Murder & Crime

Frank Sinatra Mugshots Pair Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas Framed by Steve Kaufman SAK Graffiti Street Artist Modern Pop Art. 2007 Oil on canvas Custom Guilded Frame. When stretched it should be about 24”-30” Brightly colored In good condition. Signed on verso. Great image. Frank Sinatra was arrested by the Bergen County, New Jersey sheriff in 1938 and charged with carrying on with a married woman (yes, you could get popped for that

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Video Surveillance 12x18- II Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. This Area is Under 24 Hour Surveillance Sign.  

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Boyz N The Hood 4-Color Limited Edition Giclee Print on Fine Art Paper by Joshua L Johnson Rare Street Art Famous Pop Artwork Artist. Giclee print 18 x 24 inches signed and numbered, limited edition of 60 inspired by Boyz N The Hood

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Bound Original Painting Spray Paint Watercolor Mixed Media on Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2013 Signed Original Mixed Media Spray Paint Watercolor Artwork Size 15x22

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On the Shady Side of the Street- Black on Yellow 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. Limited edition of 125 Hand-pulled 14 x 20.5” black on Yellow screenprint on 290gsm Coventry Rag Paper with deckled edges. Signed and numbered. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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The Godfather Limited Edition Hand-Embellished HPM Serigraph Print on Canvas Framed by Steve Kaufman Graffiti Street Artist Modern Pop Art. Ready to hang Gallery Wrapped. Medium: Hand-Embellished Silkscreen on Canvas Title: Godfather Size: 37.5" x 31" Canvas Year: 2000 Edition: 100 Signature: Hand Signed by Kaufman on Verso He eventually moved his studio to Los Angeles and in true Kaufman form, hired over a 100 ex-gang kids to assist him in his studio. During this time he created a new style called “Comic Book Pop Art,” where he used original paintings of super heroes as icons. He also worked with the Martin Lawrence Gallery where he created limited editions of such icons as Beethoven and Marilyn Monroe, breaking sales records for a new artist.

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The Crawler- White Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Prints by Cleon Peterson are an edition of 150. Made in June 2017, they are signed and numbered by the artist. Format : 20 x 26,75 inches (50,8 x 66 cm). The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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On the Sunny Side of the Street- Yellow On Red Hand-Pulled 2-Color Silkscreen Print on 290gsm Coventry Rag Paper Deckled Edges by Artist Cleon Peterson Limited Pop Art Artwork. 2021 Signed & Numbered Limited Edition of 125 Artwork Size 14x20.5 Limited edition of 125 Hand-pulled 14 x 20.5” Yellow on Black screenprint on 290gsm Coventry Rag Paper with deckled edges. Signed and numbered. Cleon Peterson (b. 1973) On the Sunny Side of the Street (Yellow), 2021 Screenprint on Coventry Rag paper 20-1/2 x 14 inches (52.1 x 35.6 cm) (sheet) Ed. 125 Signed, numbered, and dated in pencil along the lower edge. Published by the artist. The art of Peterson has a robust anti-establishment character, and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist, and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks, paintings, prints, sculptures, and murals exhibited in the US, Europe, and Asia. "On the Sunny Side of the Street" is a yellow silkscreen print by Cleon Peterson, an American artist known for his provocative and often dark artwork. Peterson's work often explores themes of violence, power dynamics, and societal unrest, reflecting the complex and contradictory nature of human existence. This particular print, "On the Sunny Side of the Street," presents a different tone than much of Peterson's other work, given its title and yellow color. It could be an attempt to explore the brighter, more optimistic side of life, or perhaps it presents a contrasting view to the darker themes found in his other pieces. As an artist, Peterson is known for his ability to make striking visual statements that leave a lasting impact on viewers.

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Razor Gun Limited Edition 5-Color Hand-Pulled Silkscreen Print on 130lbs Mohawk Vellum Fine Art Paper by Maximilian Wiedemann Graffiti Street Artist Modern Pop Art. "Looking at the current media coverage and shocking violence that has spread around the world, I felt it was time to release an anti-gun/crime piece. In the wider sense and anti-violence statement. Don't pull the trigger! As you see in the detail, the trigger is the razor, making it impossible or painful to shoot. It's a fine little detail in the gun that turns the meaning of weapons around. All you need is love. This design and coloring have exclusively been done for 1XRUN. This Idea has been shown first in New York in 2011 in the Vanity Unfair Show - I felt it has more relevance than ever these days." - Maximilian Wiedemann

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Into The Night MMXXI- Black/Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. Into The Night MMXXI (black/black) 32 x 32 inch. Hand-pulled black on black screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 75 The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Into The Night MMXXI- Gold/Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 32 x 32 inch. Hand-pulled gold and black screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125 The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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The Crawler- White Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 16 x 12” black and bone screen print. Printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Bias by Numbers- Large Format 30X42 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered, Bias by Numbers 30 inches by 42 inches Edition of 89 June 3, 2019 “Bias by Numbers” addresses racial bias in policing, criminal justice, and media culture. Racial bias in policing and criminal justice has a long history, including stats like – black people being five times more likely to be stopped and searched than white people, and four times more likely to be subjected to unnecessary use of force, or four times more likely to be killed by the police when unarmed. The statistics revealing racial bias in prosecution and sentencing are compelling as well. Though recreational drug use is equally common in both predominantly black communities and predominantly white communities, convictions for drug possession are almost six times higher for blacks. Blacks frequently receive longer prison sentences than whites contributing to African Americans being incarcerated at more than five times the rate of whites.

