Jane's Addiction El Cinco De Mayo- 2010 Rock Music Event Limited Edition 2-Color Silkscreen Gig Poster Glossy Weatherproof Cardstock by MFG- Matt Goldman Max Goldman. This poster was designed for Jane's Addiction secret show at Bardot in Hollywood on May 5, 2010. The Cinco de Mayo celebration also unveiled their new bassist: Duff McKagan from Guns 'n' Roses and Velvet Revolver. A total of 250 yellow/black posters were printed and entirely handed out at the show. We set aside 50 and they are only available here. These were printed by the venerable and now-defunct Colby Printing Company in Downtown LA. Colby rose to contemporary awareness during a series of their work featured at MOCA's Geffen Contemporary. 22 x 28 inches Screen Print Black, Fluorescent Yellow Glossy Weatherproof Cardstock Printed by Colby Poster Printing Company Limited Edition of 250 Signed and Numbered by MFG- Matt Goldman

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Jerry Moth Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Matt Gordon pop culture LSD artwork. Matt Gordon is a mixed media artist who strives to make well-crafted and highly detailed acrylic paintings and pencil drawings, along with the occasional 3-D fabrication thrown in there to satisfy sculptural needs and to provide live models for things that don't really exist but need to look like they do.

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Jim Morrison's Doors, an Original Mixed Media Acrylic Painting by Bobby Hill, a Kind of Artwork on Fine Art Paper by a Street Art Pop Artist. 2010 Signed Mixed Media Acrylic Spray Paint Painting Original Artwork Size 14x22 Matted on Board 20.5x29 Artwork Size 14x22 Capturing the spirit of the legendary frontman of The Doors, Jim Morrison, artist Bobby Hill delivers a powerful mixed-media acrylic painting street art's raw intensity with the vibrant poppaletteettep art. Created in 2010, this original piecombinesher acrylic and spray paint techniques onto fine art paper, resulting in a visual experience as enigmatic as Morrison's persona. The artwork is 14x22 inches and matted on board to 20.5x29 inches, the piece is a substantial tribute that harmoniously fits within the collector's space and the gallery wall. Hill's portrayal of Morrison is not just a link but is an echo of the singer's influence, with every brushstroke and spray of paint adding to a narrative as layered as the music Morrison left behind. The vivid colors and the way they overlay and interact with each other reflect the complexity of Morrison's character and his legacy, resonating with fans and art lovers alike. Signed by the artist, this one-of-a-kind artwork carries the authentic flair that one would expect from a piece inspired by one of rock's most iconic figures. In this creation, Bobby Hill has successfully married the spontaneity and defiance of street art with the iconic, bold imagery characteristic of pop art. This piece does not merely showcase Jim Morrison's image but instead communicates a larger story about the impact of a cultural icon. It is a manifestation of how street art and pop art can cross paths to produce something that is not only visually striking but also emotionally stirring. The legacy of Morrison is thus perpetuated through this contemporary artistic lens, inviting viewers to explore the depths beneath the celebrity's surface. This painting by Bobby Hill serves as a testament to the enduring nature of Jim Morrison's influence, capturing the essence of his spirit in a way that continues to speak to the rebellious, the dreamers, and those who find beauty in the unconventional. It's a piece that, much like Morrison's own life, challenges the norm and invites more profound contemplation, mirroring the complexities of the human experience through street and pop art.

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Jimi Hendrix- Cream Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 70 Artwork Size 22.5x30 Artist: Mr. Brainwash Title: Hendrix (Cream) Year: 2015 Dimensions: 30in. by 22.5in. Edition: From a limited edition of 70 Medium: Color screenprint on hand torn archival paper. Condition: Excellent Signature Details: Hand signed and thumb printed

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Jimi Hendrix- Dark Gradient Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 70 Artwork Size 22.5x30 Unique #7 Variant "Jimi", a five-color screen-print on hand torn archival art paper. Print is signed and numbered #7 with a thumbprint on the back. Print Size: 22.5in. x 30in.

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Hendrix- Purple Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 70 Artwork Size 22.5x30 Artist: Mr. Brainwash Title: Hendrix (Purple) Year: 2015 Dimensions: 30in. by 22.5in. Edition: From a limited edition of 70 Medium: Color screenprint on hand torn archival paper. Condition: Excellent Signature Details: Hand signed and thumb printed

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Hendrix- Silver Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 70 Artwork Size 22.5x30 Artist: Mr. Brainwash Title: Hendrix (Silver) Year: 2015 Dimensions: 30in. by 22.5. Edition: From a limited edition of 70 Medium: Color screenprint on hand torn archival paper. Condition: Excellent Signature Details: Hand signed and thumb printed

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Just A Minor Threat Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed by Glen E Friedman x Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print Depicting Punk Rock Music Band Minor Threat & Ian MacKaye Stylized Raging Concert Photo by Glen E Friedman "I first heard Minor Threat in 1985 when I had been skateboarding and listening to punk and hardcore for a year. I was quickly becoming more confident, outspoken, and energized by D.I.Y. culture, and I was voraciously hungry for things that fuelled my emotional and intellectual evolution. Minor Threat was rocket fuel for my journey. Not only is their music a ferocious explosion of energy, but their playing is tight, and Ian MacKaye’s lyrics are intelligent and provocative. On top of that, Minor Threat created their own label, Dischord Records, to put out their music as well as records by other D.C. bands. Minor Threat and Dischord are profound influences on me, so I was very excited to collaborate with Glen on a Minor Threat print to celebrate the release of his new book “Just a Minor Threat.” Glen has the most intimate and powerful photos of Minor Threat, so it was possible to craft an illustration with strong images of all the band members. I’m also incredibly grateful to have the blessing of the members of Minor Threat." -Shepard Fairey- OBEY "Minor Threat is obviously one of the great foundations of hardcore punk rock. Inspiration for legions around the world, including Shepard and myself. As we’ve done with my last several books, Shepard and I got together and collaborated to make a print celebrating the release of the new publication. Shepard is one of my designing confidants and often gives me advice during my process of bookmaking so it makes sense that once the project comes to fruition, we enthusiastically make these prints of artists that inspire both of us. This print is based on separate images of each individual in the band as well as the always omnipresent audience that were a major part of incredible Minor Threat gigs. The book came out great and is different from previous books; it has its own voice, not only through the trove of never-before-seen photographs but also through the incredible essays throughout. Be inspired." -Glen E Friedman The intersection of punk rock and visual art finds a pulsating tribute in Shepard Fairey's silkscreen print titled "Just A Minor Threat." This limited edition piece, numbered to only 550 and signed by both Fairey and celebrated photographer Glen E. Friedman, crystallizes the essence of the iconic hardcore punk band Minor Threat. Created on Cream Speckletone Fine Art Paper and measuring 18x24 inches, the artwork commemorates not only the band's fierce energy but also the release of Friedman's new book. Minor Threat, fronted by Ian MacKaye, left an indelible mark on the punk scene with their explosive music and D.I.Y. ethos. This band didn't just play music; they ignited a cultural movement by establishing Dischord Records, encouraging self-expression and independence within the arts community. Fairey, himself a product of the skateboarding and punk cultures of the 1980s, attributes his confidence and outspoken nature to the catalytic influence of bands like Minor Threat. His collaboration with Friedman is not just a celebration of their shared inspirations but a manifestation of the band's impact on their creative and intellectual trajectories. The artwork vividly captures the raw intensity of a Minor Threat performance, with each member and the palpable energy of the audience rendered in a style that bridges the gap between photography and stylized illustration. This visual synergy complements the narrative of Friedman's book, which not only offers an array of unseen photographs but is peppered with essays that give voice to the era and the band's pivotal role in it. Fairey's print stands as a testament to the band's legacy and as a beacon for those fueled by the spirit of rebellion and authenticity that Minor Threat so potently symbolized.

