Music

Duke of Lizards SPAC #1- Watercolor Variant Limited Edition 4-Color Hand Letterpress Print on Fine Art Paper by AJ Masthay pop art graffiti famous artist art. AP Artist Proof. Hand Deckled Bottom, 4 color linoleum block print. Triptych, Lizard, Saratoga Springs, New York, NYC, Party, Event, Fish, July 2013. SPAC, Saratoga Performing Arts Center, Intermission,Triptych,Lizard,Saratoga Springs,New York,NYC,Party,Event,Fish

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Hard: Holy Ship 8- 2017 Music Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Archival Bright White Paper by MFG- Matt Goldman Max Goldman for Holy Ship 2017 Music Festival. Since its inception, MFG- Matt Goldman Creative built the identity and artwork for HARD Fest and all its offshoots, including Holy Ship. We've finally unearthed the entire collection of posters we made together before Gary Richards left Livenation and took me with him. A trip down memory lane, it's fun to see the DJ names jockey for position over the years and also revel in how early HARD was in promoting the careers of some of the biggest DJs today. 18 x 24 inches • Spot Color Offset Print • Fluorescent Pink, Bright Blue, Black • Archival Bright White Paper • Limited Edition of 500 • Released 2017 EDM Music Bands: DJ Snake , Tchami , Duke Dumont , Boys Noize , A-Trak , Marshmello , Big Gigantic , Rudimental , Kill the Noise , Destructo , Justin Martin , Nghtmre , Jai Wolf , Snails , Rüfüs Du Sol , Bob Moses , Busy P , Anna Lunoe , Malaa , Mercer , Slander , Louis the Child , Troyboi , Totally Enormous Extinct Dinosaurs , Wax Motif , Jimmy Edgar , Danny Daze , Ghastly , Shiba San , Graves , Jonas Rathsman , STWO , Amtrac , Kastle , Nina Las Vegas , Joyride , Curses , Louisahhh , Hotel Garuda , Ardalan , Para One , Boston Bun , Drezo , Ulike Pluto , Gina Turner , Spank Rock vs Lil Internet , Djedjotronic , Worthy , Christian Martin , Rory Phillips , Will Clarke , Kaneholler , Point Point , Manila Killa , Dombresky , Lucky Charmes , Sita Abellan , Aazar , Nvoy , JSTJR , Cardopusher , Gunslinger , Dena Amy , Bones , The Interns , Cameron Graham , DJ Black Frames

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Folk What You Heard #8 Limited Edition Hand-Embellished HPM Spray Paint & Screen Print on Fine Art Paper by Hijack Graffiti Street Artist Modern Pop Art. One of a Kind Edition 22.5 x 30in Hand Embellished with Spray Paint & Signed 2021

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Icons Show- Rolling Stones Artwork Giclee Limited Edition Print on Glossy Paper by Pop Culture Graffiti Artist Mr Brainwash- Thierry Guetta. Super Rare Promo Poster in Great Condition From Mr. Brainwash's 2010 "Icons" show in NYC. Dimensions: 33x23 Offset lithograph print on glossy thin stock paper. Signed in the plate. 2010

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Nomads 15th Anniversary Party 1996 Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 675 Artwork Size 22.5x17.5 Silkscreen Print Band Gig Poster by Frank Kozik Nomads, Studion, Stockholm Sweden 5-6-1996 Depicts A Muscle Car Burning Out Celebrating the 15th anniversary of the legendary Nomads, this distinctively vibrant silkscreen print from 1996 holds a significant place in the world of pop street art. Created by the inimitable Frank Kozik, renowned for his poster art, this artwork is more than a mere decoration - it serves as a testament to the era it embodies, an artifact of the vibrant street art culture of the late 20th century. Hand-pulled on high-quality fine art paper, this print radiates a raw, authentic feel. Its dimensions, 22.5x17.5 inches, make it a robust statement piece. With a limited edition of just 675, each copy is signed by Kozik himself and meticulously numbered. This meticulousness in the production process elevates the work beyond the ephemeral nature usually associated with street art, making it a collectible piece. Staged at the Studion in Stockholm, Sweden, on the 5th of June, 1996, the Nomads' anniversary gig was immortalized by this striking print. It depicts a muscle car engaged in an electrifying burnout, a bold image that vibrates with the punk-infused energy of the Nomads' music and the rebellious street art spirit that Kozik champions. The imagery is both a tribute to the heady power of the automobile and a symbol of the band's audacious spirit. This piece doesn't merely commemorate a concert, but a particular moment in time and the cultural shifts happening within it. The explosive vehicular illustration is a tangible representation of the era's energy, capturing the essence of the Nomads' music, and the fiery spirit of Kozik's artistry. The juxtaposition of a refined fine art print with a subject steeped in grit and rebellion makes for a captivating paradox. The 1996 Nomads 15th Anniversary silkscreen print by Frank Kozik is indeed a hallmark of pop street art, a tangible connection to a pulsating past.

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Sex Bob-omb 2010 Movie Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Jeremy Wheeler. Music group Sex Bob-omb from the movie Scott Pilgrim vs. the World. Sex Bobomb, Rock It, Crash & The Boys, August 10th 2010 Toronto Canada

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Concrete Blonde 1991 Los Angeles CA Handbill Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1991 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik at Wiltern Theater. The Wiltern Theater, an iconic Los Angeles landmark, teams up with Frank Kozik, the renowned rock poster artist and toy designer. This collaboration brings an incredible fusion of music, art, and culture to Southern California. Kozik's distinctive style infuses the Wiltern's Art Deco elegance with a vibrant, contemporary edge. Attendees can expect exclusive merchandise and installations that encapsulate the spirit of both the historic venue and Kozik's edgy aesthetic. This alliance brings a fresh dimension to LA's live music scene, making the Wiltern an unmissable spot for all art and music enthusiasts.

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The Provocateurs- Chicago 2014- Blue Limited Edition Event Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Shepard Fairey for The Provocateurs Chicago Art Show. The Provocateurs (Chicago) Shepard Fairey Gold Version Screen Print 18 x 24 inches Signed and Numbered Edition of 450

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Chain & The Gang- Elks Lodge 2010 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Elks Lodge. October 7th 2010 Featuring Chain & The Gang, Danny and the Darleans, Richie Are The Whip, DJ Forest.

