Who's The King?- Gold 2-Color Hot Foil Print on 100# Neenah Classic Crest Smooth Epic Black Paper by Alexander-John Rare Street Art Famous Pop Artwork Artist. 2-Color Hot Foil Print on 100# Neenah Classic Crest Smooth Epic Black Size: 16.5 x 24 Inches Release: May 07, 2021 Run of: 30 "This piece is made to trigger the collector into a social experiment based on color and choice. This print can be hung either way, which represents the concept of equality. No matter what our differences are (represented by the weapons in this piece), we are all Kings." -Alexander-John

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Marilyn Pure Joy Yellow 3 Color Silkscreen Print by Pure Evil Hand-Pulled on Deckled 300gsm Somerset Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of TBD Artwork Size 16x20 Silkscreen Print of Hollywood Actress, Marilyn Monroe Stylized in Black & Yellow. Marilyn Pure Joy Yellow by Pure Evil as Street Pop Art & Graffiti Artwork Marilyn Pure Joy Yellow is a hand-pulled 3 color silkscreen print created by the London-based artist Pure Evil, born Charles Uzzell-Edwards. Printed on 300gsm deckled Somerset fine art paper, the 2025 signed and numbered edition captures the essence of both pop culture iconography and emotional minimalism through a unique lens of urban commentary. Sized at 16 x 20 inches, the artwork features a stylized portrayal of Hollywood legend Marilyn Monroe rendered in stark black and soft yellow tones, layered with Pure Evil’s trademark tear motif—a thick black streak cascading from one eye, cutting vertically across the paper. This striking visual device has become a hallmark of the artist’s practice and is a powerful form of commentary within street pop art and graffiti artwork. The Pop Icon Reimagined Through a Graffiti Lens Pure Evil recontextualizes Monroe, not as a flawless screen goddess, but as a fractured symbol of glamour and vulnerability. Rather than focusing on realism, the portrait embraces stylization and abstraction that allows the subject’s mythos to be reinterpreted. The yellow accents in the hair evoke mid-century beauty culture, but the stark monochrome contrasts emphasize a sense of loss or distortion. It is not simply a celebration of fame; it is a meditation on its cost. The vertical black tear, recurring across Pure Evil’s works, is not decorative. It evokes themes of trauma, impermanence, and identity loss associated with celebrity worship. By blending graffiti aesthetics with pop culture subjects, this work destabilizes nostalgia and forces reconsideration of public memory. Fine Art Materials with Street-Driven Intent Though grounded in the lineage of street art, this silkscreen is printed using fine art techniques and materials. The 300gsm Somerset paper and hand-deckled edges signal the artist’s fluency with the gallery system, while maintaining visual cues from urban environments. The bold contour lines, the stencil-like application, and the saturated palette are grounded in graffiti’s graphic sensibility. Each print is hand-pulled, which introduces a subtle variation and authenticity to every edition. This craftsmanship affirms that even though the imagery is rooted in mass-produced iconography, the execution is deeply intentional and personal. Emotional Simplicity and Symbolism in Contemporary Urban Art Pure Evil’s Marilyn Pure Joy Yellow connects to a broader contemporary conversation about the emotional undercurrents of iconography in street pop art and graffiti artwork. The emotional core is heightened by its formal restraint—limited colors, bold geometry, and the solitary symbolic gesture of the tear. In an era saturated with digital images, this piece slows the viewer down. It invites reflection on why we idolize and what we ignore. Through this piece, Pure Evil extends a conversation about fame, fragility, and the psychological fallout that so often accompanies cultural elevation. As both an homage and a critique, the work serves as a compelling example of how street culture can infiltrate and elevate high art discourse without abandoning its rebellious roots.

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Train 39 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist LushSux. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole. "Train 39" by LushSux: A Model of Street Art Innovation "Train 39" is a captivating work by the contemporary street and pop artist LushSux, who has carved a unique niche in the urban art scene. This original piece, created in 2014, is a prime example of how LushSux transposes the essence of graffiti onto an HO-scale model train box-car, measuring a mere 14x3 inches. Through this work, LushSux continues challenging the conventional perceptions of graffiti by taking the once exclusively urban art form into new and unexpected domains. The signature of LushSux not only authenticates the piece but also denotes his dual identity as both a street artist and a self-proclaimed "international graffiti asshole," a testament to his tongue-in-cheek approach to his public persona. Exploring the Dichotomy of "Train 39" In "Train 39," LushSux juxtaposes the orderly world of model train collecting with graffiti art's often chaotic and free-spirited nature. The artwork features a vibrant tag or "throw-up," characterized by its bubbly letters and bold, outlined edges—a hallmark of LushSux's style. The interplay of colors and the strategic placement of the tag disrupt the traditional aesthetics of the model train, infusing it with a contemporary edge that is both striking and thought-provoking. This piece exemplifies how street pop art can extend beyond the walls of city buildings and into the more intimate spaces of personal collections, retaining its power to engage and challenge viewers. The Cultural Resonance of LushSux's "Train 39" The creation of "Train 39" and its subsequent release into the art market underscores the evolving nature of street pop art as a cultural expression. The piece reflects a broader trend in contemporary art, where the lines between high art and subcultural expressions continue to blur. LushSux's work on this model train encapsulated a moment in the street art movement when artists began seeking new frontiers and mediums. As a collectible, "Train 39" represents the intersection of various enthusiast communities, from graffiti aficionados to model train collectors, showcasing the universal appeal of LushSux's artistry. Through his innovative use of unconventional canvases, LushSux expands the reach of graffiti artwork, ensuring its presence is felt across diverse cultural landscapes.