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Kurt Cobain- Endless Nameless 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Kurt Cobain – Endless Nameless 18 inches by 24 inches Edition of 650 April 7, 2021 "I have been a fan of Nirvana since I first heard them over 30 years ago. My appreciation for lead singer Kurt Cobain’s artistry and intelligence has only increased over the decades. I had an opportunity to see Nirvana and the Melvins in the fall of 1991, but I had a college project due, so I skipped it to finish my work. At the time, it seemed like both bands would remain underground and tour the smaller clubs for the foreseeable future." -Shepard Fairey

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Kurt Skull LND Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Joe King. Kurt LND [Legends Never Die] by Joe King Inspired by Kurt Cobain Archival Print Print Edition of 40 | Signed and Numbered by the Artist Size: 11" x 14" From: Long Beach, CA

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Led Zeppelin IV 40 Misty Mountain Hop 4-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2014 Signed Limited Edition of 25 Artwork Size 18x24 Silver Metallic Ink “I have always been drawn to the lyrics “So I’m packing my bags for the Misty Mountains where the spirits go now, over the hills where the spirits fly. “ They not only paint a picture of what was going on in the park that famed day in the song, but touch on the oft-mentioned middle-earth interests the guys seem to have had throughout their illustrious career. I wanted to let my mind run wild and send myself off to the misty mountains where I was greeted by this very flying spirit. I modeled our flying friend after the serpents and Dragons Jimmy has been known to adorn on-stage.” Nate Duval

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Lemmy Damaged Case 1-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2021 Signed & Numbered Lemmy Damaged Case 18 inches by 24 inches Edition of 550 September 10, 2021 "I was first intrigued to check out Motörhead because the guys from G.B.H. were in a few photos wearing Motörhead t-shirts with the band’s great “snaggletooth” logo. “Ace of Spades” is the first Motörhead song I heard, and I didn’t know how to categorize it – punk, metal, hard rock?…but I knew it sounded AWESOME!" -Shepard Fairey

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Let There Be Dark Red Silkscreen Print by Shepard Fairey- OBEY x Niagara Hand-Pulled 3-Color on 320gsm Natural Coventry Rag Vellum Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 150 Artwork Size 24x18 Silkscreen Print "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights'" -Shepard Fairey- OBEY Exploring the Bold Realms of "Let There Be Dark" by Shepard Fairey: A Street Pop Art Icon Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is a striking embodiment of the symbiotic relationship between street pop art and contemporary visual culture. This limited edition piece, created in collaboration with Niagara, is a visual narrative encapsulating the energy and subversive undercurrents that course through this artistic movement. As a hand-pulled 3-color print on 320gsm Natural Coventry Rag Vellum fine art paper, it stands as a testament to Fairey's mastery over the medium and his unwavering commitment to pushing the boundaries of street art into the delicate art sphere. Produced in 2019, the artwork is part of a highly exclusive series, with only 150 signed and numbered editions available. The dimensions of the artwork, 24x18 inches, are significant not only for their visual impact but also for their ability to draw the viewer into the confrontational yet poised dynamic that defines the composition. Fairey's choice of subjects, Ron and Niagara, is particularly telling; their depictions are rendered with a stark contrast of black, white, and a commanding red, highlighting their iconic stances and the charged atmosphere they embody. Fairey's narrative intention behind "Let There Be Dark" is as compelling as the visual force of the artwork. In his words, he captures the essence of Ron and Niagara's personas, juxtaposing Ron's aggressive frontality with Niagara's seemingly delicate yet cunning disposition. The addition of a switchblade subtly caressed by Niagara adds a layer of danger and a nod to the femme fatale archetype. This imagery is not merely decorative; it is a deliberate act to challenge and subvert the viewer's expectations, a hallmark of Fairey's style that has cemented his place in street pop art and graffiti artwork. The title, "Let There Be Dark," invites interpretation, playing on the biblical phrase "Let there be light," suggesting a reversal or an embrace of shadow and complexity over simplicity and illumination. This reversal is symbolic of the more significant cultural critique often found in Fairey's work, where the binaries of good and evil, light and dark, are not just questioned but also deconstructed. Beyond the visual and thematic layers, the print's collectibility is further enhanced by its fine art attributes. The use of Coventry Rag Vellum fine art paper, known for its durability and smooth texture, ensures that the colors' vibrancy and the lines' precision remain intact over time. The paper choice reflects Fairey's nuanced understanding of materials and their role in elevating street art to OK art status. Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is an authentic representation of the spirit of street pop art. It bridges the gap between street art's raw expressiveness and silkscreen printing's calculated precision. With its limited edition status and the artist's signature, the print is not just a piece of art; it is a cultural artifact that captures the pulse of contemporary society and the ongoing dialogue between street art and the mainstream art world. It is a vivid example of how street pop art continues to shape and influence our visual language and cultural conversations.

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Living Color 1991 San Diego CA Handbill Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1991 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik "Living Color x Frank Kozik" presents an audacious fusion of sound and vision that redefines the boundaries of art and music. Living Color, the legendary rock band known for their explosive performances and genre-blurring sound, collaborate with Frank Kozik, the acclaimed graphic artist whose iconic posters and vinyl figures have become fixtures of the underground art scene. This collaboration presents an immersive experience, wherein Kozik's bold, psychedelic artwork spectacularly complements Living Color's thunderous riffs and dynamic rhythms, creating a unique symbiosis between rock and art that fans of both will not want to miss.

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Lovers Rock AP Artist Proof HPM Hand Finished Archival Print by Prefab77 Limited Edition Print on 350gsm Somerset Fine Art Paper Pop Artist Modern Artwork. AP Artist Proof 2021 Signed & Marked AP Hand Finished Limited Edition Artwork Size 19.29x33.46 Archival Pigment Fine Art. The Signature Style of Prefab77 in "Lovers Rock AP Artist Proof HPM" The "Lovers Rock AP Artist Proof HPM" by Prefab77 is a striking piece of modern artwork that is a testament to the collective's ingenuity in Street Pop Art and graffiti Artwork. As an artist's proof, this particular print holds a special place in the production process, representing a trial piece used to judge the quality of the print run. This print, measuring 49 x 85 cm, is executed on 350gsm Somerset fine art paper, a high-quality medium chosen for its durability and ability to faithfully present the rich, archival pigment inks used in the print. This work is distinguished by its hand-finished elements, which ensure that each piece within the limited edition is unique. Hand-finishing, which can involve a range of techniques from painting to drawing, imbues the print with a one-of-a-kind character that sets it apart from standard reproductions. Prefab77's signature style, which seamlessly melds illustrative and typographic elements, is fully displayed in this artwork. Each print comes signed, stamped, and numbered, underscoring its authenticity and the personal touch of the artists. The visual language of "Lovers Rock AP Artist Proof HPM" is a cacophony of pop culture references, political statements, and bold graphic design. The piece's narrative comments on the intersection of love and rebellion, a recurring theme in Prefab77's body of work. The title, "Lovers Rock," could be seen as an allusion to the romantic yet defiant sub-genre of reggae, hinting at the fusion of softness and strength that characterizes the piece. Exploring the Depth of "Lovers Rock AP Artist Proof HPM" Beyond its surface aesthetics, "Lovers Rock AP Artist Proof HPM" delves into the complex interplay between pop iconography and gritty street motifs. The image central to this piece features a portrait overlaid with a collage of graphical elements, suggesting a multifaceted identity shaped by various cultural forces. This blending of styles reflects Prefab77's capacity to navigate different worlds, from the underground scenes of street art to the polished galleries of fine art. The artwork's compositional elements are reminiscent of the layering found in graffiti art, where messages and images are superimposed to create a rich tapestry of meaning. However, unlike the transient nature of street art, the archival quality of the pigments and paper used in "Lovers Rock AP Artist Proof HPM" ensures that the piece will endure, preserving the energy and message of the artwork for future generations. The choice of Somerset paper, known for its textured finish, adds a sensory layer to the work. The paper's tactile quality complements the print's visual complexity, making "Lovers Rock AP Artist Proof HPM" not just an artwork to be seen but one to be experienced. This sensory engagement is crucial to understanding the ethos behind Prefab77's creations — the desire to create immersive and evocative art. Cultural Impact and Legacy of "Lovers Rock AP Artist Proof HPM" As an influential work within the Street Pop Art and graffiti Artwork genre, "Lovers Rock AP Artist Proof HPM" has the potential to impact cultural narratives and the art community. Combining pop art's mass appeal with the raw authenticity of street art allows for a dialogue that transcends social and cultural barriers. Prefab77's commitment to producing limited edition prints ensures that each piece is a snapshot of the cultural zeitgeist, capturing the mood and movements of the times. The presence of an artist's proof in the market also serves as an educational tool, providing insight into the printmaking process and the value placed on each step leading to the final work. For collectors and enthusiasts, acquiring an artist's proof is a way to connect more deeply with the creative process, offering a glimpse into the artist's intent and the evolution of the artwork. "Lovers Rock AP Artist Proof HPM" is not just a piece of artwork but a cultural artifact representing the intersection of various art forms and influences. Prefab77's dedication to their craft and ability to constantly innovate within the Street Pop Art and graffiti Artwork space assures that their work, including this print, will be remembered as a significant contribution to the ongoing dialogue about the value and place of street art in contemporary society.