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Summer MCA G Spot Paul's Boutique LA Los Angeles 1988 Archival Print by Ricky Powell x Kristin Farr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2019 Signed by Powell with COA & Numbered Print Limited Edition of 50 Artwork Size 13x9 Archival Pigment Fine Art of Beastie Boy Music Artist Hnagin Out at the Beach Sleeping Under a Stylized Sun. Ricky Powell's Mutual Respect is a Beautiful Thing Series. Summer MCA G Spot Paul's Boutique LA 1988 Archival Print by Ricky Powell x Kristin Farr The Summer MCA G Spot Paul's Boutique LA 1988 archival print by Ricky Powell and Kristin Farr is a visually striking piece that captures the essence of laid-back creativity and the cultural energy of the late 1980s. This limited-edition print, produced on 290gsm Moab Entrada Fine Art Paper, features a candid moment of Beastie Boys member Adam Yauch, also known as MCA, relaxing at the beach under a stylized sun. Signed by Ricky Powell and numbered as part of a 2019 release, this artwork is part of Powell's Mutual Respect is a Beautiful Thing series. With only 50 prints, this 13x9 archival pigment piece merges music, art, and Street Pop Art sensibilities. Ricky Powell: Chronicler of Urban Culture Ricky Powell, born and raised in New York City, was a celebrated street photographer whose lens captured the essence of 1980s and 1990s urban culture. Powell was known as the fourth Beastie Boy for his close relationship with the group and was present for some of the most iconic moments in their career. His photography documented not just the members of the Beastie Boys but also the broader cultural revolution they represented, including music, art, and street fashion. In collaboration with Kristin Farr, an artist known for her colorful geometric patterns, this piece combines Powell's knack for candid photography with Farr's bold artistic style. The stylized sun in the artwork adds a pop of vibrant color, contrasting with the black-and-white photograph and emphasizing the relaxed atmosphere of the scene. The Cultural Context of Paul's Boutique and Los Angeles The late 1980s marked a significant period for the Beastie Boys, particularly with the release of their album Paul's Boutique in 1989. Recorded in Los Angeles, the album reflected a departure from their earlier sound and embraced a more experimental, sample-heavy approach. The photo of MCA lounging on the beach is emblematic of this time, capturing the creative and carefree spirit that defined their work and lifestyle in Los Angeles. Including this moment in Powell's Mutual Respect is a Beautiful Thing series highlights the mutual admiration between Powell and the Beastie Boys. It also emphasizes the interconnectedness of music, art, and Street Pop Art during this era. The image is not just a portrait of a musician but a snapshot of a cultural movement that bridged East Coast hip-hop sensibilities with the laid-back vibes of the West Coast. Artistic and Collectible Appeal The Summer MCA G Spot Paul's Boutique LA 1988 print is a testament to the power of collaboration in contemporary art. The archival-quality materials ensure that the intricate details of the photograph and the vibrant colors of the geometric sun are preserved for years to come. The 13x9 size makes it an intimate yet impactful piece, perfect for collectors of Beastie Boys memorabilia, Ricky Powell's photography, or modern Street Pop Art. By combining Ricky Powell's and Kristin Farr's talents, this print stands as a unique representation of cultural history and artistic innovation. It celebrates the spirit of creativity that transcends mediums and highlights the enduring influence of the Beastie Boys and their creative circle. This piece is both a nostalgic reminder of a transformative era in music and a vibrant work of modern art that continues to resonate.

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Street Weapons Danceright Music Club Event Limited Edition Metallic Gold Ink Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman x Shepard Fairey. Shepard and I ran a club night in Downtown LA from 2006 to 2014 called Dance Right. During that time, I created a flyer every week and from those flyers came a bunch of designs that ended up becoming clothing designs for OBEY Clothing and a collab poster that Shepard and MFG- Matt Goldman released in 2006. 18 x 24 inches Screen Print Black, Dark Red, Metallic Gold Cream Speckletone Paper Edition of 300 Signed and numbered by Shepard Fairey & MFG- Matt Goldman Released 2006

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Open Minds 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print OPEN MINDS 36 inches by 24 inches Edition of 675 February 3, 2022 Handling Creases to Bottom Left & Right Margins. This “Open Minds” print references the language used by the powerful fuel industry lobby to soften political and public resistance to fracking. Fracking is a form of gas extraction which beyond the carbon impact of the gas itself, contaminates groundwater, pollutes the air, and creates strains on water resources because of the high volume of water required for the fracking process. Open-mindedness about any of those detrimental impacts of fracking and other fossil fuel extraction is absurd if one cares about the environment, air and water quality, and global warming. Powerful corporations and their lobbyists spend exorbitant sums to distract from and discredit the science-based conversation about the environment. I’m all for open minds and open eyes when it comes to putting science and the welfare of the planet before corporate profits. A portion of the proceeds from this print will benefit Greenpeace to support its work to enhance environmental protections and combat climate change. – Shepard

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Tin Toy AP Pop Modern Movie Artwork Limited Edition Giclee Print on Fine Art Paper by Pixar Graffiti Modern Artist Raid71. AP Artist Proof 2022 Official Pixar print Tin Toy 5x6 Short Print Giclee Signed Hand-numbered edition

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The Beatles Anthology 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure. 2021 Medicom Toys Anthology Medicom Toy celebrates The Beatles with The Beatles A'nthology' Bearbrick which features a collection of photographs of the world-renowned rock band. Water transfer technology ensures unique print placements. This is a 1000% Bearbrick and it stands at 70 cm tall.

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CCB Cold Crush Brothers Photoshoot 84 Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 16x20 Archival Pigment Fine Art of Cold Crush Brothers Rap Music Group in Vintage Costume and Outfits. CCB Cold Crush Brothers Photoshoot 84 Photo Print by Joe Conzo Jr The CCB Cold Crush Brothers Photoshoot 84 photo print by Joe Conzo Jr is a remarkable representation of hip-hop culture during its golden era. This 2023 limited-edition archival pigment print, produced on 290gsm Moab Entrada Fine Art Paper, captures the iconic rap group Cold Crush Brothers in a dynamic and stylish studio portrait. Limited to just five signed pieces, this 16x20 artwork immortalizes the group in their vintage costumes, highlighting their contributions to music and their influence on Street Pop Art and graffiti artwork. Cold Crush Brothers: Pioneers of Hip-Hop The Cold Crush Brothers, formed in 1978 in the Bronx, New York, are widely celebrated as one of the most influential groups in the early days of hip-hop. Known for their lyrical dexterity, stage presence, and innovative routines, they played a pivotal role in defining the art of emceeing. Members of the group, including Grandmaster Caz, JDL, Almighty KG, and Easy AD, set a standard for creativity and performance that inspired countless artists in the genre. The 1984 photoshoot captured by Joe Conzo Jr showcases the Cold Crush Brothers’ flair for fashion and individuality. Each member is dressed in elaborate costumes that reflect the theatricality and charisma they brought to their performances. The bold designs and vibrant colors of their outfits symbolize the creative energy that characterized the hip-hop movement at the time. This photograph is not just a visual record of their style but a testament to their cultural significance and artistic vision. Joe Conzo Jr: Chronicler of Hip-Hop History Joe Conzo Jr, a native of the Bronx, is renowned for his ability to document the early days of hip-hop through his photography. His work captures the spirit of the movement, from live performances to intimate behind-the-scenes moments. This photoshoot with the Cold Crush Brothers exemplifies his talent for blending art and history, presenting his subjects with authenticity and artistry. Conzo’s work is closely tied to the evolution of Street Pop Art and graffiti artwork, as he captured not only the performers but also the cultural landscape that gave rise to hip-hop. His photographs are imbued with a sense of place and time, preserving the vibrancy of the Bronx during the late 1970s and 1980s. The CCB Cold Crush Brothers Photoshoot 84 is a prime example of his ability to create images that resonate across generations. The Artistic Significance of CCB Cold Crush Brothers Photoshoot 84 This limited-edition print is more than a photograph; it is a piece of history that bridges music and visual art. The archival-quality materials ensure that every detail, from the textures of the costumes to the expressions of the group members, is preserved. The 16x20 size enhances its visual impact, making it a centerpiece for any collection of urban art or hip-hop memorabilia. The CCB Cold Crush Brothers Photoshoot 84 print stands as a powerful reminder of the cultural innovation that emerged from the Bronx in the 1980s. Through the lens of Joe Conzo Jr, this photograph celebrates the artistry, individuality, and legacy of one of hip-hop’s foundational groups. It is a must-have for fans of Street Pop Art, graffiti artwork, and those who value the rich history of hip-hop culture.

