Artworks

New World Revolution Print on Wood Panel Framed Ready to Hang by Mear One Graffiti Street Artist Modern Pop Art. 13.5 x 18 in. (34.29 x 45.72 cm) Exclusive fine art wood print on 1/2" sustainable Birch, bright white finish hand signed and numbered by Mear One. Limited Edition of 20 prints "With Mother's Day". "Her golden halo bathes us in a warmth of spiritual wisdom, positivity, and choice, fist raised in the sky, not in anger, but universal solidarity and strength, perhaps serving as a reminder to us all that a revolutionary time is upon us, drawing focus upon the courageous role that women and children play in this politically charged era." - Mear One

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New York City Subway Map Limited Edition Archival Pigment Print on 310gsm Fine Art Paper by Cope2 street artist modern pop art. 2016 Signed & Numbered Limited Edition of 75 Artwork Size 17x24 "Having a print made from an original New York City subway map piece that I created and collaborated with 1xRun on is a really great idea in the sense that many art collectors are able to own a piece of my New York City history.The whole concept of doing a New York City subway map goes perfect with my history as being a New York City graffiti art legend cause the subway system is were I made my bones and a name for my self tagging up and getting my name on every subway line and subway system in the whole city." - Cope2 Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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Night Bender- Savage Sacred Young Minds Series 23-Color Hand-Pulled Limited Edition Silkscreen Print on 310 gsm Coventry Rag (Deckle Edge) by Faile Rare Street Art Famous Pop Artwork Artist. FAILE: Night Bender 23-color Silkscreen Print on Coventry Rag 325gsm Silkscreen ink on paper Limited Edition of 100 23 x 36 inches (58 cm x 89 cm) 2016

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No Lifeguard On Duty Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Jessica Hess Graffiti Street Artist Modern Pop Art. "Friends have been telling me for years that I needed to explore Detroit. I finally had the opportunity to do so last summer (2014). It was an urbex wonderland! I only had two short days to gather photo references of the city for my paintings and was overwhelmed by the volume of material. My paintings seek to capture the wonder and excitement in exploring what was once familiar, now otherworldly, the beauty in decay. My painting " No Lifeguard in Duty" was from the Brewster Wheeler Recreation Center. I am told that it has now been slated for redevelopment. I guess the graffiti party is over. Sadly, the majority of my subjects disappear soon after I paint them. It makes me feel like some kind of Grim Reaper of architecture. But for years now I have had remarkable luck in capturing them before they go." - Jessica Hess

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Nova Limited Edition Archival Pigment Print on 310gsm Museum Natural Fine Art Paper by Dan Quintana Graffiti Street Artist Modern Pop Art. "The piece did have a theme that was based around the title: Nova. In this case the planet earth, bright with all of its life shining LIKE a star in the universe destined to fall under the demise of mankind, inevitably leveling up into a supernova only to graduate with a stellar explosion. Boom. The painting came from a similar drawing titled “Destructo.” The idea came about from all of the man-kind self-destruction stories and allegories." - Dan Quintana

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Ocean Slide Limited Edition Archival Pigment Prints on 310gsm Museum Fine Art Paper by Rime Graffiti Street Artist Modern Pop Art. "Ocean Slide is a combination of representative elements that touch on collective lust, moral expectations, and my obsession with graffiti painting. Here, four eyed snakes are two faced persuaders that emotionally camouflage themselves to poke through as many holes as possible. Saying goodbye to summer. This piece was made after returning from a trip to Paris in late October. It is the product of a few all night drawing sessions in my NYC studio. The work aims to orchestrate weight, repetition and color. The elements were improvised and placed atop an abstract starting point. Intersecting strokes and confident squiggles got played with." - Rime

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Off On A Fast One- Savage Sacred Young Minds Series 17-Color Hand-Pulled Limited Edition Silkscreen Print on 310gsm Coventry Rag (Deckle Edge) by Faile Rare Street Art Famous Pop Artwork Artist. Savage Sacred Young Minds Series FAILE (American, est. 1999) Title: Off On A Fast One 2016 Medium: Screenprint on 100% Cotton Rag Archival Paper with Deckled Edges Savage Sacred Young Minds Series

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Offering- Standard Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Taylor White Graffiti Street Artist Modern Pop Art. "This is one of a few springboard pieces into my visual exploration of bodies in motion. It evolved from the idea of the phenomenal impact of the human body in space, the dance of the soul, and the flow of forms colliding. When using the body as a tool of explosive expression, one dares to take the journey into a territory that requires immense trust, the sacrifice of oneself on the altar of vulnerability. Dance, if done fully and authentically, renders the soul completely raw. I started studying a form of modern dance called Contact Improvisation, and that study has opened me up to a new set of curiosities which I’ve been able to explore both physically in space, and visually on the page. It became about the point of surrender, of the sacrifice of the ego and all its trappings. To 'dance' on paper has been entirely mind-opening and I’ve tackled it with a renewed spirit." - Taylor White

