Murder & Crime
Cleon Peterson Cruelty Is the Message Red Silkscreen Print by Cleon Peterson
Cruelty Is the Message Red Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 125 Artwork Size 44x14 Silkscreen Print. Deciphering the Red Palette: "Cruelty Is the Message" by Cleon Peterson Cleon Peterson's "Cruelty Is the Message Red" silkscreen print unfolds a visually compelling narrative steeped in street pop art's stark contrasts and graffiti artwork's rebellious ethos. With its release in 2024, this limited edition piece joins the pantheon of Peterson's work, known for its unflinching portrayal of violence, power, and chaos. The artwork, spanning a commanding size of 44x14 inches, is a testament to Peterson's unyielding exploration of societal undercurrents, meticulously hand-deckled on 290gsm Coventry Rag fine art paper. Peterson's Vivid Interpretation of Societal Dynamics The limited series, numbering merely 125, is an exclusive collection wherein each print is signed and numbered, underscoring the value and collectibility of Peterson's work. With its bold red and black hues, this edition draws the viewer into a tumultuous world where conflict and turbulence are the prevailing themes. The color red, often associated with danger, passion, and aggression, pulsates throughout the composition, enhancing the impact of the depicted struggles and confrontations. Peterson's choice of fine Coventry Rag paper elevates the silkscreen print, a medium traditionally linked with high art and mass production, further blurring the lines between gallery art and street expression. The hand-deckled edges add an individual touch to each print, hinting at the personalized nature of street art despite the work's existence within a limited series. The Cultural Resonance of Peterson's Artwork "Cruelty Is the Message Red" holds a mirror to the society it critiques, showcasing Peterson's ability to navigate the interplay between art as a vehicle for aesthetic pleasure and art as a means for profound commentary. The scale and execution of this piece place it firmly within the discourse of street pop art, which often challenges viewers to confront uncomfortable realities and engage with the underlying messages conveyed through stark, uncompromising imagery. Through his distinctive visual language, Peterson not only chronicles the darker aspects of human behavior but also invokes reflection on the cyclical nature of dominance and submission, control, and uprising. His work resonates within the zeitgeist of contemporary social issues, serving as a stark reminder of the ongoing struggle against oppression and injustice. Cleon Peterson's "Cruelty Is the Message Red" is impactful in street pop art and graffiti artwork. It is a bold assertion of the artist's vision, offering a narrative that is as aggressive as it is intricate. This silkscreen print solidifies Peterson's reputation as a seminal figure in modern art. It continues to provoke, challenge, and inspire audiences, reaffirming the power of visual art to encapsulate and question the dynamics of power within society.
$1,787.00
Cleon Peterson Revolution Is a Mother Who Eats Its Children Black Tondo Silkscreen Print by Cleon Peterson
Revolution Is a Mother Who Eats Its Children Black Tondo Silkscreen Print by Cleon Peterson on Hand Deckled Circle Cut 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 24x24 Circle Cut Silkscreen Print. Cleon Peterson's Tondo: A Visceral Exploration of Revolution Cleon Peterson's "Revolution Is a Mother Who Eats Its Children Black Tondo" captures the essence of revolution — its transformative fury and cannibalistic backlash. This 2024 limited edition silkscreen print is a stark embodiment of the cyclic violence inherent in societal upheaval. With his signature high-contrast aesthetic, Peterson compels contemplation of the tumult that accompanies systemic change. Artistic Merits of Peterson's Black Tondo Limited to a series of 100, each piece is meticulously signed and numbered, accentuating the exclusivity of this thought-provoking artwork. The tondo — a circular artwork — measures 24x24 inches, a format that historically suggests wholeness and infinity but represents the never-ending loop of revolutionary fervor in Peterson's hands. The hand-deckled edges of the circle cut 290gsm Coventry Rag fine art paper enhance the tactile quality of the piece, adding to its visceral impact. The choice of the circle is deliberate, disrupting the traditional rectangular canvas to create a more immersive and contemplative experience. This shape allows the violence within to spill out in all directions, mirroring the all-consuming nature of the theme. Peterson's work does not simply hang on a wall; it confronts and envelops the viewer in its narrative. Cultural Commentary through Peterson's Silkscreen In "Revolution Is a Mother Who Eats Its Children Black Tondo," Peterson lays bare the paradoxes of revolt. His use of black — associated with the unknown and often with death — serves as a void into which the figures emerge and are consumed. The artwork is an allegory of the cyclical nature of history, where each act of uprising carries the seeds of its destruction within it. The stark black-and-white hues strip the scene of any romanticism, exposing the raw power struggle. It speaks to the heart of street pop art and graffiti artwork, which often deal in objective truths and lay claim to public spaces as forums for dialogue. Peterson's work takes this further, encapsulating the raw, uncensored voice of the street in a fine art context. The "Revolution Is a Mother Who Eats Its Children Black Tondo" is a poignant reminder of the perpetual dance between order and chaos. It is a piece that encapsulates the essence of Cleon Peterson's approach to street pop art, rendering visible the often uncomfortable realities that underpin human societies. Through his work, Peterson challenges the viewer, compelling a deeper engagement with the undercurrents of cultural and political change.
