Doctor/Medical/Medicine

Kuma Kush The Prisoner Cannabis Drug Bear Art Toy by Luke Chueh Limited Edition Vinyl Collectible Artwork by Street Graffiti Artist. 2017 Limited Edition Artwork of 300 with Cotton, Bag, and Tube. Based on Luke Chueh's original painting, The Prisoner ponders captivity in its many forms—physical, mental, or pharmaceutical. Post-traumatic stress disorder is a mental health problem that can develop after experiencing or witnessing a life-threatening event like combat, natural disaster, car accident, or sexual assault. And the dependency on prescription medications such as Percocet has led to widespread addiction problems. Kuma Kush The Prisoner by Luke Chueh: Cannabis and Emotional Captivity in Street Pop Art & Graffiti Artwork Kuma Kush The Prisoner is a limited edition vinyl art toy created by Los Angeles-based artist Luke Chueh in 2017. Produced in a run of 300 pieces, each figure comes housed in a green translucent prescription-style container with a cotton bag and printed label that mimics cannabis dispensary packaging. This collectible is part of Chueh’s The Prisoner series, which adapts his original painting into three-dimensional vinyl form. The figure features a seated bear, legs folded, arms wrapped tightly around its knees, and head lowered in a pose of silent withdrawal. This turquoise green edition—nicknamed Kuma Kush—shifts the narrative focus toward cannabis as a coping mechanism, inviting reflection on the psychological implications of alternative medication and emotional dependency. Deeply rooted in the language and symbolism of Street Pop Art & Graffiti Artwork, this piece turns a seemingly cute figure into a deeply evocative emotional sculpture. Color, Form, and Packaging as Social Commentary The choice of a green plastic tube traditionally associated with cannabis storage turns the bear into a commentary on escapism, self-medication, and the search for relief from psychological pain. The strain title, Kuma Kush, plays off both pop culture and medical terminology, combining a playful exterior with a serious undertone. Chueh’s bear figure, rendered in a mint green hue, is static and introspective, trapped in both its physical posture and the symbolic enclosure of the container. The aesthetic is clean, minimal, and emotionally weighted. This visual restraint is a core part of the artwork’s impact—Chueh uses silence and stillness to speak volumes. The bear is not a mascot but a vessel, representing the emotional burden many carry in silence. By situating the toy inside medical-themed packaging, Chueh makes the container an extension of the piece, turning object presentation into a narrative device consistent with the provocative nature of Street Pop Art & Graffiti Artwork. Luke Chueh and the Art of Emotional Exposure Luke Chueh has become a leading voice in contemporary pop and street-influenced art through his exploration of mental health, addiction, and vulnerability. His iconic bear figures have become universal symbols of struggle, designed to elicit empathy without the need for words. In Kuma Kush The Prisoner, Chueh introduces cannabis culture into his ongoing narrative about emotional suppression and dependency. This is not a celebration or condemnation of cannabis but an observation on how individuals turn to substances—legal or otherwise—to cope with trauma, anxiety, and post-traumatic stress disorder. Chueh’s approach is neither cynical nor romanticized. It exists within the gray areas where emotion, coping, and survival intersect, which places his work at the forefront of Street Pop Art & Graffiti Artwork that engages social issues through emotionally resonant design. The Prisoner Series as Art Object and Cultural Reflection Kuma Kush The Prisoner functions as both a collectible and a statement, its limited release of 300 making it both rare and conceptually potent. The figure, while small in scale, delivers a message that expands far beyond its dimensions. It sits not just in display cases but in the minds of viewers, acting as a quiet companion to those navigating emotional heaviness. Through minimalist form and emotionally charged symbolism, Luke Chueh elevates the collectible vinyl toy to a piece of psychological sculpture. As part of the Street Pop Art & Graffiti Artwork movement, the Prisoner series—and this Kuma Kush edition in particular—demonstrates how visual art can confront difficult truths about medication, trauma, and human vulnerability without sacrificing aesthetic simplicity or emotional clarity.

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Dissection of Little Mermaid- Anatomy Sheet No 24 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

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Feeling Down Charlie Brown Archival Print by Ben Frost Limited Edition on 310gsm Cotton Photographique Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 25 Artwork Size 11.7x11.7 Archival Pigment Fine Art by Ben Frost Drawing from a rich pop art tradition, artist Ben Frost pays homage to artists like Roy Lichtenstein and Andy Warhol by employing mass-produced images from advertising and media. However, what sets him apart is the gritty and raw energy in his work, often inspired by the rebellious and ephemeral nature of street art and graffiti. With a palette that’s as vibrant as it is challenging, his art creates a dialogue between the polished facade of consumer products and the grim realities they often mask. Through his jarring compositions, Frost raises questions about the nature of modern society, the pervasiveness of advertising, and the commodification of culture and identity. His bold, confrontational style makes him an important figure in the contemporary art world, and his works are revered by collectors and art enthusiasts worldwide.

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Goof Ball Archival Print by Ben Frost Limited Edition on 310gsm Cotton Photographique Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 25 Artwork Size 11.7x11.7 Archival Pigment Fine Art by Ben Frost Ben Frost is an Australian artist whose oeuvre is a scintillating fusion of pop art, street art, and graffiti art. Renowned for his visually striking and thought-provoking pieces, Frost’s work often incorporates iconic imagery from mainstream media and consumer culture. His subversive art is characterized by the juxtaposition of these symbols with themes of excess, addiction, and the superficiality and wastefulness of consumer culture. Infused with a critical edge and often laced with dark humor, his paintings, prints, and installations defy conventional aesthetics and present a chaotic and relentless assault on the senses. Goof Ball Archival Print by Ben Frost is an exemplary representation of the mélange between pop art and street art that has been taking the art world by storm. Ben Frost, an Australian artist renowned for his juxtaposition of commercial imagery and his own iconic style, often draws inspiration from the relentless bombardment of visual stimuli that constitutes the modern world. He has a predilection for utilizing vibrant colors and satirical commentary, which can be seen in the Goof Ball Archival Print. This piece specifically combines the aesthetic sensibilities of pop art, a movement characterized by its fascination with popular culture and consumer goods, with the edgy, raw, and often subversive nature of street art. Frost's Goof Ball Archival Print is captivating in its visual immediacy and use of iconic characters and logos. The inclusion of popular cultural symbols makes it relatable, while its brazen critique of consumer culture, inherent in the juxtapositions, lends it a certain depth. With the audacious strokes reminiscent of graffiti art, the work strikes a balance between the refined and the rebellious. It is a high-quality archival print, which ensures the longevity and preservation of the vivid colors that are a hallmark of Frost’s work. As a seminal piece in the contemporary fusion between pop, street, and graffiti art, Goof Ball Archival Print is an invitation to not just glance, but to analyze and introspect on the commentary it makes about our culture. This artistic gem, thus, warrants appreciation from both art aficionados and casual observers alike.

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Anatomy of the Horse- Anatomy Sheet No 11 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2017 Signed & Numbered Limited Edition of 100 17x11 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 100 Year: 2017 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of 10 wild animals. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of animals.