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The Old Man and Varaniassi With Autumn Vines Brooklyn 2013 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. The Old Man and Varaniassi with Autumn Vines by Caledonia Curry aka Swoon The Old Man and Varaniassi with Autumn Vines Brooklyn 2013 is a striking giclee print by Caledonia Curry, the influential Street Pop Art & Graffiti Artwork figure known as Swoon. Released as part of the Swoon Street Series Print Collection in 2016, this signed and numbered edition of 175 showcases one of her most haunting and poetic wheatpaste interventions. Captured in situ, the piece features an intricate black-and-white wheatpaste portrait of an elderly man, placed against the weathered textures of a Brooklyn wall, overtaken by creeping autumn vines and surrounded by vibrant street ephemera. The print measures 19x13 inches and is produced on museum-grade fine art rag paper, emphasizing the detail and tonal richness of the original street composition. Street Pop Art Symbolism in Swoon's Urban Portraiture Caledonia Curry's ability to breathe emotional depth into public spaces has made her a defining voice in contemporary street culture. In The Old Man and Varaniassi with Autumn Vines, the figure appears contemplative and weathered, rendered in her signature hand-drawn, cut, and pasted style. The background creates a rich tapestry of decay and life—flaking paint, tags, stickers, and ivy coexist as both natural and cultural decay and regeneration. This synergy between subject and environment reflects one of the core themes in Curry’s body of work: honoring human dignity amid the chaos of urban life. The artwork draws on the language of both graffiti and fine art, blending portraiture with the physicality of the street surface and layering in symbolism that rewards slow looking. Graffiti Pop Street Artist Caledonia Curry and Her Printmaking Legacy Caledonia Curry has consistently pushed the boundaries of Street Pop Art & Graffiti Artwork by documenting her ephemeral public wheatpastes in limited-edition fine art prints. These prints are not mere reproductions but vital reimaginings that preserve the emotional and aesthetic impact of the original installations. The Old Man and Varaniassi with Autumn Vines is a key example of how Curry translates fleeting urban moments into permanent artistic records. The dense linework, atmospheric tone, and interplay between figure and urban decay reflect her background in printmaking and her dedication to community-centered narratives. This print is both a piece of art history and a continuation of street storytelling. Preserving Urban Stories through Fine Art Editions The Old Man and Varaniassi with Autumn Vines Brooklyn 2013 stands as an enduring document of Swoon's work in New York during a pivotal period in her career. Printed with archival inks on heavyweight fine art paper, the edition reflects the technical care and conceptual weight Curry brings to all her projects. Whether experienced on the street or as a gallery-quality print, her work communicates empathy, memory, and resilience. As part of the Swoon Street Series Print Collection, this piece allows collectors and institutions to engage with the raw immediacy of street culture in a format that honors its artistic and cultural value. Caledonia Curry continues to shape Street Pop Art & Graffiti Artwork through her visionary blend of fine art precision and social engagement.

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One Love, Many Hearts Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Made514 Graffiti Street Artist Modern Pop Art. "This piece was painted in a leaf of slate rock that came from India. It’s been amazing to paint on this kind of surface because I like to paint on something live. I use to paint the shape of my letters searching curve line that is present in nature and this time I was facing a surface with a different nature pattern. The letters are based on a heart form and together they form the style in a unique heart shape It’s a kind of a metaphor about how we are all part of the same One.” - Made514

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Organica Utopia Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Melody Avis Graffiti Street Artist Modern Pop Art. Melody Avis is an artist living and working with 808 Urban, a non-profit group based in Honolulu, Hawaii.808 Urban is a collective of community cultural workers: artists, organizers and volunteers committed to improving the quality of life for our communities through arts programming. In all of our work, we strive to integrate the highest levels of artistic innovation with grassroots cultural organizing for systemic, progressive social change.

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Own Your Power Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Indie184 Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 15 Artwork Size 13x17 "Both of these pieces were originally created for my first solo exhibit "Go Hard" in LA. The title and theme of the show came about from an epiphany I had and a motto that I live by. In my life, I have many roles and at the end of the day, no one is going to show me or tell me how to do it. My success all depends on how hard I want to go. I am my own artist. All the pieces are worlds of personal declarations; they are constant reminders to help me stay empowered. Basically, lots of self-motivation, fear conquering, and an undeniable twist of feminism in most of my work. The female icons I used not only for the purpose of their stunning beauty but also their story of how they came, conquered, and rocked the world. "Don't Get It Twisted" with Maria Montes, Queen of Technicolor, and "Own Your Power" with Marquita Rivera- Queen of Latin Rhythm. I loved how they were small-town girls, pursued their dreams, broke barriers, and made it to worldwide legendary status, thinking BIG. I like that badass female touch to the pieces. " - Indie

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Peace Guard 2 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2016 Signed & Numbered Screen Print PEACE GUARD 2 Screen Print 18 x 24 inches Edition of 450 November 29, 2016 This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Phantom Surfers - Jan. 24th, 1997 at The Trocadero Limited Edition 8-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Coop Graffiti Street Artist Modern Pop Art. Phantom Surfers Jan 24th 1997 The Trocadero Silkscreen Print by Coop Coop, real name Chris Cooper, is a hot rod artist working from Los Angeles. He was born in Tulsa, Oklahoma in 1968, and describes his occupation as "Insensitive Artiste". His work consists primarily of barely clothed Bettie Page-style 1950s soft pornography and/or B-movie monsters, with the female characters often taking the role of "Devil-Women". The image most often associated with his work is however slightly more tame: the face of a grinning devil with a smoking cigar clamped in its teeth.