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Thieves & Backstabbers- Collectors Edition Hand-Pulled Silkscreen Layer Ink Texture & Embrossments Print on Mylar Paper by Activist Artist Marwan Shahin Rare Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 10 Artwork Size 18x24 "This edition of the artwork is interpreted with brand new print technology for layering ink to create texture and embossment on striking Mylar, Each print is intricately arranged with a filigree of metallics, to produce visually intoxicating effects." -Marwan Shahin "Thieves & Backstabbers - Collectors Edition" emerges as a stunning piece by Marwan Shahin, an activist artist who employs his craft to challenge and dissect the socio-political landscape. This rare limited edition artwork is more than a visual statement; it is a manifestation of technical innovation in printmaking. Crafted in 2022 and part of a highly exclusive series of just ten signed and numbered prints, each 18x24 artwork epitomizes the power of visual art to communicate complex narratives. Shahin's choice of medium is as unconventional as his subject matter. He utilizes hand-pulled silkscreen techniques, layering ink to construct not just color and form but tangible texture and embossment, producing an almost three-dimensional effect on the lustrous Mylar paper. The interplay of light on the metallic inks and the Mylar surface invites viewers into a visual dance, where each angle and each source of light alters the experience of the artwork. It is an edition that stands at the intersection of art and alchemy, with each print in the series offering a unique sensory encounter thanks to the intricate use of metallics that create a visually intoxicating effect. Marwan Shahin's "Thieves & Backstabbers - Collectors Edition" stands as a testament to his reputation as a pioneering figure in contemporary pop art. It embodies his signature approach of integrating pop culture references with deeper political messages, producing art that resonates on multiple levels. As a visual discourse, the piece is a statement on duplicity and the multifaceted faces of human nature, set against a backdrop of opulent symbolism rich in contrast and imbued with layers of meaning. Collectors and enthusiasts of the genre are presented with an opportunity not merely to own a rare piece of art but to engage with a work that pushes the boundaries of silkscreen printmaking and emboldens the narrative potency of modern pop and street art.

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Frank Sinatra Mug Shot- Rainbow Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman Graffiti Street Artist Modern Pop Art. AP Artist Proof, Unstretched, Mint directly from artist in 2005

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Flower of Evil: There is an End To Everything- Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 2021 FLOWERS OF EVIL: THERE IS AN END TO EVERYTHING (BLACK) 32 x 32 inch. Hand-pulled black and bone screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125

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Flower of Evil: There is an End To Everything- White 2-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 2021 FLOWERS OF EVIL: THERE IS AN END TO EVERYTHING (White) 32 x 32 inch. Hand-pulled black and bone screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125

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On the Shady Side of the Street- Black on Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. Limited edition of 75 Hand-pulled 14 x 20.5” black on black screenprint on 290gsm Coventry Rag Paper with deckled edges.Signed and numbered. Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

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Mario's Regret Artwork Giclee Limited Edition Print on Watercolor Fine Art Paper by Pop Culture Graffiti Artist Nick Derington. KICKSTARTER STRETCH GOAL! "Mario's Regret" is an 8x10 archival quality giclee print, on cold press natural watercolor paper, signed and numbered by Nick Derington.

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Barney X 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Frank Kozik Rare Street Art Famous Pop Artwork Artist. Barney Malcolm X crossover from the 2014 riots/protests. Barney X Burn Baby Burn ! ! 18″ x 23 14/16″ Designed & Signed by Frank Kozik Limited Edition of 50

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Graffiti Crime Polystone Sculpture Limited Edition Artwork by Artist Brandalised of Contemporary Pop Art Fame. 2021 Limited Edition Pop Art Sculpture 10 Inches Tall. Displayed With Box Fuelled by their youth and a sense of rebellion, the detailed 10” polystone art collectible depicts two mischievous boys, one atop the other, pulling a spray can out of a “Graffiti is a Crime” sign. Featuring the stencil-like paintwork you’ve come to love with our Brandalised collaborations, Graffiti Crime also features incredible detailing - from every crack to every brick. Even the spray can is popping out and restrained by the sign that imprisons it.

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Eclipse- Gold Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Year 2017 Class Art Print Status Official Run 150 Technique Screen Print Paper 250gsm Coventry Rag Size 28" x 28" Markings Signed & Numbered The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty by themselves, but the lack of reaction to them.