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Trivaac Inhalation Vaccine HPM Hand Made Limited Edition Mixed Media, Reclaimed Items, Spray Can Sculpture Artwork by graffiti street artist modern pop artist Eddie Colla. 2020 Signed & Numbered HPM Made & Printed Limited Edition of 30 Spray Paint Can Sculpture Artwork. These Are Art Pieces, They Are Not Medical Devices. "I originally made these fake inhalation vaccines as props for two installations I did with D Young V, Epilogue, and Memento Mori. The installations revolved around apocalyptic possibilities. These recycled Spray paint cans were meant to be discarded inhalation vaccines that the World Health Organization had distributed during a global pandemic. The labels contain information about application dosage and active ingredients. I did a lot of research regarding previous pandemics, such as H1N1 (bird flu). The idea was to create an artifact as real as possible to resemble a failed attempt to contain a global pandemic." Eddie Colla Artistic Representation of Global Pandemics Eddie Colla's "Trivaac Inhalation Vaccine" mixed media artworks reflect a hauntingly prescient take on global health crises through the lens of Street Pop Art and graffiti Artwork. This limited edition series, consisting of only 30 signed and numbered pieces, incorporates reclaimed items and spray paint cans to form sculptures that stand as poignant artifacts of apocalyptic possibilities. Created as part of two installations with fellow artist D Young V, "Epilogue" and "Memento Mori," Colla's sculptures were designed to represent discarded inhalation vaccines distributed by the World Health Organization during a fictional global pandemic. These installations explored themes of human vulnerability, societal collapse, and the interventions that come into play during such catastrophic events. The sculptures themselves, crafted to mimic the appearance and informational detail of real medical devices, resonate with the realism and urgency of a world grappling with the threat of pandemics. Colla's meticulous research into previous health crises, such as H1N1, informed the creation of this spray can sculpture. The labels on each canister are detailed with application dosage and active ingredients, contributing to the authentic feel of the pieces. This attention to detail not only enhances the visual impact of the sculptures but also embeds a narrative that ties them to the real-world context of public health emergencies. Cultural Commentary through Mixed Media The "Trivaac Inhalation Vaccine" sculptures starkly comment on the intersection of art, science, and societal response to global health challenges. By using reclaimed spray paint cans, Colla repurposes the mundane and aligns his work with the ethos of recycling and sustainability. These themes are increasingly relevant in contemporary discourse. These sculptures transform the spray can, a ubiquitous tool in street art, into a vessel of deeper meaning, reflecting on the throwaway culture and the implications of medical waste. This body of work also questions the efficacy and accessibility of healthcare interventions, highlighting the disparity between the intended purpose of medical devices and their actual implementation in crisis scenarios. Colla's sculptures suggest a history of use and urgency when these objects were vital to survival. The limited edition nature of these pieces emphasizes their uniqueness as artworks while alluding to the scarcity of resources that can occur in times of crisis. Street Pop Art & Graffiti Artwork's Evocative Power Eddie Colla's contribution to Street Pop Art and graffiti Artwork is characterized by his ability to evoke robust responses through objects that bridge art and reality. His sculptures are not passive objects; they are conversation starters that prompt viewers to think critically about the state of the world and our responses to impending dangers. In the tradition of street art, these works are accessible yet complex, visually striking yet laden with meaning. The "Trivaac Inhalation Vaccine" series underscores the evocative power of street pop art and graffiti to comment on and engage with current events. Through this series, Colla extends the narrative capabilities of street art beyond the walls and into the three-dimensional realm, offering a tangible connection to the issues that permeate our collective consciousness. In essence, Eddie Colla's "Trivaac Inhalation Vaccine" sculptures embody the innovative and reflective qualities of Street Pop Art and graffiti Artwork. By blending art with societal critique elements, Colla captures the imagination and ignites discourse, cementing his role as an artist who observes and participates in the broader conversations of our time. His work is a reminder of art's impact on interpreting, understanding, and questioning the world around us.

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Pineal Gland Archival Pigment Fine Art Limited Edition Print on Velvet Cotton Fine Art Paper by Artist Nychos, Street Pop Art Graffiti Legend. 2020 Signed & Numbered 18.2x24 Fine art print by NYCHOS Limited Edition of 111 Velvet Fine Art cotton fiber paper Hand-signed & numbered The pineal gland seems to have eye-like functions. It contains structures similar to the photoreceptors of our eyes. The entrance of light has an impact on the gland’s activity, including the hormonal regulation of our sleep and waking cycle. This involves brain wave changes. During meditative states, the pineal gland is similarly active as during nighttime. It helps the mind to enter a more relaxed state. -Nychos

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Vicodin The Prisoner Drug Bear Art Toy by Luke Chueh Limited Edition Vinyl Collectible Artwork by Street Graffiti Artist. 2016 Limited Edition Artwork of 500 with Cotton, Bag, and Tube. Based on Luke Chueh's original painting, The Prisoner ponders captivity in its many forms—physical, mental, or pharmaceutical. Post-traumatic stress disorder is a mental health problem that can develop after experiencing or witnessing a life-threatening event like combat, natural disaster, car accident, or sexual assault. And the dependency on prescription medications such as Percocet has led to widespread addiction problems. Vicodin The Prisoner Drug Bear by Luke Chueh: Vinyl Manifestation of Pharmaceutical Despair in Street Pop Art & Graffiti Artwork Vicodin The Prisoner is a 2016 limited edition vinyl art toy by Luke Chueh, issued in a run of 500 pieces and packaged with a cotton pouch, prescription-style tube, and custom labeling. This stark and introspective collectible was inspired by Chueh’s original painting The Prisoner, a body of work that dives into the concept of captivity in multiple forms: psychological, emotional, and pharmaceutical. The figure depicts a small white bear, arms tightly clasped around bent knees, body hunched in a defensive posture. Packaged inside a mock prescription pill bottle labeled as Vicodin, the bear becomes a physical metaphor for dependency and the numbing of trauma through chemical means. Positioned within the language of Street Pop Art & Graffiti Artwork, this figure embodies the raw realities often glossed over by polished consumer narratives. Pharmaceutical Packaging as a Vessel for Emotional Truth Luke Chueh’s decision to enclose the figure in a standard orange pharmacy bottle transforms the toy into a symbolic sculpture. This packaging is not merely aesthetic—it is part of the art itself. The orange plastic container is commonly associated with healing and regulated care, but here it acts as a prison, locking the character in emotional silence. Labeled under the name Vicodin, a widely prescribed yet highly addictive opioid, the piece forces viewers to consider the thin line between treatment and entrapment. The bear’s blank expression and slouched body language amplify the emotional burden behind dependency. Minimalistic in execution yet powerful in message, the figure’s placement within Street Pop Art & Graffiti Artwork challenges the notion that toys must be joyful or harmless. Instead, Chueh offers an object that speaks to trauma, medication, and the often invisible emotional pain that comes with both. Luke Chueh’s Visual Language of Suffering and Identity Luke Chueh, an American artist based in Los Angeles, has become known for using simple, iconic figures to address themes of mental illness, personal pain, and societal pressure. His characters often appear soft and subdued, but they carry an immense emotional weight. In Vicodin The Prisoner, the white color of the bear reflects both clinical sterility and emotional numbness. Chueh’s approach is grounded in honesty and vulnerability, distilling complex experiences into forms that resonate widely. His influence within Street Pop Art & Graffiti Artwork comes from this ability to speak directly through sculpture, illustration, and narrative-driven toy design. Chueh’s bear functions not just as a character but as a stand-in for anyone struggling with emotional paralysis, depression, or the grip of addiction. The Prisoner Series as Commentary and Collector Artifact This limited edition release of 500 includes not just the vinyl bear, but a presentation designed to immerse collectors in its commentary. The pill bottle packaging, custom-labeled for Vicodin, mirrors the controlled environments from which many seek escape, but also become trapped. The cotton bag adds an additional layer of clinical detachment, as if the piece were a regulated prescription item rather than an expressive artwork. As part of The Prisoner series, this version adds to the ongoing discussion around trauma and pharmacology within the framework of Street Pop Art & Graffiti Artwork. It transforms a collectible into a statement, where the cute and the uncomfortable coexist, creating a powerful tension that defines the work of Luke Chueh. The bear sits still, silent, and confined—but its presence speaks volumes about a culture that medicates pain without always understanding it.