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Pigeon Feeding Family Brooklyn 2005 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. Caledonia Curry Street Pop Art: Pigeon Feeding Family Brooklyn 2005 Giclee Print by Swoon Pigeon Feeding Family Brooklyn 2005 is a signed and numbered giclee print by American Street Pop Art & Graffiti Artwork icon Caledonia Curry, known globally under the name Swoon. Originally wheatpasted on a weathered Brooklyn wall, the work was photographed and transformed into a fine art edition, capturing the raw texture of the urban environment and the tenderness of everyday moments. Printed on heavy fine art rag paper, this piece measures 19 by 13 inches and was released in 2016 as part of a limited edition of 175. The work is part of the Swoon Street Series Print Collection, which immortalizes her ephemeral street interventions as collectible fine art. Swoon’s Human-Centered Street Pop Art & Graffiti Artwork Caledonia Curry’s practice blends compassion and community with socially charged visuals. This giclee print documents a street paste-up of a family in a moment of simple care and connection, feeding pigeons against a hand-painted wall. The mother figure anchors the composition with calm resilience while the children appear in varying poses of curiosity and support. This is a recurring hallmark in Swoon's Street Pop Art & Graffiti Artwork — intimate portraits of humanity created through hand-carved linoleum blocks, paper cutouts, and site-specific installations. Each subject is rooted in real communities and stories, often reflecting Curry’s collaborative work with underserved populations across the globe. Brooklyn as a Canvas for Caledonia Curry’s Social Aesthetic During the early 2000s, the streets of Brooklyn served as an active surface for many emerging artists, and Caledonia Curry’s large-scale paste-ups gained particular recognition for their emotional detail and craftsmanship. The original installation of Pigeon Feeding Family was not merely decorative but deeply site-specific, activating the decaying wall with human presence. Swoon’s commitment to public art goes beyond aesthetics. It embodies a form of street-level storytelling that addresses displacement, economic hardship, and resilience. The scene rendered in this giclee print speaks to those themes by elevating a humble act — feeding pigeons — into a portrait of survival and grace amid hardship. Legacy and Preservation in the Swoon Street Series Print Collection The 2016 release of Pigeon Feeding Family Brooklyn 2005 as a signed and numbered giclee was part of a broader effort to archive Swoon’s disappearing wall pieces from the early stages of her career. The Street Series Print Collection allows collectors and institutions to preserve this pivotal period of Street Pop Art & Graffiti Artwork that otherwise lives only in photographs or memory. Each print in the series is produced with precision to reflect the texture, color, and environmental context of the original installation. With Caledonia Curry’s growing impact in both the fine art world and social practice circles, works like this continue to hold value as artifacts of a moment where street art was both protest and poetry.

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Pink Nature Limited Edition Archival Pigment Prints on Museum Fine Art Paper by DAIM Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 100 Artwork Size 20x13 "In 1989 I wrote my writer’s name for the first time. After all those years I still see this lettering as a self-portrait. By concentrating on a certain idea, the technique or a style, by working on a certain piece for a long time frame, by totally engaging in this process, you get to know a lot about yourself and your personality. And this of course can be seen again in the works, that I create.I wanted to realize something special: The series of these three prints is chosen so that you can reproduce the entire spectrum of my work. My use of the name DAIM is becoming more and more complex in them. My development as a human being strongly corresponds with this process. It has something to do with personal maturing, the general situation of aging." - Daim Pink Nature Limited Edition Archival Pigment Prints by DAIM Pink Nature by DAIM is a striking example of street pop art & graffiti artwork, demonstrating the artist’s mastery of three-dimensional lettering and depth-driven compositions. The limited edition archival pigment print on museum fine art paper represents a continuation of DAIM’s exploration of form, structure, and identity within the world of graffiti. The use of bold shading, explosive movement, and fragmented angles transforms traditional graffiti into a sculptural, almost architectural composition that pushes the boundaries of visual perception. DAIM’s Signature 3D Graffiti Technique As one of the pioneers of three-dimensional graffiti, DAIM, whose real name is Mirko Reisser, has built an unmistakable style that blends mathematical precision with organic motion. His graffiti lettering breaks free from flat surfaces, giving the illusion of objects bursting into reality. In Pink Nature, the carefully arranged sharp edges, shadowing, and light play create an almost tangible depth and texture, reinforcing his reputation as one of the most technically skilled graffiti artists in the world. His influence spans murals, street art installations, and fine art prints, all of which demonstrate his dedication to letter-based abstraction. Every line and color gradient in his work is meticulously calculated, yet the result feels spontaneous and explosive. The dynamic splashes of paint and carefully placed highlights in this print further enhance the raw energy that graffiti is known for, while maintaining a refined, futuristic aesthetic. The Concept of Self-Portrait Through Graffiti DAIM has often spoken about his graffiti name as a form of self-portrait, evolving alongside his personal and artistic growth. His focus on lettering reflects not only his technical skill but also his philosophical approach to the graffiti movement. He believes that by continuously refining and reinventing the way he presents his name, he is also capturing his own personal transformation over time. Pink Nature belongs to a series of works that encapsulate DAIM’s evolving artistic vision, emphasizing how his approach to graffiti art has matured over the years. The interplay of pink, green, and earth tones in the piece conveys a sense of organic growth and destruction, mirroring the cycle of creativity itself. The bold angular letter fragments appear to explode and reconstruct simultaneously, offering a visual representation of the tension between creation and decay that exists in street art culture. DAIM’s Impact on Modern Street Pop Art DAIM has been instrumental in pushing graffiti into the realm of contemporary art, gaining recognition not only on city walls and abandoned buildings but also in galleries and museums worldwide. His scientific approach to graffiti design, combined with his dedication to realism and depth, sets him apart in the movement. Pink Nature, with its meticulous execution and controlled chaos, embodies the fusion of graffiti and fine art, demonstrating how street pop art & graffiti artwork can be both raw and refined, explosive yet controlled. By transferring his iconic street techniques onto archival fine art prints, DAIM ensures that his work remains preserved, appreciated, and celebrated in multiple artistic spaces. His ability to translate the energy of graffiti into high-art formats continues to inspire new generations of street artists and pop art enthusiasts alike.

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Power Of Movement Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Case Maclaim Graffiti Street Artist Modern Pop Art. One of the most poignant aspects common to all of case’s works is the texture of the surfaces he uses. They are painted on a background that is made from pieces of cardboard of various sizes. Most of the cardboard comes from the packaging of the spray paint cans and they are held together with glue, staples and tape. Sometimes bits and pieces of wood are also glued onto the surface, such that a bumpy, one-of-a-kind surface appears. This structure is diametrically opposed to typically overblown, perfectionist images and it gives case’s works their unique character.