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Untitled 4 Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori.

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LAndmarked Limited Edition 3-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Krush Graffiti Street Artist Modern Pop Art. "L Andmarked" was produced in collaboration with Krush and The Seventh Letter, a three-color screenprint on Speckleton paper. This book is a print released at the time of the "LA marked" art show. It's a classic print of Los Angeles' dreamy, hot, dreamy environment with 20th-century advertising designs and typography that are about to disappear from classic spots such as the subculture area of ​​Los Angeles. ..

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Warning: Addictive- Blue Limited Edition Silkscreen Skateboard deck art by street pop culture artist Shepard Fairey OBEY. Signed on Front With Marker. Warning Addictive Skate Deck. Numbered edition of 400. Signed by Shepard Fairey. I've been a big fan of Andy Howell's art and skateboarding since the late '80s, and I watched eagerly as he and his partners launched New Deal Skateboards in 1990. New Deal was groundbreaking not only because skaters creatively led it, but because Andy Howell's art and design almost instantly shifted the aesthetics and style of skateboarding from skulls and dragons to graffiti and hip-hop. New Deal was the first company primarily focused on street skating and street culture, and their smart, funny, ads celebrated their role as the "power to the people," "ear to the street" vanguard of skater-owned-and-run companies. Straight out of the gate New Deal set the tone for the '90s. -Shepard

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Robocopus Hypercubus Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Bijou Metro & Blunt Graffix event, Eugene OR. Tim Doyle’s hit mash-up between religious icons Robocop and Salvador Dali. This hand-printed 18×24 silkscreen poster is signed and numbered by the artist in an edition of only 100 worldwide.

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Idiocracy Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Shepard Fairey, Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "I’ve always felt that art, entertainment, and humor can be the best delivery vehicles for social commentary, so I love the way humor is used in “Idiocracy” to make the social critique more digestible. The movie is a harsh but necessary indictment of the anti-intellectual culture and politics that seem to become the norm more and more everyday. The film is great in a cautionary way and has an enjoyable irony being a somewhat low-brow piece of entertainment about the perils of succumbing to a cultural rejection of anything intellectual or high-brow. In other words, the genius of the film is that it may actually get through to the audience it should reach, rather than just preaching to the intellectual elite" -Shepard Fairey- OBEY Shepard Fairey's "Idiocracy" limited edition print encapsulates the convergence of pop culture and social critique through the lens of contemporary art. Renowned for his subversive street art and graphic designs, Fairey extends his canvas to fine art paper in this 2016 artwork, limited to 550 signed and numbered pieces. The 18x24 silkscreen print features a four-color palette and is a tangible expression of Fairey’s dedication to using art as a medium for commentary on societal issues. Drawing inspiration from Mike Judge's satirical film "Idiocracy," Fairey's print is not only a visual tribute but also a critique of the film’s themes—depicting the troubling rise of anti-intellectualism and the cultural dismissal of enlightenment and sophistication. Fairey himself praises the film's use of humor to present its social criticism in a more palatable form, creating a space for reflection rather than alienation. His artwork captures the film’s ironic humor, using a brain under the guise of a vending machine product—emblematic of commodification and the oversimplification of complex ideas. This print, like many of Fairey’s works, is imbued with a sense of urgency and a call to awareness. It encapsulates the artist's view that the realms of art, humor, and entertainment can effectively intersect to deliver powerful messages about the current state of society. Fairey’s "Idiocracy" is not merely a piece to be admired for its aesthetic appeal, but a statement piece that encapsulates the pressing cultural narrative around the value of intelligence and the dangers of its rejection in public discourse. The visual elements of the print—the juxtaposition of a brain with a hand grenade, the stark and commanding typography, and the bold colors—are characteristic of Fairey's style. They are employed here not only to draw the eye but also to provoke thought, embodying the essence of graffiti and street art as tools for social engagement. In a culture increasingly leaning towards anti-intellectual sentiment, Fairey’s "Idiocracy" stands as a critical beacon in modern pop art, reminding viewers of the power of art as a reflective and transformative force.

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No Posts, No Bills- 24x36 Paper Limited Edition 4-Color Hand-Pulled Silkscreen Print on Archival Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 70 Artwork Size 36x26 Mr Brainwash- Thierry Guetta 2021 NO POST, NO BILLS Paper Edition 24 X 36” print S/N of 75

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Chem-Dawg Mini Nugs Mini Nugs Limited Run Handmade & Painted Art Toy Collectible Artwork by Pop Artists Nugg Life NY- Ian Ziobrowski. 2022 Each Mini Nug stands between 2.5-3 inches tall and is handmade from scratch. Come’s in the classic NYC delivery service container. Limited run of 20 signed and numbered.