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Oxycontin The Prisoner Drug Bear Art Toy by Luke Chueh Limited Edition Vinyl Collectible Artwork by Street Graffiti Artist. 2017 Limited Edition Artwork of 300 with Cotton, Bag, and Tube. Based on Luke Chueh's original painting, The Prisoner ponders captivity in its many forms—physical, mental, or pharmaceutical. Post-traumatic stress disorder is a mental health problem that can develop after experiencing or witnessing a life-threatening event like combat, natural disaster, car accident, or sexual assault. And the dependency on prescription medications such as Percocet has led to widespread addiction problems. Oxycontin The Prisoner Drug Bear by Luke Chueh: Sculpting the Weight of Dependency in Street Pop Art & Graffiti Artwork Oxycontin The Prisoner is a limited edition vinyl art toy released in 2017 by Los Angeles-based artist Luke Chueh. Produced in a run of 300 pieces, each figure comes enclosed in a pill bottle-style tube with custom label design, cotton padding, and a bag. This piece belongs to Chueh’s emotionally raw and conceptually provocative The Prisoner series, which explores the psychological and chemical captivity imposed by trauma and prescription drug dependency. The figure, seated with arms wrapped around bent knees and head tilted in surrender, is rendered in pale pink vinyl, an intentionally vulnerable hue evoking fragility and exposure. This edition bears the pharmaceutical branding of Oxycontin, one of the most widely debated painkillers associated with both relief and addiction. Within the visual canon of Street Pop Art & Graffiti Artwork, this piece functions as a sculptural protest against the medicalization of mental health and the commodification of comfort. Pharmaceutical Captivity Encapsulated in Minimalist Design The use of the pill bottle as both packaging and contextual anchor is integral to the conceptual weight of Oxycontin The Prisoner. Rather than being decorative, it serves as a metaphorical cell. The orange plastic container, a familiar object in American medicine cabinets, becomes a prison of muted pain. The bear figure inside is soft in tone but rigid in posture, exuding silent anguish and immobility. Its simplified features are part of Luke Chueh’s signature visual style—clean, anthropomorphic, and emotionally loaded. The minimalist approach allows viewers to project their own experiences and emotional responses onto the character, whether that be isolation, anxiety, numbness, or resignation. In the tradition of Street Pop Art & Graffiti Artwork, this piece reclaims consumer iconography and transforms it into a statement about personal and collective mental health struggles. Luke Chueh and the Voice of Emotional Vulnerability in Contemporary Art Luke Chueh, born and based in the United States, has established himself as a leading figure in vinyl art culture and emotional visual narrative. His work consistently uses characters—especially his iconic bear—as symbols of psychological realism masked in pop iconography. Oxycontin The Prisoner deepens this approach by explicitly referencing the epidemic of opioid addiction and the reliance on pharmacological solutions for mental health issues such as post-traumatic stress disorder, depression, and chronic anxiety. Chueh’s work does not seek to offer resolution; instead, it offers recognition. The bear is not posed in resistance or hope but in stillness, reflecting the physical and emotional sedation often experienced by those relying on medications like Oxycontin. His use of sculpture within the Street Pop Art & Graffiti Artwork world broadens the category’s potential to include introspective, honest, and therapeutically charged storytelling. A Collectible of Pain and Awareness in Street Pop Art & Graffiti Artwork Oxycontin The Prisoner is not just a toy or a figure for display—it is a contemporary artifact that documents an era of widespread psychological struggle and the societal response to it. By combining collectible vinyl with real-world pharmaceutical references, Luke Chueh exposes the fragility that often lies beneath manufactured relief. The packaging, labeled with details that mimic prescription information, reinforces the institutional control surrounding mental health treatment. With only 300 produced, this edition is highly sought after, not only for its rarity but for its role in confronting important themes through tangible, expressive art. As part of The Prisoner series, it anchors Luke Chueh’s position in the Street Pop Art & Graffiti Artwork movement as a storyteller of the internal human experience, voiced through form, posture, and silence.

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Good To See You Henry Rollins 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Fine Art Paperby Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 250 Artwork Size 18x24 Silkscreen Print by Shepard Fairey- OBEY "My good friend Henry Rollins is on his “Good to See You” spoken word tour that kicked off earlier this year. I’ve collaborated with Henry many times. I’m constantly in awe and impressed by him. He is the hardest-working guy I know and stays up on social and political issues. I’m excited that he is on the road again and honored to design his 2022 tour art. The posters are available to purchase on his tour if you see him on the upcoming dates, signed by Henry and me." -Shepard Fairey

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Four Tablets Daily Archival Print by Ben Frost Limited Edition on 310gsm Canson Cotton Rag Photographique Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2024 Signed & Numbered Print Limited Edition of 15 Artwork Size 11.7x11.7 Archival Pigment Fine Art Woman on a Pharmaceutical Package For Ritalin 10. Pharmaceutical Packaging as a Canvas in Street Pop Art & Graffiti Artwork Four Tablets Daily by Australian artist Ben Frost stands as a vivid and biting example of contemporary Street Pop Art & Graffiti Artwork. Executed as an archival pigment print on 310gsm Canson Cotton Rag Photographique paper, this 2024 limited edition artwork boldly merges the aesthetics of commercial pharmaceuticals with classic pop imagery. Frost’s distinctive style blends sleek, advertising-inspired visuals with themes of consumption, identity, and the numbing effects of modern medicine. Here, the artist uses an actual pharmaceutical box for Ritalin 10 as the foundation, transforming it into an ironic and haunting portrait of modern dependency and beauty ideals. The Fusion of Consumer Culture and Artistic Commentary Ben Frost, known for appropriating packaging, logos, and cultural symbols, uses this work to confront society’s relationship with prescription drugs and mass media. The print features the stylized face of a woman, her blue eyes and red lips reminiscent of mid-century comic book heroines, wrapped across the geometric restrictions of pharmaceutical packaging. The juxtaposition between her sensual, constructed gaze and the clinical language of Ritalin prescription labeling evokes tension between artificial pleasure and medical control. With the original packaging’s text left mostly intact, Frost allows the artwork to retain its original context—making the viewer uncomfortably aware that this isn’t just art, it’s also an artifact of real-world usage. Limited Edition Fine Art Meets Graffiti Pop Satire Printed in a highly exclusive edition of only 15 pieces, each one is signed and numbered by the artist. The dimensions of 11.7 x 11.7 inches make it a compact yet powerful artwork that distills Frost’s visual commentary into a sharp, satirical square. By using archival pigment methods on museum-grade cotton paper, the piece elevates the ephemeral nature of consumerism and street-level commentary into lasting fine art. The print exists at the intersection of collectible contemporary art and critical protest, channeling energy from both the gallery and the street. Ben Frost’s Distinct Role in Modern Pop and Graffiti Art Ben Frost is a Sydney-based street pop artist who has gained global recognition for his relentless critique of pop culture, pharmaceuticals, and consumer branding. His works have been exhibited in cities including London, New York, and Tokyo, and have become synonymous with post-pop critique. In Four Tablets Daily, Frost solidifies his place in contemporary graffiti pop art by weaponizing familiar formats and reshaping them into biting societal reflections. This piece, like much of his work, blurs the line between gallery presentation and street-level confrontation, forcing viewers to question their habits, their dependencies, and the carefully packaged visuals they consume daily.

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Virus Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori. VIRUS 20 x 20 inches (50.8 x 50.8 cm) High-Quality Giclee Print on 100% Cotton Rag Fine Art Paper Signed and Numbered Edition of 100

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In Patient Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Denial. 2021 Limited Edition of 75 Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8.25 x 31.875 Inches Release: July 14, 2021 Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Percocet The Prisoner Drug Bear Art Toy by Luke Chueh Limited Edition Vinyl Collectible Artwork by Street Graffiti Artist. 2018 Limited Edition Artwork of 500 with Cotton, Bag, and Tube. Based on Luke Chueh's original painting, The Prisoner ponders captivity in its many forms—physical, mental, or pharmaceutical. Post-traumatic stress disorder is a mental health problem that can develop after experiencing or witnessing a life-threatening event like combat, natural disaster, car accident, or sexual assault. And the dependency on prescription medications such as Percocet has led to widespread addiction problems. The Poignant Message Behind 'The Prisoner - Percocet' Art Toy by Luke Chueh 'The Prisoner - Percocet' is a limited edition vinyl art toy that delivers a powerful commentary on the grips of addiction and the confines of mental health struggles. Created by the acclaimed street graffiti artist Luke Chueh, this 2018 artwork, limited to a series of 500, delves into the concept of captivity through physical bars and the often invisible chains of pharmaceutical dependence. This piece is based on Chueh's original painting, "The Prisoner," which portrays the sad reality that many individuals face post-traumatic stress disorder (PTSD) and prescription medication addiction, particularly to potent drugs like Percocet. Chueh's art toy is thought-provoking and captures the essence of street pop art and graffiti artwork. It reflects the raw, unfiltered nature of the street art scene while addressing complex societal issues. The figure is meticulously displayed with cotton, a bag, and a tube, encapsulating the presentation of prescription medication and subtly pointing to the clinical nature of drug distribution. The Artistic Approach to a Modern-Day Plight Luke Chueh's approach to art is often characterized by the use of stark, compelling images that evoke a sense of empathy and contemplation. With 'The Prisoner - Percocet,' Chueh confronts the viewer with the reality of pharmaceutical captivity—a condition where medication meant for healing becomes a source of prolonged suffering. The vinyl figure, with its downcast eyes and clasped hands, becomes a symbol of the countless individuals who find themselves battling the dual demons of PTSD and addiction. The art toy is more than a collectible; it is a visual discourse on the pervasive issue of substance abuse linked to prescription drugs. Chueh's work is a bridge between art and advocacy, offering insight into the psychological and emotional turmoil that accompanies dependency. This piece, in particular, embodies the critical narrative that street pop art and graffiti artwork often undertake, highlighting urgent, real-world problems through artistic expression. 'The Prisoner - Percocet' in the Context of Collectible Art Collectors of 'The Prisoner - Percocet' hold a piece of art that is poignant, evocative, and starkly relevant. Including a metal card of authenticity with each figure ensures the artwork's legitimacy and special status within the limited series. Luke Chueh's signature style—simple yet profound—is on full display, making the piece a sought-after artifact within contemporary street pop art. Owning this piece is to acknowledge and appreciate the depth and potential for street art to transcend traditional canvases and become a medium for social commentary. The collectible stands as a testament to the power of art to spark conversation and to the artist's role as a commentator on the human condition. It is an invitation to reflect on the complex relationship society has with medication and the often-hidden struggles that accompany its use. In the broader context of street pop art, 'The Prisoner - Percocet' art toy by Luke Chueh stands out for its ability to communicate a profound message succinctly and symbolically. It is a powerful intersection of artistry and advocacy, encapsulating the struggle that defines the lives of many individuals in a single, silent figurine. For the discerning collector, it is not just a vinyl figure but a conversation starter, an emblem of awareness, and a striking piece of graffiti that holds significant cultural and artistic weight.