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Punching A Hole In The Night Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by Eric Inkala Graffiti Street Artist Modern Pop Art. "I started the backgrounds of these paintings when I broke my right hand and I am right-handed, couldn’t really paint and it was driving me crazy so I just said fuck it and started painting really abstract backgrounds with my left hand. Then they sat to the side for a while and came back to them a while later when my hand was completely healed and started building up the layers. These paintings are very unique within my body of work. The only two from that time period were I was really exploring meshing different aspects of my painting and sketchbook elements. My work is usually very flat. I would say each painting has at least 10 layers with just a little bit of each poking through to the final product." - Eric Inkala

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Purgatory Limited Edition Archival Pigment Print on 330gsm Fine Art Paper by Chor Boogie Graffiti Street Artist Modern Pop Art. Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation, in confronting re-imaginings of our current dystopian society. "Company of Thieves" at Inner State Gallery in Detroit with special guest DJ Qbert. These self-confessed ‘visual thieves have a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us, creating new and pertinent interpretations that are as confronting as they are humorous. This collaboration with DJ Qbert carries on with this theme as all 3 artists join together as a Company of Thieves, sampling and remixing to create something entirely new.

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Put It In The Ditch, Brah! Limited Edition 8-Color Hand-Pulled Silkscreen Print on 140lb Fine Art Paper by Persue Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 85 Artwork Size 16x20 "Before we left California for the East Coast Rime told me to put some ideas together for our stop in Detroit and at the 1xRun headquarters. He wanted to introduce me to the guys and help push getting me to release a print. Because things were hectic before leaving I wasn’t able to get anything together. By the time I got to Chicago I still didn’t have anything. Rime, Mason and I had been through a few cities by then and were pretty tired. The night before our stop in Chicago we were in Nebraska. Nebraska was fucking nasty as all hell. It is where we hit a patch of black ice and did 4 huge 360 spins down the highway with semi trucks barreling down the highway behind us. All I could get out of my mouth was “Put it in the ditch man”! That became the quote for the rest of the trip." - Persue

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R2-D2 Laser Etched Aluminum Metal by Joshua Budich Graffiti Street Artist Modern Pop Art. Title: "R2-D2" Aluminum edition Medium: Laser etching on copper Edition: 100 copies Markings: Signed and numbered on verso

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Rainbo Motel Limited Edition Archival Pigment Fine Art Prints on 310gsm Hahnemühle William Turner Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. Rainbo Motel archival pigment print on Hahnemühle William Turner Matte Fine Art Paper, 310 GSM • Hand-varnished • 24 x 24 inches Hand-signed and numbered by artist Robert Mars

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Razor Gun Limited Edition 5-Color Hand-Pulled Silkscreen Print on 130lbs Mohawk Vellum Fine Art Paper by Maximilian Wiedemann Graffiti Street Artist Modern Pop Art. "Looking at the current media coverage and shocking violence that has spread around the world, I felt it was time to release an anti-gun/crime piece. In the wider sense and anti-violence statement. Don't pull the trigger! As you see in the detail, the trigger is the razor, making it impossible or painful to shoot. It's a fine little detail in the gun that turns the meaning of weapons around. All you need is love. This design and coloring have exclusively been done for 1XRUN. This Idea has been shown first in New York in 2011 in the Vanity Unfair Show - I felt it has more relevance than ever these days." - Maximilian Wiedemann

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Reading Club AP Artist Proof Pop Artwork Limited Edition Giclee Print on 290gsm Moab Entrada Paper by Modern Pop Artist Cinta Vidal. AP Artist Proof 2016 Signed & Marked AP 18x18 Limited Edition of People Reading Books On Flying Furniture In the realm of contemporary pop art, few works captivate with as much intrigue and whimsy as "Reading Club" by Cinta Vidal. With this limited edition giclee print, Vidal takes viewers on a surreal journey, defying the laws of physics and convention, as individuals immerse themselves in the world of literature, suspended on flying furniture. The piece, beautifully rendered on 290gsm Moab Entrada Paper, is not merely a visual spectacle but also an ode to the transformative power of reading and the universality of this experience across different cultures and contexts. Spanning an 18x18 canvas, the artwork is both intimate in its portrayal of individual readers and grand in its conceptual scope. Vidal's meticulous attention to detail, coupled with her penchant for creating multi-dimensional spaces, lends depth and dynamism to the composition. Chairs, sofas, and books float, topple, and twirl, seemingly untethered by gravity, yet each reader remains engrossed, unperturbed by the surrounding chaos. The juxtaposition of the ordinary act of reading with the extraordinary setting speaks to the escapism that literature offers. Released as an Artist Proof in 2016, this creation is part of an exclusive series, elevating its significance for collectors and art enthusiasts. Cinta Vidal, a luminary in the spheres of pop art, street art, and graffiti art, continues to push boundaries, challenging perceptions while celebrating the simple pleasures of life. "Reading Club" stands testament to her unique vision and unparalleled artistic prowess.

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Red Reef Artwork Giclee Limited Edition Print on Italian Cold-Press Archival Watercolor Paper by Pop Culture Graffiti Artist Dave Kinsey. Red Reef by Dave Kinsey Fine art Giclée print on cold-press watercolor paper 16 x 20 inches Limited Edition of 75 Signed & numbered Printed with ♡ by Paragon Press "Reed Reef highlights coral reefs, the rainforests of the sea. While coral reefs cover less than 1% of Earth's surface, they provide a sheltered home to about 25% of marine fish species." -Dave Kinsey

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Rest Haven Court Lounge Limited Edition Archival Pigment Fine Art Prints on 310gsm Hahnemühle William Turner Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. Rest Haven Court archival pigment print on Hahnemühle William Turner Matte Fine Art Paper, 310 GSM • Hand-varnished • 24 x 24 inches Hand-signed and numbered by artist Robert Mars

