4 Elements of Hip Hop PP Printer Proof Archival Print by BG183 Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof Signed & Marked PP Limited Edition Artwork Size 13x20 Archival Pigment Fine Art The Significance of Hip Hop's Four Elements in Street Pop Art & Graffiti Artwork Hip-hop culture has etched its legacy through its music and vibrant visual expressions, most notably in street pop art and graffiti artwork. The "4 Elements of Hip Hop" archival print by BG183 is a limited edition print that encapsulates the essence of this influential movement. Limited edition prints like these, especially those signed and marked as Printer's Proof (PP), hold significant value in modern artwork. They are highly sought after by collectors and enthusiasts keen to own a piece of hip-hop history. The archival print is a hip-hop iconography treasure trove, capturing the culture's four foundational elements: DJing, MCing, breakdancing, and graffiti. Each element is represented meticulously, reflecting the artist's deep understanding and respect for hip-hop. The DJ's turntables, the MC's microphone, the dynamic shoes of a breakdancer, and the vivid spray cans are all symbols that articulate the essence of hip hop's influence on street pop art and graffiti artwork. Archival prints of this caliber are printed using high-quality pigment on fine art paper, ensuring longevity and color fidelity. The size of the artwork, typically around 13x20 inches, makes it a perfect collectible that can be displayed in various settings, from a private studio to a public exhibition. The use of archival pigment emphasizes the intention to preserve the artwork for generations, a testament to the enduring impact of hip-hop culture. The Intersection of Pop Art and Hip Hop in Graffiti Hip-hop's influence must be balanced in street pop art and graffiti artwork. Graffiti, once seen as a form of vandalism, has been transformed into a respected medium of urban storytelling and expression, largely thanks to hip-hop. The artwork by BG183 exemplifies this transformation, showcasing graffiti's elevation to a form of fine art. This piece, in particular, is a striking representation of how pop art has absorbed and recontextualized the visual language of hip-hop to communicate with a broader audience. The visual elements drawn from hip-hop are melded with the bright colors, bold lines, and graphic sensibilities characteristic of pop art. This fusion creates a unique genre of art—street pop art—that resonates with hip-hop's rebellious spirit while embracing pop culture's mass appeal. BG183's print is a vibrant canvas where these two worlds collide, creating a visual dialogue that speaks to the origins of street culture and its current place in the mainstream. The value of such prints extends beyond their aesthetic appeal; they are cultural artifacts documenting hip-hop's evolution. Hip-hop has traveled a remarkable journey from subculture to global phenomenon, mirrored in the layers of paint and ink that define graffiti artwork. The PP designation indicates that this print is part of a particular subset within the edition, typically reserved for the artist and close associates, adding to its exclusivity and desirability among collectors. Collectibility and Cultural Impact of Hip Hop-Inspired Artwork The collectibility of hip-hop-inspired street pop art and graffiti artwork lies in its unique ability to capture a moment in cultural history. Prints such as BG183's "4 Elements of Hip Hop" are more than just decorative pieces; they are snapshots of a movement that has shaped generations. Collectors and hip-hop fans are drawn to these works for their visual impact, authenticity, and historical significance. These limited-edition prints bridge the gritty beginnings of hip-hop in the streets and its current status as a dominant cultural force. They are often released in limited quantities to maintain value and uniqueness, particularly for Printer's Proof prints. Owning a PP print means possessing a piece of the initial run, often more intimately connected to the artist's original vision. The "4 Elements of Hip Hop" archival print by BG183 embodies the pulsating energy of hip-hop and its indelible imprint on street pop art and graffiti artwork. As a piece of modern art, it stands at the crossroads of past and present, offering a visual narrative that is both timeless and immediate. In the hands of collectors, such prints are not only aesthetic acquisitions but also custodians of the ever-evolving story of hip-hop and its profound influence on contemporary art and culture.

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Modern Living- Brown 6-Color Hand-Pulled Hand-Embellished HPM Limited Edition Silkscreen Print on 290gsm Coventry Cotten Rag by Faile Rare Street Art Famous Pop Artwork Artist. Hand-painted Varied Edition of 250 Acrylic & Silkscreen Ink Heavyweight Archival Paper Signed, Stamped & Embossed Size 19.5 x 25 inches (50 x 63.5cm) approx Signed on the front by Faile Numbered on the back the back also contains a large print by Faile Due to the handmade bespoke nature of this artwork, some small creases and bleedthrough can be found throughout.

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Keepers Archival Pigment Fine Art Limited Edition Print on Hand Deckled 300gsm Signa Smooth Paper by Artist Kevin Peterson, Street Pop Art Graffiti Legend. AP Artist Proof 2021 Signed 24x18 Signed & Marked AP Limited Edition Kevin Peterson’s Keepers: Urban Innocence and Wild Guardians in Street Pop Art Kevin Peterson’s Keepers is a 24 x 18 inch archival pigment print on hand-deckled 300gsm Signa Smooth fine art paper, created in 2021 as a signed Artist Proof. The piece depicts a young Black boy sitting between two life-sized lionesses, positioned in front of a graffitied brick wall in an overgrown urban landscape. A small bird perches gently atop one lioness’s head. The work is a stunning blend of realism and fantasy, balancing emotional weight and visual poetry through the lens of Street Pop Art & Graffiti Artwork. Peterson’s signature approach layers meticulous oil painting technique over scenes marked by decay and spray-painted ephemera. The boy, dressed simply in a blue shirt and sneakers, is calm and observant, caught between the raw strength of the lions and the weathered city backdrop. His placement evokes resilience, curiosity, and alertness, not fear. The lions appear both majestic and protective—symbols of strength standing silently guard. A small crown tag painted on the wall near the child’s head further suggests that the boy is a figure of quiet power, royalty in an environment many would dismiss as ruined. The Coexistence of Vulnerability and Power Peterson’s work consistently explores the tension between innocence and chaos, often through the juxtaposition of children and animals in deteriorating cityscapes. In Keepers, the lions are not exotic intrusions but natural extensions of the boy’s presence. Their positioning and gaze imply protection and mutual trust. The graffiti behind them reinforces the setting as a lived, layered, and expressive space—not abandoned, but alive. Rather than present the street as hostile, Peterson renders it as a cradle for self-discovery and wild imagination. The inclusion of street art within the composition is essential. Tags and throw-ups become not just background detail, but active storytelling elements. The visual language of graffiti in Keepers underscores Peterson’s understanding of the street as a canvas for resistance, identity, and unseen beauty. It functions both as setting and subtext—chaotic but deeply human. The crumbling bricks and peeling paint contrast with the organic stillness of the lions, creating a dialogue between constructed decay and natural presence. Mythic Realism in Street-Informed Fine Art Though not a graffiti artist in the traditional sense, Kevin Peterson’s contribution to Street Pop Art & Graffiti Artwork lies in his mastery of urban allegory. His figures—often children surrounded by wild animals—are both symbolic and deeply grounded. They echo mythologies of guardianship, transformation, and sacred innocence, reframed within modern cityscapes. Keepers is both intimate and monumental, delivering a narrative that is both universal and specific. By placing a child in direct visual symmetry with apex predators, Peterson upends traditional power dynamics. The boy is neither victim nor observer—he is central, calm, and seen. The image resists the usual visual tropes of fear or wonder, opting instead for presence. It’s a portrait of strength without noise, protection without spectacle. Through realism heightened by surreal composition, Keepers offers a vision of urban identity that is fierce, gentle, and imaginatively untamed. It is a meditation on survival, dignity, and the unseen forces that walk with us through concrete jungles.