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Last Angel LSD Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by MAD pop culture LSD artwork. 2021 Signed & Numbered Limited Edition of 35 Artwork Size 7.5x7.5 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Covid No 19- Verte Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Verte Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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War Child 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Hijack Rare Street Art Famous Pop Artwork Artist. 2022 Signed Edition of 75 16x16 Ukraine War Protest Print. "When adults wage war, children suffer." War Child by Hijack: A Powerful Statement in Street Pop Art & Graffiti Artwork The War Child silkscreen print by Hijack is a striking piece of street pop art & graffiti artwork, using a five-color hand-pulled technique to create a bold and emotionally charged image. Released in 2022, this signed, limited edition print of 75 captures the devastating impact of war through the lens of innocence. Measuring 16x16 inches, this fine art print is a direct protest against the war in Ukraine, highlighting the suffering endured by children in conflict zones. Symbolism and Message Behind War Child Hijack’s artwork is known for its ability to communicate strong social and political messages, often using stenciled imagery reminiscent of early graffiti movements. In War Child, a young girl stands before a bullet-riddled wall, drawing a peace symbol with what appears to be the holes left by gunfire. The choice of a bright yellow background contrasts with the dark imagery, making the scene both visually arresting and emotionally powerful. The child clutches a stuffed teddy bear, a universal symbol of childhood, emphasizing innocence and vulnerability amidst destruction. This print echoes a fundamental reality of war—the youngest and most innocent suffer the most. The image is a call to awareness, urging viewers to reflect on the human cost of armed conflicts. It speaks to the resilience of children, showing that even in the face of violence, they cling to symbols of hope and peace. The Influence of Hijack in Street Pop Art & Graffiti Artwork Hijack has established a strong presence in the street pop art & graffiti artwork world, using a combination of stenciling, mixed media, and traditional silkscreen techniques. His works often draw influence from activist street art, satirical graffiti, and urban social commentary, making them both thought-provoking and visually engaging. War Child follows in the footsteps of artists who have used public art as a means of social protest, calling attention to issues that are often ignored or underrepresented in mainstream discourse. Hijack’s visual style is reminiscent of stencil-based political street art, often associated with protest movements and anti-war messaging. His ability to translate global conflicts into emotionally charged urban artwork has earned him recognition as a contemporary voice in activist-driven street pop art. The Role of War Child in Modern Protest Art War Child fits within a broader tradition of street pop art & graffiti artwork that challenges authority, exposes injustice, and provides commentary on contemporary issues. The Ukraine war has generated a global response from artists, many of whom have used their platforms to speak out against violence and humanitarian crises. By creating limited-edition prints like War Child, Hijack ensures that the message reaches collectors, activists, and art enthusiasts who share a passion for socially conscious urban art. This piece is more than just a print—it is a statement, a protest, and a call to action. Through the visual language of street pop art & graffiti artwork, Hijack turns walls into megaphones, amplifying voices that might otherwise go unheard. War Child stands as a testament to the power of art to challenge, provoke, and inspire change, making it an essential addition to the evolving narrative of art as activism.

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Damn Them All Artwork Giclee Limited Edition Print on 290gsm Hahnemühle Bamboo Paper by Pop Culture Graffiti Artist Jamie Reid. 2019 Signed & Numbered Limited Edition of 300 Artwork Size 24.1x27.6 Jamie Reid's "Damn Them All" is an evocative masterpiece that vividly embodies the essence of pop culture, graffiti, and street art. Crafted in 2019, this artwork is a testament to Reid's enduring influence in the realm of contemporary art, offering a captivating blend of vivid hues, intricate collage elements, and pointed socio-political commentary. The artwork stands as a limited edition giclee print, with only 300 pieces ever produced, each impeccably printed on premium 290gsm Hahnemühle bamboo paper. This meticulous choice of medium not only ensures the artwork's longevity but also accentuates its vibrant details. Each piece is hand-signed and numbered by Reid, making every print a unique collector's item. Delving into the artwork's history provides an intriguing context. The piece draws its inspiration from an original collage Reid created for a magazine publication by The Guardian, which delved deep into the themes of republicanism. Furthermore, the iconic image resonates with punk aficionados, as it was employed for the cover of the 1977 "God Save the Queen" by The Sex Pistols, a song that shook the foundations of the British establishment. Each detail, from the playful juxtaposition of cultural symbols to the rebellious undertones, encapsulates the spirit of a time when art and music sought to challenge societal norms. Measuring at 24.1 x 27.6 inches, "Damn Them All" is not just a visual treat but a historic statement, exemplifying Jamie Reid's unparalleled ability to intertwine art with cultural and political discourse. Edition of 300, printed on 290 gsm Hahnemühle bamboo paper, signed & numbered. Artwork image used for the cover of God Save the Queen in 1977 by The Sex Pistols. Damn Them All is a limited edition giclee print by Jamie Reid. Derived from an original collage made for a magazine issued by The Guardian with a lead story on republicanism. From an edition of 300, printed on 290 gsm Hahnemühle bamboo paper, the piece is signed and numbered by the artist. 24.1 x 27.6in

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Beginning of the End Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. Workshop Print number 14, made with autumnal guest printers on the afternoon of Saturday, October 11, 2014. 18 x 24 inches. Four screens on French Muscletone stock. Signed and numbered edition of 95. Released 30 October 2014.

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Xlarge Gorilla Dcon Cartoon OG 2019- Gold Limited Edition Vinyl Art with Gold Colored Metal Chain Toy Collectible Artwork by street graffiti artist D*Face x Medicom. 2019 Limited Edition Art Toy with Real Metal Chain Pendant XL Logo Artwork Size 6x9.5. Includes Original Packaging. The intersection of urban culture and artistic expression is embodied in the Xlarge Gorilla DCon Cartoon OG 2019, a limited edition vinyl art collectible. This piece is a remarkable representation of D*Face's collaboration with Medicom, showcasing the synergy between street art and high-end collectible design. With an impressive size of 6x9.5 inches, this art toy makes a bold statement. D*Face, known off the street as Dean Stockton, has cemented his name in the street art scene. Originating from London, his work often critiques contemporary societal norms, consumerism, and the galvanization of pop culture, heavily influenced by the gritty yet vibrant streetwear culture of Los Angeles, specifically the XLARGE brand. This particular artwork, complete with a genuine metal chain pendant featuring the XL logo, is more than just a toy; it is a portable mural, a slice of the pavement brought into the collector’s domain. Crafted in 2019, this piece resonates with the ethos of street art, where each item is not just a product but a story, a narrative solidified in time, reflective of its environment. The golden sheen of the vinyl and the weight of the metal chain add a tangible luxury to the traditionally ephemeral nature of street art. It’s a snapshot of D*Face's iconic style, which can be seen on worldwide walls, from the bustling streets of London to the sun-kissed alleys of Los Angeles. Collectors of the Xlarge Gorilla DCon Cartoon OG are not just acquiring a piece of street art; they are inheriting a piece of the dialogue between street culture and mainstream art. The limited availability of this figure ensures its status as a sought-after item, appealing not only to fans of D*Face but also to those who value the cross-pollination of art forms. For those who have tracked the trajectory of street art's rise to prominence, this collectible is a tangible acknowledgment of its rightful place in the pantheon of art history.