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Right PP Silkscreen Print by Chaz Bojorquez Hand-Pulled 8-Color Screen Print on 250gsm Stonehenge Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2016 Signed & PP Marked Limited Edition Run Artwork Size 20x25  The Distinctive Fusion in "Right PP" by Chaz Bojorquez Chaz Bojorquez's "Right PP" is a compelling example of the interplay between street pop art and graffiti artwork. Created in 2016, this hand-pulled 8-color screen print on 250gsm Stonehenge Art Paper represents a refined distillation of the artist's decades-long engagement with urban visual culture. The limited edition print, marked as a Printer's Proof (PP), is a rare collectible within Bojorquez's oeuvre, showcasing his mastery in screen printing. This technique allows for the precise and vibrant application of rich color in texture and depth. The artwork encapsulates Bojorquez's celebrated style, which is deeply rooted in the Cholo graffiti tradition of East Los Angeles. His script, often compared to Asian calligraphy, holds a fluidity and grace that belies the often rugged environments of its origins. The letters swirl and coalesce into forms that are at once abstract and highly deliberate, embodying the artist's connection to his cultural heritage and the broader lexicon of street art. In "Right PP," these scripts are rendered with a precision that screen printing affords, allowing Bojorquez to explore the subtleties of light and shadow, depth and dimension. Chaz Bojorquez's Contribution to Street Art and Its Cultures Chaz Bojorquez is not just an artist; he is a chronicler of the street's pulse and a communicator of its ethos. The significance of "Right PP" extends beyond its visual appeal, engaging with the rich tapestry of street culture. Bojorquez has long advocated recognizing graffiti as a legitimate art form, and his work plays a crucial role in shifting perceptions. Through his art, he conveys stories of identity, community, and resistance, framing the narrative within the accessible screen print medium. The artwork's size, 20x25 inches, is significant as it presents a substantial visual statement while remaining intimate enough to invite close examination. The PP marking indicates not only the print's status within the edition but also Bojorquez's endorsement of the piece as an accurate representation of his artistic vision. As such, each print carries a piece of the history and evolution of street art in Los Angeles and beyond. Enduring Appeal of "Right PP" The enduring appeal of "Right PP" lies in its ability to stand at the intersection of street pop and fine art. Bojorquez's skillful use of the silkscreen technique allows the piece to inhabit both worlds seamlessly. His prints are sought after by collectors who appreciate the nuances of street aesthetics and the craftsmanship of printmaking. With its limited edition run, this particular piece captures a moment when an artist known for his transient street creations turned into a medium that promised longevity. Chaz Bojorquez's work, particularly in prints such as "Right PP," bridges the often disparate art communities. It challenges the notion that graffiti is a subculture or a fleeting act of rebellion. Instead, Bojorquez positions it within a more extensive dialogue about art, culture, and society. This conversation continues to gain relevance as street pop art and graffiti artwork find their way into more traditional art venues and the hearts of a broader public. Chaz Bojorquez's Artistic Legacy Chaz Bojorquez's artistic legacy is cemented not only by his murals and public works but also by his prints, which allow his art to reach a wider audience. "Right PP" is a testament to his enduring impact on the Los Angeles art scene and the global street art movement. His signature style, which has influenced countless artists, continues to resonate through the layers of paint on city walls and the meticulously pulled screens of his prints. The significance of "Right PP" and works like it is found in their capacity to encapsulate the spirit of a particular place and time while speaking to universal themes of identity, expression, and the human experience. Bojorquez's prints are not mere reproductions but artifacts of a life spent in the service of art and community. Each piece tells a story, and "Right PP" is a chapter in the larger narrative of street pop art and graffiti artwork—a narrative that Chaz Bojorquez continues to write with each stroke of his brush and pull of the squeegee.

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Rise & Fall (& Rise Again) Limited Edition Hand-Embellished with Hand Painted Gold Text, Crown & Splatter in Acrylic, Plus Additional Paint Splatter Strokes in Red, Black & Green Blue Acrylic Archival Pigment on 310gsm Museum Natural Paper by Meggs Graffiti Street Artist Modern Pop Art. "This piece was the hero image for my 'Rise & Fall' solo show almost exactly a year ago with Stolenspace Gallery in London. The show followed my 5-week residency and solo show with Inner State Gallery/1xRun in Detroit and expanded on my perpetual fascination with dualism, urban decay, and finding beauty in tragedy. 'Rise & Fall' toys with current fractures in the social fabric of urban society, such as imploding over-indulgence, fallen idols, and the detriments of pop culture." - Meggs

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Rise Limited Edition Archival Pigment Prints on Museum Natural Fine Art Paper by J.A.W. Cooper Graffiti Street Artist Modern Pop Art. "Rise was part of a five-piece mini-series about the stages of dealing with pain, within a larger solo show in 2013. This painting was the final stage; the triumphant rise after a crisis. The cicadas are significant, representing rebirth and metamorphosis as some species can stay dormant underground for up to 17 years until conditions are perfect and then emerge together in one epic synchronized event. True healing is not to harden externally, but to remain vulnerable and open while drawing strength from within." - J.A.W. Cooper

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Rise of the Planet of the Apes Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by JC Richard Graffiti Street Artist Modern Pop Art. Each measuring 18" x 24", these prints needed 8 screens and 9 colors to capture their vibrancy on the 100# c stock French Pop-Tone Berrylicious paper used and the back view of the character is printed on the reverse side of the print.