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Cosplay for the Cause Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Artist Robert Wilson IV. Limited Edition of 110 Cosplay for the Cause approached us to help produce their fund-raiser incentive poster for Wizard World Austin last month, and we placed them with artist extraordinaire Robert Wilson IV! This 4-color hand-printed silkscreen measures 18x24 inches.

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No Sleep Till Brooklyn- 40- Orange 4-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. 76 different silkscreen colors and variants in one edition. Signed and numbered, date stamped on back. The name of this print run has a double meaning to me. I decided to release it on August 5th to pay tribute to the Beastie Boys legend MCA (Adam Yauch); his birthday. Growing up, just about every day after school I would grab my basketball and head to the park or Boy's Club for some pickup games. Most of the time it was Beastie Boys on my walkman when I made the walk. They have always been a big influence on me. Also, no sleep till I feel confident with enough artwork for a solo show in Brooklyn. It may be a few years out, but I will keep trying to juggle family life, a regular job, and artwork with many late nights... -Tim Oliveira

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Detroit Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Jim Darling, Street Pop Art Graffiti Legend. 2022 Signed Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 18 x 24 Inches Release: February 03, 2022 Run of: 45

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Metropolis 3 Limited Edition 4-Color Hand-Pulled Silkscreen Print on 100lb Cougar Fine Art Paper by David Soukup Graffiti Street Artist Modern Pop Art. "These pieces were originally designed for a show I had in Long Beach a while back. I was working with the idea of how buildings, places, and space relate to each other in the urban environment. I've always been fascinated by cities and city life in general, and focus on that in a majority of my works. These pieces were collaged digitally and then stenciled by hand. I'm always trying to do whatever I can to push the stencil medium and see what can continue to be done. " - David Soukup

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Silver City Style A XL Day White 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited of 50 Edition Artwork Size 36x24 Silver Metallic Ink City Style A XL Daytime 36x24

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Every Ancient Village Has A Creepiness Limited Edition Giclee Print on Velvet Cotton Rag by Skinner counter-culture street artist art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by a calculated chaos.

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The Fall Limited Edition 8-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Cristiano Suarez Graffiti Street Artist Modern Pop Art. The Fall by Cristiano Suarez Paying Homage to Spider-Man and Batman From DC & Marvel Comics Movies, TV, Games, Comics. Screen Print Size: 18" x 24" City: Maceio, Brasil

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Madison Avenue Paper Weight Limited Edition Art Object Collectible Artwork by street graffiti artist Bape. 2021 1G72-182-195 / Clear / F Madison Ave New York City Paper Weight Art Object

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Williamsburg 3-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 100 Artwork Size 18x24 Graffiti Street Scene

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Kong Adidas- Beyond The Streets Limited Edition Silkscreen Skateboard deck art by street pop culture artist KC Ortiz. Kc Ortiz Kong Adidas Limited Edition Beyond The Streets Skateboard Deck Retna