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Bad Brains Punk Showcase Rasta AP Artist Proof 5-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musicians Bad Brains. AP Artist Proof 2016 Signed & Marked AP Limited Edition Artwork Size 18x24 Shepard Fairey's "Bad Brains Punk Showcase Rasta AP" is a culturally potent piece within the street pop and graffiti art landscape. As an artist proof of the limited edition series, this 5-color hand-pulled silkscreen print on cream speckle tone paper measures 18x24 inches and was released in 2016. Signed and marked as an artist-proof (AP), it is a collector's piece that delves into the pulsating heart of punk's ethos and reggae's rasta vibrations, manifested through the lens of Fairey's distinct style. This artwork resonates with the energy of Bad Brains, a band that epitomized the hardcore punk scene with its unique blend of punk and reggae, a hybrid that paralleled Fairey's melding of art forms. The print captures the band's spirit with the commanding phrase "Positive Mental Attitude!" a mantra that Bad Brains championed throughout their career. Fairey's work is a visual echo of this ethos, presenting the band members with a backdrop of rasta colors, which not only allude to their music's roots but also serve as a nod to a broader cultural movement. Fairey, known for his influence on street pop art through works like the iconic "OBEY" campaign and the Obama "HOPE" poster, continues his exploration of music's intersection with visual art in this print. The piece is saturated with the motifs of Fairey's "OBEY Propaganda" — the star, the bold lettering, and the stylized imagery. These elements merge, not promote a band, and celebrate an entire cultural movement, reflecting the potency of street pop art in capturing and promoting subcultural movements. The "Bad Brains Punk Showcase Rasta AP" print symbolizes Fairey's engagement with the punk scene and his ability to encapsulate its raw, unfiltered voice within his work. It's a testament to the enduring dialogue between music and visual art, which Fairey has continually fostered through his prints, murals, and street art. This piece doesn't just hang on a wall; it screams with the voice of a movement, echoing from the underground clubs to the sun-soaked streets where street art and graffiti have long found their home.

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Jimi Hendrix- Cream Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 70 Artwork Size 22.5x30 Artist: Mr. Brainwash Title: Hendrix (Cream) Year: 2015 Dimensions: 30in. by 22.5in. Edition: From a limited edition of 70 Medium: Color screenprint on hand torn archival paper. Condition: Excellent Signature Details: Hand signed and thumb printed

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We Own the Future Metal Edition Hand-Pulled 2-Color Silkscreen Print on Aluminum Metal by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2015 Signed by Shepard Fairey & Numbered Limited Edition of 3 Artwork Size 18x24 Extremely low edition of only 3! WE OWN THE FUTURE METAL Fine Art Edition: Silkscreen on Metal Silkscreen on Metal (Aluminum) Printed Matters-Detroit 18 x 24 inches (45.7 x 61 cm) 2015. We Own the Future The Makers of Fire Transform Our World With Creative Response "We Own the Future" is a metal silkscreen print created by Shepard Fairey in 2015 as part of his OBEY art campaign. The print features a stylized image of a woman's face, with the words "WE OWN THE FUTURE" in bold letters across the top. The woman in the image is wearing a hat and holding a flame with angel wings. Fairey's use of lettering and metal is a nod to the future punk aesthetic that has influenced much of his work. The message of the print is a call to action for people to take ownership of their future and to strive for positive change in the world. It speaks to Fairey's belief in the power of grassroots activism and the ability of individuals to effect change through their actions. "We Own the Future" was produced in a limited edition of 3 prints, with each print signed and numbered by the artist. The print measures 18 x 24 inches and is printed on aluminum, giving it a sleek and modern look. As with much of Fairey's work, "We Own the Future" has become a popular symbol of resistance and activism, appearing on protest signs and in street art around the world. 0

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Head Limited Edition 4-Color Split Fountain Hand-Pulled Silkscreen Print on Fine Art Paper by John Smith Graffiti Street Artist Modern Pop Art.

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Disco Ball- Red Blobs Limited Edition Hand-Embellished HPM Archival Pigment Prints on 290gsm Moab Entrada Rag Bright Paper by Adam J O'Day Graffiti Street Artist Modern Pop Art. Disco Ball: Red Blobs • Autographed archival pigment print • Hand-painted unique variant on Moab Entrada Rag Bright 290 GSM archival paper • 24 x 24 inches Hand-painted, signed and numbered by artist Adam J. O'day in a unique limited edition of 5. Adam J. O'Day "Disco Ball: Red Blobs" - Unique Hand-Painted Print - 24 x 24"

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Obey Black Widows AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Pop art, street art, and graffiti have always been mediums that offer a raw and unfiltered reflection of society, culture, and the artist's personal feelings. Among the luminaries in this realm, Shepard Fairey stands tall, his unique creations resonating with both art aficionados and the masses alike. The "Obey Black Widows AP Dance Floor Riot" silkscreen print is a testament to his profound admiration for music and its intertwined relationship with visual arts. Crafted meticulously in 2011, this artist proof, hand-pulled, 1-color screen print on fine art paper, is not just an artwork but a fragment of Fairey’s soul, reverberating his passion for music. Shepard Fairey's initiation into the art world was not through the conventional means of art galleries but through album covers that acted as the visual symphony to the music he revered. Just as album art inspired emotions, memories, and an innate connection to the music, Fairey's street art endeavored to forge a similar connection with its audience. The silkscreen in question, sized at 13x13, embodies Fairey's attempt to harness the immense power and universal reach of music. His statement captures this sentiment eloquently, emphasizing how, despite art's intrinsic value, music has a superior prowess in touching human souls. His use of the term "REVOLUTIONS" is twofold, alluding to both the revolutions of a vinyl record and the socio-cultural revolutions music often incites. A deep dive into "Obey Black Widows AP Dance Floor Riot" offers viewers a chance to journey through Fairey’s inspirations. The fusion of punk's rebellious nature, the invigorating energy of music, and the democratizing force of street art crystallizes in this piece. For those who see art not just as an aesthetic expression but as a pulsating representation of society and individual emotion, this silkscreen print is both a tribute and an inspiration. Through such creations, Shepard Fairey champions the ethos that one needn't play an instrument to rock the world – sometimes, a canvas and a vision are all it takes.

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Marilyn Manson- Rakugaki 3 122 Original Colored Pencil Hand Drawing on Paper by Pop Culture Artist Albert Reyes. 2021 Signed Original Colored pencil on paper. Artwork measures 8.5 x 11 inches.

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Go Ninja! Limited Edition Giclee Print on Fine Art Paper by Gabe Swarr counter-culture street artist art. TMNT Teenage Mutant Ninja Turtles Vanilla Ice movie-inspired crossover.