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Rosalina Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Kukula Graffiti Street Artist Modern Pop Art. "This piece was created in May of 2009 using oil on MDF. The painting was shown at Dorothy Circus Gallery in Italy as part of my Sugar & Blood solo show that same year. I have a series of paintings in which flowers, little trees, and bushes grow out of my girls' bodies, it symbolizes creation and creating art or life. I feel like it is very feminine, but I assume everyone creates something, so everybody can relate to this feeling." - Kukula

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Round & Round 35 HPM 11-Color Hand-Pulled Limited Edition Silkscreen, Acrylic, Enamel, & Gloss Overprint Varnish on Hand-Deckled Rives BFK Paper by Greg Gossel. 2016 Signed Varied Edition of 18 Size 28x21 Greg Gossel Round & Round 22, 2016 Silkscreen ink, acrylic, enamel, and gloss overprint varnish on Rives BFK 280gsm printmaking paper 18 varied-edition works on paper; printed, signed, and dated by the artist 28 x21 in., 71 x 53 cm

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Safari Inn Lounge Limited Edition Archival Pigment Fine Art Prints on 310gsm Hahnemühle William Turner Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. Safari Inn archival pigment print on Hahnemühle William Turner Matte Fine Art Paper, 310 GSM • Hand-varnished • 24 x 24 inches Hand-signed and numbered by artist Robert Mars

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Saint of the Living AP Artist Proof Walking Dead Silkscreen Print by Epyon5 Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. AP Artist Proof 2016 Signed & Marked AP Limited Edition Artwork Size 16.5x24 Silkscreen Print Gold Metallic Ink of Daryl Walking Dead TV Show. Saint of the Living AP Artist Proof Walking Dead Silkscreen Print by Epyon5 Saint of the Living is a limited edition silkscreen print by Epyon5, created in 2016 as an AP artist proof edition. This hand-pulled screenprint measures 16.5x24 inches and is signed and marked AP, making it an exclusive variation of the limited edition release. Featuring a striking portrait of Daryl from The Walking Dead TV show, this print utilizes bold contrasts, stencil-based layering, and intricate detailing to capture the intensity of the character. The inclusion of gold metallic ink enhances the visual impact, giving the piece a luminous quality that reflects the fusion of Street Pop Art & Graffiti Artwork with contemporary screen printing techniques. Symbolism and Composition The composition of Saint of the Living presents Daryl as a near-mythological figure, framed within a heraldic-style design that enhances his legendary status within The Walking Dead universe. The portrait is structured with sharp contrasts, utilizing a layered stencil technique that emphasizes depth and expression. His determined gaze, set against the backdrop of ornate filigree and radiating lines, conveys a sense of resilience and survival. The golden halo effect behind his head evokes religious iconography, elevating him to a saint-like figure within the post-apocalyptic narrative. The skull at the bottom of the print reinforces the theme of mortality, survival, and the ever-present threat of death within the series. The textured background, featuring layered elements and distressed patterns, gives the artwork an aged, urban feel, reminiscent of wheatpaste posters and stencil graffiti found in cityscapes. Street Pop Art & Graffiti Artwork Influence Epyon5 is known for his ability to merge traditional printmaking with the raw energy of Street Pop Art & Graffiti Artwork, and Saint of the Living is a perfect example of this stylistic fusion. The sharp-edged stencil work, combined with a controlled use of shading and color blocking, mirrors techniques used in large-scale street murals. The presence of gold metallic ink adds a unique dimension, elevating the print beyond traditional two-tone stencil work while still maintaining the aesthetic of urban-inspired art. The layered elements, including hidden textures and subtle distressing, give the artwork a weathered look, much like street posters that have been layered and peeled over time. The incorporation of pop culture imagery, particularly a character as well-known as Daryl, ties the piece into the broader tradition of street art’s fascination with reinterpreting media figures into bold, symbolic visuals. Collectibility and Cultural Significance As an artist proof edition, this version of Saint of the Living holds a special place within the limited print run, making it a rare and highly collectible piece for fans of Street Pop Art & Graffiti Artwork. The AP marking signifies that it was part of the early production process, often reserved for the artist’s personal collection or small exclusive releases. The use of hand-pulled silkscreen techniques ensures that each print carries a distinct, handcrafted quality, further enhancing its value. Epyon5’s ability to transform well-known characters into high-art pieces that blend elements of religious iconography, street aesthetics, and pop culture symbolism ensures that this print remains a standout example of how contemporary screen printing continues to thrive within the urban art landscape.

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Samurann Silkscreen Gold Leaf Red Mask Print by Fin DAC Hand-Pulled on 330gsm Somerset Satin Fine Art Paper Limited Edition Pop Street Art Findac Artwork. 2016 Signed & Numbered Limited Edition of 20 Artwork Size 26.57x34.65 Silkscreen Print Samurann Gold Leaf Red Mask Silkscreen Print by Fin DAC Samurann is a rare 2016 silkscreen print by the globally renowned street pop art and graffiti artwork icon Fin DAC. Printed on 330gsm Somerset satin fine art paper, this striking edition is distinguished by its hand-pulled silkscreen method and the addition of gold leaf detailing across the signature mask area. Measuring 26.57 by 34.65 inches, the piece was released in a hyper-limited run of just 20 signed and numbered prints, making it one of the most coveted and elite collector offerings in Fin DAC’s early fine art print portfolio. Stylistic Power and Visual Symbolism Samurann encapsulates the essence of Fin DAC’s stylistic identity—his signature female portraiture that merges soft realism with bold iconographic overlays. The subject is rendered in grayscale halftones, a visual hallmark of the artist, paired with striking black tribal tattoos and piercing eyes that demand attention. Across her eyes, a hand-applied red and gold-leaf mask flows downward in a deliberate drip, functioning as both a metaphorical armor and a sacred adornment. The mask is not simply an aesthetic flourish but a visual signature rooted in the themes of identity, mysticism, and resistance to objectification. Material Composition and Execution The use of 330gsm Somerset satin paper offers a heavyweight, archival-quality foundation that enhances both the visual depth and textural dimension of the artwork. Each piece was hand-pulled using a traditional silkscreen process, involving a high level of craftsmanship and precision, particularly given the inclusion of gold leaf in the final layer. The red backdrop sharply contrasts with the grayscale subject, creating a vibrant negative space that frames the figure and evokes both sensuality and power. The tattoo on her arm adds cultural ambiguity and layered meaning, suggesting both strength and heritage, while reinforcing the core themes of visibility and concealment that run through Fin DAC’s body of work. Impact in Street Pop Art & Graffiti Artwork Fin DAC, a UK-based street artist of Irish descent, has gained international acclaim for his bold portraits that challenge dominant narratives of beauty and cultural portrayal. Samurann belongs to the broader movement of street pop art and graffiti artwork by taking the essence of outdoor muralism and transferring it to the fine art format without sacrificing intensity or intent. The gold leaf detailing not only elevates the print’s aesthetic profile but symbolically references ancient rituals, contemporary fashion, and empowerment. With its rare edition size and hand-finished elements, Samurann is both a visual statement and a museum-grade collectible rooted in the evolution of global street culture. It highlights Fin DAC’s dedication to honoring individuality while confronting visual stereotypes, and it cements his role as a pivotal figure in the ongoing transformation of contemporary art.