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I am dancing Between Angels/ Love Stories B-Side HPM 24-Color Hand-Pulled Limited Edition Silkscreen Print With Acrylic, Silkscreen Ink, and Spraypaint⁠ on Deckled 310 gsm Coventry Rag by Faile Rare Street Art Famous Pop Artwork Artist. 2020 Signed & Numbered Limited Edition Dancing Between Angels / Love Stories B-Side⁠ 28 x 40 inches⁠ Hand-Painted Varied Edition of 22⁠ 
Acrylic, Silkscreen Ink and Spraypaint⁠ Coventry Rag 320gsm ⁠ Signed, Stamped and Embossed
⁠ "The title of this image comes from a line in the poem, "Painted Landscapes Deceive Me -- Dancing Between Angels and Angles". This was a reference to Marie Antoinette arriving in Strasbourg when she first became queen and the faux painted landscapes placed outside her window, created to make her feel welcome. A further reference to De Stijl and Aubette Dance Hall with the angled and rectilinear lines the movement was known for. Along with its proximity to the Cathedral and the angels that grace its walls. Bubbles sort of fly loosely and dance through space, somewhat the antithesis of what De Stijl conveyed but a nice reference to movement. We liked the idea of the girl tearing away the perceptions built up around her while trying not to lose herself." -Faile Artistic Narratives in Motion: The Tale of "Dancing Between Angels/Love Stories B-Side" by Faile "Dancing Between Angels/Love Stories B-Side," a compelling artwork by the artist collective Faile, is a testament to the intricate layering and storytelling inherent in street pop art & graffiti artwork. This limited edition piece, a hand-painted varied edition of 22, is a 24-color hand-pulled silkscreen print embellished with acrylic, silkscreen ink, and spray paint on deckled 310 gsm Coventry Rag paper. Spanning 28 x 40 inches, each print is signed, stamped, and embossed and carries a unique narrative that intertwines historical references with a modern artistic lexicon. "The title of this image comes from a line in the poem, "Painted Landscapes Deceive Me -- Dancing Between Angels and Angles." This was a reference to Marie Antoinette arriving in Strasbourg when she first became queen and the faux painted landscapes placed outside her window, created to make her feel welcome. A further reference to De Stijl and Aubette Dance Hall with the angled and rectilinear lines the movement was known for. Its proximity to the Cathedral and the angels grace its walls. Bubbles fly loosely and dance through space, somewhat the antithesis of what De Stijl conveyed but a nice reference to movement. We liked the idea of the girl tearing away the perceptions built up around her while trying not to lose herself." -Faile. Deconstructing Historical Illusions: Faile's Interpretive Canvas The narrative behind "Dancing Between Angels/Love Stories B-Side" draws from a rich tapestry of historical and artistic references. Inspired by a poem, the title alludes to the deceptive pastoral landscapes presented to Marie Antoinette upon her arrival in Strasbourg, designed to create an illusion of welcome and grandeur. Faile extends this metaphor to explore the concepts of perception and self within the framework of pop and street art. The work visually explores tearing away layers of pretense, a spirited dance between reality and artifice. The piece also pays homage to De Stijl, a Dutch artistic movement emphasizing abstraction and geometric forms. The sharp angles and rectilinear lines characteristic of De Stijl are present in the artwork, juxtaposed with the organic forms of bubbles and the fluidity of the central figure. This contrast is a deliberate nod to movement and dynamism, challenging the rigidity of De Stijl with the fleeting dance of bubbles through space. Movement and Metaphor: Faile's Fusion of Dance and Art At the heart of Faile's creation is the depiction of a female figure caught tearing through the facades surrounding her. This act is literal and symbolic, a dance of liberation that reveals the layers beneath the surface. The figure's upward reach and poised legs evoke a sense of balletic grace, suggesting that tearing away deception is as elegant as forceful. The angels and architectural elements referenced in the artwork serve to anchor the piece within a broader historical narrative, connecting the transient nature of street art with the permanence of cultural heritage. Including these elements creates a dialogue between the past and the present, infusing the work with a sense of timelessness. Visual Poetry: The Rhythmic Allure of Faile's Work "Dancing Between Angels/Love Stories B-Side" is, in essence, a visual poem that speaks to the heart of street pop art & graffiti artwork. It is a dance of colors and forms, a rhythmic composition that transcends the confines of its medium. Faile's work captures the spirit of pop art's dialogue with popular culture, blending it with the subversive edge of street art to create something wholly new and deeply resonant. Each print of this limited edition is a narrative fragment, inviting viewers to engage with the artwork on multiple levels. The dance depicted in the print is not just physical; it is an emotional and psychological journey, a dance of the soul that mirrors the complexity and vibrancy of the human experience. In the diverse world of street pop art & graffiti artwork, "Dancing Between Angels/Love Stories B-Side" by Faile is a powerful expression of the genre's capacity for storytelling and emotional depth. It stands as a reminder that art can be a vehicle for examining our perceptions, tearing away the layers that obscure truth, and celebrating the liberating power of dance and movement.

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Thriving Cities Archival Print by Chris Austin Limited Edition on Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 40 Artwork Size 32x18 Archival Pigment Fine Art of Sharks Swimming Though the Busy Streets of an Urban City with Cars & People. In the eclectic world of contemporary art, Chris Austin's "Thriving Cities" stands as a vivid testament to the boundless imagination of its creator. This archival print, masterfully designed on Fine Art Paper, offers viewers a surreal journey through a bustling urban landscape that intriguingly intertwines elements of the aquatic and the metropolitan. Skillfully capturing the spirit of pop, street, and graffiti art, the piece beckons onlookers to dive into the depths of its narrative. Spanning an impressive 32x18 inches, "Thriving Cities" is an audacious exploration of the juxtaposition between nature's apex predators and the human-made jungle. Envisioning sharks effortlessly swimming amidst the busy streets, navigating between moving cars and wandering pedestrians, Austin crafts a world where the boundaries between the wild and the urban blur seamlessly. While the sharks may symbolize the relentless hustle and unstoppable drive of city life, they also introduce a sense of foreboding, reminding us of the lurking dangers in our seemingly mundane routines. Crafted with archival pigment, the fine art print's quality and attention to detail ensure that every nuance, from the sun's reflection on the cars to the sparkle in the sharks' eyes, is captured with unparalleled precision. Each piece is signed and numbered by Chris Austin, emphasizing its limited-edition nature with only 40 prints available. A true emblem of modern artistic expression, "Thriving Cities" is an evocative reflection on the symbiotic relationship between nature and urban development, sparking introspection and dialogue among art enthusiasts and casual viewers alike.

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Rua da Fábrica Limited Edition Archival Pigment Fine Art Prints on Moab Entrada Rag Bright 290gsm Fine Art Paper by Graffiti Street Art and Pop Culture Artist Stephanie Buer. 2020 Signed Limited Edition Rua da Fábrica • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 12 x 12 inches Hand-signed and numbered by artist Stephanie Buer in a limited edition of 20

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Pup Art- White Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Blackbook- Return To Forever Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist DocTC5. 2019 Signed & Numbered Limited Edition of 25 Artwork Size- 17x14 Blackbook - Return To Forever by DocTC5 Blackbook - Return To Forever is a vibrant fusion of Street Pop Art & Graffiti Artwork by DocTC5, whose full name is often credited as Doc of The Crazy 5. This 2019 limited edition giclee print pays homage to the enduring influence of jazz music on graffiti culture and visual storytelling. Executed with meticulous detail and saturated in symbolic energy, this piece reflects DocTC5’s deep reverence for Black American music history while maintaining the aesthetic codes of classic New York graffiti. With its 17x14 inch format and a limited run of 25 signed and numbered copies, the artwork preserves both the intimacy of a blackbook and the visual punch of a large-scale mural. Graffiti as Tribute to Jazz Icons and Culture This piece stands as a multi-layered tribute to the legacy of jazz and its cultural resonance within street art. The title Return To Forever references the iconic jazz fusion group of the same name and suggests a perpetual influence loop between sound and style. A hand-drawn likeness of a jazz trio appears in the lower right corner, giving shape to the musical legacy of figures like Miles Davis, whose name is referenced with the line Riff in Peace. The skyline silhouette at the top of the piece links back to New York City’s sonic and visual heritage, where graffiti writers and jazz musicians both claimed the streets and subways as their stages. The centerpiece graffiti text spells out Jazz in a wildstyle execution that is both chaotic and controlled, evocative of the improvisational structure of jazz music itself. Fine Art Execution with Underground Credibility Printed using archival-quality giclee methods on fine art paper, the piece retains the texture and color fidelity of original marker, ink, and aerosol sketches common to graffiti blackbooks. The lettering is surrounded by a mist of blues, purples, and reds that mimic the dreamy ambience of a late-night jazz session. The inclusion of tags, quotes, and dedications throughout the work reinforces the communal, layered authorship that defines both jazz and street culture. CD101.9, a reference to the iconic jazz radio station, anchors the lower left corner, positioning the piece in a real historical moment. The embossed DocTC5 seal in the bottom right guarantees authenticity and connects the work to the artist's decades-long career. Preserving Blackbook Culture in Contemporary Art Blackbook - Return To Forever stands as both an archival artifact and a contemporary celebration of the roots of graffiti. It illustrates how artists like DocTC5 continue to keep alive the collaborative spirit of the blackbook, where writers gathered to trade ideas, develop styles, and document their voice. This edition offers viewers a rare look into that sacred creative space, blending visual art, homage, and cultural memory into a single unified composition. Through Street Pop Art & Graffiti Artwork like this, DocTC5 reaffirms graffiti’s role as a vital medium of artistic and cultural expression.