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Low Powers Dept Tour 1997 Domestic Mika Band Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 450 Artwork Size 18.5x31 Silkscreen Print Band Gig Poster by Frank Kozik

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Lucy Georges Guitar Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 150 Artwork Size 9x24 Metallic Ink "LUCY (in the sky of diamonds). This print is the first of a “famous guitar series” that I am working on. It depicts George Harrison’s famous ’57 Les Paul, “Lucy.” -Nate Duval

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Mans Ruin Zeke AP 1998 Cocodrie San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1998 Signed by Kozik & Marked AP Artwork Size 18x30.5 Silkscreen Print Band Gig Poster by Frank Kozik Zeke, Hammerlock, Jack Saints, Cocodrie, San Francisco CA 4-03-1998

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Marilyn Manson- Rakugaki 3 122 Original Colored Pencil Hand Drawing on Paper by Pop Culture Artist Albert Reyes. 2021 Signed Original Colored pencil on paper. Artwork measures 8.5 x 11 inches.

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Mark Lanegan 60 Black Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 15x24 Silkscreen Print. "This print is a tribute to my friend, Mark Lanegan, released in honor of his 60th birthday. I’ll never forget our walks through the light and dark" -Cleon Peterson A Meaningful Tribute to a Resonant Voice Cleon Peterson, an American artist known for arresting imagery and commentary on human conflict, created this limited edition silkscreen print as a personal homage to Mark William Lanegan. Lanegan, an American singer, passed away on February 22, 2022, leaving a profound influence on those who knew him and admired his work. Peterson sought to honor the singer’s 60th birthday through this piece, reflecting the shared journeys and the spirit of discovery that bound them together. The artwork presents a striking composition in red, black, and white, symbolizing both shadowy introspection and bright revelation. Each element in the design conveys tension and release, echoing the emotional depth of Lanegan’s music and the keen observations that define Peterson’s artistic approach. This 15x24-inch print on hand deckled 290gsm Coventry Rag Fine Art Paper captures a powerful exchange between two figures. One figure, rendered in vivid red, suggests an otherworldly presence, while the central human form stands in stark black. Their poses and gestures imply a push and pull of darkness and light, a motif that resonates with Lanegan’s creative path. The swirling shapes around the figures evoke fire, passion, and potential tumult, reinforcing Peterson’s signature use of bold silhouettes and purposeful negative space. By blending minimal details with high-contrast colors, the composition maintains a sharp intensity that draws the observer into its emotional core. Symbolism and Visual Expressions The interplay of color in this silkscreen print reflects the way Lanegan’s music often inhabited spaces of introspection and fervor. The red figure hints at the force of temptation or struggle, while the black figure appears poised between surrender and resistance. These themes connect to Peterson’s broader body of work, which frequently portrays dramatic confrontations between contrasting elements. The text at the top and bottom references Lanegan’s 60th birthday and a notable venue, grounding the imagery in a celebratory yet reflective context. Observers are invited to consider how memory, friendship, and creative expression intertwine, shaping a narrative that transcends a mere birthday commemoration. Street Pop Art & Graffiti Artwork Connections Followers of Street Pop Art & Graffiti Artwork will recognize Peterson’s distinctive style, which employs flat color fields and intense outlines to deliver profound statements. This approach, reminiscent of bold murals and graphic interventions, has a directness that resonates in urban spaces as well as gallery settings. The oversized figures, emphasized by bright red and deep black, maintain the immediacy often associated with graffiti and street-based practices. Peterson’s technique interlaces pop culture influence with raw, street-inspired energy, reflecting a shared heritage of challenging conventional aesthetics. The overall arrangement echoes a modern approach to iconic visuals, where a few simplified shapes transmit a wealth of emotional content. Production Details and Collectibility Created in 2024 as a signed and numbered edition of 100, the Mark Lanegan 60 White Silkscreen Print stands as a carefully crafted testament to the artist’s dedication. Each piece is printed on luxurious 290gsm Coventry Rag Fine Art Paper, hand deckled for a subtle, artisanal feel. The tactile edges offer a nod to the handmade aspect of screen printing, merging contemporary design with time-honored techniques. Collectors value the exclusive nature of this run and the emotional resonance behind the subject matter, as Peterson’s personal connection to Lanegan adds depth to the composition. This artwork embodies the potent blend of reverence, friendship, and Street Pop Art & Graffiti Artwork influences that characterizes Peterson’s portfolio, reminding viewers of the enduring power that creative voices hold, even when they have departed.

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Mark Lanegan 60 White Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 15x24 Silkscreen Print. "This print is a tribute to my friend, Mark Lanegan, released in honor of his 60th birthday. I’ll never forget our walks through the light and dark" -Cleon Peterson A Tribute to Mark Lanegan’s Influence Cleon Peterson, an American artist, created this limited edition silkscreen print as a celebration of friendship and creative inspiration. The piece honors Mark William Lanegan, an American singer from the United States who passed away on February 22, 2022. It is intended as a symbolic homage on what would have been Lanegan’s 60th birthday, capturing both the spirit of his music and the bond shared with Peterson. The composition features vivid red flames, a devil-like figure, and a looming human silhouette, all arranged against a clean white background. These elements evoke an interplay of dark and light themes that are familiar to admirers of Lanegan’s evocative artistic persona. Peterson’s style often delves into conflict, tension, and the human psyche. This print channels that approach through intense contrasts and symbolic positioning of figures. Viewers are drawn to the swirling red shapes that frame the central subject, as if referencing passionate creativity and the turbulent journeys that can shape a musician’s path. Despite the stark color palette, the details remain bold yet minimal, prompting those who see it to reflect on personal battles, triumphs, and the lasting impact of influential artists. Symbolism and Visual Dynamics The 15x24-inch format provides ample space for the dramatic interplay of silhouettes and vibrant hues. The devil-like figure on the left clutches the black shape representing a human form, suggesting a struggle with internal or external forces. Red flames dance around them, hinting at transformative experiences. Peterson’s characteristic approach to color and contrast emerges vividly, making the artwork eye-catching while hinting at deeper layers of meaning. The piece is printed on hand deckled 290gsm Coventry Rag Fine Art Paper, giving each edition a delicate edge and artisan feel. This physical quality aligns with the emotionally charged subject matter, reinforcing how art can capture both intangible memory and tangible craftsmanship. The red and black imagery echoes aspects of Street Pop Art & Graffiti Artwork, where bold lines, stark contrasts, and simplified forms deliver powerful messages without the need for elaborate detail. Street Pop Art & Graffiti Artwork Inspirations Street Pop Art & Graffiti Artwork themes resonate strongly in Peterson’s prints, and this piece continues that tradition. Observers familiar with urban art often appreciate how the print’s flat planes and intense outlines create a dynamic statement reminiscent of public murals or bold graffiti tags. Elements of subversive energy, common in street-based art forms, echo through the stylized flames and exaggerated demon figure. The layout underscores a sense of confrontation and collaboration between opposing forces. This duality mirrors how Street Pop Art & Graffiti Artwork can be both visually arresting and socially engaging. By bridging personal narratives and symbolic imagery, Peterson’s work remains connected to the underground sensibilities that inform his larger body of creations, merging a refined process with raw thematic concerns. A Timeless Limited Edition Produced as a 2024 signed and numbered edition of 100, the Mark Lanegan 60 White Silkscreen Print has quickly drawn the attention of collectors who value both its emotional resonance and artistic sophistication. Each piece serves as a physical artifact commemorating not just Lanegan’s 60th milestone, but also the enduring impact of creative collaboration between friends. The hand deckled edges and quality paper reflect a commitment to preserving the authenticity of the original design. This print represents a slice of contemporary art that has roots in personal memory and universal themes of struggle and redemption. Peterson’s decision to dedicate a work to Lanegan conveys the deep respect and admiration shared among fellow artists. This sentiment is captured in the graphic interplay of color, shape, and content. By uniting the intensity of Street Pop Art & Graffiti Artwork with a meaningful tribute, Peterson offers a compelling piece that stands as a thoughtful reminder of Mark Lanegan’s artistic legacy and the bond that fueled its creation.