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Sanctuary Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by J.A.W. Cooper Graffiti Street Artist Modern Pop Art. "Sanctuary was created in 2013 as part of my solo show "Laid Bare" which explored vulnerability as both a source of strength and discomfort. The setting for the piece is of personal significance, a verdant cave at the top of a waterfall in Big Sur. This cave is full of stacked rocks left by previous visitors though in all of my visits I never encountered anyone inside, and so it has the air of a place of significance for many people traveling along parallel lines but not intersecting. The purpose of a "sanctuary" is to provide asylum in a time of stress or danger and this cave gave me peace at a time when I was letting go of one facet of my life and fostering the growth of a new one; the severed stag head and the fawn." - J.A.W. Cooper

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Scuba Horse Delights 13-Color Hand-Pulled Limited Edition Silkscreen Print on 325gsm Coventry Rag by Faile Rare Street Art Famous Pop Artwork Artist. We are excited to release this new silkscreen block print based on some of the smaller wood puzzle blocks. This is a vibrant mix of images and textures from the studio. Scuba Horse Delights is a 13 color hand-pulled silkscreen print, made on a heavyweight Coventry Rag 325gsm with a deckled edge. Scuba Horse Delights Edition of 350 Dimensions: 12 x 18 Inches Silkscreen Ink on Coventry Rag 325gsm Paper Signed, Stamped and Numbered. FAILE 2020

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Seppuku Limited Edition Hand-Embellished 6-Color Serigraph on 130lbs Mohawk Fine Art Paper by Abcnt Graffiti Street Artist Modern Pop Art. "I wanted to portray dead cops, but keeping with the tradition of non-violent resistance. So the problem solving was trying to figure out how I would communicate that dilemma.I don't condone violence against police, but I'm okay with self-inflicted violence by police for the sake of honor."- ABCNT

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Serpents PP Printer Proof Letterpress Print by Gats- Graffiti Against The System Limited Edition 3-Color on Hand Deckled 250gsm Lenox Art Paper Graffiti Street Pop Artwork. PP Printer Proof 2016 Signed & Marked PP Limited Edition Artwork Size 12x18 Letterpress Print Gats- Graffiti Against The System' "Serpents": A Letterpress Legacy in Street Pop Art The "Serpents" by Gats- Graffiti Against The System, an acronym for Graffiti Against The System, is a symbolic work that encapsulates the raw essence and socio-political underpinnings of street pop art and graffiti. As a Printer's Proof (PP) letterpress print from 2016, this artwork showcases the distinct visual language for which Gats- Graffiti Against The Systemby has become renowned. It is a limited edition, three-color print on hand deckled 250gsm Lenox art paper, meticulously signed and marked by the artist, signifying its importance within the edition. The 12x18-inch size allows the intricate details and the stark contrasts of the letterpress technique to shine, emphasizing the artistry and message conveyed by the piece. Gats- Graffiti Against The Systemby is known for his iconic mask imagery, which is prevalent throughout his work and serves as a symbol of anonymity and universality. The "Serpents" print continues this thematic exploration, with the mask motif taking center stage, surrounded by serpentine forms that could be interpreted as literal and metaphorical representations. Letterpress printing adds a tactile depth to the work, harking back to a time when print was both a craft and a form of communication for the masses. Letterpress Printing and Its Resonance in Gats- Graffiti Against The System' Work The choice of letterpress for "Serpents" is particularly significant in the context of Gats- Graffiti Against The Systemby's oeuvre. Letterpress printing, with its origins in traditional craftsmanship, brings a historical weight to the work, juxtaposing the transience of graffiti with the permanence of printed art. The hand-deckled edges of the Lenox art paper contribute a delicate, almost antique quality to the print, suggesting that its message is timeless and enduring. Gats- Graffiti Against The Systemby's work is often laden with social commentary, and "Serpents" is no exception. The piece reflects Gats- Graffiti Against The Systemby's engagement with the urban environment, his critique of societal systems, and his contemplation of the individual's place within the larger context. The layered meaning within the print, combined with the striking aesthetic, indicates the power of street pop art to capture the viewer's gaze and provoke thought and discourse. The Cultural Impact of Gats- Graffiti Against The System' "Serpents" In street pop art and graffiti artwork, Gats- Graffiti Against The Systemby is a figure who bridges various artistic worlds. His work "Serpents" is not merely a static image but a dynamic interaction of historical printmaking techniques and contemporary street art sensibilities. As a limited edition PP print, it occupies a unique niche within the art market, appealing to collectors of fine art prints and fans of street art. In summary, "Serpents" by Gats- Graffiti Against The Systemby exemplifies the artist's dedication to a form of expression rooted in the history of printmaking while being deeply entrenched in the discourse of modern street art. His utilization of letterpress printing on high-quality Lenox paper underscores a commitment to craft in an age of mass production. Through works like "Serpents," Gats- Graffiti Against The Systemby continues to contribute to the narrative of street pop art, offering visually captivating and intellectually stimulating pieces. The print stands as a testament to the potential of street art to transcend its temporary nature and establish itself as a significant and lasting form of cultural expression.