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Motel Hotel Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2013 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town Motel Hotel Original Dunny Art Toy by Task One Task One's Interpretation of Americana in Motel Hotel Original Dunny Town Art Toy Task One's "Motel Hotel Original Dunny Town Art Toy" from 2013 captures the essence of Americana through the lens of street pop art and graffiti artwork. This piece stands approximately 3x4 inches and is a part of the broader Dunny Town series. The work showcases a classic roadside motel reimagined in the form of a Kidrobot Dunny vinyl figure. Task One's skillful use of painted plaster to craft the piece brings out a textured realism, with the motel's iconic signage, doors, and windows vividly portrayed to evoke the spirit of travel and transient life on the American highway. The art toy is a nostalgic nod to the vintage motels that pepper the United States, each promising rest and respite to weary travelers. The miniature motel is not simply a replication of a building; it's an emblem of the cultural significance of motels in the narrative of American travel. The neon-like "MOTEL" sign, pointing towards the Dunny, is remarkably evocative, mirroring the beckoning lights that have guided countless journeys across the country. Reimagining Urban Spaces in Miniature Form With the "Motel Hotel Original Dunny Town Art Toy," Task One continues his exploration of urban spaces, translating them into miniature forms that resonate with collectors and art enthusiasts alike. The motel, a symbol of mobility and the vast network of travel is recontextualized in a pop art format, preserving its cultural relevance while presenting it through a fresh, artistic perspective. This work blends the accessibility of street art with the collectible nature of vinyl toys, resulting in a piece that is both a tribute to a fading icon of the American road and a commentary on the changing landscape of travel and accommodation. Task One's meticulous attention to the architectural details of the motel, combined with the playful, anthropomorphic Dunny form, exemplifies the potential of art toys to serve as platforms for storytelling. The "Motel Hotel Original Dunny Town Art Toy" is thus a celebration of the crossroads between art, culture, and history, encapsulating the essence of roadside Americana within the compact and collectible dimension of a Dunny. The art toy embodies the ethos of street pop art, where everyday objects and structures are elevated to the status of art through creativity and context. Task One's portrayal of the motel invites contemplation on the themes of travel, the passage of time, and the evolution of the American landscape. This piece continues to hold a place of significance within the Dunny Town series and stands as a testament to Task One's legacy in street pop art and graffiti artwork.

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The Old Man and Varaniassi With Autumn Vines Brooklyn 2013 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. The Old Man and Varaniassi with Autumn Vines by Caledonia Curry aka Swoon The Old Man and Varaniassi with Autumn Vines Brooklyn 2013 is a striking giclee print by Caledonia Curry, the influential Street Pop Art & Graffiti Artwork figure known as Swoon. Released as part of the Swoon Street Series Print Collection in 2016, this signed and numbered edition of 175 showcases one of her most haunting and poetic wheatpaste interventions. Captured in situ, the piece features an intricate black-and-white wheatpaste portrait of an elderly man, placed against the weathered textures of a Brooklyn wall, overtaken by creeping autumn vines and surrounded by vibrant street ephemera. The print measures 19x13 inches and is produced on museum-grade fine art rag paper, emphasizing the detail and tonal richness of the original street composition. Street Pop Art Symbolism in Swoon's Urban Portraiture Caledonia Curry's ability to breathe emotional depth into public spaces has made her a defining voice in contemporary street culture. In The Old Man and Varaniassi with Autumn Vines, the figure appears contemplative and weathered, rendered in her signature hand-drawn, cut, and pasted style. The background creates a rich tapestry of decay and life—flaking paint, tags, stickers, and ivy coexist as both natural and cultural decay and regeneration. This synergy between subject and environment reflects one of the core themes in Curry’s body of work: honoring human dignity amid the chaos of urban life. The artwork draws on the language of both graffiti and fine art, blending portraiture with the physicality of the street surface and layering in symbolism that rewards slow looking. Graffiti Pop Street Artist Caledonia Curry and Her Printmaking Legacy Caledonia Curry has consistently pushed the boundaries of Street Pop Art & Graffiti Artwork by documenting her ephemeral public wheatpastes in limited-edition fine art prints. These prints are not mere reproductions but vital reimaginings that preserve the emotional and aesthetic impact of the original installations. The Old Man and Varaniassi with Autumn Vines is a key example of how Curry translates fleeting urban moments into permanent artistic records. The dense linework, atmospheric tone, and interplay between figure and urban decay reflect her background in printmaking and her dedication to community-centered narratives. This print is both a piece of art history and a continuation of street storytelling. Preserving Urban Stories through Fine Art Editions The Old Man and Varaniassi with Autumn Vines Brooklyn 2013 stands as an enduring document of Swoon's work in New York during a pivotal period in her career. Printed with archival inks on heavyweight fine art paper, the edition reflects the technical care and conceptual weight Curry brings to all her projects. Whether experienced on the street or as a gallery-quality print, her work communicates empathy, memory, and resilience. As part of the Swoon Street Series Print Collection, this piece allows collectors and institutions to engage with the raw immediacy of street culture in a format that honors its artistic and cultural value. Caledonia Curry continues to shape Street Pop Art & Graffiti Artwork through her visionary blend of fine art precision and social engagement.