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Instagram Pill Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck art by street pop culture artist Denial. 2019 Limited Edition of 50 In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial’ about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Dissection of Bambi- Anatomy Sheet No 23 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

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TITLE Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Jen Collins, Street Pop Art Graffiti Legend. INFO

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Electric Six- Boston 2008 Music Limited Edition Gig Poster 3-Color Metallic Ink Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. AP Artist Proof. 12 x 32 – 3 color silkscreen – S/N edition of 200. Electric 6 Rock On Concert Cruiz, Boston Massachusetts, August 15th 2008

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Dosages 5-Color Hand-Pulled Limited Edition Silkscreen Print on 100# Cougar Cover White Paper by Jim Houser Rare Street Art Famous Pop Artwork Artist. Signed & Numbered 2013- 5 color screenprint on 100# Cougar Cover White 18 x 18 in Ed. 100 Signed and numbered by Artist

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Kuma OG The Prisoner Amarillo Verde Drug Bear Art Toy by Luke Chueh Limited Edition Vinyl Collectible Artwork by Street Graffiti Artist. 2017 Limited Edition Artwork of 438 with Cotton, Bag, and Tube. Based on Luke Chueh's original painting, The Prisoner ponders captivity in its many forms—physical, mental, or pharmaceutical. Post-traumatic stress disorder is a mental health problem that can develop after experiencing or witnessing a life-threatening event like combat, natural disaster, car accident, or sexual assault. And the dependency on prescription medications such as Percocet has led to widespread addiction problems. Kuma OG The Prisoner Amarillo Verde by Luke Chueh: Vinyl Expression of Emotional Confinement in Street Pop Art & Graffiti Artwork Kuma OG The Prisoner Amarillo Verde is a limited edition vinyl art toy created in 2017 by Luke Chueh, a Los Angeles-based artist known for blending dark emotional themes with clean, accessible design. This version of The Prisoner was produced in a run of 438 pieces and includes a cotton-lined pouch and a green prescription-style tube container, enhancing the toy’s commentary on medication, dependency, and the struggles of mental health. Inspired by Chueh’s original painting, The Prisoner represents a bear-like character locked in a pose of despair, hugging its knees with its head down. This green vinyl edition, subtitled Amarillo Verde, extends the series’ reflection on the psychological entrapment many face as a result of trauma and modern pharmaceutical culture, while contributing to the visual language of Street Pop Art & Graffiti Artwork. Pharmaceutical Symbolism and Emotional Language in a Vinyl Medium The Amarillo Verde colorway gives the piece a sterile, medicinal aesthetic, reinforced by its packaging in a translucent green prescription tube labeled with strain-like language. This not only ties the figure to the pharmaceutical world but also alludes to cannabis and alternative coping mechanisms. The bear's static, slumped position communicates resignation and detachment. Its form is simplified, yet every aspect—from its curved arms to its averted gaze—projects a vivid emotional landscape. The figure is not anthropomorphic in a traditional sense, but its expression is intensely human. By enclosing the figure in a mock prescription container, the artwork draws attention to how society addresses psychological pain: through containment and sedation, rather than resolution. Luke Chueh’s choice to use vinyl as the medium makes the figure both durable and intimate, offering a tactile presence that underscores its emotional weight. Luke Chueh and the Visual Narrative of Pain and Isolation Luke Chueh is a central figure in the art toy movement and Street Pop Art & Graffiti Artwork, using deceptively cute characters to explore profound emotional realities. Born in the United States, Chueh’s art frequently tackles depression, trauma, and the tension between inner life and external perception. The Prisoner series is a cornerstone of his commentary on mental health and pharmaceutical culture. This particular Amarillo Verde edition communicates a very specific kind of sadness—the kind masked by colorful pills and simplified diagnoses. It is deeply rooted in Chueh’s personal narrative and broader societal critique. The bear figure, repeated throughout his work, becomes an avatar for voiceless suffering, sitting quietly in its confinement, waiting for acknowledgment. This toy, though minimal in form, is maximal in meaning and speaks to the ability of street and pop artists to address contemporary crises through minimal, emotionally potent sculpture. The Prisoner as a Physical Object in the Vocabulary of Street Pop Art & Graffiti Artwork Kuma OG The Prisoner Amarillo Verde stands as a tactile commentary on mental health in an era of chemical coping. Each vinyl piece is packaged not only with care but with thematic intent—every element, from the labeling to the green plastic tube, reinforces the work’s conceptual core. It mirrors the experience of being prescribed and contained, offering a toy that acts as a physical artifact of emotional incarceration. It is not simply a figure to be displayed, but one to be felt and contemplated. Through his work, Luke Chueh continues to redefine how sculpture and collectible art can serve as powerful mediums for psychological expression. Within the evolving canon of Street Pop Art & Graffiti Artwork, this piece asserts that the most minimal forms often hold the deepest truths, inviting collectors and viewers to sit with the discomfort and recognize its weight.

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In This Together Woodblock Print by Ravi Amar Zupa Hand-Pulled on Reclaimed Wood Panel Limited Edition Artwork. 2020 Signed & Numbered Limited Edition of 40 Artwork Size 4x5.75 Woodblock Print on Ready To Hang Slightly Distressed Wood Panel Depicting a Jolly Roger Skull and Cross Bones with Crown. Artwork Says: Social Distancing With Love 2020 In This Together. "In This Together" is a profound woodblock print by Ravi Amar Zupa, an artist known for his intricate hand-pulled prints on reclaimed wood panels. This limited edition artwork, part of a collection of only 40, reflects a moment defined by the global pandemic and encapsulates the ethos of solidarity and resilience. Measuring 4x5.75 inches, the piece is a compact yet powerful statement, ready to hang and slightly distressed, which adds to its raw appeal. The print features the iconic Jolly Roger skull and crossbones, crowned, a symbol historically associated with piracy but recontextualized here to signify unity in adversity. Symbolism and Technique in Zupa's Work Ravi Amar Zupa's choice of imagery and text in "In This Together" is evocative and timely. Paired with a crown, the skull and crossbones traditionally symbolize death and power. However, in the context of this artwork, they take on a new meaning, representing the collective struggle and the need to 'reign' over the crisis with compassion, as suggested by the phrase "Social Distancing With Love." The woodblock print technique, a traditional form of printmaking, lends a sense of timelessness and connects the work to a long history of artistic expression. At the same time, the reclaimed wood panel serves as a reminder of sustainability and resourcefulness. Cultural Resonance of the Artwork The cultural resonance of "In This Together" within the street pop art and graffiti artwork scene is significant. It captures a shared sentiment that transcended borders during the pandemic—solidarity. Zupa's work often explores themes of social and political significance, and this piece is no exception. It speaks to the heart of street art's social role: to comment, unite, and inspire. This artwork is not just a reflection of the times but also a rallying cry, a statement of support and empathy that resonated deeply during a time of global uncertainty. Collectability and Impact on Contemporary Art The collectability of "In This Together" lies in its limited edition status, signed and numbered by Zupa, which adds an element of exclusivity. The work's size makes it accessible, while its message and craftsmanship make it a significant addition to any collection of contemporary street pop art and graffiti artwork. The piece's impact is further enhanced by its medium—woodblock printing on wood panel—which bridges traditional art-making techniques with modern themes, thus appealing to a wide range of art enthusiasts and collectors. "In This Together" by Ravi Amar Zupa is a compelling piece of contemporary art that resonates with the communal spirit of street pop art and graffiti artwork. Through traditional woodblock printing on reclaimed wood, Zupa creates an artwork that is both a testament to the times and a timeless piece of artistry. It stands as a symbol of unity and love in a year marked by separation and uncertainty, offering a message of hope and togetherness that is as universal as it is powerful.