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They Say Raps Changed Dr. Dre Snoop Dog A.P. Silkscreen Print by Mark Drew Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. A.P. Artist Proof 2019 Signed & A.P. Marked Limited Edition Run Artwork Size 17.01x10.98 Mark Drew They Say Rap’s Changed Dr. Dre Snoop Dogg AP Silkscreen Print They Say Rap’s Changed by Mark Drew is a hand-pulled silkscreen print that merges classic comic strip imagery with foundational hip hop lyricism, positioning it firmly within Street Pop Art & Graffiti Artwork. The composition features the familiar Peanuts character Snoopy standing in front of a newsstand, holding a newspaper beneath a caption that reads They say rap’s changed. The phrase references the Dr. Dre and Snoop Dogg track Still D.R.E., a pivotal release that reaffirmed West Coast hip hop identity at the end of the 1990s. By inserting iconic rap lyrics into the visual language of mid-century American comics, Drew constructs a layered dialogue between nostalgia, cultural evolution, and musical legacy. Mark Drew is an Australian artist known for recontextualizing vintage comic imagery with hip hop text, creating works that explore memory, cultural shifts, and generational identity. He remains active and continues to produce limited edition prints and original works. His practice is built on the collision of seemingly innocent cartoon scenes with lyrical excerpts drawn from rap history, often selecting lines that address authenticity, change, and perseverance. Within Street Pop Art & Graffiti Artwork, this method functions as both homage and commentary, emphasizing how hip hop culture has matured while retaining its foundational voice. The specific lyrical reference to Dr. Dre and Snoop Dogg underscores a moment when critics questioned the direction of rap music. Rather than rejecting evolution, the original song reasserted consistency and influence. Drew’s visual pairing amplifies that tension through irony, placing a globally recognized cartoon dog within a conversation about cultural credibility and artistic longevity. The clean black line work and selective color application mirror the simplicity of traditional comic printing, while the screen-printed format reinforces the connection to street poster culture and DIY production methods. This 2019 artist proof edition, signed and marked AP, holds particular appeal for collectors. Artist proofs are produced in limited quantities separate from the main numbered run, often retained by the artist, and are valued for their scarcity. The 17.01 by 10.98 inch format provides ample white space around the central panel, framing the image in a way that echoes gallery presentation while preserving its graphic punch. As a piece of Street Pop Art & Graffiti Artwork, They Say Rap’s Changed captures the dialogue between past and present, comics and hip hop, innocence and commentary, making it a culturally resonant and collectible print rooted in both music history and visual subculture.

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Kaleidopop 8- Variant 6-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. "Kaleidopop" - Variant Edition Print #7/11 Free Shipping to anywhere in the USA Tribute to actress June Haver Edition size: 11 prints Print size: 24" x 30" All prints in the edition are unique with a different split fountain background and will never be reproduced, signed and numbered.

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Jimi Hendrix- Dark Gradient Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 70 Artwork Size 22.5x30 Unique #7 Variant "Jimi", a five-color screen-print on hand torn archival art paper. Print is signed and numbered #7 with a thumbprint on the back. Print Size: 22.5in. x 30in.

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Tito Puente Dave Valentin Celia Cruz 1980 Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 20x16 Archival Pigment Fine Art of Tito Puente Dave Valentin Celia Cruz Musicians & Singers in 1980. The Significance of Tito Puente, Dave Valentin, and Celia Cruz in Street Pop Art & Graffiti Artwork The 1980 photograph of Tito Puente, Dave Valentin, and Celia Cruz, captured by the iconic Joe Conzo Jr., holds a profound position in the history of art and music. This limited-edition archival pigment print is more than a historical artifact; it is a modern representation of the fusion between music, culture, and art. Printed on 290gsm Moab Entrada Fine Art Paper, this signed and numbered piece exemplifies how traditional fine art photography intersects with contemporary Street Pop Art and Graffiti Artwork. Joe Conzo Jr.'s Legacy in Modern Art Joe Conzo Jr., an acclaimed photographer from New York, has documented pivotal moments in Latin music and culture. Born into a family deeply connected to music and the arts, Conzo's photographic lens captured the vibrancy and resilience of communities during the cultural explosion of the 1970s and 1980s. His work often blurs the lines between fine art and urban expression, making his contributions highly relevant to Street Pop Art and Graffiti Artwork. This particular 1980 photograph immortalizes the synergy of Tito Puente, the King of Latin Jazz; Dave Valentin, a jazz flutist of Puerto Rican descent; and Celia Cruz, the Queen of Salsa. Their collective presence represents a blend of rhythm, heritage, and global influence. Street Pop Art and the Urban Connection This print resonates strongly with the ethos of Street Pop Art and Graffiti Artwork. In urban artistic movements, capturing moments of cultural significance is paramount. The energy of the performers in the image parallels the vibrancy of graffiti murals that often celebrate cultural icons. Artists inspired by this movement often integrate the dynamic expressions seen in such photographs, transforming them into large-scale works on public walls. This blend of music and art creates a narrative that is both accessible and deeply rooted in community identity. Historical Context and Artistic Medium The limited edition of this print highlights the importance of archival techniques in preserving historical moments. The use of 290gsm Moab Entrada Fine Art Paper and archival pigment ensures the longevity and visual impact of the artwork. Measuring 20x16 inches, the print showcases the intensity of the performance and the charisma of its subjects. By using a medium traditionally associated with fine art, Conzo bridges the gap between classical documentation and the expressive boldness of graffiti-inspired aesthetics. This artwork is a testament to the enduring power of collaboration between music, art, and community. Its significance within Street Pop Art and Graffiti Artwork lies in its ability to evoke the rhythms, stories, and spirit of its subjects, making it an essential piece for collectors and enthusiasts alike.

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Mockingbird Foundation- Phamily Poker Classic 2013 Limited Edition Event Poster 8-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by AJ Masthay. Artist Proof, Hand deckled bottom edge.