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Statue Of Liberty- Brooklyn Bridge- Water Towers Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Untitled Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Stephanie Buer.

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Moniferal New Orleans 2011 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. Moniferal New Orleans 2011 Giclee Print by Caledonia Curry aka Swoon Moniferal New Orleans 2011 is a signed and numbered giclee print by Caledonia Curry, known in the Street Pop Art & Graffiti Artwork world as Swoon. This edition was released in 2016 in a limited run of 175 prints and measures 19 by 13 inches. The piece was produced on heavy fine art rag paper and belongs to the celebrated Swoon Street Series Print Collection. The artwork captures a moment from a site-specific installation in New Orleans, where Curry’s wheatpastes often explored vulnerability, resilience, and environmental rebirth through intimate human subjects fused into complex natural motifs. Caledonia Curry’s Swoon in New Orleans The city of New Orleans has held profound significance in the evolution of Swoon’s practice. After the devastation of Hurricane Katrina, Curry became deeply involved in collaborative recovery and rebuilding projects throughout the city. Moniferal was part of a wave of wheatpaste installations that carried emotional and symbolic resonance. This print preserves one such work that fuses portraiture and organic motifs into a visual experience of transformation. The subject appears grounded and contemplative, surrounded by intricate botanical linework that resembles both roots and wings. The muted, earthy tones and layered texture reflect the raw surfaces of the wall on which it was originally installed, making the giclee not just a documentation, but a continuation of that street-born experience. Technical Excellence in Giclee Reproduction The giclee print of Moniferal New Orleans 2011 honors the detailed linework and subtle tonal shifts of Curry’s original wheatpaste. The fine art rag paper supports the texture and depth, allowing collectors to experience the dimensionality that her murals evoke in public spaces. The choice to publish this piece as part of the Street Series Print Collection reflects its importance in capturing the fragility and strength of the human spirit—a recurring focus in Caledonia Curry’s work. As with other prints in the series, the limited edition number and artist signature confirm its place within the lineage of Street Pop Art & Graffiti Artwork adapted for the fine art context. Legacy of Swoon’s Human-Centered Street Art Caledonia Curry has long centered her practice on the power of human expression amid urban decay and social upheaval. Moniferal New Orleans 2011 serves as an artifact of both artistic innovation and humanitarian response. The figure in the composition becomes a universal stand-in for the survivor, the nurturer, or the witness, her form interwoven with hand-cut patterns and street textures. This edition captures the sensitivity of Swoon’s touch and the importance of preserving transient urban interventions in enduring form. Through Moniferal, Curry continues to redefine the aesthetic and cultural reach of Street Pop Art & Graffiti Artwork.

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LAndmarked Limited Edition 3-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Krush Graffiti Street Artist Modern Pop Art. "L Andmarked" was produced in collaboration with Krush and The Seventh Letter, a three-color screenprint on Speckleton paper. This book is a print released at the time of the "LA marked" art show. It's a classic print of Los Angeles' dreamy, hot, dreamy environment with 20th-century advertising designs and typography that are about to disappear from classic spots such as the subculture area of ​​Los Angeles. ..

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Street Prophet Original One of a Kind Acrylic Paint Painting Artwork on Archival Paper by Popular Street Graffiti Artist KC Ortiz. KC Ortiz "Street Prophet" KC ORTIZ Street Prophet, 2021 Acrylic paint on archival paper 8.66 x . 12.99 inches 22 x . 33 cm 1 of 1.

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Bookshelf Chicago 2016 Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100 lb. Cougar Natural Cover Stock by Sean Mort Graffiti Street Artist Modern Pop Art. Famous Chicago IL Buildings and Landmarks Arranged As Books on a Shelf. 20 x 16 inches, 3 color screenprint on Cougar Natural, a 100% recycled 230gsm paper. All prints are signed by the artist and will be sent first class recorded The print will fit perfectly in this frame All prints were designed and hand-printed by me in my spare bedroom in Leeds. Screen printing is often a long, messy process and I work hard to make each print as good as I can but each print has it’s own little imperfections and the price of the print reflects this. All prints in my shop have passed the Sean Mort quality test. If you are looking for 100% perfect printing, it’s probably best not to buy my prints. -Sean Mort

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Leppard Shirt Original Mixed Media Drawing by RAE BK on Cardstock Paper Modern Street Pop Artwork. 2022 Signed Original Markers & Permanent Markers, Graphite & Colored Pencils, Ink, Mixed Media Drawing Size 5x8 Leppard Shirt by RAE BK – Fragmented Form and Emotional Texture in Street Pop Art & Graffiti Artwork Leppard Shirt is a 2022 original mixed media drawing by Brooklyn-based artist RAE BK, executed on 5 x 8 inch cardstock using markers, permanent markers, graphite, colored pencils, and ink, along with additional collage-like material accents. This one-of-a-kind piece showcases RAE BK’s spontaneous, layered, and emotionally coded visual language. Dominated by a bold abstract figure drawn in thick black linework with uneven features, the composition plays with portraiture in an intentionally fractured and expressive way. Facial elements are repeated, distorted, or echoed, while the shirt’s spotted pattern—a nod to the title—is rendered in blotched marks that drift between representation and symbolic texture. This work exists as both a drawing and an artifact, operating in the aesthetic chaos that defines Street Pop Art & Graffiti Artwork. Expressionist Energy in Character and Surface RAE BK’s figures are never clean or symmetrical—they are built from scratch, corrected in real-time, and imbued with raw, unfiltered emotion. In Leppard Shirt, the central face feels unstable, yet confident in its presence. The oversized nose, simplified eyes, and curved mouth are layered over washes of smudged material, creating a portrait that feels emotional rather than literal. The repetition of the face motif in miniature—like echoes or iterations—suggests memory or commentary. The artwork does not offer a resolved figure but rather a psychological imprint, drawn with urgency and spontaneity. This sense of emotional immediacy is what places RAE BK’s character work firmly within the tradition of Street Pop Art & Graffiti Artwork, where lines are as much about rhythm and response as they are about control. Collage Elements and Material Disruption The presence of mixed materials—including glitter, adhered objects, and what appears to be a barcode label—transforms the surface into a textural conversation between image and object. The artist uses the tools of the street—found fragments, improvised layers, raw media—and compresses them into a work on paper that feels sculptural and alive. These tactile additions don’t just decorate the page—they rupture it. They serve as interruption, symbol, and critique all at once. Glitter becomes a distortion. Tape becomes a gesture. The result is a drawing that functions like a wall paste-up or found tag—a message delivered in parts, open to interpretation but packed with presence. The layering and mark-making fuse into a visual field of controlled chaos, echoing the layered reality of urban experience and artistic survival. RAE BK and the Language of Urban Artifact RAE BK’s Leppard Shirt is a miniature yet complete embodiment of his larger practice—an intuitive blend of emotional abstraction, coded symbols, and reclaimed visual language. The piece doesn’t ask to be understood in a linear way. It exists as a document of feeling, a collision of internal narrative and found reality. His approach embraces imperfection, trusting the materials and their placement to speak louder than polished composition. As part of Street Pop Art & Graffiti Artwork, this drawing is a reminder that small-scale work can carry the same intensity and commentary as a mural or installation. RAE BK continues to create not from a need for explanation but from a place of urgency, rhythm, and resistance—giving paper, like city walls, the power to carry voices that refuse to be ignored.