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Long Live Death- Bone 2-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. 2022 19 x 28 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Edition of 150. The connection of Peterson with street art is also an aspect of his work worth mentioning. Even though he has created numerous murals all over the world, the artist himself does consider himself a street artist: “I don’t think of myself as a street artist or somebody that does work in that vein, but I love the idea of doing large paintings that confront people.”.

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Revolution Is a Mother Who Eats Its Children Black Tondo Silkscreen Print by Cleon Peterson on Hand Deckled Circle Cut 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 24x24 Circle Cut Silkscreen Print. Cleon Peterson's Tondo: A Visceral Exploration of Revolution Cleon Peterson's "Revolution Is a Mother Who Eats Its Children Black Tondo" captures the essence of revolution — its transformative fury and cannibalistic backlash. This 2024 limited edition silkscreen print is a stark embodiment of the cyclic violence inherent in societal upheaval. With his signature high-contrast aesthetic, Peterson compels contemplation of the tumult that accompanies systemic change. Artistic Merits of Peterson's Black Tondo Limited to a series of 100, each piece is meticulously signed and numbered, accentuating the exclusivity of this thought-provoking artwork. The tondo — a circular artwork — measures 24x24 inches, a format that historically suggests wholeness and infinity but represents the never-ending loop of revolutionary fervor in Peterson's hands. The hand-deckled edges of the circle cut 290gsm Coventry Rag fine art paper enhance the tactile quality of the piece, adding to its visceral impact. The choice of the circle is deliberate, disrupting the traditional rectangular canvas to create a more immersive and contemplative experience. This shape allows the violence within to spill out in all directions, mirroring the all-consuming nature of the theme. Peterson's work does not simply hang on a wall; it confronts and envelops the viewer in its narrative. Cultural Commentary through Peterson's Silkscreen In "Revolution Is a Mother Who Eats Its Children Black Tondo," Peterson lays bare the paradoxes of revolt. His use of black — associated with the unknown and often with death — serves as a void into which the figures emerge and are consumed. The artwork is an allegory of the cyclical nature of history, where each act of uprising carries the seeds of its destruction within it. The stark black-and-white hues strip the scene of any romanticism, exposing the raw power struggle. It speaks to the heart of street pop art and graffiti artwork, which often deal in objective truths and lay claim to public spaces as forums for dialogue. Peterson's work takes this further, encapsulating the raw, uncensored voice of the street in a fine art context. The "Revolution Is a Mother Who Eats Its Children Black Tondo" is a poignant reminder of the perpetual dance between order and chaos. It is a piece that encapsulates the essence of Cleon Peterson's approach to street pop art, rendering visible the often uncomfortable realities that underpin human societies. Through his work, Peterson challenges the viewer, compelling a deeper engagement with the undercurrents of cultural and political change.

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Hammerhead Liquor Bike 1996 Nyabinghi West Virginia Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed & Numbered Limited Edition of 675 Artwork Size 17.5x22.5 Silkscreen Print Music Gig Poster Art by Frank Kozik Nyabinghi Dance Hall, West Virginia February 2nd 1996 Frank Kozik Hammerhead Liquor Bike 1996 Nyabinghi Dance Hall Silkscreen Frank Kozik, born in Spain in 1962 and raised in the United States, became one of the most influential figures in modern gig poster culture before his passing in 2023. His 1996 Hammerhead Liquor Bike silkscreen print created for a February 2nd performance at Nyabinghi Dance Hall in Morgantown, West Virginia stands as a strong example of his impact on Street Pop Art & Graffiti Artwork. This hand-pulled silkscreen on fine art paper measures approximately 17.5 x 22.5 inches and was issued in a signed and numbered limited edition of 675. During the 1990s, Kozik helped redefine the concert poster as a collectible art object rather than disposable promotion, bringing sharp graphic sensibility, bold color blocking, and underground attitude into mainstream visibility through music-driven visual culture. Comic Book Noir Aesthetics and Graphic Impact The Hammerhead poster features a stern, hard-edged central figure rendered in a comic book noir style, framed by segmented panels depicting a firearm, a stack of cash, and secondary narrative elements that suggest crime pulp storytelling. The composition uses saturated blues, yellows, greens, and reds separated by thick black outlines, reflecting Kozik’s mastery of high-contrast screen printing techniques. The bold HAMMERHEAD headline dominates the upper register in block typography, while the event details anchor the lower portion with clear promotional hierarchy. This structured yet aggressive layout mirrors the raw energy of 1990s alternative and noise rock scenes, aligning music culture with the visual language of Street Pop Art & Graffiti Artwork. Kozik’s approach drew from underground comics, mid-century advertising graphics, and punk zine layouts, synthesizing them into a format that was immediately readable from a distance yet rich in stylistic detail up close. Legacy of the 1990s Gig Poster Movement in Street Pop Art & Graffiti Artwork The 1990s marked a pivotal era when silkscreen gig posters became collectible fine art, and Frank Kozik played a central role in that transformation. By producing limited edition, signed prints for live music events, he elevated ephemeral show advertising into enduring visual artifacts. The Nyabinghi Dance Hall print reflects that transition, capturing a specific date and venue while standing independently as a work of Street Pop Art & Graffiti Artwork. Kozik’s disciplined screen printing process, layered inks, and confident linework established a standard that influenced generations of poster artists who followed. Today, works like Hammerhead Liquor Bike are recognized not simply as memorabilia but as historically significant examples of how underground music scenes and graphic art movements merged to shape contemporary print culture.