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Drug Free Zone Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Stanley Mouse pop culture LSD artwork. Stanley Mouse was born in California on October 10, 1940. His father was an animator with Disney Studios who worked on Snow White. Stanley grew up in Detroit where Motown music and the city’s obsession with motor cars combined with his genius at drawing and made Stanleys life path clear at an early age. Quiet and always drawing in class, Stanley earned his pen name, Mouse in the seventh grade. He’d become known for his sketches of monster-driven muscle cars and as soon as he began signing with his pen name, he became instantly famous at thirteen.

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Brooklyn Rainbows Pop Artwork Limited Edition Giclee Print on Fine Art Paper by Modern Artist Natalia Fabia. Signed 2012 Limited Edition Fine Art Giclee Print 20 x 20 “ - 18 x 18’ image size with 2 “ border Signed and numbered

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It's a Nightmare Charlie- Clockwork Orange Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Raid71. Peanuts Charlie Brown Halloween Costumed as Clockwork Orange thug. 5" x 5" Giclee Signed, Numbered. It’s a Nightmare Charlie- Clockwork Orange Artwork Giclee Print by Raid71 – Street Pop Art & Graffiti Artwork Raid71 presents a thought-provoking and visually striking crossover with It’s a Nightmare Charlie- Clockwork Orange, a limited edition giclee print that merges the innocent world of Peanuts with the dystopian brutality of A Clockwork Orange. This 5x5-inch signed and numbered fine art print transforms the iconic Charlie Brown into an unsettling yet humorous version of Alex DeLarge, the infamous anti-hero of Stanley Kubrick’s cult classic. By juxtaposing these vastly different cultural symbols, Raid71 delivers a work that challenges the viewer’s perception of nostalgia, violence, and pop culture mythology. Charlie Brown, typically depicted as a lovable underdog riddled with existential woes, is reimagined in the menacing uniform of Alex DeLarge. The black bowler hat, single exaggerated eyelash, white button-up shirt, suspenders, and walking cane immediately reference the visual language of A Clockwork Orange, evoking the unsettling aura of ultraviolence that defines the character. Yet, despite these elements, Charlie Brown’s usual simplistic and childlike features remain, creating a dissonant effect that plays on the viewer’s emotions. This is the power of Street Pop Art & Graffiti Artwork—to take something familiar and force a deeper, sometimes uncomfortable, reinterpretation. The Duality of Innocence and Violence in Pop Art Raid71 is well known for his ability to merge seemingly incompatible elements of pop culture, and It’s a Nightmare Charlie- Clockwork Orange is a prime example of this skill. By merging the playful and lighthearted world of Charles Schulz’s Peanuts with the disturbing and chaotic themes of A Clockwork Orange, the piece forces viewers to confront the intersection of innocence and corruption. Charlie Brown is one of the most widely recognized characters in comic strip history, representing perseverance in the face of perpetual failure. In contrast, Alex DeLarge is a deeply unsettling figure, embodying free will and chaos in a dystopian world where morality is manipulated and controlled. The fusion of these two figures is both jarring and strangely poetic, prompting viewers to question whether the nature of a character is defined by their visual aesthetic or the actions they perform. Giclee Printing and the Appeal of Limited Edition Art This giclee print captures the crisp lines and vibrant yet minimal color palette of Raid71’s work, making it a standout piece in any contemporary art collection. Giclee printing is favored in Street Pop Art & Graffiti Artwork due to its ability to replicate the fine details and textures of an artist’s original vision while ensuring the longevity of the print. The high-quality paper further enhances the depth of the colors, allowing each detail—from the soft yellow background to the subtle shading in Charlie Brown’s costume—to pop with clarity. The 5x5-inch format gives the piece an intimate, collectible quality that aligns with Raid71’s signature approach of turning pop culture imagery into carefully crafted fine art. The limited edition nature of this print also adds to its exclusivity, making it highly desirable for collectors who appreciate art that plays with cultural nostalgia and satire. The Subversion of Pop Culture in Contemporary Art Street Pop Art & Graffiti Artwork often thrives on the manipulation of cultural symbols, using well-known imagery to evoke new narratives and interpretations. It’s a Nightmare Charlie- Clockwork Orange is a perfect example of this approach, transforming a universally recognized childhood figure into something far more complex and unsettling. This method of artistic reimagining is a defining characteristic of urban contemporary art, where the lines between nostalgia, satire, and critique blur into a visually compelling experience. Raid71 continues to push boundaries with his ability to blend humor, darkness, and cultural commentary. It’s a Nightmare Charlie- Clockwork Orange not only serves as a playful mashup of two vastly different fictional worlds but also as a reflection of how media shapes identity, morality, and perception. By placing Charlie Brown in the attire of a cinematic anti-hero, the piece forces viewers to reconsider the narratives that have been ingrained in them from childhood to adulthood. This print is more than just a visually striking artwork—it is a cultural conversation starter. It taps into the viewer’s memory of Peanuts while subverting its wholesome legacy, proving once again that even the most innocent figures can be transformed into something entirely unexpected through the power of street art and pop culture reinvention.