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Modest Mouse- Orlando 2014 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Fugscreens. 2014 Numbered Limited Edition Artwork Size 18x24 Modest Mouse Music Band, Orlando FL 2014 Beacham Theater. Modest Mouse, Orlando, Flordia, 2014, Beacham Theater, Music, Walkman, Cassette Tape, Band Modest Mouse Orlando 2014 Music Limited Edition Gig Poster by Fugscreens The Modest Mouse Orlando 2014 gig poster by Fugscreens is a striking example of how street pop art & graffiti artwork can merge with music culture to create a visually compelling and collectible piece. This hand-pulled silkscreen print was designed to commemorate the band’s performance at the Beacham Theater in Orlando, Florida. Produced in a limited edition and numbered, this 18x24-inch artwork captures the nostalgia and energy associated with both Modest Mouse’s music and the aesthetic of analog-era sound. The careful craftsmanship of the print, combined with its raw and textural feel, makes it a standout piece in both the world of gig posters and modern street pop art. The Artistic Style and Composition of the Gig Poster Fugscreens’ design for this poster is both minimalistic and deeply evocative, using a limited color palette and bold outlines to create a sense of vintage authenticity. The central image features an old-school Walkman cassette player and a pair of headphones resting on a textured surface. The device itself carries the label Orlando, grounding the piece in its specific concert location while also evoking the personal and intimate nature of listening to music on cassette. The composition places heavy emphasis on nostalgia, making it feel like a snapshot from an era when music was deeply personal and portable in a tangible way. The typography used for Modest Mouse is organic and hand-drawn, with a rough, textured quality that mirrors the do-it-yourself aesthetic of street pop art & graffiti artwork. The uneven, hand-rendered lettering reinforces the raw and unpolished ethos that has always defined Modest Mouse’s sound. The print’s frame, made of thick, uneven lines, gives the illusion of a worn-out music poster, further emphasizing the theme of analog culture and imperfection as an artistic choice. Music and Nostalgia in Street Pop Art & Graffiti Artwork Street pop art & graffiti artwork often draws on themes of nostalgia, repurposing images of outdated technology and cultural artifacts to evoke emotional connections with the past. This gig poster does precisely that, using a Walkman as its centerpiece to reference a time when physical media shaped music consumption. The tactile nature of silkscreen printing enhances this effect, giving the artwork a physical depth that echoes the texture of old album covers and worn-out cassette cases. The sense of impermanence that comes with gig posters and street art is also reflected here, as these prints exist as a momentary documentation of a specific event, much like how street art often responds to a fleeting moment in time. Fugscreens’ work aligns with the ethos of gig posters that have long been associated with underground music scenes and independent artistry. Like street artists tagging walls with unique designs, gig poster artists create one-of-a-kind visuals that both promote and commemorate live performances. The direct, almost hand-made quality of this print ties it back to the roots of punk, indie rock, and alternative music, where visuals play just as big a role in shaping a band’s identity as their sound does. The Impact and Collectibility of the Limited Edition Silkscreen Print As a numbered limited edition piece, the Modest Mouse Orlando 2014 gig poster carries a sense of exclusivity that enhances its desirability among collectors. The 18x24-inch format makes it a substantial yet easily displayable artwork, perfect for music lovers who appreciate the intersection of street pop art & graffiti artwork with music culture. The hand-pulled silkscreen process adds another layer of authenticity, as each print contains slight variations, making every piece unique. Fugscreens has a reputation for blending urban aesthetics with detailed screenprinting techniques, and this poster is no exception. The merging of music history, personal nostalgia, and a distinctly handmade approach make this print more than just a concert souvenir—it becomes an artistic statement. The continued appreciation for gig posters as an art form ensures that works like this remain culturally significant, capturing moments in music history while embracing the raw, expressive qualities of street pop art & graffiti artwork.

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Prende La Vela- Andres Landero Tribute Limited Edition 10-Color Hand-Pulled Silkscreen Print on Cotton Rag Paper by Ernesto Yerena Montejano Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 75 Artwork 24x18 Prende La Vela- Andres Landero Music Tribute. This print is a tribute to Andres Landero, a famous Cumbia musician 26"x20" Screenprint 10 Colors Printed on Coventry Cotton Rag Paper. 2015 Signed Limited Edition of 75

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DJ Charlie Chase 89 Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 20x16 Archival Pigment Fine Art of DJ Charlie Chase at a Show in 1989. DJ Charlie Chase: 1989 Photo by Joe Conzo Jr in Street Pop Art & Graffiti Artwork The 1989 photograph of DJ Charlie Chase, captured by Joe Conzo Jr., stands as a pivotal visual piece within the context of Street Pop Art and Graffiti Artwork. This limited-edition archival pigment print, measuring 20x16 inches and produced on 290gsm Moab Entrada Fine Art Paper, encapsulates a defining moment in hip-hop’s cultural evolution. The photograph represents a connection between the musical artistry of DJ Charlie Chase and the visual creativity that dominates urban spaces through graffiti and pop art movements. Joe Conzo Jr.'s Contribution to Cultural Narratives Joe Conzo Jr., a photographer born and raised in New York City, is celebrated for documenting the early days of hip-hop. His work preserves the raw and energetic atmosphere of an emerging cultural movement during the late 20th century. This photograph of DJ Charlie Chase showcases not only the technical brilliance of Conzo’s lens but also his ability to capture the essence of hip-hop culture at its core. His photography often becomes a medium for Street Pop Art and Graffiti Artwork, as it bridges music, culture, and the visual storytelling inherent to urban communities. DJ Charlie Chase and Hip-Hop Culture DJ Charlie Chase, a prominent figure in hip-hop’s formative years, is known for his role in the Cold Crush Brothers. As one of the first Latino DJs to make an impact in the genre, his contributions are significant to the representation of diversity in hip-hop. This 1989 image captures him in the midst of a show, with turntables and an audience in the background, symbolizing the pulse of a movement that reshaped music and art worldwide. The energy in the image mirrors the dynamism found in graffiti walls and street art installations, where rhythm and motion translate into bold lines and vibrant compositions. The Artistic Medium and Modern Interpretation The use of archival pigment printing on Moab Entrada Fine Art Paper ensures this artwork remains a timeless piece. The limited edition of five, signed and numbered in 2023, makes it a rare collectible that resonates with the ethos of Street Pop Art and Graffiti Artwork. The visual language of the photograph, with its layered elements of movement, community, and creativity, inspires urban artists to reinterpret it in graffiti and murals. These reinterpretations extend the photograph’s narrative, embedding it in a larger cultural dialogue that continues to evolve. This photograph by Joe Conzo Jr. serves as a bridge between past and present, capturing the heartbeat of hip-hop culture while providing inspiration for modern artistic expressions in the realms of street art and graffiti.

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Tomorrow's Another Night Red 3-Color Hand-Pulled Limited Edition Silkscreen Print on 320gsm Natural Coventry Rag Vellum Paper by Modern Artist Niagara x Shepard Fairey x Niagara. 2021 Signed & Numbered Red Limited Edition of 150 3-Color Screen Print on 320gsm Natural Coventry Rag Vellum Size: 18 x 24 Inches Release: July 02, 2021. "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights.'" – Shepard Fairey-.OBEY Shepard Fairey's Collaboration with Niagara: 'Tomorrow's Another Night' 'Tomorrow's Another Night' is a testament to the dynamic collaboration between Shepard Fairey and Niagara, two pivotal figures in modern street pop art and graffiti artwork. This limited edition silkscreen print, hand-pulled on 320gsm Natural Coventry Rag Vellum paper, showcases Fairey's masterful screen printing technique alongside Niagara's provocative artistic vision. Released on July 2, 2021, each print in the series is meticulously signed and numbered, indicating the exclusive nature of this artwork. The 18 x 24 inches dimensions make it ideal for collectors who appreciate the nuanced intersection of pop culture and fine art. The artwork features iconic imagery that reflects the rebellious spirit of the punk rock movement, imbued with a sense of in-your-face aggression and subtle manipulation. Ron's direct gaze and clenched fist are juxtaposed with Niagara's calculated and serene posture, a duality that Fairey emphasizes with the strategic placement of a switchblade. This element augments Niagara's allure nod to Fairey's original concept of the duo as a modern-day Bonnie and Clyde, suggesting a narrative of power and seduction that belies their outward appearance. Exploring the Visual Narrative and Artistic Merit of 'Tomorrow's Another Night' Shepard Fairey's decision to work with Niagara on 'Tomorrow's Another Night births a rich visual narrative of contrast and complexity. The stark black-and-white imagery is accented by the thoughtful use of three colors, which adds depth and draws the viewer into the story unfolding within the print. The art piece resonates with the energy of the street, where graffiti art traditionally challenges societal norms and provokes thought through visual storytelling. The screen print is a visual exploration of the dichotomy between appearance and reality, power dynamics, and the role of women as unseen orchestrators in a male-dominated society. Fairey's description of Niagara as someone who appears demure yet is 'pulling the strings' is a powerful commentary on the multifaceted nature of female strength and agency. Thus, the artwork becomes a platform for aesthetic appreciation and engagement with broader themes of gender and control. The Cultural Impact of Fairey and Niagara's Artistic Fusion 'Tomorrow's Another Night' represents a cultural milestone in street pop art and graffiti artwork. The collaboration between Shepard Fairey and Niagara bridges generations and artistic styles, creating a piece that is both a tribute to the past and a relevant commentary on contemporary issues. The limited edition nature of the print adds to its cultural significance, offering a snapshot of a moment when two artists from different backgrounds and with distinct voices came together to create something unique and impactful. Moreover, the piece contributes to the ongoing discourse about the place of street art within the broader context of art history. By bringing street art aesthetics into fine art through silkscreen printing, Fairey and Niagara challenge traditional boundaries and invite a reevaluation of what constitutes art in the modern era. 'Tomorrow's Another Night' is an artwork to be enjoyed for its visual appeal and a conversation starter that encourages viewers to delve deeper into the stories behind the images. In essence, 'Tomorrow's Another Night' is a vibrant embodiment of the collaborative spirit that defines street pop art. Through this print, Shepard Fairey and Niagara offer a piece steeped in the ethos of street culture while maintaining a polished finesse that appeals to the fine art collector. The artwork is a testament to the power of artistic collaboration and the enduring allure of street-inspired art.