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Shoplifters Welcome Large Format Red Black Silver Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 50 Artwork Size 26x34.5 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Fairey. Shepard Fairey and Jamie Reid: Art as Social Commentary In collaboration with Jamie Reid, the "Shoplifters Welcome Silkscreen Print" by Shepard Fairey is a powerful example of how street pop art and graffiti artwork can encapsulate and critique social and economic issues. This piece, a limited edition print, was created for the "Ragged Kingdom" exhibition from March 16 to April 14, 2012. It has become a significant work in street art for its bold political statement. The artwork depicts a hand removing a document labeled "MONEY" from a briefcase, a visual representation of deregulation, particularly within the context of Wall Street. This act is set against an offer for 'shoplifters,' a satirical nod to the notion that the financial elite operates under a different set of rules than the average person. The print's striking use of the phrase "THIS DECADE ONLY!" further emphasizes the timely nature of the message, suggesting a window of opportunity for unchecked financial behavior. Art Reflecting the Times: Occupy Wall Street and Beyond Shepard Fairey's statement about the collaboration with Jamie Reid highlights their shared focus on corruption and wealth inequality themes, notably echoed by the Occupy Wall Street movement. The movement, which started in 2011, brought widespread attention to these issues, and Fairey and Reid's work provided a visual commentary that resonated with the public sentiment of the time. The artwork not only represents the artists' perspectives but also serves as a historical marker of the socio-economic climate of the early 2010s. The "Shoplifters Welcome" print is a prime example of how street pop art and graffiti artwork can transcend the boundaries of traditional art by directly engaging with social commentary. Fairey, known for his provocative approach, and Reid, with his history of punk aesthetic, combine their styles to create a piece that is as aggressive as it is artistic. The limited edition nature of the print, signed and numbered by Fairey, adds to its allure as a collectible item, even as it challenges the structures of economic power. In creating this print, Fairey and Reid employ the aesthetic of propaganda, utilizing bold colors and stark contrasts to draw attention to their message. The choice of silkscreen printing, a technique closely associated with street art due to its mass production capabilities, further ties the work to the grassroots nature of its messages. It is a medium that allows the artwork to be disseminated widely, mirroring the spread of ideas central to movements like Occupy Wall Street. The "Shoplifters Welcome" print is a testament to the enduring power and relevance of street pop art and graffiti artwork in contemporary discourse. It is a reminder that art can be an intelligent tool for social critique, reflecting the issues of its time and prompting conversations that can lead to change. Through their collaborative efforts, Fairey and Reid have created more than just a visual piece; they have crafted a narrative that challenges viewers to consider the imagery's deeper implications and question the status quo.

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Obey Radical Peace- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 375 May 7, 2021. Shepards Spin of the Capital Protest 2021 Where Cops Killed 5 Unarmed Protestors.

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Supreme Scarface Shower Deck Limited Edition Skateboard deck art by Designer Brand Supreme FW17 2017 Supreme x Scarface's iconic imagery was utilized for a full collection of items during the Fall/Winter 2017 collection. Each deck includes the film's famous tagline printed on the top of the deck. This "Shower" deck grabs a still from the infamous scene where a drug deal goes wrong, and Montana is forced into the shower with a gun to his head.

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Justice Limited Edition Hand Pulled 2-Color Serigraph Printed With Marinoni Machines on White BFK Rives 270 Gram Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. TITLE: JUSTICE DATE: December 2015 DIMENSIONS: 77,5 x 107,5 cm // 30,5 x 42,3 in approx TECHNIQUE: 2 colors lithograph printed with Marinoni machines PAPER: white BFK Rives – 270 grams Numbered /99 on the left side corner Signed on the right side corner (lead) by the artist The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty by themselves, but the lack of reaction to them.

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Obey Radical Peace- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 375 May 7, 2021. Shepards Spin of the Capital Protest 2021 Where Cops Killed 5 Unarmed Protestors.