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Art in Action- Lichtenstein Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Jeff Gillette, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 100 Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Artwork Size 16x20 "Art in Action" is a stimulating archival pigment fine art limited edition print by the street pop art graffiti legend Jeff Gillette. Manifested on 290gsm Moab Entrada fine art paper, this captivating work of art, sized at 16x20 inches, encapsulates the dynamic intersection of pop art sensibility with the raw, energetic essence of street art. Signed and numbered in a limited edition of just 100 pieces in 2022, this print infuses Gillette's gritty, critical eye into the colorful, bold graphics reminiscent of Roy Lichtenstein's iconic style. Gillette's work is characterized by a juxtaposition of the whimsical and the frail, often contrasting Disney-like imagery with dystopian environments, thereby creating a thought-provoking dialogue on consumerism, culture, and the underlying narratives of society. His "Art in Action" piece is a perfect illustration of this theme. The visual pop art allusion in print, which reflects Lichtenstein's famed comic strip-inspired art, is cleverly subverted by Gillette's infusion of a street-wise attitude, adding a layer of satire and commentary to the vibrant explosions and comic book aesthetics that defined a generation's art. The explosive "WHAM!" in the backdrop directly nods to Lichtenstein's style. Yet, Gillette ensures his interpretation stands distinct, inviting contemplation on the implications of such imagery in a world far removed from the innocuous panels of mid-century comic books. This artwork's inclusion of the chaotic character figures provides a stark, reflective contrast to the clean, mechanized precision of Lichtenstein's work, suggesting a deeper narrative beneath the surface gloss of pop culture. By merging the techniques and finish of fine art prints with the visceral impact of street and graffiti art, Gillette bridges two worlds often seen in contrast. His work doesn't just hang on a gallery wall; it invokes the street-level engagement and societal critique that is the hallmark of the most impactful graffiti art. Collectors and enthusiasts of this genre will find "Art in Action" a thought-provoking addition to their collection, offering a piece that is as conversation-starting as it is aesthetically compelling.

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Changed The World Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Modern Pop Street Graffiti Artist Cornbread- Darryl McCray. 2021 Cornbread The Legend (Blue Yellow) 24" x 12.5" (Inches) Limited Edition Print: Archival Pigment Print Paper: Fine Art Paper Size: 24" x 12.5" (Inches) Edition Size -10 Hand-signed & Numbered by Artist

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Dino Girl Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist Faile. 2019, 7-Ply Maple Wood Skate Deck Edition of 150, 9.5 x 39 in 24.13 x 99.06 cm Faile Dino Girl Skateboard Deck Limited Edition 2019 The Dino Girl Deck by Faile is a limited edition skateboard artwork released in 2019, produced as a silkscreen print on a 7-ply maple wood deck measuring approximately 9.5 x 39 inches. Created by the Brooklyn-based artist duo Patrick McNeil and Patrick Miller, Faile is widely known for blending street culture, advertising imagery, and graphic storytelling within contemporary Street Pop Art & Graffiti Artwork. Issued in an edition of 150, the deck reflects the artists’ long-standing connection to skate culture and their practice of transforming functional objects into collectible art pieces. Graphic Narrative and Pop Culture Imagery in Street Pop Art & Graffiti Artwork The artwork features Faile’s signature collage style, combining bold comic-book aesthetics with vintage pulp imagery and urban visual references. At the center, a dynamic female figure appears mid-action while emerging from the jaws of a dinosaur, surrounded by layered cityscape elements, typography, and vibrant splashes of red, yellow, blue, and black. The chaotic yet controlled composition evokes classic monster movie posters and mid-century pop graphics, themes frequently referenced in Faile’s work. This layered storytelling approach is a defining characteristic of Street Pop Art & Graffiti Artwork, where fragments of pop culture are recombined into striking new visual narratives. Skate Decks as Collectible Canvases in Contemporary Street Art Skateboard decks have become an important medium for artists rooted in graffiti and street culture, serving both as functional objects and as displayable works of art. Printed using silkscreen techniques on durable maple wood, the Dino Girl Deck preserves the tactile qualities of a traditional skateboard while functioning as a limited edition artwork. Through releases like this, Faile continues to expand the reach of Street Pop Art & Graffiti Artwork beyond paper prints and murals, embracing objects that reflect the energy, rebellion, and visual language of skateboarding and urban youth culture.

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Electric Eliminators- Come Out To Play Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Boneface. Come Out To Play- an illustrated tribute series to 1979 cult movie classic The Warriors!

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Ezekiel 25:17 Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Signed & Numbered. Briefcase from Pulp Fiction Cult Classic Movie. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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Mercury Limited Edition Giclee Print on Fine Art Paper by Robert Bruno counter-culture street artist art. Freddy Mercury from the rock band Queen.

