wood Panel Archival Print by Johnny Rodriguez (KMNDZ) 11 x 14 in. (20.32 x 25.4 cm) Fine art wood print on 3/4" sustainable Birch, bright white finish Hand signed and numbered edition of 50 A special release for Designer Con 2014

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