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The Return Black & Gold Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2025 Signed & Numbered Cleon Peterson Limited Edition of TBD Artwork Size 20x20 Silkscreen Print of a Warrior Man on Horse with Bloody Sword. Released During January 2025, California Fires. The Return Black & Gold Silkscreen Print: A Stark Narrative by Cleon Peterson The Return by Cleon Peterson is a striking example of Street Pop Art and Graffiti Artwork, blending minimalist design with profound storytelling. This limited-edition silkscreen print, released in January 2025, is created on hand-deckled 290gsm Coventry Rag fine art paper, offering both visual and tactile depth. Measuring 20x20 inches, it features Peterson's signature style, characterized by bold contrasts and graphic figures. Depicting a warrior astride a horse, wielding a bloody sword, the artwork presents themes of conflict, dominance, and survival. Released during the California fires of 2025, the piece resonates with an atmosphere of destruction and resilience, drawing parallels between personal battles and larger societal struggles. Cleon Peterson’s Distinctive Artistic Voice Cleon Peterson is known for his stark, graphic style that combines elements of pop art with the intensity of graffiti-inspired aesthetics. His work often explores themes of power dynamics, chaos, and human nature's darker facets. The Return continues this tradition, with the central figure of a warrior on horseback symbolizing conquest and survival. The use of black and gold adds a regal yet ominous tone, heightening the tension in the scene. Peterson’s ability to distill complex narratives into simplified forms creates an immediate visual impact while inviting deeper reflection on the themes presented. Design and Symbolism in The Return The Return features a dramatic composition where the central warrior figure dominates the visual space. The horse, rendered in Peterson’s signature minimalism, evokes movement and strength, while the bloody sword serves as a stark reminder of violence and its consequences. The black background amplifies the figure's golden hue, emphasizing its prominence and isolating it in a void-like space. This duality of light and dark symbolizes not just conflict but also resilience and survival. The stripped-down aesthetic reflects the rawness of struggle, making the piece both visually striking and thematically intense. Limited Edition Craftsmanship and Context Printed on premium Coventry Rag fine art paper, The Return is hand-deckled to give it an artisanal quality that complements the graphic intensity of the artwork. Signed and numbered by Cleon Peterson, the limited-edition nature of the piece ensures its exclusivity and collectibility. The timing of its release during the California fires adds an additional layer of relevance, tying the themes of destruction and survival to contemporary events. The Return exemplifies the intersection of Street Pop Art and Graffiti Artwork, capturing both the raw energy of street art and the enduring narratives of human conflict and resilience. This piece stands as a testament to Peterson’s mastery in merging minimalist design with powerful storytelling.

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Supreme Scarface Split Deck Limited Edition Skateboard deck art by Designer Brand Supreme 2017 Printed Supreme x Scarface Limited Edition Skateboard Deck Depicting Al Pacino as Tony Montana from the Cult Classic Drug Movie Scarface. The Supreme Scarface Split Deck skateboard symbolizes the intersection where street culture, film, and design converge, creating a piece of Street Pop Art and graffiti Artwork that resonates with diverse audiences. This limited edition skateboard deck, released as part of the Fall/Winter 2017 collection by the designer Supreme, features iconic imagery from the cult classic drug movie "Scarface." The deck showcases a striking split design with Al Pacino as Tony Montana, capturing one of the film's most intense moments. Supreme, a brand deeply ingrained in the fabric of streetwear, has consistently demonstrated a knack for blending popular culture with its distinctive style. The collaboration with "Scarface" cements this approach, offering not just a skateboard but a canvas that reflects the gritty and raw narrative of the film. The deck is a homage to the character of Tony Montana, a figure whose pursuit of the American Dream through the darkest avenues of crime has left an indelible mark on cinema and popular culture. The "Shower" deck, in particular, grabs attention with a still from the infamous scene where a drug deal spirals into violence, placing Montana in a life-threatening standoff. This powerful image is complemented by the film's famous tagline on the top of the deck, further embedding the skateboard within the lore of "Scarface." This fusion of art, cinema, and skateboarding culture elevates the piece from a functional item to a collectible artifact within pop and street art. Supreme's decision to feature this graphic during the 2017 Fall/Winter collection was a strategic move that tapped into the nostalgia and aesthetic appeal of the 1980s, when skateboarding and the film "Scarface" rose to prominence. The deck's design captures the essence of that era while remaining relevant to the modern landscape of street art and fashion. As a piece of modern Street Pop Art and graffiti Artwork, the Supreme Scarface Split Deck transcends traditional boundaries, blending functionality with a solid artistic statement. Its creation speaks to a culture that values the defiant spirit of street art and the power of visual storytelling. For enthusiasts and collectors, the deck represents a piece of cultural history, embodying the spirit of rebellion and the relentless pursuit of ambition, themes as relevant today as they were at the time of the film's release.