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Covid No 19- Rose Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Rose Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Meat Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 12x12

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Burger King Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck art by street pop culture artist Denial. In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial’ about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Pandemonium Hand-Pulled Deckled Color Silkscreen Print on Fine Art Paper by Desirable Artist Hijack Limited Edition Pop Art Artwork. 2020 Hand Numbered & Artist Stamped Limited Edition of 100 Hand-Deckled Artwork Size 22x22. Global Food Bank Covid Charity Print by Hijack. Introducing "Pandemonium" by Hijack: A Street Pop Art Reflection on Global Crisis Crafted amid the tumultuous era marked by the COVID-19 pandemic, the artwork "Pandemonium" by the street artist Hijack seizes the collective consciousness of a world grappling with uncertainty and upheaval. This piece is a hand-pulled, deckled color silkscreen print on fine art paper, embodying the artist's poignant response to the pandemic's impact on society. Hijack, whose real name remains part of his enigmatic persona, has become a notable figure in the contemporary street pop art and graffiti art scene, with works that often delve into the commentary on current events and social issues. The limited edition artwork, sized 22x22 inches, is a visual statement and a philanthropic endeavor, with its proceeds aimed at supporting global food banks during the pandemic. As a part of a limited run of 100 pieces, each hand-numbered and stamped by the artist, "Pandemonium" becomes a collectible piece of history, immortalizing the zeitgeist of the early 2020s. Symbolism and Technique in Hijack's "Pandemonium" "Pandemonium" exudes a striking balance between the immediacy of graffiti art and the calculated precision of pop art silkscreen printing. The image portrays a figure in protective gear, the silhouette and posture reminiscent of a healthcare worker and a biohazard cleaner. This duality highlights the frontline reality of the pandemic. The use of bright colors against the monochrome background draws attention to the subject and infuses the piece with a sense of vibrancy amidst the darkness, a hallmark of street pop art's capacity to find beauty and meaning in the grim and mundane. The fine art paper serves as the urban canvas for Hijack, much like the walls and alleyways of the cityscape serve other graffiti artists. The deckled edges of the paper echo the often rough and transient nature of street art, offering a contrast to the permanence that the limited edition print signifies. It is this interplay of the brief with the enduring that Hijack navigates through "Pandemonium," reflecting on the fleeting nature of the pandemic while capturing a moment in time that will be indelibly etched in history. The Cultural Resonance of "Pandemonium" in Street Art Discourse In the broader discourse of street pop art and graffiti artwork, "Pandemonium" resonates as a cultural artifact, a beacon of the times. The work emulates how street artists have historically used public spaces and accessible mediums to reflect societal sentiments, provoke thought, and inspire action. Hijack's choice to contribute to a global charity through his art reflects a tradition within street art to not only comment on social issues but also actively participate in societal change. The image's depiction of the character with a spray bottle labeled "COVID-19" evokes a sense of action and responsibility, an acknowledgment of the collective efforts to 'cleanse' the world of the viral threat. This representation goes beyond mere aesthetics; it is a rallying cry, a nod to the resilience of humanity in the face of a global crisis, and a testament to the role of art in documenting, responding to, and healing communal traumas. As a piece of street pop art, "Pandemonium" stands out for its ability to capture the essence of an unprecedented global event while maintaining the stylistic and thematic elements that define the genre. Hijack's work is not just an artistic response to a pandemic; it is a historical record and a commentary on the human condition, a reminder of the tumult and triumph that characterize our times. In the legacy of street art, "Pandemonium" will be remembered as a poignant reflection of the era it was created in, a testament to the power of art to encapsulate complex emotions and narratives. It is a visual dialogue between the artist and the world, a piece that speaks to the fear, hope, and indomitable spirit that has defined the human response to the COVID-19 pandemic. Through "Pandemonium," Hijack contributes to the rich tapestry of street pop art and graffiti artwork, which continues to evolve and resonate as a voice of the people in the public domain.

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Infectious Substance Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Biohazard Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker. Slap Up In Perfect Condition. Reframing Perception through Street Pop Art Street pop art and graffiti artwork, characterized by their vibrant immediacy and cultural resonance, have a way of capturing the zeitgeist of the era in which they were born. The "Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker" series by graffiti artist Saber, whose real name is Ryan Weston Shook, exemplifies this phenomenon. With his 2020 collection of signed original slap-up graffiti art tags, Saber converges the world of hazardous material warnings with the rebellious spirit of street art. Each 4x4 marker-tagged piece carries his unique interpretation, transforming the ominous implications of the bio-hazard symbol into a canvas that speaks to the broader impact of what is genuinely infectious in our societies. Saber's Artistic Intervention on Bio-Hazard Symbols Saber's choice of the bio-hazard label as a substrate for his art is particularly telling. The symbol, designed to alert to dangerous pathogens, is recontextualized in his work to question the infectious nature of ideas, the virulence of art, and the power of expression to permeate and affect the public psyche. The contagious substance label, meant to protect by warning, is overlaid with Saber's tags that neither obscure the message nor dilute its significance. Instead, they add a layer of meaning, an artist's signature that challenges the viewer to question the boundaries between safety, censorship, public health, and public discourse. Modern Street Artwork as Social Commentary In modern street artwork, Saber's creations are a powerful testament to the artist's role as a social commentator. His work on the Uline S-180 stickers is a visual metaphor for 2020, a period marked by global health crises and a heightened awareness of biological hazards. By tagging these stickers, Saber connects the dots between the literal infectious agents the labels warn against and the metaphorical contagion of fear, misinformation, and societal unrest that characterized the year. The permanence of the marker on the glossy sticker mirrors the lasting impact of the year's events on the collective consciousness, ensuring that while the hazards may be contained, the dialogue they incite is not. In every line and color choice, Saber's art on the bio-hazard stickers demands engagement and reflects the unyielding nature of Street Pop Art and Graffiti Artwork. As a documented figure in the graffiti community, Saber's American roots and contributions continue to shape the conversation around the power of street art to reframe our perception of the symbols that dominate our public spaces. Each tag is a deliberate reclamation, a declaration that even the most exemplary of symbols can become a medium for enduring artistic expression.