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Marvin Berry and the Starlighters 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by Robin Boyden counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

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Mens Club Zen Guerilla Crutch 1997 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 17x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Men's Club Zen Guerilla Crutch The Kilowatt Club San Francisco, California 6-14-1997

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Mercury Limited Edition Giclee Print on Fine Art Paper by Robert Bruno counter-culture street artist art. Freddy Mercury from the rock band Queen.

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Metallica Barcelona- 2021 Limited Edition Music Gig Poster 3-Color Green Glow in the Dark Silkscreen Print on Cream Speckletone Paper by Jeff Soto Graffiti Street Artist Modern Pop Art. Created for Metallica's May 5th show in Barcelona, Spain. The poster was inspired by songs from Metallica’s "…And Justice For All" album, as well as envisioning an ancient Spanish forest and what might dwell in it. All posters measure 18" x 24"

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Metallica in Bucharest 2019- Blue Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Zi Xu for band Metallica. Metallica, Music, Rock N Roll, Band, Concert, Bucharest, Romania, Monster, Griffin

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Mick Jagger New York Original Oil Painting by Peter Keil One of a Kind Artwork on Foam Board Framed Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1985 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 28.5x37.5. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Rolling Stones Mick Jagger Head & Face Smoking a Cigarette. The Foam Panel is Bowing Inward Out The Back of the Frame and hangs Slightly Off the Wall. Capturing the Iconic: Peter Keil's Portrayal of Mick Jagger Peter Keil's "Mick Jagger New York" is an original oil painting that captures the essence of one of rock and roll's most iconic figures. Created in 1985 and framed on a foam board panel, this piece represents Keil's vibrant and expressionistic style. The artwork, signed and dated by the artist known as The Wild Man of Berlin, measures 28.5 x 37.5 inches, reflecting Keil's penchant for creating bold art. Within the pop art tradition, Keil's depiction of the Rolling Stones' lead singer is a perfect amalgam of celebrity culture and artistic innovation. The use of thick, textured paint is typical of Keil's technique, adding depth and intensity to the image of Mick Jagger, portrayed with a cigarette elegantly dangling from his lips. The potential presence of paint flaking adds a dimension of authenticity and history to the piece, speaking to the natural aging process of Keil's chosen mediums and the enduring nature of his works. The painting is more than a mere likeness of the famed musician; it is a narrative piece that conveys Jagger's persona's raw charisma and enduring legacy. Keil's use of color and form breaks from conventional portraiture, instead providing a window into the subject's soul, capturing the essence of Jagger's public and private personas. In the broader context of street pop art and graffiti artwork, Keil's painting stands out for its embrace of pop culture icons and its ability to translate that into a fine art context. The work aligns with the spirit of street art, which often appropriates popular imagery to make statements about society, fame, and the passage of time. Keil's painting does this with reverence and creativity, ensuring that "Mick Jagger New York" is not just a portrait but a piece of cultural history. In essence, Keil's work is a testament to the fusion of street art sensibilities with the sophistication of fine art. His portrayal of Mick Jagger is imbued with a sense of immediacy and intimacy, often the hallmark of the best street-inspired art. Through this painting, Keil continues to challenge and expand the boundaries of contemporary art, securing his place as a pivotal figure in the evolution of pop art and its intersection with street aesthetics.

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Mixtape Limited Edition Archival Pigment Fine Art Prints on Matte Velvet Rag Paper by Graffiti Street Art Pop Artist Dave Pollot. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 19.82x24 Edition of 100 -Signed and numbered in pencil beneath in image -including 2" white margins -Printed on matte velvet rag paper Exploring Dave Pollot's Mixtape Archival Print Dave Pollot is an American artist known for innovatively integrating street art elements into classical and pop art themes. His work often involves reimagining thrift store paintings by introducing modern elements into the otherwise classical compositions, creating a whimsical and thought-provoking juxtaposition. In his limited edition piece titled "Mixtape," Pollot combines the aesthetic of street pop art with the delicate sensibilities of traditional still life, creating a visually striking artwork that resonates with a broad audience. This artwork, signed and numbered by Pollot himself, is part of a limited edition of 100 pieces, each printed on matte velvet rag paper, emphasizing its exclusivity and appeal to collectors. Characteristics and Medium "Mixtape" features a lush arrangement of flowers, a classical subject in art, contrasted sharply by including a modern cassette labeled "Awesome Mix." This blend of the old and the new is characteristic of Pollot's style, where he seamlessly merges elements from different eras to comment on the transient nature of art and cultural artifacts. The artwork is rendered on matte velvet rag paper, a choice that enhances the colors and gives the piece a soft, tactile quality that complements its visual depth. Matte paper also avoids the glare that glossy prints might exhibit, allowing for a more intimate and engaging viewing experience. The Significance of Street Pop Art and Graffiti Artwork in Modern Culture Street pop art and graffiti have evolved from their rebellious, underground origins to become recognized and celebrated contemporary art forms. Artists like Dave Pollot, who engage with these styles, often do so to make statements about society or to bring a new perspective to traditional art forms. In "Mixtape," the cassette tape – an object that symbolizes the recent past and evokes nostalgia – serves as a reminder of the rapid pace of technological and cultural change. Including this element in a traditional still life disrupts the expected visual narrative and invites the viewer to reflect on the evolution of music media and its impact on personal and collective memory. Like much of Pollot's work, this artwork appeals to a diverse audience. It reaches those who appreciate the technical skill required in traditional art forms and those who enjoy street art's edgy, contemporary feel. Additionally, the limited nature of the print run – only 100 pieces – along with the artist's signature, adds a layer of collectibility and value, making it a prized possession for both art lovers and investors. In the broader context, Pollot's "Mixtape" exemplifies how modern artists are blurring the lines between high art and popular culture. By bringing elements of street pop art into the gallery, these artists are challenging preconceived notions about what constitutes "fine art" and who art is for. This art democratization reflects a more significant cultural shift towards inclusivity and the recognition of diverse artistic expressions. Pollot's work celebrates this shift, showcasing how traditional and modern visual elements can coexist harmoniously and create new meanings. Dave Pollot's "Mixtape" is more than just a visually appealing piece; it is a thoughtful commentary on the intersection of past and present, popular culture's temporary nature, and art's evolving boundaries. Through this work, Pollot captures the essence of street pop art and graffiti artwork and elevates it, offering a sophisticated yet accessible piece that resonates with a contemporary audience.

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Modest Mouse Columbus OH 2014 Music Limited Edition Gig Poster Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Fugscreens. 2014 Signed & Numbered Limited Edition of 225 Artwork Size 18x24 Modest Mouse Music Band, Columbus OH 2014 LC Pavilion Theater Man in Jungle Fighting Turtles Holding Passed Out Woman. SIlver Metallic Ink Modest Mouse Columbus OH 2014 Music Limited Edition Gig Poster by Fugscreens The Modest Mouse Columbus OH 2014 gig poster by Fugscreens is a bold and surreal example of how street pop art & graffiti artwork intersect with music culture. Designed as a commemorative print for the band’s performance at the LC Pavilion in Columbus, Ohio, this hand-pulled silkscreen artwork is a striking fusion of visual storytelling and underground aesthetics. Signed and numbered in a limited edition of 225, this 18x24-inch print stands as both a collectible and a statement piece, embodying the raw energy and eccentric themes often associated with Modest Mouse’s music. The Visual Impact and Artistic Composition Fugscreens’ design for this poster is both chaotic and captivating, featuring a jungle-like setting where a muscular figure engages in an intense battle with oversized turtles while holding an unconscious woman. The exaggerated features, comic book-style linework, and surreal subject matter make this piece an unmistakable example of street pop art & graffiti artwork. The illustration is packed with dynamic movement, drawing the viewer into an unexpected narrative that feels both mythical and absurd. The use of stippling and detailed texturing creates a layered effect, adding depth to the composition while maintaining a sense of handcrafted imperfection. The color palette consists of earthy greens, soft blues, and muted reds, giving the artwork a vintage pulp-fiction feel. The heavy use of outlines and shadowing enhances the drama of the scene, making the central figures appear even more exaggerated and intense. The placement of the band’s name at the top of the print in clean yet slightly distressed lettering contrasts sharply with the wild imagery below, reinforcing the idea that music itself can be both chaotic and structured at the same time. Symbolism and Street Pop Art & Graffiti Artwork Aesthetics The imagery in this gig poster aligns with the themes often explored in street pop art & graffiti artwork—violence, nature, surrealism, and social commentary. The bizarre battle scene could be interpreted as a metaphor for struggle, survival, or even absurdity in modern life, themes that frequently appear in Modest Mouse’s lyrics. The inclusion of turtles as adversaries adds an element of irony and humor, subverting traditional heroic imagery and making the viewer question the logic behind the fight. The unconscious woman draped in the central figure’s arms suggests a vintage comic book or adventure novel aesthetic, but with an intentional absurdity that makes the scene feel like a critique rather than a glorification of action. The hand-pulled silkscreen technique enhances the rawness of the piece, much like how graffiti artists embrace imperfection and texture in their work. The ink layers create a tactile quality that digital prints cannot replicate, reinforcing the handmade, street-inspired nature of the artwork. This print exemplifies how gig posters, like street murals and graffiti, serve as an extension of underground culture, carrying the same rebellious energy and defiance of mainstream design conventions. The Cultural and Collectible Significance of the Print As a limited edition, signed, and numbered print, the Modest Mouse Columbus OH 2014 gig poster holds significant value among collectors of music memorabilia and street pop art & graffiti artwork. The 18x24-inch format allows for intricate details to be fully appreciated, making it an ideal display piece for fans of both the band and contemporary urban art. Fugscreens’ commitment to hand-pulled silkscreen printing ensures that each piece maintains a level of authenticity, with subtle variations that make every print unique. The poster’s surreal and chaotic imagery captures the essence of Modest Mouse’s music—unpredictable, introspective, and unafraid to challenge convention. Much like street artists who reclaim urban spaces with bold visuals, this print takes a non-traditional approach to gig poster design, pushing beyond simple branding and into the realm of artistic storytelling. It serves as both a promotional tool and a standalone work of art, proving that music and visual art share an inseparable bond in shaping cultural narratives.