$1,564.00
Vandul Hostage 2 Brown Resin Art Toy by Vandul
Hostage 2 Brown Art Toy by Vandul Limited Edition Resin Sculpture Collectible Artwork by Pop Street Artist. 2024 Hostage 2 Brown Limited Edition of 125 Art Toys Artwork Size 4x8.5 New In Box Kaws Inspired Art Toy in Potato Sack Hood Mask Stylized as a Tired Up Hostage in Brown Colorway. The Fusion of Commentary and Collectibility in Vandul's Hostage 2 Brown Art Toy Vandul's Hostage 2 Brown 2024 Art Toy emerges as a potent symbol within the Street Pop Art and graffiti Artwork genre, encapsulating a narrative rich in commentary and artistry. This limited-edition resin sculpture, with only 125 pieces in existence, offers a profound visual statement on the nature of consumerism and the commodification of art. Measuring 4x8.5 inches, the art toy presents itself as a new-in-box collectible, a testament to Vandul's skill in creating compelling figures that resonate with collectors and critics alike. The Hostage 2 Brown's design is unmistakably inspired by the iconic work of Kaws, another artist renowned for contributing to the art toy movement. Vandul's interpretation is both homage and critique; the art toy's stylized form—a figure tied up and obscured by a potato sack hood—evokes a sense of captivity and anonymity that can be interpreted in various ways. This could be seen as a commentary on the art world itself, where originality can sometimes feel confined by market expectations or broader societal constraints that stifle expression and identity. Vandul's choice of the brown colorway further adds depth to the piece, possibly referencing the earthy, raw qualities of street art or perhaps the universal feeling of being 'bagged' or 'labeled' in a figurative sense. The figure's posture, with head bowed, might represent resignation or exhaustion, an emotional state that viewers can empathize with or ponder. Despite the toy's silent stance, it communicates volumes, embodying the spirit of street art's capability to convey powerful messages through simple yet striking visuals. The Cultural Resonance of Vandul's Hostage 2 Brown in the Art Toy Domain The Hostage 2 Brown Art Toy is not merely a collectible item but a cultural artifact bridging the gap between art and societal discourse. Vandul's work is steeped in the ethos of Street Pop Art and graffiti Artwork, where the street is both a canvas and a crucible for messages that challenge the status quo. The art toy becomes a conduit for these messages, reaching an audience that extends beyond the confines of urban streets and into the private collections of art enthusiasts. In the limited edition art toy market, Vandul's Hostage 2 Brown stands out for its poignant conceptualization and its direct lineage to the techniques and themes of graffiti art. Using a potato sack as a hood is reminiscent of the raw materials often employed in street art, signifying a return to primary, tactile mediums that are at once accessible and laden with meaning. This tactility is an essential element of the art toy's appeal, inviting collectors to view and physically engage with the art. Each Hostage 2 Brown piece is a canvas that tells a story, with the artist's decision to limit the edition to 125 pieces ensuring its rarity and desirability. Collectors invest not only in a physical object but also in the narrative and critique it embodies. As such, Vandul's art toy transcends its material form to become a part of the ongoing conversation about art's role in reflecting and shaping societal values. Art toys like Vandul's Hostage 2 Brown reflect the growing intersection of high art with popular culture, making profound statements through playful collectibles. As a limited edition resin sculpture, it mirrors our collective experiences and the tensions between freedom and constraint, individuality and anonymity. Vandul's contribution to the genre of Street Pop Art and graffiti Artwork through this piece reinforces the power of art to provoke thought and to do so in a form that is as endearing as it is critical.