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Lost in Translation Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 20. Signed and numbered. SOI55 Gold Medal. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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Rabbit A Frame Original Acrylic Spray Paint Road Construction Street Sign Painting by Blake Jones One of a Kind Artwork Street Art Pop Artist. 2020 Signed Acrylic & Spray Paint on Reclaimed Road Construction A Frame Alert Street Caution Sign Painting Original Artwork Size 23.75x45.25 Rabbit A Frame by Blake Jones – Urban Whimsy on Reclaimed Canvas in Street Pop Art & Graffiti Artwork Rabbit A Frame is a 2020 original acrylic and spray paint artwork by American street pop artist Blake Jones, executed on a reclaimed road construction A-frame alert sign. Measuring 23.75 x 45.25 inches, this one-of-a-kind piece transforms functional street infrastructure into a playful and energetic canvas. Painted directly onto the iconic orange-and-white reflective barricade pattern, Jones’s unmistakable rabbit character peeks curiously from the lower corner of the signage, infusing humor and innocence into a symbol of civic caution. This unexpected collision of form and character is central to the practice of Street Pop Art & Graffiti Artwork, where urban detritus becomes a site for creativity, subversion, and visual storytelling. Recontextualizing Utility Through Character The inclusion of the rabbit—a recurring figure in Blake Jones’s universe of cartoon expressions—anchors the work in his broader practice of using character design to evoke joy, curiosity, and absurdity. The wide eyes and rounded lines of the rabbit stand in stark contrast to the rigid geometry and utilitarian purpose of the A-frame construction sign. The artist has left visible stenciled type reading LYONS PINNER on the lower bar, enhancing the piece’s authenticity as a reclaimed object from real city infrastructure. This juxtaposition of municipal function and personal expression creates a layered narrative, where the rigid visual language of public signage is softened by animated wonder. Jones’s approach doesn’t erase the object’s past—it amplifies it through aesthetic intervention. Medium, Surface, and Street Aesthetics Blake Jones employs a combination of acrylic brushwork and aerosol application to achieve vibrant contrast and edge clarity on the reflective metal surface. The texture of the sign, complete with scratches, dents, and weathered paint, provides a gritty, tactile base that elevates the artwork’s physical presence. Each imperfection in the surface becomes part of the final composition, tying the piece back to the street. The use of road sign material reinforces the core ethos of Street Pop Art & Graffiti Artwork—art made in, of, and for public space. The rabbit, rendered in bold turquoise with expressive black detailing, punctuates the sign with personality, reframing caution not as a warning, but as a playful greeting. Blake Jones and the Art of Reclaiming Urban Narratives Rabbit A Frame is more than just a clever object painting—it is a statement about how everyday materials can become carriers of joy, personality, and artistic transformation. Blake Jones continues to blur the line between street detritus and collectible art, using found materials as his platform for character-driven storytelling. His work reinserts humanity into spaces often ruled by standardization and silence. This piece invites viewers to see humor and imagination embedded in the fabric of their daily environment. As part of Street Pop Art & Graffiti Artwork, it stands as a vibrant reminder that art is not confined to canvas or gallery walls. It can live on the streets, on the signs we ignore, and in the characters that bring those spaces to life. Blake Jones reclaims these spaces with style, mischief, and undeniable charm.

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Carga Fragile Mural 18-Color Lithograph Print by Shepard Fairey- OBEY Hand-Pulled Print on 270gsm BFK Rives Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2023 Signed & Numbered Limited Edition of 300 Artwork Size 40x28 Fine Art Large Format Lithograph "Carga Frágil" Mural in São Paulo, Brazil. This 18-color lithograph, measuring 40 by 28 inches, is printed on BFK Rives 270g paper featuring deckled edges. Created at the historic Idem Studio in Paris using a Marinoni press, it is based on an original illustration inspired by a photograph captured by Jon Furlong. The piece is signed by the artist, Shepard Fairey, and is a numbered edition limited to 300 prints. A portion of the proceeds will be donated to Greenpeace USA. Each print is accompanied by a digital certificate of authenticity provided by Versiart and features the Idem publishing chop in the lower left corner. The Idem Studio was established within a 15,000-square-foot, two-story workshop at 49 rue de Montparnasse. Originally built in 1881 by printer Eugene Dufrenoy, the workshop was designed to house his lithographic presses. In its early days, the facility relied on 19th-century flat machines powered by belt-driven propeller shafts and a steam boiler. The space was later occupied by the Michard Printing Company, which specialized in crafting vibrant, special edition maps. In 1976, Fernand Mourlot acquired the workshop and transformed it into a fine art printshop. Throughout its history, the workshop has seen a revival of lithography, with craftsmen collaborating closely with esteemed artists such as Pablo Picasso, Henri Matisse, Alberto Giacometti, Joan Miró, and Marc Chagall. Today, the printshop is dedicated to contemporary artists like Sophie Calle, JR, William Kentridge, David Lynch, Paul McCarthy, and Raymond Pettibon. Lithographs at Idem Studio are created by drawing an image on a flat stone or transferring it onto aluminum plates. The image is then treated with water and an oil-based ink that is rolled across the surface. Paper is placed atop the matrix and run through a press, transferring the ink onto the paper to form the final lithograph. The process results in a rich, dense layer of ink, producing an exceptional final piece. Now known as Idem, the Mourlot company stands as one of the oldest printing houses still utilizing traditional lithography techniques.