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Modest Mouse- Orlando 2014 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Fugscreens. 2014 Numbered Limited Edition Artwork Size 18x24 Modest Mouse Music Band, Orlando FL 2014 Beacham Theater. Modest Mouse, Orlando, Flordia, 2014, Beacham Theater, Music, Walkman, Cassette Tape, Band Modest Mouse Orlando 2014 Music Limited Edition Gig Poster by Fugscreens The Modest Mouse Orlando 2014 gig poster by Fugscreens is a striking example of how street pop art & graffiti artwork can merge with music culture to create a visually compelling and collectible piece. This hand-pulled silkscreen print was designed to commemorate the band’s performance at the Beacham Theater in Orlando, Florida. Produced in a limited edition and numbered, this 18x24-inch artwork captures the nostalgia and energy associated with both Modest Mouse’s music and the aesthetic of analog-era sound. The careful craftsmanship of the print, combined with its raw and textural feel, makes it a standout piece in both the world of gig posters and modern street pop art. The Artistic Style and Composition of the Gig Poster Fugscreens’ design for this poster is both minimalistic and deeply evocative, using a limited color palette and bold outlines to create a sense of vintage authenticity. The central image features an old-school Walkman cassette player and a pair of headphones resting on a textured surface. The device itself carries the label Orlando, grounding the piece in its specific concert location while also evoking the personal and intimate nature of listening to music on cassette. The composition places heavy emphasis on nostalgia, making it feel like a snapshot from an era when music was deeply personal and portable in a tangible way. The typography used for Modest Mouse is organic and hand-drawn, with a rough, textured quality that mirrors the do-it-yourself aesthetic of street pop art & graffiti artwork. The uneven, hand-rendered lettering reinforces the raw and unpolished ethos that has always defined Modest Mouse’s sound. The print’s frame, made of thick, uneven lines, gives the illusion of a worn-out music poster, further emphasizing the theme of analog culture and imperfection as an artistic choice. Music and Nostalgia in Street Pop Art & Graffiti Artwork Street pop art & graffiti artwork often draws on themes of nostalgia, repurposing images of outdated technology and cultural artifacts to evoke emotional connections with the past. This gig poster does precisely that, using a Walkman as its centerpiece to reference a time when physical media shaped music consumption. The tactile nature of silkscreen printing enhances this effect, giving the artwork a physical depth that echoes the texture of old album covers and worn-out cassette cases. The sense of impermanence that comes with gig posters and street art is also reflected here, as these prints exist as a momentary documentation of a specific event, much like how street art often responds to a fleeting moment in time. Fugscreens’ work aligns with the ethos of gig posters that have long been associated with underground music scenes and independent artistry. Like street artists tagging walls with unique designs, gig poster artists create one-of-a-kind visuals that both promote and commemorate live performances. The direct, almost hand-made quality of this print ties it back to the roots of punk, indie rock, and alternative music, where visuals play just as big a role in shaping a band’s identity as their sound does. The Impact and Collectibility of the Limited Edition Silkscreen Print As a numbered limited edition piece, the Modest Mouse Orlando 2014 gig poster carries a sense of exclusivity that enhances its desirability among collectors. The 18x24-inch format makes it a substantial yet easily displayable artwork, perfect for music lovers who appreciate the intersection of street pop art & graffiti artwork with music culture. The hand-pulled silkscreen process adds another layer of authenticity, as each print contains slight variations, making every piece unique. Fugscreens has a reputation for blending urban aesthetics with detailed screenprinting techniques, and this poster is no exception. The merging of music history, personal nostalgia, and a distinctly handmade approach make this print more than just a concert souvenir—it becomes an artistic statement. The continued appreciation for gig posters as an art form ensures that works like this remain culturally significant, capturing moments in music history while embracing the raw, expressive qualities of street pop art & graffiti artwork.

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Moonage Daydream 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey OBEY. 2022 Shepard Fairey Numbered Limited Edition of TBD 18x24 inches. Screenprint on thick cream Speckletone paper. "David Bowie is one of my favorite musicians not only because so many of his songs possess magic, but also because he was creatively fearless and perpetually collaborative. I first discovered David Bowie in 1983 when his Let’s Dance album came out, and its hits like “Let’s Dance,” “China Girl,” and “Modern Love” were getting radio play. I became a die-hard Bowie fan once I picked up Ziggy Stardust and the Spiders From Mars at a flea market a few years later. Ziggy Stardust is one of my favorite albums ever. It makes sense that it was Bowie’s breakthrough album, not just because his newly adopted androgynous glam image was provocative and mesmerizing, but because the songs on the album are incredible! At first, my favorites were obvious rockers like “Suffragette City” and “Ziggy Stardust,” but over the years, folkier songs like “Soul Love” and “Starman” really grew on me. It’s almost impossible to pick a favorite Bowie song from Ziggy Stardust and the Spiders From Mars, much less Bowie’s entire catalog, but if I had to, I’d pick “Moonage Daydream.” It has Mick Ronson’s rocking guitar and also features unexpected instrumentation, including piano, strings, sax, and flute, which makes it both tough and pretty. I love the lyric, “don’t fake it baby… lay the real thing on me,” and all the lyrics have a sci-fi hipster coolness to them. “Moonage Daydream” is powerful, beautiful, hypnotic, hip, and a great indication of Bowie’s vision to push boundaries with his art. For this “Moonage Daydream” print image, I was able to reference outtakes from the Ziggy cover shoot, one of which I thought, with a few artistic liberties taken, could become a great portrait illustration. Bowie was incredibly photogenic, which yielded so many glorious images of him, and makes it a challenge to create a new visage that stands with the rest of his most iconic portraits. It is very meaningful for me to have the opportunity to craft my articulation of one of my favorite artists ever, from possibly the era of his peak creative genius. It is an honor to contribute in a small way to David Bowie’s visual legacy. –Shepard is one of my favorite musicians not only because so many of his songs possess magic, but also because he was creatively fearless and perpetually collaborative. I first discovered David Bowie in 1983 when his Let’s Dance album came out, and its hits like “Let’s Dance,” “China Girl,” and “Modern Love” were getting radio play. I became a die-hard Bowie fan once I picked up Ziggy Stardust and the Spiders From Mars at a flea market a few years later. Ziggy Stardust is one of my favorite albums ever. It makes sense that it was Bowie’s breakthrough album, not just because his newly adopted androgynous glam image was provocative and mesmerizing, but because the songs on the album are incredible! At first, my favorites were obvious rockers like “Suffragette City” and “Ziggy Stardust,” but over the years, folkier songs like “Soul Love” and “Starman” really grew on me. It’s almost impossible to pick a favorite Bowie song from Ziggy Stardust and the Spiders From Mars, much less Bowie’s entire catalog, but if I had to, I’d pick “Moonage Daydream.” It has Mick Ronson’s rocking guitar and also features unexpected instrumentation, including piano, strings, sax, and flute, which makes it both tough and pretty. I love the lyric, “don’t fake it baby… lay the real thing on me,” and all the lyrics have a sci-fi hipster coolness to them. “Moonage Daydream” is powerful, beautiful, hypnotic, hip, and a great indication of Bowie’s vision to push boundaries with his art. For this “Moonage Daydream” print image, I was able to reference outtakes from the Ziggy cover shoot, one of which I thought, with a few artistic liberties taken, could become a great portrait illustration. Bowie was incredibly photogenic, which yielded so many glorious images of him, and makes it a challenge to create a new visage that stands with the rest of his most iconic portraits. It is very meaningful for me to have the opportunity to craft my articulation of one of my favorite artists ever, from possibly the era of his peak creative genius. It is an honor to contribute in a small way to David Bowie’s visual legacy." –Shepard