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Art Is Not a Crime- Hand Candy Silver Limited Edition Chrome Painted Resin Sculpture Artwork by Legendary Fine Graffiti Street Artist Mr Brainwash- Thierry Guetta. 2021 Signed & Numbered Limited Edition of 95 Artwork Size 7.25x6.5 Medium: Chrome-Painted Resin Sculpture Size: 6.5 x 7.25 x 2 in (16.5 x 20.9 x 5 cm) Edition: 95 + 10AP Signed and numbered

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Gaslamp Killer Artist Proof 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. AP Artist Proof. Signed & Numbered, Shepard Fairey (b. 1970) Gaslamp Killer, 2008 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) A.P. (aside from an edition of 400) Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles. I Spit On Your Grave. “My art for the Gaslamp Killer mix was inspired by a combination of the music and personality of the Gaslamp Killer. The GLK is into dark and psychedelic sounds, so that, combined with his name, called for a hippie/horror salad tossed with a blood vinaigrette. The flavor was only enhanced by the Gaslamp Killer’s more sinister personal look, having shaved his dreads and grown an unruly beard and sideburns combo worthy of the most savage maniacs. You must wade through boiling pools of blood to get to the promised land, but the journey the Gaslamp Killer takes you on is all part of the destination.” Shepard Fairey

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All the Animals Come Out at Night- Black 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Oliver Barrett Rare Street Art Pop Artwork Artist. Edition Size: 50 Dimensions: 18x24 Markings: Signed and Numbered Released: 2013 Technique: Screen Print including Taxi, Movie, Man, Punk, Murder, Crime, New York, NY City, Robert De Niro

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Seppuku Artwork Giclee Limited Edition Print on 300gsm Matt Fine Art Paper by Pop Culture Graffiti Artist Luke Chueh. Print was released in 2014 during Luke's visit to Singapore. Signed and numbered edition of 75 12" x 16" Printed on 300gsm matt fine art paper

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Speak To Me Light Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 17x22 Silkscreen Print Cleon Peterson is an artist whose work blends the aesthetics of pop art with the rawness of street art and graffiti, to create captivating pieces that address themes of violence, chaos, and social unrest. His art is characterized by an undeniable graphical potency, with stark figures often depicted in tumultuous or sinister settings, reflecting the more sinister aspects of society. His monochromatic or highly contrasting color palettes often lend an additional edge to his imagery, reminiscent of the urban grit and unconventional spirit characteristic of street art. His background in skateboarding culture and his time spent as a street artist in Los Angeles has significantly influenced his artistic style, blending elements of pop art's attention-grabbing graphics with the anti-establishment undercurrents of street art. What's more, Cleon’s works often exhibit the use of repeated patterns and figures, a technique that can be seen as a nod to the mass-produced style of classic pop art. However, it is crucial to note that his focus on dark subjects and narrative-driven scenes diverges from traditional pop art, which often features more lighthearted or commercial imagery. Cleon Peterson’s works are not only visually striking but also function as social commentaries, addressing topics such as power struggles and human savagery, and establishing him as an important figure in contemporary art that straddles the domains of pop, street, and graffiti art.

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Moooo Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Xiau-Fong Wee. Xiau-Fong Wee - "Moooo" limited edition fine art giclee print edition of 40 copies signed and numbered

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Point Break- 100% Pure Adrenaline- Test Print Foil v2 Limited Edition 13-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Patrick Connan Graffiti Street Artist Modern Pop Art. Test Print Version 2. One of a Kind Test Print From Artist. 13 Color Screen Print on Foil Paper Test Print Edition of 1 24" x 36" Signed / Numbered & Stamped.

