City as Canvas Silkscreen Print by Crash- John Matos x DAZE- Chris Ellis Silkscreen Hand-Pulled Screen on 320gsm Coventry Rag Paper Mural Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 199 Artwork Size 48x17 Hand Deckled "City as Canvas" is an intriguing silkscreen print by the collaborative duo of John Matos, aka Crash, and Daze. This 2022 artwork, hand-pulled on 320gsm Coventry Rag Paper, is a testament to the ongoing dialogue between street art and the broader visual culture. The paper's hand-deckled edges contribute to the individuality of each print, ensuring that while part of a limited edition series of 199, no two are exactly alike. The dimensions, with an image size of 11 by 42 inches and a paper size of 17 by 48 inches, make this a commanding piece of art. Both Crash and Daze are renowned for their contributions to graffiti and Street Pop Art, pioneering figures who have helped bridge the gap between illicit street art and established fine art. Their work often encapsulates urban life's vibrancy, chaos, and creativity, using the city itself as their canvas and inspiration. "City as Canvas" is a continuation of this theme, where the complexity and energy of urban environments are distilled into a single, yet expansive, image. The print, produced by the respected Gary Lichtenstein Editions and distributed by WCC Editions, boasts a spectrum of colors and forms that evoke the layers of graffiti on city walls. Each element within the composition tells a part of the urban story, from the omnipresent watchful eyes to the architectural structures that seem to rise from the streets themselves. This collaboration between Crash and Daze is not just merging their distinct styles but also a conversation between their interpretations of city life and street culture. The artists have signed and numbered each print in pencil, providing a personal touch that connects the collector directly to their creative process. This series also includes artist and foundation proofs, adding to the exclusivity and collectible nature of the artwork. The Certificate of Authenticity accompanying each piece further asserts the print's legitimacy and the buyer's ownership of a slice of street art history. This work's mural origins date back to 2013, capturing a moment in time within the ever-evolving landscape of street art. By translating the mural into a silkscreen print, Crash, and Daze have allowed the transient nature of street art to be preserved and appreciated within a new context. The transition from a public mural to a limited edition print underscores the importance of street art within the continuum of art history, highlighting its influence and the increasing recognition of its value. The collaborative print "City as Canvas" by Crash and Daze is emblematic of Street Pop Art, showcasing the transformation of public spaces into sites of artistic expression and commentary. The piece embodies the essence of the streets, where every wall, every corner, and every surface becomes a potential canvas, reflecting the pulse of the city and the artists who draw inspiration from its ceaseless dynamism.

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Lee Scratch Perry Black Ark Cruiser- Yellow Limited Edition Skateboard deck art by Designer Brand Supreme x Lee Scratch Perry. Supreme and Jamaican record producer Lee Scratch Perry have teamed up for another collaboration. The Supreme x Lee Scratch Perry Black Ark Cruiser Deck was released during Week 8 of the Supreme FW20 season on October 15th, 2020

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Dance At The Garden Block Archival Print by Faile Limited Edition on Deckled 290gsm Cotton Entrada Rag Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 250 Artwork Size 12x16 Archival Pigment Fine Art Woman Dancer Pinning Wrestling Wrestler at Match. "Do You Dare Dance at the Garden" Faile's "Dance At The Garden Block": A Bold Intersection of Sport and Art The archival print "Dance At The Garden Block" by Faile is a provocative and vibrant piece that captures the essence of street pop art and graffiti artwork. Printed on 290gsm Cotton Entrada Rag fine art paper, this 2023 signed and numbered limited edition of 250 exemplifies pop culture dynamism's unique blend with street art's gritty edge. Sized at 12x16 inches, it features an evocative scene of a woman dancer dominating a wrestling match, a powerful representation of strength and grace. Faile, a collaborative duo known for their impactful street art, presents a visually arresting and conceptually stimulating narrative. The image of the woman dancer pinning her opponent is layered with meaning, challenging traditional representations of femininity and power. The background text, "Do You Dare Dance at the Garden," suggests a dare or a challenge, perhaps to the norms of the art world and society. The use of archival pigment ensures that the colors and details of the print will endure, much like the lasting impact of Faile's work on the public consciousness. This particular piece, with its bold lines, comic book aesthetic, and juxtaposition of text and imagery, is a perfect example of their approach to art-making. This fearless blending of genres and styles cemented Faile's reputation in the street pop art scene. The wrestlers in the artwork are enveloped in a background of vivid colors and patterns, typical of Faile's style, which often incorporates elements of vintage advertising and pulp magazines. This blend of old and new, classical and contemporary, is a hallmark of street pop art and graffiti, genres known for repurposing and remixing cultural references to create something entirely new. "Dance At The Garden Block" is not just a static image; it is a dynamic conversation between the artwork and the viewer, a conversation that is indicative of Faile's work as a whole. The collective's ability to draw on the energy and spontaneity of street art while delivering it through the refined medium of fine art prints allows them to reach a broad audience, bridging the gap between the street and the gallery. Collectors and admirers of Faile's work will appreciate the print's quality and the significance of owning a piece representing a pivotal moment in the evolution of street pop art and graffiti artwork. "Dance At The Garden Block" is a testament to Faile's innovative spirit and their enduring contribution to the discourse of modern art.