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Iron Man 3- Box Office Limited Edition Archival Pigment Print on 330gsm Fine Art Paper by Bask street artist modern pop art. "Last June, a friend called me saying that Robert Downey Jr. and the production team wanted to use one of my paintings, When It Rains It Pours, in the next Iron Man film. So I created it to their size specification of 5ft wide and 13ft tall and the piece was put into Iron Man Tony Starks' home in the film. Then they asked me if I’d be interested in doing more work for the Mandarin’s lair a few months later when they were shooting in Miami. I of course said yes, and ended up doing 13 more massive paintings and some set design for them along with the Iron Man mask you see here. They asked me to create a design for the wrap of the film last year. They made shirts and postcards for the set department with that image. So while this doesn't appear in the film it was definitely a big part of the project." - BASK

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Ha Ha Ha Limited Edition 8-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Cristiano Suarez Graffiti Street Artist Modern Pop Art. Ha Ha Ha by Cristiano Suarez Paying Homage to The Green Goblin and The Joker From Batman DC & Marvel Comics Movies, TV, Games, Comics. Screen Print Size: 18" x 24" City: Maceio, Brasil

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VCD Andy Warhol- Silkscreen 2020 Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti figure producer Medicom. The Andy Warhol Foundation x Medicom 10" tall VCD celebrates one of the world's most influential artists in a vibrant new Silkscreen variant for 2020. Displayed With Packaging VCD Andy Warhol Silkscreen 2020 Art Toy by Medicom Toy

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Thriller Original Painting Acrylic, House Paint & Aerosol on Cradled Wood by Shark Toof Graffiti Street Artist Modern Pop Art. 2015 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 24x36 The Artistic Fusion of Shark Toof's 'Thriller' "Thriller," an original painting by Shark Toof, is a dynamic foray into graffiti street art and modern pop art. Crafted in 2015, this mixed media artwork—acrylic, house paint, and aerosol on cradled wood—displays Shark Toof's signature blend of street influence and acceptable art discipline. The piece, measuring 24x36 inches, is signed by the artist, providing authenticity to this vibrant representation of his multifaceted style. Shark Toof, recognized for his powerful visual statements in the street art community, brings his graffiti roots to the forefront in this piece. His work is not confined to the traditional expectations of pop art; instead, it ventures into a realm where iconoclasm meets iconography. In "Thriller," the influence of street art is palpable, with the raw energy of graffiti translating into a structured yet spirited composition on wood. Shark Toof's approach to his work reflects a conscious decision to merge his established voice with a playful irreverence, challenging the viewer to consider the icons of our time and their mutable significance. The artwork encapsulates Shark Toof's philosophy that art should not always be taken too seriously, suggesting that there is power in subverting one's creations. This notion of 'vandalizing' one's icons is a commentary on the impermanence of fame and the fluidity of cultural symbols in our society. This blend of introspection and external commentary positions "Thriller" within a unique space in contemporary art. Shark Toof and the Do-It-Yourself Ethos of Street Art Shark Toof's preference for Detroit as a backdrop for his creative process tells of his affinity for the do-it-yourself, or DIY, ethos often associated with street art. His connection to the city, known for its prosperous industry and innovation history, mirrors his artistic journey. In Detroit, a city that has experienced grandeur and grit, Shark Toof finds a kindred spirit—a landscape that is both a canvas and a catalyst for creativity. "Thriller" embodies this DIY spirit not only in its creation but also in its presentation. Using cradled wood as a substrate is a nod to the makeshift surfaces often employed in street art, where any space or material can become the foundation for expression. Shark Toof's choice of materials—house paint and aerosol—further echoes the vernacular of street art, where the medium's immediacy matches the message's urgency. Shark Toof's "Thriller" celebrates the evolving narrative of street pop art and graffiti artwork. His work is a testament to street art's power to transcend its urban origins and find resonance in a gallery setting. Through his bold use of color, form, and medium, Shark Toof continues challenging and redefining what it means to be a street artist in the contemporary art world. His work is a dialogue with the viewer, an invitation to explore the deeper meanings behind the images we see and the icons we create.

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NYC Subway Map VII Bronx Legend Archival Print by Cope2- Fernando Carlo Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 35 Artwork Size 14x19 Archival Pigment Fine Art NYC Subway Map VII Bronx Legend is a visually striking archival print created by Cope2, also known as Fernando Carlo, a respected figure in the street art scene. This limited edition print, confined to a series of just 35 signed and numbered pieces, brings a slice of New York's vibrant street culture to the world of fine art collectors. Each print, sized at 14x19 inches, is printed on premium 290gsm Moab Entrada fine art paper, known for its ability to present rich, lasting colors and sharp detail. Fernando Carlo's roots in the graffiti movement are evident in this piece, where he incorporates elements of the New York City subway map into his artwork, a nod to the historical significance of subway graffiti in the city's culture. The piece is a riot of color, typography, and symbolism that captures the gritty essence of Bronx street art. The artwork is a dynamic composition of tags, a signature element of graffiti, overlaid on a background that features the familiar layout of the subway system. This palimpsest effect, where newer layers of paint and text overlay older ones, is reminiscent of the subway cars that served as canvases for graffiti artists in the 1970s and 1980s. Carlo's work is not only a visual feast but also a narrative of the urban landscape and its continuous evolution, mirroring the ever-changing streets of New York City. Each print in the series is imbued with the spontaneous energy of street art despite being carefully reproduced to maintain the integrity of the original work. NYC Subway Map VII Bronx Legend is not just a representation of Cope2's artistry; it is also a cultural artifact that stands as a testament to the enduring influence of graffiti art within the broader context of contemporary art. Collectors of this print own a piece of New York City's legacy, as well as a moment in the timeline of an art form that continues to challenge and redefine the boundaries of visual expression.