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Dissection of Bugs Bunny- Anatomy Sheet No 20 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

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Panacea Silkscreen Print by MEUBON Hand-Pulled on Superfine Eggshell White Fine Art Paper Limited Edition Screenprint Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 20.25x15.75 Silkscreen Print. ยาตำราหลวง สถานที่จำหน่าย มาตำราหง เภสัชกรรม- Royal Medicine, Place of Sale, Ma Tamra Hong Pharmacy Panacea by MUEBON – Satirical Remedy in Street Pop Art & Graffiti Artwork Panacea is a 2022 limited edition silkscreen print by Thai artist MUEBON, hand-pulled on Superfine Eggshell White fine art paper and sized at 20.25 x 15.75 inches. Signed and numbered in an edition of 300, the print fuses traditional Thai aesthetics with a satirical street art vocabulary. The composition mimics the layout and tone of a vintage Thai pharmacy sign, including typographic references to royal medicine, location details, and regulatory insignia. Into this framework, MUEBON inserts his signature character—a mischievous black bird with a human-like stance—tending to rows of vibrant cannabis plants. The juxtaposition of state authority, medical legitimacy, and pop rebellion is executed with surgical visual clarity and conceptual sharpness. Every line, crack, and graphic element contributes to a broader message about legality, hypocrisy, and shifting cultural norms. Medicinal Symbolism and Sociopolitical Irony MUEBON’s use of the title Panacea speaks to the idea of a cure-all, a universal solution to societal ailments—yet the print suggests that what is marketed as remedy is often framed through layers of control and contradiction. The character, rendered in precise color and personality, waters marijuana plants with the casual indifference of someone who has normalized the taboo. The background replicates worn wall textures and weathered signage, suggesting an official public notice, now subverted. Thai script boldly states phrases such as ยาตำราหลวง and สถานที่จำหน่าย—Royal Medicine and Place of Sale—while the central figure undermines the bureaucratic tone with punk defiance. This visual collision is classic MUEBON: combining cartoonish humor with institutional critique in the style of Street Pop Art & Graffiti Artwork that functions as both documentation and protest. Silkscreen Technique and Aesthetic Precision The print is produced through traditional silkscreen methods, allowing each color to hold intense saturation and edge integrity. Printed on Superfine Eggshell White paper, the artwork’s subtle surface texture enhances the vintage signage effect, reinforcing the piece’s illusion of age and wear. The controlled layering of imagery—grime, text, plants, stamps, and character—demonstrates MUEBON’s precision in translating complex political narratives into vibrant, accessible artworks. While rich in local cultural codes, the piece is globally readable, making it a standout example within Street Pop Art & Graffiti Artwork of how regional voice can achieve international resonance through strong visual composition and thematic clarity. MUEBON and the Cultural Anatomy of Legitimacy Panacea is not merely a print—it is a conversation between law, commerce, and personal autonomy. MUEBON uses humor and pop-inflected satire to explore Thailand’s evolving relationship with medical cannabis, government oversight, and cultural taboos. His signature bird character becomes a stand-in for the everyday citizen, navigating a system that selectively legalizes what it once criminalized. The work functions as a visual metaphor for the ways power, propaganda, and public health intertwine. In the context of Street Pop Art & Graffiti Artwork, Panacea delivers a multilayered narrative disguised as public signage. It invites laughter, sparks dialogue, and challenges viewers to reconsider what authority looks like when it is repackaged in colorful ink and symbolic contradiction. MUEBON continues to assert himself as a master of visual irony and cultural dissection through the lens of urban resistance.

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Alternative Medicine Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Denial. Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8.25 x 31.875 Inches Release: July 14, 2021 Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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24k Gold Nerm Nermal Limited Edition Anatomy Vinyl Art Toy Collectible Artwork by street graffiti artist Rip N Dip. 14 inch 24K Gold Lord Nermal Vinyl Figure Only 500 made Dissected Art Toy.

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Forsake PP Printer Proof Archival Print by Eddie Colla Limited Edition Print on 290gsm Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2020 Signed & Marked PP Limited Edition Artwork Size 16x20.5 Archival Pigment Fine Art Insight into "Forsake" by Eddie Colla "Forsake" is a striking Printer's Proof (PP) archival print by Eddie Colla, a figure renowned in pop, street, and graffiti art. Created in 2020, this piece is part of a limited edition series, each signed and marked by Colla to signify its authenticity and exclusivity. The artwork is presented on 290gsm Fine Art Paper, a choice that ensures the print's longevity and high-quality appearance, a critical factor for collectors and enthusiasts of street pop art. Measuring 16x20.5 inches, the print is a substantial size that allows viewers to engage with the intricate details and profound messages. Eddie Colla's Convergence of Street Art and Fine Art Eddie Colla has an established reputation for merging the raw, expressive energy of street art with the refined techniques of fine art. "Forsake" is a testament to his ability to navigate these two worlds, creating works that are both accessible and profoundly thought-provoking. The print's archival pigment ensures that the rich textures and nuanced shades are preserved, capturing the ephemeral nature of street art in a form that can be appreciated over time. The imagery of a masked figure in "Forsake" speaks to the contemporary global experience, resonating with themes of identity, resistance, and the human condition. Symbolism and Narrative in Colla's Work In this piece, the subject's gaze is direct and unyielding, a powerful focal point amid smudged ink and abstract forms. The mask, a symbol now indelibly linked to the era of the COVID-19 pandemic, carries implications of silence, anonymity, and the struggle to communicate in a world where much of our expression is hidden. Colla's choice of text—"After forgetting you, they will call you now with their tricks"—introduces a narrative of rediscovery and the cyclical nature of societal memory and attention. The mixed media approach employed by Colla, blending photography with graphic elements, is a hallmark of his style. This method allows for a layering of meaning, just as layers of posters and graffiti accumulate on city walls, each telling a different story. "Forsake" invites the viewer to peel back these layers and explore the depth of Colla's narrative. This depth sets Eddie Colla's work apart, imbuing it with a sense of urgency and relevance, which is the power of street pop art. The artwork's message and medium reflect Colla's commitment to street pop art as social commentary. By bringing the transient art forms of the streets into the permanence of fine art prints, Colla bridges the divide between high art and public art. His work is a reminder that the messages conveyed through street art have a place in the ongoing cultural discourse, deserving of preservation and reflection. "Forsake" is a compelling piece within Eddie Colla's oeuvre, encapsulating his vision of street pop art and graffiti artwork as a form of visual impact and a means of communication and connection. It is a vibrant example of how street art can be elevated to a platform where it can be engaged on a level that transcends the boundaries of traditional art forms. Through works like "Forsake," Eddie Colla continues challenging perceptions, provoking dialogue, and fostering a deeper understanding of our collective experiences.

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Internal Growth Frames- Orange Original Mixed Media Resin & Flower Sculpture Artwork by graffiti Street Artist Jenna Morello Modern Pop Artwork. 2021 Signed One of a Kind Framed Original Art Pill Individually framed Internal Growth pill. The pill is cast with real elements from nature. Measures 5 x 3 3/4 x 2 inches Museum-quality frame, comes signed.

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Dark Passenger Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Dexter TV Show Reference. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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Covid No 19- Bleue Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Bleue Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Internal Growth Limited Edition Archival Pigment Fine Art Prints on Archival Rag Paper by Graffiti Street Art and Pop Culture Artist Jenna Morello. Internal Growth Print Measures 15x20 on archival rag Limited edition of 25 Signed and numbered. Jenna Morello's "Internal Growth": A Vision of Nature's Resilience in Art "Internal Growth" is a visually arresting limited edition fine art print by Jenna Morello, a prominent name in Graffiti Street Art and Pop Culture Artistry. The artwork, measuring 15x20 inches, is printed on archival rag paper and forms a significant part of a limited run of 25 signed and numbered pieces. With its poignant composition of encapsulated natural elements within pill capsules, Morello's piece is an evocative representation of the juxtaposition of human-made constructs and the persistence of natural beauty. Jenna Morello, a US-based artist, is known for her innovative approach to street pop art, often characterized by its vibrant color schemes and thought-provoking subject matter. "Internal Growth" is a testament to her artistic journey and her ability to blend diverse art forms seamlessly, creating works that resonate with audiences and challenge conventional art norms. Artistic Craftsmanship in "Internal Growth" The creation of "Internal Growth" showcases Morello's mastery in using archival pigment printing, a technique renowned for its superior color depth and longevity. By choosing archival rag paper for this print, Morello ensures that each detail of her intricate work is captured with clarity, and the artwork's longevity is guaranteed. The medium also reflects Morello's commitment to quality, with the texture of the paper complementing the organic subjects contained within the print. Each element within the capsules of "Internal Growth" is rendered with meticulous attention to detail, symbolizing the unstoppable force of nature and its inherent beauty. Morello's choice to present nature as something to be preserved is a powerful commentary on the environment and the impact of human consumption. The capsules, often associated with healing, suggest a more profound meaning - the healing power of nature and the necessity of its preservation in our contemporary society. Reflections on Jenna Morello's Contributions Jenna Morello's contributions to contemporary art are encapsulated in "Internal Growth," which blurs the lines between street art's edgy roots and the delicate beauty of natural forms. By placing natural elements within the context of modern healthcare symbols, Morello invokes a dialogue on the relationship between humanity and nature, growth and containment, and destruction and healing. Her work in the limited edition of "Internal Growth" is a significant marker of her role as an artist who is both a storyteller and a visionary. Through her art, Morello implores viewers to recognize nature's vital role in our lives and the paradox of our attempts to control and categorize it. This print is a striking piece of Street Pop Art and a catalyst for reflection on how we interact with the world around us. With "Internal Growth," Jenna Morello pushes the envelope, ensuring her voice and vision are felt within the Street Pop Art movement. Her artistic exploration is a continuous process of discovery, and this print serves as a snapshot of her journey, offering a window into the soul of an artist dedicated to unveiling the hidden depths of both the urban landscape and the natural world.