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Mover Record Release Party 1997 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 18x22.5 Silkscreen Print Band Gig Poster by Frank Kozik 7-10-1997

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MUSACK Terry Hall Tribute Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on True White Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print. Lynval Golding & Team Specials, Billy Idol, Jane Wiedlin, Tim Armstrong, Tony Kanal, Tom Dumont, Adrian Young, Fishbone, Jerry Harrison, Tre Cool, Fred Armisen, Jesse Michaels. Donita Sparks.The Jg All-Stars. Bite Me Bambi. Record Safari Gig Poster "Terry Hall, singer of the Specials, one of my favorite bands, died of pancreatic cancer a little less than a year ago. This past Saturday, Musack did an amazing tribute to Terry with a bonkers lineup, including Horace Panter and Lynval Golding of the Specials, Jane Wiedlin of the Go-Go’s, Fishbone, No Doubt (except Gwen), Tom Morello, Tim Armstrong and Jesse Michaels of Operation Ivy, Donita Sparks of L7, and others! I fell in love with the Specials in the summer of 1989, around the time I started listening to Operation Ivy and Fishbone, so to have members of all those bands celebrating Terry was incredible! I was also able to do the poster for the event based on a beautiful photo by Chalkie Davies. There are two versions of the print, one with the event lineup included and another that is a simpler tribute to Terry. The black and white print are editions of 325, but the show lineup print is a smaller quantity (edition of 300) because many were sold at the event, and all proceeds from those benefit Musack, an excellent music charity for kids. On a personal note, Terry came by my studio a couple of times, and we talked for hours. He was kind, thoughtful, and very open about life’s ups and downs. We talked about kids, mental health, insecurity, relationships, the therapeutic benefits of creativity, and many other heavy topics. He was a kindred spirit who I thought I’d be friends with for many years. This print was done with love… thanks for the tunes Terry!" -Shepard Fairey- OBEY MUSACK's tribute to the legendary Terry Hall, the iconic singer of the Specials, is encapsulated in a visually arresting silkscreen print crafted by Shepard Fairey, renowned for his OBEY art movement. This piece, hand-pulled in 2-color on True White Speckletone Fine Art Paper, is a testament to the profound influence Terry Hall had on the music industry and its fans. The artwork is an exquisite fusion of pop art, street art, and graffiti art, embodying the very essence of Terry Hall's spirit and impact on the world. Released in 2023 as a signed and numbered limited edition, with only 300 prints in circulation, the artwork measures 18x24 inches. The artistry is profound, drawing inspiration from a poignant photograph Chalkie Davies took. Two versions of this print exist, one showcasing an event lineup and the other serving as a more streamlined homage to Hall. While the black and white prints are available in editions of 325, the one bearing the event lineup is more exclusive, with a count of 300, many of which were already acquired during the event. The backstory of this piece is equally captivating. MUSACK's heartfelt tribute event celebrated Terry's life, boasting a staggering lineup of eminent musicians, from Horace Panter and Lynval Golding of the Specials to Jane Wiedlin of the Go-Go’s, Fishbone, and members of No Doubt, among others. Shepard Fairey's interactions with Terry add depth to the artwork. Terry, in his visits to Shepard's studio, revealed layers of his personality, discussing topics ranging from mental health to the therapeutic nature of creativity. Shepard saw him as a kindred spirit, and their interactions were laden with deep understanding and mutual respect. This artwork, hence, is not just an aesthetic masterpiece but a heartfelt tribute, reverberating with the essence of Terry Hall's life and legacy.

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My Rules Silkscreen Print by Glen E Friedman Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2004 Signed & Numbered Limited Edition of 200 Artwork Size 16x20 Silkscreen Print Glen E. Friedman's My Rules: A Testament to Street Pop Art & Graffiti Artwork Glen E. Friedman's "My Rules" silkscreen print is a visual manifesto that embodies the spirit of street pop art and graffiti artwork. This 16x20 limited edition print, part of a series of 200 signed and numbered editions, captures the raw energy and DIY ethos of the underground punk and skateboarding scenes. Published in 2004 on the occasion of the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibition, the artwork is a testament to the profound influence of subcultures on mainstream art and society. The photozine format of "My Rules," with its collage of expressive faces and anarchic energy, speaks to the rebellious heart of street culture. Friedman, a seminal figure in the documentation of punk, skateboarding, and hip-hop subcultures, uses the silkscreen print to transcend the temporality of the zine medium, cementing its contents in the annals of art history. The work is not just an object to be admired but a historical document that captures the zeitgeist of a pivotal moment in cultural history. The Significance of "My Rules" in the Evolution of Street Art The significance of "My Rules" in the evolution of street art is manifold. The artwork bridges the ephemeral nature of street culture and the permanence of fine art. By translating the dynamic imagery of his photography into the medium of silkscreen print, Friedman elevates the transient moments captured in his photographs to the status of high art. This elevation is a commentary on the value of street culture and its unwavering influence on contemporary aesthetics. Friedman's work has always been about more than just documenting subcultures; it is about understanding and conveying the underlying messages of defiance, creativity, and freedom that these movements embody. "My Rules" encapsulates this understanding, presenting the viewer with a raw and unfiltered look at the individuals who define these movements. The faces and moments he captures are not passive; they are charged with an energy that demands engagement and recognition. Provenance and Cultural Impact of "My Rules" The provenance of "My Rules" is rooted in the Beautiful Losers Archive and Iconoclast Editions, collections that celebrate the work of artists who have profoundly impacted the dialogue between street culture and fine art. These institutions are custodians of a history that might otherwise have been overlooked, preserving the artifacts of street culture's incursion into the art world. "My Rules," as part of these collections, is a piece that not only reflects the history of street art but also contributes to its ongoing narrative. The cultural impact of "My Rules" and the work of Glen E. Friedman is far-reaching. The print and its exhibition have played a crucial role in shaping perceptions of street art, demonstrating its depth and complexity. Street pop art and graffiti artwork, often relegated to the peripheries of the art world, are brought to the forefront through Friedman's lens, asserting their place as vital components of contemporary art discourse. Through "My Rules," Friedman challenges the art establishment, questions the boundaries of art, and celebrates the indomitable spirit of street culture. The artwork stands as a reminder of the power of visual documentation in capturing and preserving the essence of cultural movements. In the hands of Glen E. Friedman, the camera is as much a tool for creating art as it is for recording it, and "My Rules" is a vibrant illustration of this dual capability. The print is not just a reflection of a bygone era but a beacon for future generations to understand the cultural undercurrents that have shaped and will continue to shape the world of art and expression.

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Never Trust A Punk Artwork Giclee Limited Edition Print on 290gsm Hahnemühle Bamboo Paper by Pop Culture Graffiti Artist Jamie Reid. 2019 Signed & Numbered Limited Edition of 300 Artwork Size 32.3x22.8 In the annals of pop culture, graffiti, and street art, Jamie Reid emerges as a luminary, challenging societal norms with his provocative creations. "Never Trust A Punk" stands as a testament to Reid's unparalleled ability to intertwine art with cultural and political discourse. This piece, crafted in 2019, distinctly captures the punk ethos that rose to prominence in the late 1970s, becoming a hallmark of Reid's aesthetic. "Never Trust A Punk" is not merely an artwork but a statement, a proclamation that showcases Reid's characteristic blend of satire, dissent, and visual appeal. The juxtaposition of the iconic Union Jack with a stark portrayal of the British monarch, her eyes concealed, boldly encapsulates the rebellious spirit of the time. The message is clear, echoing sentiments of distrust and rebellion, which were rampant during the punk movement. This artwork holds an even deeper resonance for music enthusiasts and followers of British punk rock. The imagery bears a striking resemblance to that used for the cover of "God Save the Queen" by The Sex Pistols in 1977, a track that stirred controversy and remains emblematic of the punk era. As a limited edition giclee print, only 300 pieces of "Never Trust A Punk" were ever produced. Each print is immaculately rendered on premium 290gsm Hahnemühle bamboo paper, a medium chosen for its ability to capture the vibrancy and detail of the original artwork. Measuring at 32.3 x 22.8 inches, each piece is hand-signed and numbered by Reid, solidifying its authenticity and making it a coveted item for collectors and art enthusiasts alike.