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Untitled Graffiti Future Throw-Up AP Artist Proof Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Saber. AP Artist Proof 2009 Signed & Marked Regular Limited Edition of 100 Artwork Size 24x18 CAN'T REMEMBER THE NAME, 2009 Giclée Print 24 x 18 in (60.96 x 45.7 cm) Limited Edition of 100 Signed by the Artist w/ AP Notation

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Let's Burn It All- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed Limited Edition of 20 Artwork Size 11x11 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Happy Hits 2 Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Rich Browd pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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The Phase Train MTA Subway Train Car AP Art Toy by Sket One Limited Edition Metal Sculpture Collectible Artwork by Pop Street Artist. AP Artist Proof 2022 Signed & Marked AP Limited Edition of 10AP Artwork Size 7x1 New In Box Exclusivity and Design of The Phase Train AP Edition The Phase Train MTA Subway Train Car AP Art Toy by Sket One emerges as a prestigious and highly coveted object within pop art and street art. This Artist Proof (AP) 2022 edition is a testament to Sket One's innovative vision, offering a limited edition run of only 10 AP pieces, each marked with the artist's signature, and serving as a tangible intersection of metal sculpture art and urban street culture. The exclusivity of the AP edition of The Phase Train lies in its limited quantity and its designation as an artist proof, a term traditionally reserved for prints or works directly off the press that is used for quality checking before the entire run is produced. Collectors often highly prized these pieces for their rarity and closeness to the artist's original intent. Sized at 7x1 inches and presented new in the box, The Phase Train AP edition is a collectible that resonates with the essence of Street Pop Art and graffiti Artwork, combining the tactile sensation of a die-cast sculpture with the visual impact of street art. Cultural Significance of Sket One's Art Toy Sket One's collaboration with Hip-Hop Toys and Definitive Projects for The Phase Train signifies a harmonious blend of various facets of street culture, from the underground graffiti artistry to the mainstream appeal of hip-hop. The result is a die-cast NYC MTA subway car steeped in the streets' authenticity and refined into a first-edition collectible with a special status among art toys. The Phase Train AP edition represents more than an art toy; it is a cultural artifact that captures the evolution of graffiti art from its illicit beginnings to its present status as a respected artistic practice. The subway car, a symbol of New York City's bustling life and a historical canvas for graffiti artists, is transformed under Sket One's deft touch into a miniature street art gallery, encapsulating the rebellious and creative spirit that fuels the genre. Artistic Merit and Collectibility The artistic merit of Sket One's Phase Train AP edition is inherent in the detailed work that adorns the miniature subway car, reflecting a deep understanding of the aesthetic and thematic elements that define Street Pop Art and graffiti Artwork. As a collectible, the AP edition holds a significant allure, marked by the personal touch of the artist's signature and the prestige of owning a piece of a minimal series. In the landscape of contemporary art, The Phase Train MTA Subway Train Car AP Art Toy by Sket One is not merely a representation of street culture but an embodiment of it. It stands as a testament to the enduring appeal of street-inspired art and its successful foray into the domain of collectible sculptures, bridging the gap between underground artistry and mainstream art appreciation.

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Rise & Fall (& Rise Again) Limited Edition Hand-Embellished with Hand Painted Gold Text, Crown & Splatter in Acrylic, Plus Additional Paint Splatter Strokes in Red, Black & Green Blue Acrylic Archival Pigment on 310gsm Museum Natural Paper by Meggs Graffiti Street Artist Modern Pop Art. "This piece was the hero image for my 'Rise & Fall' solo show almost exactly a year ago with Stolenspace Gallery in London. The show followed my 5-week residency and solo show with Inner State Gallery/1xRun in Detroit and expanded on my perpetual fascination with dualism, urban decay, and finding beauty in tragedy. 'Rise & Fall' toys with current fractures in the social fabric of urban society, such as imploding over-indulgence, fallen idols, and the detriments of pop culture." - Meggs

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Starskull Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ron English- POPaganda pop culture LSD artwork. Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Gnome Sunburnt GID Limited Edition Vinyl Art Toy Collectible Artwork by Pop Culture Artist Ron English- POPaganda. 2015 New In Box Glow IN The Dark Ron English- POPaganda Artist Gnome Sunburnt Edition It was so hot in San Diego when we released this little guy so it’s no wonder this little artist gnome has a skin burn but wait.. what else has the sun done to this guy? It seems his eyes, hair, and paint now glow in the dark at night. A little sun goes a long way! Stands about 4 inches tall. Vinyl. GID.

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New Dawn Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ricky Watts pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Grafflex 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure by Artist Grafflex. Grafflex's signature BOLD lines and homage to childhood cartoons is a unique style that connects hip hop and street culture, making his work more familiar to the public. Collect the first installment of the Grafflex x Medicom Toy collab with this 100% + 400% Bearbrick Set. Stands at 7cm and 28cm tall.

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Most Wanted- PP Printers Proof Hand-Pulled Silkscreen Print on Fine Art Paper by Pop Graffiti Artist Cope2 Rare Street Art Limited Edition Artwork. PP Printers Proof 2010 Signed & Numbered Framed Limited Edition Artwork Size 22x17 Framed under glass. Not examined outside of the frame. Framed Dimensions 19 X 24 Inches

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King Bird Clock Original One of a Kind Acrylic Paint Painting Artwork on Reclaimed Clock Face by Modern Pop Artist Zdenek Janda. 2012 Not Signed Original Painting on Reclaimed Cloack Dial 4x4 King Bird Clock Original Acrylic Reclaimed Painting by Zdenek Janda

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Johnny Face- Flower Child Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist John Van Hamersveld. 2022 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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M&Ms Dots Limited Edition Hand-Embellished HPM 5-Color Serigraph Print on Canvas Framed by Steve Kaufman Graffiti Street Artist Modern Pop Art. 2008 Signed Custom Frame. "M&Ms" is a limited edition hand-pulled silkscreen mixed media on canvas by Andy Warhol protege Steve Kaufman (1960-2010). This piece is numbered and HC/50 and hand signed inverso. Measures approximately 16" x 47" (image). Known for his association with Andy Warhol, Steve Alan Kaufman (December 29, 1960 - February 12, 2010) were a great American pop artist, activist, and humanitarian. With the encouragement of his mother, Kaufman had his first show at the age of 8 at a Jewish Temple in the Bronx where he grew up. At just 14 he attained a scholarship to the Parsons School of Design while going on to attend Manhattan’s School of Visual Arts (SVA) where he met contemporary artists such as Keith Haring and Jean-Michel Basquiat.