$527.99 $449.00
Vandul Hostage 2 Black Resin Art Toy by Vandul
Hostage 2 Black Art Toy by Vandul Limited Edition Resin Sculpture Collectible Artwork by Pop Street Artist. 2024 Hostage 2 Black Limited Edition of 125 Art Toys Artwork Size 4x8.5 New In Box Kaws Inspired Art Toy in Potato Sack Hood Mask Stylized as a Tired Up Hostage in Black Colorway. The Artistic Statement of Hostage 2 Black Art Toy by Vandul The Hostage 2 Black Art Toy by Vandul emerges as a profound sculptural work that challenges the conventions of Street Pop Art and graffiti Artwork. Released in 2024, this limited edition piece is a continuation of Vandul's compelling series, limited to a run of 125 art toys. Measuring 4x8.5 inches, each artwork is a statement piece, new in the box, offering a critical look at themes of constraint and anonymity through the lens of pop street art. Adopting the powerful visual language of Kaws, Vandul's work is distinguished by its stark black colorway, a choice that imbues the piece with a sense of gravity and universality. The figure, a stylized interpretation of a bound hostage with a potato sack hood mask, speaks to being held captive by societal expectations, cultural norms, or literal constraints. Vandul's use of the black colorway in this context is not just a stylistic choice but a deliberate one that emphasizes the silhouette and form of the sculpture, making the absence of visible features even more pronounced. While seemingly simple in its monochromatic approach, this art toy carries multiple meanings and interpretations. The anonymity provided by the potato sack hood can be seen as a metaphor for losing identity in the face of mass culture or the silencing of individual voices. It's a visual commentary that resonates deeply with the ethos of street art, which often serves as a voice for the marginalized and the overlooked. Cultural Resonance and Collectibility of Vandul's Hostage 2 Black In the collectible art world, the Hostage 2 Black Art Toy by Vandul is more than a mere object—it is a narrative encapsulated in resin. The limited edition nature of the piece creates an air of exclusivity and a sense of urgency for collectors. At the same time, its thematic depth offers a conversation piece that extends well beyond aesthetics. The decision to limit the edition to 125 pieces reflects Vandul's dedication to maintaining the integrity and value of his work within the collectible market. As a part of the Street Pop Art and graffiti Artwork movement, Vandul's Hostage 2 Black is indicative of the genre's evolution, where art is not just found sprayed upon walls but also in three-dimensional forms that can inhabit spaces in a more personal way. The transition from wall to sculpture is seamless for Vandul, who carries the same sense of rebellion and critical commentary that defines his two-dimensional pieces. The Hostage 2 Black Art Toy stands as a testament to the enduring impact of street art on popular culture. It represents a confluence of graffiti's raw, expressive energy with the polished finish of collectible design. Vandul's sculpture is a bold articulation of the street art narrative, which continues to captivate, challenge, and inspire audiences worldwide. Through this piece, Vandul ensures that the spirit of the streets—their vitality, their voice—remains a palpable force in art.
$527.99 $449.00
Vandul Hostage 2 Gray Resin Art Toy by Vandul
Hostage 2 Gray Art Toy by Vandul Limited Edition Resin Sculpture Collectible Artwork by Pop Street Artist. 2024 Hostage 2 Gray Limited Edition of 100 Art Toys Artwork Size 4x8.5 New In Box Kaws Inspired Art Toy in Potato Sack Hood Mask Stylized as a Tired Up Hostage in Gray Colorway. Hostage 2 Gray Art Toy: A Symbolic Piece in Street Pop Art The Hostage 2 Gray Art Toy by Vandul is a profound statement within the Street Pop Art and graffiti Artwork movement. Crafted by the renowned pop street artist, this limited edition resin sculpture captures the attention of collectors and art lovers with its striking gray colorway. Released in 2024 , each piece of the limited run of 100 art toys is meticulously designed to represent a figure bound and hooded in a potato sack, symbolizing the constraints and anonymity that pervade contemporary society. At 4x8.5 inches, this artwork is presented new in the box, encapsulating the freshness and exclusivity that is coveted in the art toy community. Vandul's creation explores themes that resonate deeply within the urban landscape from which Street Pop Art and graffiti Artwork draw theirnspiration. The gray hue serves as a stylistic choice and a canvas that reflects the often-overlooked nuances within city life – the concrete jungles, the towering structures, and the monochromatic rhythm of metropolitan existence. Using a potato sack as a hood on the Hostage 2 Gray Art Toy is a powerful visual metaphor. It harkens back to the roots of street art, where materials are repurposed and reclaimed to make a statement. In this case, the mask depersonalizes the figure, making it a universal representation of the suppressed and the voiceless. This artistic choice aligns with the foundational principles of graffiti art, where identity is both concealed and revealed through the act of creation. The Resonance of Vandul's Hostage 2 Gray in the Collectible Art Sphere The impact of Vandul's Hostage 2 Gray extends beyond its aesthetic appeal, positioning it as a significant piece in modern Street Pop Art and graffiti Artwork discourse. The decision to produce only 100 pieces amplifies its significance, imbuing each sculpture with a sense of rarity and urgency for art collectors. Vandul's work is known for its reflective nature, often commenting on the state-of-the-art world and the broader social environment through art toys. With its restrained color palette and bound figure, this particular piece invites a dialogue about freedom, creativity, and the commodification of art. Inspired by the iconic works of Kaws, the art toy's design pays homage to the lineage of street artists who have transcended the boundaries of urban spaces to establish themselves in the world of high art. Vandul's Hostage 2 Gray is thus not just a tribute but a continuation of this legacy, using the familiar language of street art to create new narratives and experiences for the viewer. Collectibility is a crucial aspect of Vandul's art toys, and the Hostage 2 Gray is a prime example of how art can be both a tangible object and a piece of cultural commentary. As a limited edition resin sculpture, it stands at the intersection of art and commodity, challenging the viewer to consider the value of art in a market-driven society. It is a piece that is equally at home in the gallery as it is in the personal collections of those who appreciate the convergence of street art and popular culture. In the rapidly evolving landscape of Street Pop Art and graffiti Artwork, Vandul's Hostage 2 Gray Art Toy is a testament to the power of art to provoke thought and inspire change. It is a sculpture that embodies the ethos of the street – raw, honest, and resonant – and carries it into the realm of the collectible, where it continues to spark conversations and challenge perceptions.
$527.99 $449.00