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LIE 13 Margaret Sanger Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 18x24 Third International Eugenics, New York City, August 21-23 1932

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Covid No 19- Juane Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Juane Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Cialis Le Pew Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Pharmaceutical Aesthetics and Cartoon Satire Cialis Le Pew by Ben Frost brings together cartoon absurdity and adult pharmaceutical branding in a limited edition archival blotter paper print released in 2025. Known for his provocative Street Pop Art & Graffiti Artwork, Frost takes viewers on a subversive ride by merging the suggestive character of Pepé Le Pew with the visual identity of Cialis, a well-known medication for erectile dysfunction. Printed on 7.5 x 7.5 inch perforated blotter paper and hand-perforated by Zane Kesey, this piece sits at the intersection of consumer critique and visual comedy. With bold linework and an unmistakable pharmaceutical color scheme, Frost uses satire to expose the contradictions of health, desire, and fantasy in commercial culture. Reinterpreting Brand Messaging Through Street Pop Ben Frost’s work frequently co-opts the visual language of consumer goods, particularly those related to pharmaceuticals and fast food. In this print, the formal structure of a Cialis package is preserved: dosage information, branding, and corporate insignia are all present. But the addition of Pepé Le Pew lounging provocatively transforms the message entirely. The piece is not about medical treatment—it becomes a conversation on romantic projection, toxic masculinity, and mass-market seduction. Frost intentionally plays with taboos by inserting a controversial cartoon figure into the branding of a real-world medication, using humor as a mechanism for cultural interrogation. Blotter Format as Conceptual Canvas The decision to present this print on perforated blotter paper deepens the commentary. Traditionally associated with psychedelic culture, blotter art has been a platform for anti-establishment graphics since the 1960s. In this format, Frost’s image carries connotations of altered states, drug dependency, and societal disillusionment. The material becomes a message in itself, encouraging viewers to consider how they consume information, media, and identity. The perforations serve not just as a nod to underground drug culture but as a device that dismantles the sterile clinical distance of pharmaceutical packaging. Ben Frost and the Language of Visual Irony Ben Frost, an Australian contemporary artist, has made a career out of weaponizing logos, mascots, and visual trademarks. Through satirical juxtaposition, he addresses addiction, overconsumption, and the contradictions of modern branding. With Cialis Le Pew, he continues this trajectory by turning a prescription drug box into a visual metaphor for desire and farce. The artwork challenges the passive viewer, inviting questions about how intimacy and commodification intersect. It is both a punchline and a statement—a collision of cartoon innocence and adult marketing that leaves a lasting visual impact.

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LushSux Condom- White Limited Edition Condom Art Collectible Artwork by street graffiti artist Lussux. 2013 Custom Condom Art Object Limited Edition, Not for use; this is artwork only! Unopened custom packaging from 2013 reads: Use This Condom Because I Don't Know What STD @Lushsux Gave Me...

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Dissection Of The Letter S Original Painting Mixed Media Framed On Paper by Nychos Graffiti Street Artist Modern Pop Art. 2013 Signed Original Mixed Media Acrylic Spray Paint Painting Artwork Size 40x48.5 “My dad and my grandpa were traditional Austrian hunters, so I think that is where some of my interest in anatomy comes from. Seeing a deer dissected for the first time was very inspiring for me. Seeing all the guts and intestines drop out, it was a bit crazy at first,” Nychos told Hypebeast while painting at the world’s premiere street art festival Pow Wow Hawaii earlier this year. “Using all of this anatomy I think have found something I can stick with and really go crazy on. It’s staying fresh for me because I am always finding new ways to do it.” -Nychos

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Feels So Good Original Silkscreen Etching Print by D*Face- Dean Stockton Hand-Pulled on Wove Fine Art Paper Limited Edition Pop Street Art Artwork. 2009 Signed & Numbered Limited Edition of 1 Original Artwork Size 33x54 Silkscreen Etching Print Custom Framed D*Face (b. 1978) Feels So Good, c. 2009 Etching and screenprint in colors on wove paper 54 x 33 inches (137.2 x 83.8 cm) (sheet) Ed. 1/1 Signed and numbered in pencil along the lower edge. No apparent condition issues. Floated and framed under acrylic. Framed Dimensions 59 X 37.5 Inches

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Dissection of Goofy- Anatomy Sheet No 28 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

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Cradle AP Silkscreen Print by Add Fuel Hand-Pulled 7-Color on 320gsm Astropack Fine Art Paper Limited Edition Artwork. AP Artist Proof 2023 Signed & Marked AP Limited Edition Artwork Size 19.69x19.69 Silkscreen Print of Stylized Tile Like Medical Caduceus Symbols, Hearts & Steam Punk Machine Like Elements.  "As part of the creation, install and public reveal of CRADLE, I created this limited edition screen print based on the visual aesthetic of the tile installation.
This edition is (was?) not available for sale." -Add Fuel. The Intersection of Traditional Imagery and Modern Techniques in Add Fuel's Cradle AP Silkscreen Print Add Fuel's "Cradle AP" is an exemplary piece of Street Pop Art and graffiti Artwork, a silkscreen print that intricately weaves historical symbolism with contemporary design. This hand-pulled, 7-color print on 320gsm Astropack fine art paper stands out in its limited edition form, with each piece marked as an artist proof (AP) and signed by the artist in 2023. With artwork dimensions of 19.69x19.69 inches, "Cradle AP" is a testament to the meticulous craft of silkscreen printing and the innovative spirit of modern street-inspired artwork. The print's visual lexicon is a tapestry of stylized tile-like patterns, medical caduceus symbols, hearts, and steampunk machine-like elements. This blend of iconography is a hallmark of Street Pop Art and graffiti Artwork, where artists often employ familiar motifs unexpectedly to challenge the viewer's perceptions and invite more profound reflection on the intersection of past and present, tradition and innovation. Add Fuel's Artistic Language: A Blend of Heritage and Rebellion "Cradle AP" speaks a complex visual language that is both a homage to and a reinterpretation of historical art forms. The use of tile-like patterns references the ancient practice of ceramic tiling, a craft steeped in cultural heritage and often seen in historical buildings. Yet, Add Fuel infuses the work with contemporary relevance and pop culture connectivity by incorporating modern symbols such as the caduceus – associated with medicine and healing – and hearts. The inclusion of steampunk elements furthers this blend of times and traditions, introducing a subculture that embodies a fusion of Victorian-era industrial steam-powered machinery with futuristic concepts. This anachronistic style is particularly resonant in Street Pop Art and graffiti Artwork, where artists frequently mix eras and ideas to create something entirely new and thought-provoking. Materiality and Method: The Significance of Silkscreen Printing in Street Pop Art The silkscreen printing method used in "Cradle AP" is significant within the context of Street Pop Art and graffiti Artwork. Silkscreen, or serigraphy, is a printing technique embraced by various art movements throughout the 20th century, most notably pop art. It allows for the vibrant and precise application of color, evident in the rich textures and layers in this print. By choosing Astropack fine art paper, Add Fuel ensures that the print has a high-quality finish and longevity, mirroring street art's lasting impact on urban landscapes. This choice of medium reflects a reverence for the durability of street art. At the same time, the limited edition nature of the work introduces an element of exclusivity akin to the unique location-specific nature of graffiti. Collectibility and Cultural Resonance of Cradle AP The limited edition "Cradle AP" holds a special place in collectible Street Pop Art and graffiti Artwork. As an artist's proof, it serves as a testament to the creative process, offering insight into the artist's work before the final edition is run. Street art collectors are often drawn to the authenticity and rawness of artist proofs, finding value in the visible iterations and refinements that lead to the final piece. Add Fuel's signature on each print, which serves as a direct connection between the artist and the collector, a significant element in street art where the artist's identity and personal touch carry substantial weight. This aspect of "Cradle AP" is a nod to the origins of graffiti, where the artist's tag is both a signature and a claim to space. The Evolution of Street Art: Add Fuel's Contribution Add Fuel's "Cradle AP" represents a point in the evolution of Street Pop Art and graffiti Artwork where artists explore new methods and mediums while staying true to the ethos of street art. With its intricate design and layered meanings, this piece exemplifies the dynamic nature of street-inspired art, pushing beyond the confines of urban spaces and into the realm of fine art collections. The work is a celebration of the power of street art to transform spaces and ideas, merge the historical with the contemporary, and create dialogues that cross cultural and temporal boundaries. "Cradle AP" is not just a print but a narrative woven in color and form that continues the ever-evolving story of Street Pop Art and graffiti Artwork.