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The West Coast Migration Road Tour 2014 Artwork Giclee Limited Edition Print on Cold-Press Italian Watercolor Paper by Pop Culture Graffiti Artist Danny Miller. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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Low Powers Dept Tour 1997 Domestic Mika Band Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 450 Artwork Size 18.5x31 Silkscreen Print Band Gig Poster by Frank Kozik Frank Kozik Low Powers Dept Tour 1997 Domestic Mika Band Silkscreen Print Frank Kozik, born in Spain in 1962 and later based in the United States until his passing in 2023, was instrumental in redefining the gig poster as collectible Street Pop Art & Graffiti Artwork during the 1990s. The Low Powers Dept Tour 1997 silkscreen print created for Domestic Mika Band exemplifies his sharp political edge and graphic discipline. This hand-pulled silkscreen on fine art paper measures approximately 18.5 x 31 inches and was released as a signed and numbered limited edition of 450. By issuing posters in controlled editions and applying fine art printmaking standards, Kozik elevated music promotion into a serious visual art practice that resonated with collectors and underground culture alike. Propaganda Aesthetics and Political Graphic Language The composition references early twentieth-century propaganda imagery, featuring a stylized figure in a commanding pose set against an industrial skyline. Rendered in bold pink, red, yellow, and black color fields, the image mirrors the visual authority of constructivist poster design while reframing it within the context of contemporary music culture. The slogan The Power of Music Is the Wealth of the Nation anchors the central field, blending political rhetoric with cultural commentary. Kozik’s use of stark silhouettes, factory smokestacks, and raised-arm gestures reflects how Street Pop Art & Graffiti Artwork frequently appropriates historical visual language to critique power structures and mass messaging. The typography is assertive and highly legible, reinforcing the immediacy that defines effective gig poster design. 1990s Gig Poster Culture and Street Pop Art & Graffiti Artwork During the 1990s, Kozik’s posters became synonymous with a movement that fused underground music scenes with high-quality silkscreen production. The Low Powers Dept Tour print demonstrates how bold ideological imagery could coexist with alternative rock promotion, creating a layered cultural artifact rather than disposable advertising. By signing and numbering the edition of 450, Kozik reinforced the permanence and collectibility of the work. Posters such as this stand as historical markers of a time when Street Pop Art & Graffiti Artwork intersected with independent music, industrial iconography, and sharp graphic minimalism, producing enduring works that continue to hold significance within contemporary print culture.

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Electronic Legacy Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Artist Jacob Borshard Modern Pop Art. 2010 Signed & Numbered Limited Edition of 100 Artwork Size 18x26 Two-color screenprint on heavyweight black paper with gloss varnish. Artist pulled, signed, and numbered 18″ X 26″.

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Island Of Aladdin Sane PP Printer Proof Archival Print by Scott Listfield Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 15x12 Archival Pigment Fine Art Scott Listfield's "Island Of Aladdin Sane" "Island Of Aladdin Sane" by Scott Listfield is a limited edition archival print that interweaves pop culture imagery with the enigmatic presence of his astronaut subject. As a Printer's Proof from 2019, signed and distinctly marked, this artwork captures a moment of contemplation, featuring the astronaut gazing upon the iconic visage of David Bowie's Aladdin Sane character etched into a solitary island. Printed on 290gsm Moab Entrada fine art paper, the piece measures 15x12 inches, and its limited availability adds to its collectibility and significance as a modern artwork within pop, street, and graffiti art.

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Made in the Midwest Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jay Ryan Graffiti Street Artist Modern Pop Art. Hand-signed by all the artists in the show.

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WK- James Embellished Limited Edition Archival Pigment Fine Art Prints on 32lbs Bond Paper by Graffiti Street Art and Pop Culture Artist WK Interact. Customized with a unique Embellished Sprayed Paint UPS shipping label. Ink Injection 2 color print, on 32 lb. Bond paper Size 36" x 55" Limited edition of 15 Signed and fingerprint by artist

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Hum- Chicago 2011 Music Limited Edition Gig Poster 7-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl for Hum. The Hideout Block Party / AV Fest, Chicago, 09/10/11 18 x 24 inches. Seven screens printed on French Speckletone "starch mint". Signed and numbered edition of 400.