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New Wave Couple AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey New Wave Couple AP by Shepard Fairey: A Visual Tribute to Music and Street Pop Art The New Wave Couple Artist Proof silkscreen print by Shepard Fairey is a striking homage to the fusion of music, fashion, and cultural movements. Released in 2011, this limited-edition print measures 13 by 13 inches and is hand-pulled using a one-color silkscreen process. Signed and marked as an Artist Proof, the artwork is a rare collector’s piece that encapsulates Fairey’s talent for blending the bold aesthetics of Street Pop Art and Graffiti Artwork with the dynamic energy of musical subcultures. The design features a sharply dressed couple in mod-inspired attire, exuding the confidence and style synonymous with the new wave music era. Their checkerboard outfits and bold stances convey a sense of rhythm and rebellion, complemented by flowing musical notes that connect the figures to the larger composition. The intricate border design, combined with clean, graphic lines, creates a visually dynamic piece that pays tribute to the era's vibrant and innovative spirit. This print, part of Fairey’s Revolutions series, celebrates the cultural impact of music and its visual storytelling power. Music as a Muse in Street Pop Art Shepard Fairey has long credited music as a central influence in his work, with album covers and punk aesthetics shaping his early artistic identity. New Wave Couple captures the essence of the new wave movement, which emerged as a fresh, stylish offshoot of punk music. The sleek, checkerboard visuals and emphasis on individuality in this piece echo the movement's emphasis on self-expression and creative freedom. Fairey uses these cultural elements to craft a narrative that resonates with fans of music and art alike. The monochromatic palette and bold design evoke the aesthetics of vintage album art, aligning with Fairey’s aim to create visual counterparts to the energy and emotion of music. The print reflects the interplay between sound and style, demonstrating how music can influence fashion, art, and cultural identity. By combining these elements, Fairey crafts a piece that captures the spirit of an era while grounding it in the contemporary visual language of Street Pop Art. The Silkscreen Process and Artistic Precision The silkscreen printing process used for New Wave Couple exemplifies Shepard Fairey’s commitment to craftsmanship. Hand-pulled on fine art paper, the print achieves a high level of detail and clarity. The one-color design emphasizes contrast and precision, allowing the intricate patterns and bold imagery to take center stage. The texture of the fine art paper adds a tactile quality to the piece, enhancing its appeal as both a visual and physical work of art. The Artist Proof designation signifies the print’s unique status within the limited edition, often representing the most refined and personal iteration of the design. This rarity makes it a highly sought-after piece for collectors and fans of Fairey’s work. The silkscreen medium aligns with Fairey’s roots in graffiti art, where stenciling and printing techniques are integral to the DIY ethos of the movement. Shepard Fairey: Champion of Music-Inspired Art Shepard Fairey, a pioneer in Street Pop Art and Graffiti Artwork, has built a career on blending bold visual statements with cultural commentary. His Revolutions series, which includes New Wave Couple, reflects his passion for music and its transformative power. Fairey’s ability to translate the energy of music into striking visual compositions has made him a leading figure in contemporary art. New Wave Couple stands as a testament to Fairey’s talent for capturing the essence of musical and cultural movements. By blending nostalgic imagery with modern graphic design, he creates a work that celebrates the interconnectedness of art and music. This print is more than a visual representation; it is a celebration of individuality, creativity, and the enduring influence of new wave culture on art and society.

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No Bees No Honey Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 325 Artwork Size 18x24 Gold Metallic Ink "The Clash are my all-time favorite band and their frontman, Joe Strummer, is a hero of mine for his music, lyrics, wit, compassion for the underdog, and stance against injustice. To celebrate the release of JOE STRUMMER 002 and in honor of Joe’s 70th birthday, a limited edition print inspired by the Joe Strummer and the Mescaleros song, JOHNNY APPLESEED. Joe’s lyric “If you’re after getting the honey, then you don’t go killing all the bees” applies to lots of things, like mistreating factory workers, but for me the idea that bees are pollinators who are crucial to sustaining Earth’s fragile eco-systems is a powerful idea. I hope to honor Joe’s music and extend his ideas with my No Bees No Honey print. A portion of proceeds will go to the Joe Strummer Foundation." -Shepard Fairey The intersection of street art, pop art, and graffiti has often found its voice through artists who transcend the confines of traditional media to bring forth powerful messages. One such eminent figure in this realm is Shepard Fairey, known widely for his iconic designs and thought-provoking artistry. His piece, "No Bees No Honey," is a color hand-pulled limited edition silkscreen print that stands as a testament to Fairey's artistic prowess and his ability to interweave poignant messages with his art. Created on cream speckle tone paper, the print embodies a vibrant play of colors and is accentuated by gold metallic ink that gives it a unique touch. The allure of this piece, however, isn't just its visual appeal but also its rarity. With only 325 signed and numbered pieces available, it stands as a collector's item and a beacon of Fairey's dedication to his craft. Sized at 18x24, the artwork captures attention with its intricate details and the symbolic imagery it presents. What elevates this piece from merely being a work of art to a profound statement is the backstory that inspired it. The artwork draws its essence from the legacy of Joe Strummer, frontman of "The Clash" and a stalwart figure revered by Fairey. Strummer's dedication to justice, his compassion for the marginalized, and his undying spirit resonate deeply with Fairey, making him a consistent source of inspiration. The inception of "No Bees No Honey" can be traced back to a song by Joe Strummer and the Mescaleros titled "JOHNNY APPLESEED." A line from this song, "If you’re after getting the honey, then you don’t go killing all the bees," serves as the driving philosophy behind Fairey's artwork. At a glance, this lyric speaks volumes about sustainability and the delicate balance of nature. By delving deeper, one recognizes its applicability to a myriad of societal issues, ranging from the exploitation of factory workers to the broader challenges faced by our ecosystem. The role of bees as indispensable pollinators, ensuring the continuation of life on Earth, is cleverly juxtaposed with Strummer's lyrics, creating an artwork that's as profound in its message as it is stunning in its design. Fairey's commitment to social causes and his admiration for Strummer converge in "No Bees No Honey," but they also manifest in tangible contributions. A part of the proceeds from this artwork is dedicated to the Joe Strummer Foundation, thereby furthering the cause and ensuring that art acts as a vehicle for positive change. In the world of contemporary art, pieces like "No Bees No Honey" remind us of the transformative power of creativity. Shepard Fairey's art is not just an aesthetic pleasure; it's a call to introspection, an invitation to ponder deeper societal issues, and a celebration of the indomitable spirit of figures like Joe Strummer.

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Oasis 1000%- White Chrome BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures

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Obey Black Widows AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Pop art, street art, and graffiti have always been mediums that offer a raw and unfiltered reflection of society, culture, and the artist's personal feelings. Among the luminaries in this realm, Shepard Fairey stands tall, his unique creations resonating with both art aficionados and the masses alike. The "Obey Black Widows AP Dance Floor Riot" silkscreen print is a testament to his profound admiration for music and its intertwined relationship with visual arts. Crafted meticulously in 2011, this artist proof, hand-pulled, 1-color screen print on fine art paper, is not just an artwork but a fragment of Fairey’s soul, reverberating his passion for music. Shepard Fairey's initiation into the art world was not through the conventional means of art galleries but through album covers that acted as the visual symphony to the music he revered. Just as album art inspired emotions, memories, and an innate connection to the music, Fairey's street art endeavored to forge a similar connection with its audience. The silkscreen in question, sized at 13x13, embodies Fairey's attempt to harness the immense power and universal reach of music. His statement captures this sentiment eloquently, emphasizing how, despite art's intrinsic value, music has a superior prowess in touching human souls. His use of the term "REVOLUTIONS" is twofold, alluding to both the revolutions of a vinyl record and the socio-cultural revolutions music often incites. A deep dive into "Obey Black Widows AP Dance Floor Riot" offers viewers a chance to journey through Fairey’s inspirations. The fusion of punk's rebellious nature, the invigorating energy of music, and the democratizing force of street art crystallizes in this piece. For those who see art not just as an aesthetic expression but as a pulsating representation of society and individual emotion, this silkscreen print is both a tribute and an inspiration. Through such creations, Shepard Fairey champions the ethos that one needn't play an instrument to rock the world – sometimes, a canvas and a vision are all it takes.