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Dobermann Anatomy Archival Pigment Fine Art Limited Edition Print on Velvet Cotton Fine Art Paper by Artist Nychos, Street Pop Art Graffiti Legend. 2021 Signed & Numbered 24 x 24 inch / 61 x 61 cm Fine art print by NYCHOS Limited Edition of 111 Velvet Fine Art cotton fiber paper Hand-signed & numbered Nychos, an iconic figure in the world of street pop art and graffiti, presents a striking depiction of the Dobermann breed in his artwork titled "Dobermann Anatomy." Renowned for his unique anatomical explorations, Nychos delivers a layered perspective that delves deep into the physical structure of the canine, unravelling the layers from skeletal to muscular and finally the full-bodied representation of the Dobermann. The result is a captivating piece that marries scientific precision with artistic flair. Set against a muted teal backdrop, the sequential progression of the Dobermann from bone to flesh provides a detailed insight into the intricate anatomy of the dog. The vivid colors used to distinguish between the muscles, organs, and bones capture the viewer's attention, offering a visual treat that blurs the lines between educational illustration and pop art. The meticulously crafted details are a testament to Nychos's dedication to his craft, further establishing him as a master of his genre. Crafted in 2021, this fine art print stands as a testament to the evolution of street art, pushing the boundaries of what is traditionally expected from the medium. Measuring 24 x 24 inches, the artwork is printed on velvet fine art cotton fiber paper, ensuring longevity and a rich texture that complements the depth of the piece. As a limited edition release, there are only 111 pieces available, each of which is hand-signed and numbered by Nychos himself. For enthusiasts of street art, graffiti, or simply those fascinated by anatomy, this artwork offers a unique fusion of all, making it a valuable addition to any collection.

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Die Anatomie Archival Pigment Fine Art Limited Edition Print on Velvet Cotton Fine Art Paper by Artist Nychos, Street Pop Art Graffiti Legend. 2021Signed & Numbered Fine art print by NYCHOS Size: 24inch x 38,6inch / 61cm x 98cm Limited Edition of 111 Velvet Fine Art cotton fiber paper Hand-signed & numbered

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Nefertiti Archival Pigment Fine Art Limited Edition Print on Velvet Cotton Fine Art Paper by Artist Nychos, Street Pop Art Graffiti Legend. 2021 Signed & Numbered Fine art print by NYCHOS Limited Edition of 111 Artwork Size 18.5x24 Nychos, a renowned figure in the realms of street art and pop graffiti, presents a mesmerizing portrayal of Nefertiti in this archival pigment fine art print. The artist is globally recognized for his distinctive style, where he often delves into the intricate anatomy of his subjects, blending a keen scientific accuracy with a vibrant, almost surreal aesthetic. This particular piece, titled "Nefertiti," is no exception. With a backdrop of a bold red circle, the artwork unveils the internal anatomy of the ancient Egyptian queen, juxtaposing the magnificence of her external beauty with the intricate maze of her internal physiology. The details, from the network of veins and arteries to the intricate bone structure, are meticulously laid out, capturing the viewer's attention instantly. The use of vivid colors against the dark backdrop further accentuates the details, making it a captivating visual experience. Crafted in 2021, this artwork is a testament to Nychos's unparalleled talent and his unique approach to street art. The print is made using high-quality archival pigment, ensuring longevity and retaining the vibrancy of the colors. Produced on velvet cotton fine art paper, the texture complements the depth and intricacy of the artwork. As a limited edition release, only 111 pieces have been produced, each measuring 18.5 x 24 inches. Every print is signed and numbered by Nychos, guaranteeing its authenticity and making it a sought-after piece for collectors and street art enthusiasts alike. The blend of ancient iconography with contemporary art techniques results in a piece that bridges epochs and challenges the viewer to see beyond the surface.

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Damaged Bear 72 Original Color Marker Drawing by Jermaine Rogers on Wove Fine Art Paper Modern Street Pop Artwork. 2007 Signed Original Marker Ink Drawing Size 6.5x10. "Something is very wrong with me: I am falling apart...'" Damaged Bear 72 by Jermaine Rogers – Psychological Symbolism in Street Pop Art & Graffiti Artwork Damaged Bear 72 is a 2007 original marker ink drawing by American artist Jermaine Rogers, executed on wove fine art paper and measuring 6.5 x 10 inches. Signed by the artist, the piece is an emotionally raw and visually haunting entry in Rogers’s ongoing exploration of vulnerability, identity, and collapse. The drawing features a wide-eyed bear figure rendered in loose, expressive linework with patches of red that appear as wounds or signs of decay. Numbered 72 on its forehead and accompanied by hand-lettered text reading Something is very wrong with me: I am falling apart, the artwork merges character design with psychological confession. This bear is not a mascot or a toy—it is a vessel for emotional trauma, painted with urgency, humor, and existential dread. The piece exists as a stark and poignant work within the world of Street Pop Art & Graffiti Artwork, where imagery speaks louder than exposition. Visual Language of Inner Collapse The bear figure is a recurring character in Jermaine Rogers’s visual universe, often used to explore themes of innocence broken and identity under pressure. In Damaged Bear 72, the character’s sagging posture and panicked eyes suggest disorientation and surrender. Red ink blots mark its body like open wounds, and its blank, swirling irises indicate an emotional unraveling. The text above the figure reads like a journal entry or whispered confession, turning the drawing into a narrative fragment that blends visual and literary anxiety. Rogers uses minimal color—mostly black, pink, red, and cyan—but every mark contributes to the sense of urgency and internal fragmentation. The simplicity of materials contrasts the complexity of message, a method that aligns with the unfiltered nature of Street Pop Art & Graffiti Artwork. Marker Drawing as Emotional Broadcast Executed entirely in marker on fine art wove paper, the drawing reflects immediacy and tactile presence. The lines are loose, intentional, and flawed in a way that enhances their sincerity. Rogers’s use of bleeding ink and uneven pressure brings a sense of performance to the act of drawing, capturing not just form but emotional atmosphere. The paper holds every smudge and hesitation, turning what could be a sketch into a finished emotional document. The bear’s open expression, numbered forehead, and decaying appearance resonate as symbols of individuality lost in systemic tension. In the context of graffiti and pop character traditions, Rogers’s bear stands apart by leaning into fragility instead of bravado. Jermaine Rogers and the Anatomy of Emotional Resistance Damaged Bear 72 represents Jermaine Rogers at his most exposed, offering a piece that is both a visual statement and a confessional artifact. His work operates where emotion meets iconography, turning cartoonish figures into messengers of truth and despair. In the world of Street Pop Art & Graffiti Artwork, this piece is not about street dominance or design flash—it is about the quiet, painful moments that define human experience. Rogers’s ability to inject philosophical and emotional gravity into character-driven imagery places him among the most nuanced voices in the genre. This bear does not roar—it pleads, stares, and disintegrates in front of the viewer, offering no solutions, only honesty. That honesty is what transforms Damaged Bear 72 from a sketch into a relic of modern anxiety, drawn in lines that refuse to lie.

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Supreme Gucci Smashup Pill- Green Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Denial- Daniel Bombardier. 2022 Numbered Limited Edition of 75 Skateboard Artwork Size 8.25x32 Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8.25 x 31.875 Inches Release: June 28, 2022 From the Gucci logo, Louis Vuitton & Supreme to Channel perfumes and credit cards, he is utilizing such cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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