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WTF Party Edition- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered HPM Limited Edition of 20 Artwork Size 11x15 "My work speaks of impending doom and many coarse, sinister themes, but that should not mean I want this to happen. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial's "WTF Party Edition- Mini": A Vibrant Statement in Street Pop Art In street pop art, the "WTF Party Edition- Mini" by Denial stands out as a vivid expression of contemporary sentiments. This original hand-painted multiple (HPM) on a wood-cradled panel is part of the True Facts Mini Multiple Series by the graffiti street artist Denial, Daniel Bombardier. Created in 2020, this piece is part of a limited edition series, numbered and signed by the artist, and comprises only 20 unique pieces, each with dimensions of 11x15 inches. The artwork captures the vibrant, often paradoxical spirit of modern life through the juxtaposition of bold letters and a lively background, encapsulating the essence of contemporary pop art. "WTF Party Edition- Mini" employs a visual language that is instantly recognizable, characterized by bright, contrasting colors and a playful yet impactful font style that screams for attention. The acronym "WTF" is a common expression of confusion or disbelief, and by placing it in the context of a 'party edition,' Denial injects a sense of irony and humor into the dialogue. The background, reminiscent of candy sprinkles, adds a layer of festivity and jest, further playing into the artwork's paradoxical theme. This piece reflects Denial's known approach to art: tackling serious and often sinister themes with a crass humor that invites viewers to ponder the absurdity of the situations presented. Exploring the Satirical Depths of Denial's Artistic Vision Denial's artistic vision extends beyond mere aesthetics; it delves into the satirical, often touching upon the pressing issues of our time with an irreverent and thought-provoking tone. The "WTF Party Edition- Mini" is emblematic of this approach, offering a critique of the contemporary human condition through street pop art. Denial's work is known for its engagement with themes of consumerism, politics, and the media, and this piece is no exception. By appropriating and recontextualizing common language and symbols, Denial invites viewers to reflect on the underlying messages that permeate their daily lives. The layered texture and rich colors of the "WTF Party Edition- Mini" are characteristic of Denial's work, blending graffiti's rawness with the polished sheen of pop art. With its hand-painted attention to detail and clear coat finish, this particular piece provides a tactile quality that emphasizes the message's immediacy. The choice of wood as a substrate adds a sense of durability and substance, grounding the fleeting expressions of street art in a lasting and collectible form. Cultural Commentary and Collectibility in Denial's Street Art Denial's "WTF Party Edition- Mini" is more than just a visually arresting piece; it is a cultural commentary that resonates with the shared experiences of navigating a world often filled with contradictions and unexpected turns. As a limited edition collectible, this artwork uniquely appeals to those who appreciate the intersection of street art with the more refined aspects of pop art. Collectors of Denial's works are drawn to the unique blend of humor, societal critique, and vibrant visual style that his pieces embody. The "WTF Party Edition- Mini" collectibility is heightened by its status within the True Facts Mini Multiple Series, a collection of works that explores similar themes across various contexts. Owning a piece from this series is not just an investment in a physical object; it is an engagement with the artist's broader narrative and an acknowledgment of the power of street pop art to influence and reflect culture. In the current art landscape, Denial's "WTF Party Edition- Mini" contributes to the dialogue surrounding the role of street pop art and graffiti artwork. It exemplifies how these art forms can transcend their origins, creating spaces for dialogue, reflection, and, importantly, a touch of fun. Through his creations, Denial continues to challenge perceptions, provoke conversation, and offer fresh perspectives on the complexities of contemporary life.

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Scooter Rage XII 1998 Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1998 Signed by Kozik & Numbered Limited Edition of VERIFY Artwork Size 22.5x35 Silkscreen Print Band Gig Poster by Frank Kozik. Helium Angel, In-Citers, The Hi-Fives Jan 2 3 4 1998 SSC/SF Frank Kozik Scooter Rage XII 1998 Silkscreen Print SSC SF Frank Kozik, born in Spain in 1962 and active primarily in the United States until his passing in 2023, played a defining role in shaping the 1990s gig poster movement within Street Pop Art & Graffiti Artwork. The Scooter Rage XII silkscreen print from January 2, 3, and 4, 1998 was created to promote a multi-day San Francisco scooter and music event associated with SSC SF. This hand-pulled silkscreen on fine art paper measures approximately 22.5 x 35 inches and was issued as a signed and numbered limited edition. By the late 1990s, Kozik had already elevated the concert poster format into a collectible art object, and this print reflects his ability to move fluidly between aggressive rock graphics and more streamlined modernist compositions while maintaining the authenticity of Street Pop Art & Graffiti Artwork. Modernist Typography and Subcultural Identity Unlike many of Kozik’s heavier, flame-driven compositions, Scooter Rage XII employs a cleaner, design-forward layout dominated by bold numerals announcing 1998 and a vivid green and blue color palette. The central image features a stylized rider seated on a scooter rendered in high-contrast black and white, creating a photographic stencil effect that aligns with the visual strategies of Street Pop Art & Graffiti Artwork. The typography is sleek and contemporary, with rounded letterforms and structured spacing that emphasize event details including Helium Angel, In-Citers, and The Hi-Fives. This balance of modern graphic design and underground event culture demonstrates Kozik’s versatility, showing that his influence extended beyond raw punk imagery into broader lifestyle and subcultural branding aesthetics. Gig Posters as Collectible Street Pop Art & Graffiti Artwork Scooter Rage XII exemplifies how 1990s event posters became enduring artifacts rather than temporary advertisements. Kozik’s disciplined silkscreen process ensured saturated color fields and crisp separations, reinforcing the print’s longevity and collectibility. By signing and numbering the edition, he further cemented the legitimacy of gig posters within the fine art market. Events such as Scooter Rage XII reflected the blending of music, scooter culture, and urban lifestyle communities, and Kozik’s visual documentation of these gatherings now serves as a historical record within Street Pop Art & Graffiti Artwork. This print captures a specific cultural moment in San Francisco while demonstrating how graphic innovation and subcultural energy combined to shape late twentieth-century poster art.

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Slick Rick Bust Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Def Jam. 2020 Slick Rick Bust Statue Art by Def Jam Resin bust modeled after the iconic artist, Hip Hop Legend Slick Rick. Stands 8" tall. As VIPs and Def Jam artists past and present – 2 Chainz, Fabolous, Jadakiss, Teyana Taylor, TJ Porter, Fetty Luciano, Slick Rick, Suzi Wu, Def Jam CEO Paul Rosenberg, Joseline Hernandez, DJ Premier – an all-female DJ lineup led by DJ Jazzy Joyce, Nyla Symone and Odalys kept the party rocking. A special pop-up from Scarr’s Pizza fed the masses, Courvoisier and Heineken kept the vibes going, and VIPs enjoyed special activations – a PUMA basketball court and a Snipes bodega hosted by special guests Stretch and Bobbito offering limited edition T-Shirts and the PUMA x Def Jam Clyde Court. A surprise performance from Def Jam’s own Freddy & Jason – Fabolous and Jadakiss – closed out the night.

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StarFucker- Fun Fun Fun Fest 2012 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Clint Wilson for StarFucker.

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Ritual Device Fueled Bottom AP 1995 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1995 Signed by Kozik & Numbered Limited Edition of AP 100 Artwork Size 16x22 Silkscreen Print Band Gig Poster by Frank Kozik. Ritual Device Fueled Bottom July 29th 1995 San Fransisco California Bottom of the Hill.  Frank Kozik Ritual Device Fueled Bottom 1995 Artist Proof Silkscreen Frank Kozik, born in Spain in 1962 and active primarily in the United States until his passing in 2023, was a pivotal figure in the transformation of gig posters into collectible Street Pop Art & Graffiti Artwork. The Ritual Device Fueled Bottom silkscreen print from July 29, 1995 was created for a performance at Bottom of the Hill in San Francisco, California. This hand-pulled silkscreen on fine art paper measures approximately 16 x 22 inches and this example is an Artist Proof limited to 100, signed and numbered by Kozik. Artist Proof editions are produced in smaller quantities separate from the standard run and are closely associated with the artist’s personal archive and print approval process. During the mid-1990s, Kozik’s disciplined approach to silkscreen production helped legitimize underground concert posters as enduring fine art multiples within Street Pop Art & Graffiti Artwork. Horror Comic Influence and Graphic Intensity The composition features a wide-eyed figure shielding her face, rendered in a bold horror-comic style with dramatic linework and saturated color contrasts. The bleeding reds, deep blacks, and electric yellows create a visceral atmosphere that mirrors the raw energy of 1990s alternative and punk performances. The Ritual Device title dominates the upper register in heavy gradient lettering, while the event details anchor the lower portion in strong block typography. Kozik frequently drew from mid-century pulp comics, exploitation film posters, and underground zine aesthetics, and those influences are clearly visible in the exaggerated expression and confrontational imagery. This visual language aligns seamlessly with Street Pop Art & Graffiti Artwork, where immediacy, shock value, and high-impact design function as both promotional strategy and cultural commentary. San Francisco Poster Culture and Street Pop Art & Graffiti Artwork San Francisco played a significant role in the 1990s poster resurgence, and venues such as Bottom of the Hill became central hubs for independent music scenes. Kozik’s posters for these events documented a thriving underground culture while elevating the visual format through meticulous hand-pulled silkscreen craftsmanship. By signing and numbering the Artist Proof edition of 100, Kozik reinforced the print’s collectibility and archival value. Works like Ritual Device Fueled Bottom stand as historically important examples of Street Pop Art & Graffiti Artwork, capturing the convergence of live music, bold graphic storytelling, and limited edition printmaking that defined a transformative era in contemporary poster art.