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Escape Original Mixed Media Painting by Snik One of a Kind Artwork Framed on Panel by Street Art Pop Artist. 2018 Signed Mixed Media Painting Original Artwork Size 15.5x9.5 Framed 18.5x11.5 Escape by Snik – Frozen Descent and Poetic Stillness in Street Pop Art & Graffiti Artwork Escape is a 2018 original mixed media painting by the UK-based artist duo Snik, measuring 15.5 x 9.5 inches and presented in a custom frame at 18.5 x 11.5 inches. Executed with meticulous stencil layering and spray technique on panel, this one-of-a-kind work captures a suspended female figure mid-fall or mid-flight, her body arched in a moment of release, struggle, or transcendence. The blackened background becomes a void, while the figure, rendered in stark tones and delicate surface detail, floats like a ghost tethered to the edge of control. Known for their hand-cut stencil mastery and emotionally charged portraiture, Snik creates a composition in Escape that embodies tension, grace, and haunting visual poetry. In the space of Street Pop Art & Graffiti Artwork, the piece speaks to physical fragility and spiritual rupture using only the language of form and light. Layered Craftsmanship and Dimensional Emotion Snik’s signature process is grounded in precision: each layer of stencil is hand-cut and individually sprayed, allowing for a depth of detail and realism that transforms the spray medium into something near sculptural. In Escape, the folds of the subject’s dress, the flowing strands of her hair, and the delicate articulation of her limbs are all built through this exacting method. Her body is both grounded and weightless—tied in places, partially obscured, with limbs caught between movement and stillness. The tension created by the ropes suggests confinement, yet her airborne posture evokes release. This duality is central to Snik’s visual language: moments of beauty held within systems of restraint. In Street Pop Art & Graffiti Artwork, this emotional precision redefines what is possible with spray-based portraiture, pushing beyond the visual into the psychological. Blackened Void and Emotional Isolation The dark void that surrounds the figure in Escape is not merely background—it is conceptual space. It isolates the subject from any specific setting or context, forcing the viewer to focus only on form and feeling. This stark negative space amplifies the floating quality of the figure, making her appear suspended in thought or dream, rather than trapped by gravity. Subtle surface textures, fine spray line edges, and highlights along the limbs and fabric folds reveal a practiced control of light and atmosphere. The blackness becomes a mirror to the unknown—symbolic of trauma, transcendence, or the silent aftershock of an escape long attempted. This use of minimalism within Street Pop Art & Graffiti Artwork shows how absence can become as emotionally potent as visual excess. Snik and the Anatomy of Release Escape distills everything Snik is known for: masterful technique, female-centered storytelling, and a persistent exploration of emotional stillness through physical motion. The work is theatrical but never overdone, symbolic but rooted in real feeling. It reflects themes of vulnerability, personal confinement, and the bittersweet sensation of letting go. With Escape, Snik reaffirms their ability to create work that is both compositionally exact and emotionally unflinching. The piece invites viewers to interpret their own version of what is being fled from or toward, using only the pose, the silhouette, and the void. As a singular expression within Street Pop Art & Graffiti Artwork, Escape proves that beauty, when rendered with patience and purpose, can speak softly and still leave a lasting mark.

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Possession Original Die Cut Vinyl, Oil Paint on Wood Cradled Panel ready to hang by Dan Christofferson- Beeteeth Graffiti Street Artist Modern Pop Art. "Possession" - 24"x32" Die-cut vinyl on the panel for my "West Was Won" show. -Dan Christofferson

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Ezekiel 25:17 Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Signed & Numbered. Briefcase from Pulp Fiction Cult Classic Movie. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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War Child 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Hijack Rare Street Art Famous Pop Artwork Artist. 2022 Signed Edition of 75 16x16 Ukraine War Protest Print. "When adults wage war, children suffer." War Child by Hijack: A Powerful Statement in Street Pop Art & Graffiti Artwork The War Child silkscreen print by Hijack is a striking piece of street pop art & graffiti artwork, using a five-color hand-pulled technique to create a bold and emotionally charged image. Released in 2022, this signed, limited edition print of 75 captures the devastating impact of war through the lens of innocence. Measuring 16x16 inches, this fine art print is a direct protest against the war in Ukraine, highlighting the suffering endured by children in conflict zones. Symbolism and Message Behind War Child Hijack’s artwork is known for its ability to communicate strong social and political messages, often using stenciled imagery reminiscent of early graffiti movements. In War Child, a young girl stands before a bullet-riddled wall, drawing a peace symbol with what appears to be the holes left by gunfire. The choice of a bright yellow background contrasts with the dark imagery, making the scene both visually arresting and emotionally powerful. The child clutches a stuffed teddy bear, a universal symbol of childhood, emphasizing innocence and vulnerability amidst destruction. This print echoes a fundamental reality of war—the youngest and most innocent suffer the most. The image is a call to awareness, urging viewers to reflect on the human cost of armed conflicts. It speaks to the resilience of children, showing that even in the face of violence, they cling to symbols of hope and peace. The Influence of Hijack in Street Pop Art & Graffiti Artwork Hijack has established a strong presence in the street pop art & graffiti artwork world, using a combination of stenciling, mixed media, and traditional silkscreen techniques. His works often draw influence from activist street art, satirical graffiti, and urban social commentary, making them both thought-provoking and visually engaging. War Child follows in the footsteps of artists who have used public art as a means of social protest, calling attention to issues that are often ignored or underrepresented in mainstream discourse. Hijack’s visual style is reminiscent of stencil-based political street art, often associated with protest movements and anti-war messaging. His ability to translate global conflicts into emotionally charged urban artwork has earned him recognition as a contemporary voice in activist-driven street pop art. The Role of War Child in Modern Protest Art War Child fits within a broader tradition of street pop art & graffiti artwork that challenges authority, exposes injustice, and provides commentary on contemporary issues. The Ukraine war has generated a global response from artists, many of whom have used their platforms to speak out against violence and humanitarian crises. By creating limited-edition prints like War Child, Hijack ensures that the message reaches collectors, activists, and art enthusiasts who share a passion for socially conscious urban art. This piece is more than just a print—it is a statement, a protest, and a call to action. Through the visual language of street pop art & graffiti artwork, Hijack turns walls into megaphones, amplifying voices that might otherwise go unheard. War Child stands as a testament to the power of art to challenge, provoke, and inspire change, making it an essential addition to the evolving narrative of art as activism.