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Shadow Limited Edition Archival Pigment Prints on Museum Fine Art Paper by DAIM Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 100 Artwork Size 20x13 "In 1989 I wrote my writer’s name for the first time. After all those years I still see this lettering as a self-portrait. By concentrating on a certain idea, the technique or a style, by working on a certain piece for a long time frame, by totally engaging in this process, you get to know a lot about yourself and your personality. And this of course can be seen again in the works, that I create.I wanted to realize something special: The series of these three prints is chosen so that you can reproduce the entire spectrum of my work. My use of the name DAIM is becoming more and more complex in them. My development as a human being strongly corresponds with this process. It has something to do with personal maturing, the general situation of aging." - Daim Shadow Limited Edition Archival Pigment Print by DAIM Shadow by DAIM is a striking three-dimensional graffiti composition that explores the contrast between depth, structure, and abstraction. This archival pigment print on museum fine art paper presents the artist’s trademark illusion of sculptural lettering, where sharp, angular forms appear to emerge from and recede into the background. The play of light and shadow in this work enhances its monumental presence, making it a prime example of modern graffiti transformed into fine art. Three-Dimensional Lettering and Architectural Influence DAIM, born Mirko Reisser, is internationally recognized for his pioneering role in three-dimensional graffiti lettering. His approach integrates architectural precision with abstract movement, resulting in compositions that seem to break free from the two-dimensional plane. Shadow embodies this mastery by using layered depth, shading, and an interplay of light and darkness to create the illusion of floating structures. This piece utilizes a muted palette of grays, blacks, whites, and hints of blue, creating a stark, industrial aesthetic. The shadows cast by each fragment of the lettering give the impression that the composition exists within an atmospheric void, emphasizing the dynamic energy of destruction and reconstruction within the piece. The letterforms remain highly stylized yet nearly deconstructed, symbolizing the fluidity of identity and artistic evolution. Personal Evolution and Graffiti as Self-Reflection For DAIM, graffiti is more than a visual statement—it is a self-portrait. His approach to lettering has evolved over the decades, becoming increasingly complex and introspective. He has described his work as a reflection of personal growth, with each composition marking a distinct phase in his artistic and personal journey. Shadow represents a refinement of his three-dimensional technique, stripping down elements to their most essential yet impactful forms. The controlled chaos of the composition reflects a balance between movement and stillness, showcasing DAIM’s ability to create a harmonious tension within his work. The controlled drips along the edges of the piece allude to the organic roots of graffiti, reminding viewers of the raw, urban origins of the art form. The Impact of DAIM on Street Pop Art & Graffiti Artwork DAIM’s contributions to street pop art & graffiti artwork have established him as a leading figure in three-dimensional urban lettering. His work blurs the lines between graffiti, architecture, and contemporary abstraction, challenging traditional notions of what street art can achieve. Shadow stands as a testament to the depth and sophistication of graffiti as an art form, pushing the boundaries of lettering into the realm of fine art and modern design. By mastering light, perspective, and structure, DAIM has elevated graffiti into a fully immersive visual experience, leaving an indelible mark on the art world. His ability to transform simple letters into multidimensional sculptures continues to inspire the next generation of urban artists.

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Shadow Boxer Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by Sarah Joncas Graffiti Street Artist Modern Pop Art. "I had a reference image I took of myself many years ago. I had lost my sketchbook that day and had nothing to paint on, so I started using myself as a model in some kitschy noir-like photo shoot. I always liked the photo and wanted to paint it up, but it wasn't until this show came around that I found a proper place for the image. Though I'm not at all as dramatic, violent, or angry as the painting displays (quite the opposite), it was a lot of fun to roleplay that kind of revengeful character! I've always said painting is kind of my quiet/shy way of acting... I like to paint narratives and covey them in a way that touches emotions and stirs up thought, kind of like a film might." - Sarah Joncas

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Shark & Three Girls Show Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 40 Artwork Size 18x19 "This piece is significant in the journey towards my solo show in October titled "Ping Pong Show." Two Girls And Three Tigers illuminates the contemplation of nature, culture, predator vs. prey, and recent travels to Thailand and the middle east.The idea is a culmination of seduction, animal spirit, philosophy of culture and its roll in the idea of predator vs. prey. 1 square inch could take 1 - 5 days depending on how it's working with the painting as a whole. My process can be masochistic. It's a chess match. My roots as an illustrator is that everything is planned out. I'm going against the grain in more of a fine art direction by allowing the painting to guide me, to ask me questions. There are very small to very large details to this piece from color, to shape, and form. These details were in large part not preplanned and a manifestation of content. " - Shark Toof

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Shark- Gold Original Hand-Painted Multiple on Laser Cut Wood Panel ready to hang by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Embleshed Limited Edition of 7 Artwork on Wood Size 9.25x17 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.” Shark Toof

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Shark Head- Red Fluorescent Hand-Painted & Screen Printed Multiple on Laser Cut Wood Panel ready to hang by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Embleshed Limited Edition of 4 Artwork on Wood Size 10x16 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.”

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Shark Icon- Gold Original Hand-Painted Multiple on Laser Cut Wood Panel ready to hang by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Embleshed Limited Edition of 7 Artwork on Wood Size 9.25x17 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.” Shark Toof

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