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Mad*L Citizens Tenacious Blue Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Jeremy Mad'L x UVD Toys. 2021 Limited Edition of 100 Size 4" Tall New In Box Size: 4" Artist: Jeremy Mad'L Producer: UVD Toys Articulation: Ball Joint at Neck 100 pieces made in Tenacious Exclusive Blue "Movin' On Up" Edition

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Sweet Home Chicago- Blue Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Desirable Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed Limited Edition Artwork Size 5x7

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Domino Sugar Hand-Pulled 5-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 90 Artwork Size 18x12

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SF Fire Escape Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2011 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print  SF Fire Escape by Shepard Fairey - Street Pop Art & Graffiti Artwork in Urban Symbolism Shepard Fairey’s 2011 silkscreen print titled SF Fire Escape captures the architectural and cultural energy of San Francisco through the lens of Street Pop Art & Graffiti Artwork. Printed on cream Speckletone fine art paper in a signed and numbered edition of 450, this 18 by 24 inch hand-pulled silkscreen distills Fairey’s signature use of graphic contrast and political commentary into a dynamic composition of urban geometry. Utilizing his iconic red, black, and cream palette, the work presents a striking fire escape cutting across a modern building facade, marked with the bold face of Fairey’s now-famous Obey Giant icon peering through a window. The structure’s vertical lines intersect with diagonal staircases while an urban billboard pronounces no turns and one way, placing metaphorical emphasis on control, restriction, and the illusion of directional certainty. Architectural Linework and Urban Power Structures Fairey’s SF Fire Escape transforms mundane urban design into charged visual content. The fire escape, typically seen as a symbol of safety or last resort, becomes a jagged line of escape from conformity. Its stark white angles against the rigid grid of the building evoke urgency and possibility. The red and black panels lend a sense of urgency and institutional rigidity, while the silhouetted billboard adds a layer of societal direction or imposed path. Fairey’s placement of the Obey Giant face within the fire escape window interrupts the grid with an unexpected humanized symbol, referencing the artist’s ongoing critique of media saturation, surveillance, and systemic structures. It also acts as a quiet observer embedded in the architecture, watching yet contained. Screenprint as Political Medium in Street Pop Art Silkscreen printing has long served as Fairey’s chosen tool for reproducing messages quickly and accessibly. SF Fire Escape continues this legacy by maintaining the aesthetics of poster-making while functioning as a collectible art object. The choice of cream Speckletone paper, combined with bold silkscreened layers of ink, recalls the DIY ethos of flyposted propaganda art found throughout city streets. Fairey’s refined yet aggressive visual language harnesses the technique of repetition, limited color palette, and contrast to amplify urgency and power. This composition doesn’t merely portray an architectural moment but translates the city’s built environment into a metaphor for cultural lockdown and authoritarian cues masquerading as guidance. Embedded Iconography and Urban Resistance The Obey Giant face is not simply branding or ornament—it operates as a resistance symbol embedded in the built fabric of city life. By placing this face within the context of an urban fire escape, Fairey plays with the idea of surveillance, autonomy, and escape. His use of directional signage adds a layer of irony, questioning whether individuals in modern society are truly free to choose paths or simply navigating a framework of control. SF Fire Escape exemplifies Shepard Fairey’s ongoing role in reshaping contemporary Street Pop Art & Graffiti Artwork into socially reactive and politically charged print-based media, grounded in both the visual language of rebellion and the structure of the everyday.

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I Heart NY Nerm Nermal Limited Edition Anatomy Vinyl Art Toy Collectible Artwork by Street Brand Artists Rip N Dip. 2022 Limited Edition of 150 Size 14-inch Nerm Nermal Vinyl Figure I Heart NY Dissected Art Toy. New In Box. 14 inch I Heart NY Lord Nermal Vinyl Figure Created To Celebrate Our New NYC Flagship Store Opening I Heart NY Heart printed on chest and Bottom Of Foot

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Packard Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Rag Bright Paper by Modern Pop Street Graffiti Artist Stephanie Buer. Packard • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 16 x 20 inches Hand-signed and numbered by artist Stephanie Buer in a limited edition of 20 Misprint on COA "Parkard"

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Pup Art- Black Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Many Faces- Untitled HPM Limited Edition Hand-Embellished HPM Archival Pigment Prints on Fine Art Paper by Urban Graffiti Artist Abstrk. 2022 Signed & Numbered HPM Hand-Embellished Unique Limited Edition of 15 Artwork Size 24x24

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Elysian Archival Pigment Fine Art Limited Edition Archival Pigment Print on 290gsm Moab Fine Art Paper by Pop Artist Scott Listfield. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 20x30 Edition of 100 Giclee print on Moab Entrada 290gsm paper 20 x 30 inches / 50.8 x 76.2 cm Signed, numbered and embossed by the artist Printed by Static Medium

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Multi Tags Series 7749 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas. 2022 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size Multi Tags Series 7749 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. Seen UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Multi Tags Series" is a collection of works that showcase the artist's signature lettering, blending street art with traditional fine art. In Multi Tags Series 7749, Seen UA masterfully incorporates an array of bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 7749 emphasizes the power of artistic expression and its impact on urban landscapes, while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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New York City Subway Map Limited Edition Archival Pigment Print on 310gsm Fine Art Paper by Cope2 street artist modern pop art. 2016 Signed & Numbered Limited Edition of 75 Artwork Size 17x24 "Having a print made from an original New York City subway map piece that I created and collaborated with 1xRun on is a really great idea in the sense that many art collectors are able to own a piece of my New York City history.The whole concept of doing a New York City subway map goes perfect with my history as being a New York City graffiti art legend cause the subway system is were I made my bones and a name for my self tagging up and getting my name on every subway line and subway system in the whole city." - Cope2 Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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Alien Bride Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Glenn Barr. 2020 Signed COA Limited Edition of 50 Artwork Size 8x31.875 Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8 x 31.875 Inches Release: July 22, 2020

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Two Coming In PP Printers Proof Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield. PP Printers Proof 2018 Signed & Marked PP Artwork Size 16x20