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Obey Long Playing AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Obey Long Playing AP by Shepard Fairey: A Fusion of Music and Street Pop Art The Obey Long Playing Artist Proof silkscreen print by Shepard Fairey is a striking homage to the enduring influence of music on visual culture. Created in 2011, this limited-edition Artist Proof measures 13 by 13 inches and is hand-pulled as a one-color screen print on fine art paper. Signed and marked as an Artist Proof by Fairey, the print is a part of his Revolutions series, which celebrates the intersection of music and art. Through its bold, monochromatic design, this artwork captures the timeless appeal of vinyl records and the cultural legacy they represent. The design prominently features a stylized vinyl record encased in a decorative frame with ornate flourishes. The bold typography reading Obey Long Playing Records evokes the aesthetic of vintage album covers, blending nostalgia with Fairey’s contemporary Street Pop Art sensibilities. The intricate detailing in the border contrasts with the minimalist central image, creating a composition that is both visually dynamic and conceptually rich. This piece reflects Fairey’s deep connection to music as a driving force in his art, highlighting the shared energy and accessibility of music and street art. Music as a Visual and Cultural Inspiration Shepard Fairey’s connection to music runs deep, influencing much of his work, including Obey Long Playing. Growing up immersed in the punk rock scene, Fairey drew inspiration from the DIY ethos and rebellious spirit of the music. This influence is evident in his bold graphics and use of stencils, techniques rooted in the graffiti art tradition. In this piece, Fairey channels the energy and democracy of music into a visual form, celebrating its ability to unite people and transcend boundaries. The vinyl record featured in the design symbolizes a golden era of music, where physical albums and cover art played a crucial role in defining an artist’s identity. Fairey’s choice to emphasize this cultural artifact speaks to his admiration for the tangible connection between music and its audience. The print serves as a tribute to the artistry of album design and its ability to evoke powerful emotions, much like the music it represents. The Craft of Silkscreen Printing Obey Long Playing is a testament to Shepard Fairey’s mastery of the silkscreen printing process. Each print is meticulously hand-pulled, ensuring a high level of precision and quality. The one-color design allows for bold contrasts and sharp details, highlighting the intricacies of the decorative border and the clean lines of the central typography. Printed on fine art paper, the piece has a refined finish that enhances its visual impact and durability. The Artist Proof designation adds an element of rarity and exclusivity to this work, often representing the initial versions of a print used to refine the design. Fairey’s dedication to the silkscreen medium reflects his commitment to the traditions of graffiti and street art, where stenciling and hand-printing are integral to the art form. This choice of medium further emphasizes the tactile and authentic qualities that define Fairey’s work. Shepard Fairey: A Voice in Street Pop Art and Graffiti Artwork Shepard Fairey, an American artist and activist, has become synonymous with Street Pop Art and Graffiti Artwork. Known for his iconic designs that blend cultural commentary with bold aesthetics, Fairey’s work often draws on his love of music, particularly punk and hip-hop. Obey Long Playing exemplifies this connection, serving as both a celebration of music’s cultural significance and a reflection of its influence on Fairey’s art. Through his Revolutions series, Fairey explores the symbiotic relationship between music and visual art, creating works that resonate across generations. Obey Long Playing stands out as a powerful tribute to the legacy of vinyl records, blending nostalgia with modern artistic techniques. Fairey’s ability to capture the energy and spirit of music in visual form cements his place as a leading figure in contemporary Street Pop Art and Graffiti Artwork.

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Obey Punk Girl AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Obey Punk Girl AP by Shepard Fairey: A Celebration of Music and Graffiti Pop Street Art The Obey Punk Girl Artist Proof silkscreen print by Shepard Fairey encapsulates his ability to merge music-inspired imagery with the raw aesthetics of Street Pop Art and Graffiti Artwork. Created in 2011, this hand-pulled, one-color screen print is a limited-edition Artist Proof, signed and marked by Fairey, measuring 13 by 13 inches. The piece is printed on fine art paper, showcasing Fairey’s dedication to craftsmanship and his iconic graphic style. Punk Girl reflects Fairey’s deep admiration for music and its cultural impact, drawing from his long-standing connection to album art and punk aesthetics. The central figure in the print is a bold, punk-inspired woman holding a vinyl record. Her intense gaze and sharp styling evoke the rebellious energy of the punk movement, while the ornate border design adds a layer of complexity to the composition. The intricate patterns surrounding the figure create a sense of rhythm and movement, echoing the dynamic nature of music. By combining the gritty essence of graffiti art with the visual language of punk rock, Fairey captures the democratic and visceral power of both mediums. Music as a Driving Force in Street Pop Art Shepard Fairey has always been deeply influenced by music, particularly punk rock, and its role in shaping countercultural movements. The Obey Punk Girl silkscreen print reflects this influence, using imagery that celebrates the rebellious spirit and DIY ethos of punk music. Fairey’s work often draws parallels between the energy of music and the power of visual art, creating pieces that resonate with a broad audience. The inclusion of a vinyl record in the design serves as a nod to the analog era of music, emphasizing its raw authenticity and tactile nature. The bold monochromatic palette and sharp contrast in Punk Girl pay homage to the aesthetics of punk zines and album covers, where minimalism and directness were used to powerful effect. Fairey’s use of street art techniques, such as stenciling and silkscreen printing, mirrors the immediacy and accessibility of punk music, reinforcing the connection between the two art forms. This interplay between music and visual art is central to Fairey’s work, creating pieces that are both visually striking and culturally resonant. Shepard Fairey’s Silkscreen Process The hand-pulled silkscreen process used for Obey Punk Girl highlights Shepard Fairey’s dedication to traditional printing techniques. This approach allows for a high level of detail and texture, capturing the intricate patterns and bold lines that define his style. The use of fine art paper enhances the tactile quality of the print, creating a piece that is both durable and visually engaging. As an Artist Proof, this print holds a special place within the edition, often regarded as a testament to the artist’s experimentation and refinement of his vision. Fairey’s commitment to silkscreen printing stems from its roots in graffiti and street art, where stenciling and printing techniques are integral to the medium’s DIY ethos. The one-color design of Punk Girl underscores the power of simplicity, using contrast and composition to create an impactful image that commands attention. Shepard Fairey: A Voice of Counterculture in Modern Art Shepard Fairey, an American artist and activist, has established himself as a leading figure in Street Pop Art and Graffiti Artwork. His work often explores themes of social justice, rebellion, and cultural identity, drawing inspiration from punk rock, political movements, and propaganda art. Obey Punk Girl exemplifies Fairey’s ability to merge cultural commentary with striking visual design, creating art that speaks to both personal and collective experiences. Fairey’s exploration of music as a source of inspiration is a recurring theme in his work, reflecting his belief in its transformative power. Punk Girl serves as a celebration of the intersection between music and visual art, capturing the raw energy and democratic spirit that make both forms so impactful. Through his art, Fairey continues to challenge conventions and inspire dialogue, cementing his place as a pivotal figure in contemporary Street Pop Art and Graffiti Artwork.

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Off! You Will Do What We Say 2-Color Hand-Pulled Limited Edition Silkscreen Print on True White Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2019 Signed Limited Edition Print. 18 inches x 24 inches Edition of 600 July 11, 2019 Punk rock band OFF! which includes members from Black Flag, Circle Jerks, Redd Kross, The Burning Brides, and The Black Heart Procession is making a movie called “Watermelon,” and according to their lead singer Keith Morris, “You will do what we say”…… is an MK Ultra mantra from out of the shadows. - Shepard Fairey

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Off! You Will Do What We Say- Aqua Drab 2-Color Hand-Pulled Limited Edition Silkscreen Print on True White Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed Limited Edition Print. 18 inches x 24 inches Edition of 400 May 26, 2022 Punk rock band OFF! which includes members from Black Flag, Circle Jerks, Redd Kross, The Burning Brides, and The Black Heart Procession is making a movie called “Watermelon,” and according to their lead singer Keith Morris, “You will do what we say”…… is an MK Ultra mantra from out of the shadows. - Shepard Fairey

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