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Studio Session 611 #54/60 8-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Arches Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. 2016 Studio Session #611, Limited Edition of 8 prints, print #5/8. Print size 22x30. Signed and numbered in pencil, printed on fine art Arches paper, 100% Cotton BFK Rives with two deckled edges and two natural edges.

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Nipsey Hussle Giclee Print by Estevan Oriol x Taz x Risk Rock Artwork Limited Edition Print on MEDIUM Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 19x19 Hand-signed and numbered by Estevan Oriol, TAZ, and Risk Rock

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Max Rockatansky Limited Edition Giclee Print on Fine Art Paper by Mike Mitchell counter-culture street artist art. 2015 12"x16" giclee. Hand numbered. Max Rockatansky Giclee Print by Mike Mitchell

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C/S I 9-Color Hand-Pulled Limited Edition Distressed Pearl White Finish Silkscreen Print on 250gsm Stonehenge White Fine Art Paper by OG Slick x Chaz Bojorquez Rare Street Art Famous Pop Artwork Artist. 2016 Signed by OG Slick x Chaz Bojorquez & Numbered Limited Edition of 150 P1  Exploring the Intricacies of C/S I by OG Slick and Chaz Bojorquez The collaboration between OG Slick and Chaz Bojorquez has given rise to C/S I, a 9-color hand-pulled limited edition silkscreen print that showcases the nuanced synergy between street pop art and graffiti artwork. Crafted in 2016, this work is part of a limited series, each piece bearing the artist's signature and numbered P1 out of 150, marking its exclusivity and importance as a collector's item. The collaboration between these two stalwarts of the street art scene synthesizes their distinct artistic voices into a unified visual statement that resonates with the energy and ethos of the urban landscape from which it draws inspiration. OG Slick, whose roots are firmly planted in the street culture of Los Angeles, brings his iconic imagery to the collaboration. His contributions to the C/S I print are characterized by the cartoon-like gloves that gesture towards the viewer, a direct and impactful use of imagery that has become a signature of his work. This graphical element starkly contrasts the intricate background, inviting a dialogue about the interaction between pop culture and the subversive nature of graffiti art. Signature Elements and Cultural Commentary in C/S I Chaz Bojorquez's influence within the C/S I print is unmistakable. His signature calligraphic style, derived from the Cholo writing of East Los Angeles, provides a rich textual backdrop to Slick's bold graphical elements. The layers of text in print are reminiscent of the palimpsest nature of street art, where messages are layered upon one another, creating a complex tapestry that speaks to the community's pulse. Bojorquez's artistry with letters goes beyond mere aesthetics, delving into the identity politics and social narratives that have always been at the heart of his work. The distressed pearl white finish on the print adds a dimension of age and texture, suggesting a weathered quality often found in street art exposed to the elements. This choice of finish not only enhances the visual depth of the piece but also bridges the gap between the transient nature of street art and the permanence sought by fine art pieces. The Stonehenge White Fine Art Paper, known for its quality and durability, reinforces the intention to preserve the fleeting beauty of street art in a form that stands the test of time. The Limited Edition Nature of C/S I and Its Collectibility The limited edition nature of the C/S I print underscores its value within street pop art and graffiti artwork. The fact that only 150 of these prints exist, each signed by the artists OG Slick and Chaz Bojorquez, elevates the work from mere reproduction to a coveted art piece. Collectors and enthusiasts of street art are drawn to the visual appeal of the work and the cultural capital that such a limited series represents. Owning a piece of this series is akin to holding a fragment of street art history, a snapshot of the moment when two renowned artists converged to leave an indelible mark on the art world. Impact of C/S I on the Perception of Street Art The impact of C/S I goes beyond the boundaries of traditional graffiti and street art. By situating the work within the context of pop art, OG Slick and Chaz Bojorquez challenge the viewer to reconsider the distinctions between high art and urban art forms. The collaboration speaks to the versatility and adaptability of street art, its ability to comment on and absorb influences from various artistic movements, and its persistent quest to gain legitimacy and respect within the art hierarchy. The print's visual elements reflect a sophisticated understanding of cultural symbols, iconography, and the power of the written word, all staples in street pop art and graffiti artwork. The collaboration between OG Slick and Chaz Bojorquez on C/S I is symbolic of a movement that refuses to be categorized simplistically, instead insisting on a complex identity as fluid and vibrant as the streets from which it originates. Through their artistic fusion, these artists contribute to the ongoing narrative of street art as a form that constantly evolves yet remains true to its roots in the urban tapestry.

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Marilyn Monroe- Joe DiMaggio Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman SAK Graffiti Street Artist Modern Pop Art. 1996 Signed & Numbered Limited Edition of 50 Artwork Size 16x16 Unstretched canvas, the image is in perfect condition. Rare Marilyn version with baseball player Joe DiMaggio.

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