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Street Prophet Original One of a Kind Acrylic Paint Painting Artwork on Archival Paper by Popular Street Graffiti Artist KC Ortiz. KC Ortiz "Street Prophet" KC ORTIZ Street Prophet, 2021 Acrylic paint on archival paper 8.66 x . 12.99 inches 22 x . 33 cm 1 of 1.

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LIE Edward Snowden Original Painting Spray Paint Watercolor Mixed Media on Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed Original Mixed Media Spray Paint Watercolor Artwork Size 15x22

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Burning The Dead Red Silkscreen Print by Cleon Peterson Hand-Pulled on 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2016 Signed & Numbered Limited Edition of 150 Artwork Size 43.5x17 Hand Deckled Silkscreen Print Cleon Peterson Burning The Dead Red 2016 Silkscreen Print Cleon Peterson, born in the United States in 1973, is recognized for his stark and confrontational contributions to contemporary Street Pop Art & Graffiti Artwork. Burning The Dead Red, released in 2016, exemplifies his signature visual language built on themes of power, violence, domination, and societal conflict. This hand-pulled silkscreen print measures approximately 43.5 x 17 inches and is produced on 290gsm Coventry Rag fine art paper with hand deckled edges, reinforcing its status as a refined limited edition artwork. The edition was limited to 150 and each print is signed and numbered by the artist. Peterson’s disciplined use of minimal color palettes and flattened silhouettes has established him as a distinct voice within Street Pop Art & Graffiti Artwork, merging classical frieze composition with modern graphic brutality. Violence, Power, and Silhouette Composition in Street Pop Art & Graffiti Artwork Burning The Dead Red presents a continuous horizontal scene of black silhouetted figures engaged in ritualistic violence against a central fallen form. Weapons are raised, bodies contort in aggression, and limbs overlap in a tightly choreographed sequence that reads almost like an ancient battle relief translated into modern graphic form. The intense red and white background creates a turbulent visual field, amplifying the psychological weight of the composition. Peterson’s figures are intentionally anonymous, stripped of facial detail and reduced to archetypal agents of dominance and submission. This stylistic reduction aligns with core strategies in Street Pop Art & Graffiti Artwork, where bold contrast and simplified forms communicate complex social commentary with immediate impact. The work confronts viewers directly, forcing engagement with themes of brutality and systemic violence rather than offering decorative appeal. Cleon Peterson’s Contemporary Impact on Street Pop Art & Graffiti Artwork Cleon Peterson’s work frequently explores the cyclical nature of power struggles and human conflict, positioning his compositions within a broader dialogue about authority, control, and collapse. Burning The Dead Red demonstrates how limited color fields and strong negative space can intensify narrative clarity while maintaining aesthetic restraint. The hand deckled edges and high-quality Coventry Rag paper elevate the piece within fine art printmaking standards, reinforcing the growing institutional recognition of Street Pop Art & Graffiti Artwork. As a limited edition of 150, the print reflects the controlled scarcity model common to contemporary urban art markets, ensuring both collectibility and archival presence. Through its uncompromising imagery and disciplined production, this 2016 silkscreen stands as a powerful example of Peterson’s role in expanding the thematic boundaries of Street Pop Art & Graffiti Artwork.

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The Passions 1 Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 90 Artwork Size 18x18 Cleon Peterson The Passions, 2009 BLK/MRKT Editions The Passions 1 by Cleon Peterson The Passions 1 is a 2009 hand-pulled silkscreen print by Cleon Peterson, produced as a three-color edition on 100% cotton rag archival paper. The artwork measures 18 x 18 inches and is signed and numbered in a limited edition of 90, published by BLK/MRKT Editions. Like its counterpart The Passions 2, the composition uses Peterson’s signature black, red, and white palette to depict figures caught in moments of physical struggle and confrontation within a dense, forest-like setting. Chaos, Conflict, and Human Instinct In The Passions 1, Peterson presents violence as communal and cyclical rather than isolated. The figures grapple, strike, and collapse into one another, creating a continuous loop of aggression with no clear beginning or resolution. Faces are simplified and stylized, stripping away individuality and reinforcing the idea that these acts are driven by collective instinct rather than personal motive. The title invokes emotional intensity and desire, yet the imagery reframes passion as something volatile and destructive when unrestrained by morality or social order. Context Within Cleon Peterson’s Work This print is part of an important early body of work that helped define Cleon Peterson’s visual and thematic identity. Drawing influence from classical reliefs, political propaganda, and graphic design, Peterson reduces complex social realities into stark, symbolic scenes of power and submission. The Passions 1 stands as a companion to The Passions 2, together forming a concise statement on humanity’s darker impulses. As an early BLK/MRKT edition, it is regarded as a key collectible that captures the raw intensity and philosophical underpinnings that continue to shape Peterson’s practice today.

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Dark Passenger Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Dexter TV Show Reference. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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