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Pearl Jam Nov 18th Melbourne Gig Poster Silkscreen Print by Ben Frost Hand-Pulled on Fine Art Paper Limited Edition 6 Color Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 100 Artwork Size 24x18 Silkscreen Print Official Pearl Jam Holographic Sticker on Back. Pearl Jam, Pixies & Teen Jesus and the Jean Teasers, Marvel Stadium, Melbourne, Australia. Pearl Jam Melbourne Gig Poster by Ben Frost The Pearl Jam November 18th 2024 Melbourne gig poster by Ben Frost is a striking silkscreen print that merges the visual voltage of contemporary Street Pop Art & Graffiti Artwork with the live energy of one of rock’s most iconic bands. This officially licensed concert print commemorates Pearl Jam’s appearance at Marvel Stadium in Melbourne, joined by legendary alternative rock band Pixies and rising Australian act Teen Jesus and the Jean Teasers. Hand-pulled on fine art paper using six vibrant colors, this limited edition print is signed and numbered by Ben Frost and comes with an official Pearl Jam holographic sticker affixed to the back, affirming its authenticity. Visual Energy and Symbolism The artwork presents an explosive mirrored composition featuring two yellow cockatoos—native to Australia—locked in a bold and symmetrical confrontation. Their wings are ablaze with flames, rendered in a high-contrast palette of crimson, amber, and electric yellow. The birds’ feathers pulse with intensity, each form carefully delineated through Frost’s precise graphic technique. Their talons meet at the center, interlocking to form a clenched gesture that suggests solidarity, power, and resistance. Between the wings, flames rise upward, forming the spiritual and literal heat of the print—mirroring the fire and urgency that has always defined Pearl Jam’s music. Emblazoned on one wing is the date of the concert, NOV 18 2024, while the other wing marks the venue: MARVEL STADIUM MELBOURNE. The typography is seamlessly integrated into the design, serving both function and form, rooted in graffiti styling but refined through the lens of fine art silkscreen work. Artist Background and Street Pop Context Ben Frost is an internationally recognized Australian artist known for his ability to appropriate pop culture, pharmaceuticals, corporate logos, and advertising language into subversive and often satirical compositions. Through his Street Pop Art & Graffiti Artwork, Frost explores consumer culture, identity, and rebellion. This poster carries those same hallmarks of his wider body of work—exaggerated color palettes, clean linework, and a dense sense of visual stimulation. While Frost is renowned for his critiques of media saturation and capitalist spectacle, this piece celebrates a specific cultural moment. The visual style reflects his skill at mixing commercial and countercultural influences into something both collectible and critical, blending the immediacy of street art with the polish of screenprinted fine art editions. Concert Culture and Contemporary Collectibles As with all official Pearl Jam gig posters, this print serves as a functional keepsake but transcends into the realm of visual art. At 24x18 inches, the scale is significant, ideal for collectors and fans who appreciate not just the music but the iconography it inspires. Limited to only 100 hand-signed and numbered prints, it represents an exclusive collaboration between music and visual art communities. Pearl Jam has consistently aligned themselves with socially conscious and artistically progressive projects, and their ongoing partnership with artists like Ben Frost reinforces their legacy. With added support from the Pixies and Teen Jesus and the Jean Teasers on this tour stop, the print also captures a cross-generational exchange within alternative music. Ben Frost’s poster is more than promotional material—it is a symbolic totem of sound, culture, and resistance, crystallized through the fire of silkscreen artistry.

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John Lennon 02 Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Dave Matthews Band DMB Camden NJ Rainbow Foil Silkscreen Print by Jeff Soto Hand-Pulled on Rainbow Foil Fine Art Paper Limited Edition Artwork. 2022 Signed & Numbered Limited Rainbow Foil Edition of 50 Artwork Size 18x24 Silkscreen Print Freedom Mortgage Pavilion, NJ 7/16/2022 Music Gig Poster Fine Art Print.  Jeff Soto's Silkscreen Mastery: Dave Matthews Band's Camden Gig Poster Visual Composition and Symbolism The Dave Matthews Band's artwork is a visual feast, teeming with the fantastical creatures and otherworldly landscape signatures of Soto's style. The central figure, a knight-like helmet, conveys a sense of adventure and boldness akin to the band's exploratory musical style. Around this focal point, Soto weaves a tapestry of images, including enigmatic animal figures and ethereal designs, creating a dream-like atmosphere that complements the band's genre-bending sound. Using rainbow foil as the medium adds an iridescent quality to the print, with colors and light shifting from every angle, echoing music's ever-changing and fluid nature. Artistic Techniques and the Silkscreen Process Creating this print is a testament to Soto's dedication to craftsmanship. Silkscreen printing, a technique with deep roots in pop art, requires precision and patience. The rainbow foil adds challenge, as its reflective surface demands perfect alignment and pressure during hand-pulling. The result is a series of prints where each is a unique art piece, with slight variations that make them individually unique. The tactile quality of the silkscreen print, with its layered inks and metallic sheen, bridges the gap between traditional graffiti art's raw immediacy and the refined qualities of gallery-worthy pieces. Cultural and Artistic Impact Jeff Soto's work for the Dave Matthews Band concert in Camden, NJ, is a powerful representation of the band's ethos and the shared ground between music and visual art. As a gig poster, it serves a functional purpose in promoting the event and stands alone as a piece of fine art, embodying the spirit of street pop art and graffiti artwork in a format that transcends the ephemeral nature of a live concert. This print captures a moment in time, celebrating the confluence of sound and vision and the communal experience of a music event through the lens of an artist who deftly navigates multiple creative worlds. Jeff Soto's "Dave Matthews Band Camden NJ Rainbow Foil Silkscreen Print" is a multifaceted artwork that epitomizes the collaborative spirit of street pop art and music. It's a visual anthem to the band's legendary status and a testament to Soto's innovative approach to art-making. The limited edition nature of the print, coupled with its striking visual narrative, ensures its lasting legacy as a valuable piece of cultural memorabilia and a shining example of contemporary graffiti artwork.

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Soul Sister Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2012 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 Metallic Gold Ink "That is one funky momma’… Show your love for vinyl (after all, it does sound better) with this 2-color print (black and metallic gold!)18” x 24”, signed, limited edition of 75 posters." -Nate Duval

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