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Pigeon Feeding Family Brooklyn 2005 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. Caledonia Curry Street Pop Art: Pigeon Feeding Family Brooklyn 2005 Giclee Print by Swoon Pigeon Feeding Family Brooklyn 2005 is a signed and numbered giclee print by American Street Pop Art & Graffiti Artwork icon Caledonia Curry, known globally under the name Swoon. Originally wheatpasted on a weathered Brooklyn wall, the work was photographed and transformed into a fine art edition, capturing the raw texture of the urban environment and the tenderness of everyday moments. Printed on heavy fine art rag paper, this piece measures 19 by 13 inches and was released in 2016 as part of a limited edition of 175. The work is part of the Swoon Street Series Print Collection, which immortalizes her ephemeral street interventions as collectible fine art. Swoon’s Human-Centered Street Pop Art & Graffiti Artwork Caledonia Curry’s practice blends compassion and community with socially charged visuals. This giclee print documents a street paste-up of a family in a moment of simple care and connection, feeding pigeons against a hand-painted wall. The mother figure anchors the composition with calm resilience while the children appear in varying poses of curiosity and support. This is a recurring hallmark in Swoon's Street Pop Art & Graffiti Artwork — intimate portraits of humanity created through hand-carved linoleum blocks, paper cutouts, and site-specific installations. Each subject is rooted in real communities and stories, often reflecting Curry’s collaborative work with underserved populations across the globe. Brooklyn as a Canvas for Caledonia Curry’s Social Aesthetic During the early 2000s, the streets of Brooklyn served as an active surface for many emerging artists, and Caledonia Curry’s large-scale paste-ups gained particular recognition for their emotional detail and craftsmanship. The original installation of Pigeon Feeding Family was not merely decorative but deeply site-specific, activating the decaying wall with human presence. Swoon’s commitment to public art goes beyond aesthetics. It embodies a form of street-level storytelling that addresses displacement, economic hardship, and resilience. The scene rendered in this giclee print speaks to those themes by elevating a humble act — feeding pigeons — into a portrait of survival and grace amid hardship. Legacy and Preservation in the Swoon Street Series Print Collection The 2016 release of Pigeon Feeding Family Brooklyn 2005 as a signed and numbered giclee was part of a broader effort to archive Swoon’s disappearing wall pieces from the early stages of her career. The Street Series Print Collection allows collectors and institutions to preserve this pivotal period of Street Pop Art & Graffiti Artwork that otherwise lives only in photographs or memory. Each print in the series is produced with precision to reflect the texture, color, and environmental context of the original installation. With Caledonia Curry’s growing impact in both the fine art world and social practice circles, works like this continue to hold value as artifacts of a moment where street art was both protest and poetry.

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Misty Moss Gorge Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Nicole Gustafsson.

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JungleCity Giclee Print by Rosy One Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2024 Signed & Numbered Limited Edition of 100 Artwork Size 19.69x27.56 Rosy One JungleCity Giclee Print Limited Edition Street Pop Artwork The 2024 JungleCity Giclee Print by Rosy One is a dynamic explosion of color and cartoon-inspired street storytelling. Printed as a limited edition of just 100 pieces on fine art paper and sized at 19.69 by 27.56 inches, this work showcases Rosy One's unique position at the crossroads of graffiti culture, underground comics, and Street Pop Art & Graffiti Artwork. With signature precision and humor, she transforms an urban landscape into a chaotic, character-filled fantasy world where vibrant figures animate the streets and surreal city scenes unfold with each glance. The detail-rich composition acts like a still frame from an animated feature, full of references to hip-hop, street art history, and raw city life. Rosy One's Role in Contemporary Graffiti Pop Culture Rosy One, a Swiss graffiti artist born in Lausanne, has long been recognized for her powerful and whimsical fusion of classic graffiti techniques with comic book aesthetics and cultural satire. Her work often features cartoon characters, bubble letters, and bold linework that blends storytelling with street energy. As one of the prominent female figures in graffiti since the 1990s, she has consistently celebrated hip-hop culture through her visual language, while also challenging stereotypes in a male-dominated genre. JungleCity is a continuation of her playful yet sharp social commentary, packed with satirical details and urban iconography that invite viewers to examine themes of community, chaos, and character. Visual Breakdown of JungleCity's Street Pop Art Composition JungleCity bursts with personality, layering buildings, subway cars, signage, characters, and colorful ooze into a rich tapestry of graffiti-influenced design. Divided into upper and lower city levels, the print cleverly juxtaposes above-ground vibrancy with underground rawness. The upper city is filled with quirky inhabitants and anthropomorphic creatures, all engaged in expressive acts like tagging, rapping, or lounging in surreal scenarios. Meanwhile, the underground reveals a gritty MTA-style train labeled with graffiti tags and a subway tunnel morphing into dripping jungle roots. Skulls, rats, and signage like Jungle Street and Tuff City embed coded references to hip-hop’s birthplaces and graffiti’s rebel roots. Every inch is meticulously detailed, drawing the eye in countless directions, yet maintaining cohesion through Rosy One’s sharp black outlines and neon palette. JungleCity as a Statement in Street Pop Art & Graffiti Artwork This giclee print not only captures Rosy One’s distinctive voice but also encapsulates the enduring energy of graffiti as a living cultural force. Her approach to Street Pop Art & Graffiti Artwork fuses comic absurdity with graffiti realism, allowing the work to function both as visual entertainment and sociocultural critique. JungleCity is more than an aesthetic statement; it is a celebration of urban survival, creative freedom, and the interconnection between the visual languages of the street and printmaking. As both an art object and narrative map, the piece exemplifies how street culture continues to evolve and inspire.

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Two Coming In Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield.

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Slick Rick Bust Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Def Jam. 2020 Slick Rick Bust Statue Art by Def Jam Resin bust modeled after the iconic artist, Hip Hop Legend Slick Rick. Stands 8" tall. As VIPs and Def Jam artists past and present – 2 Chainz, Fabolous, Jadakiss, Teyana Taylor, TJ Porter, Fetty Luciano, Slick Rick, Suzi Wu, Def Jam CEO Paul Rosenberg, Joseline Hernandez, DJ Premier – an all-female DJ lineup led by DJ Jazzy Joyce, Nyla Symone and Odalys kept the party rocking. A special pop-up from Scarr’s Pizza fed the masses, Courvoisier and Heineken kept the vibes going, and VIPs enjoyed special activations – a PUMA basketball court and a Snipes bodega hosted by special guests Stretch and Bobbito offering limited edition T-Shirts and the PUMA x Def Jam Clyde Court. A surprise performance from Def Jam’s own Freddy & Jason – Fabolous and Jadakiss – closed out the night.

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