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Daft Punk- Tron 1 Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artwork based on the famous music group Daft Punk. Gauntlet Gallery- "Daft Punk Deux" Art Show. The poster contains nods to the band Daft Punk. Within the design are references to Sound systems, mix stations, the pyramid designs from Daft Punk Albums, Digital Data, Energy, and more!

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Get Up Silkscreen Print by Skewville Hand-Pulled 2-Color on MEDIUM Limited Edition Pop Street Art Artwork. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 16x20 Silkscreen Print "Get Up" is a silkscreen print by the artist duo Skewville. Skewville, comprised of twin brothers Ad and Droo, is an American street art collective known for their urban art installations, paintings, and prints. They have been active in the street art scene since the late 1990s, and their work often includes thought-provoking messages, social commentary, and a distinctive visual style. The "Get Up" silkscreen print, like much of Skewville's work, is characterized by its colors, bold graphic design, and a mix of urban imagery. It features elements referencing popular culture, graffiti, and hip hop music, merging them into a unique and cohesive piece.

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Modest Mouse- Orlando 2014 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Fugscreens. 2014 Numbered Limited Edition Artwork Size 18x24 Modest Mouse Music Band, Orlando FL 2014 Beacham Theater. Modest Mouse, Orlando, Flordia, 2014, Beacham Theater, Music, Walkman, Cassette Tape, Band Modest Mouse Orlando 2014 Music Limited Edition Gig Poster by Fugscreens The Modest Mouse Orlando 2014 gig poster by Fugscreens is a striking example of how street pop art & graffiti artwork can merge with music culture to create a visually compelling and collectible piece. This hand-pulled silkscreen print was designed to commemorate the band’s performance at the Beacham Theater in Orlando, Florida. Produced in a limited edition and numbered, this 18x24-inch artwork captures the nostalgia and energy associated with both Modest Mouse’s music and the aesthetic of analog-era sound. The careful craftsmanship of the print, combined with its raw and textural feel, makes it a standout piece in both the world of gig posters and modern street pop art. The Artistic Style and Composition of the Gig Poster Fugscreens’ design for this poster is both minimalistic and deeply evocative, using a limited color palette and bold outlines to create a sense of vintage authenticity. The central image features an old-school Walkman cassette player and a pair of headphones resting on a textured surface. The device itself carries the label Orlando, grounding the piece in its specific concert location while also evoking the personal and intimate nature of listening to music on cassette. The composition places heavy emphasis on nostalgia, making it feel like a snapshot from an era when music was deeply personal and portable in a tangible way. The typography used for Modest Mouse is organic and hand-drawn, with a rough, textured quality that mirrors the do-it-yourself aesthetic of street pop art & graffiti artwork. The uneven, hand-rendered lettering reinforces the raw and unpolished ethos that has always defined Modest Mouse’s sound. The print’s frame, made of thick, uneven lines, gives the illusion of a worn-out music poster, further emphasizing the theme of analog culture and imperfection as an artistic choice. Music and Nostalgia in Street Pop Art & Graffiti Artwork Street pop art & graffiti artwork often draws on themes of nostalgia, repurposing images of outdated technology and cultural artifacts to evoke emotional connections with the past. This gig poster does precisely that, using a Walkman as its centerpiece to reference a time when physical media shaped music consumption. The tactile nature of silkscreen printing enhances this effect, giving the artwork a physical depth that echoes the texture of old album covers and worn-out cassette cases. The sense of impermanence that comes with gig posters and street art is also reflected here, as these prints exist as a momentary documentation of a specific event, much like how street art often responds to a fleeting moment in time. Fugscreens’ work aligns with the ethos of gig posters that have long been associated with underground music scenes and independent artistry. Like street artists tagging walls with unique designs, gig poster artists create one-of-a-kind visuals that both promote and commemorate live performances. The direct, almost hand-made quality of this print ties it back to the roots of punk, indie rock, and alternative music, where visuals play just as big a role in shaping a band’s identity as their sound does. The Impact and Collectibility of the Limited Edition Silkscreen Print As a numbered limited edition piece, the Modest Mouse Orlando 2014 gig poster carries a sense of exclusivity that enhances its desirability among collectors. The 18x24-inch format makes it a substantial yet easily displayable artwork, perfect for music lovers who appreciate the intersection of street pop art & graffiti artwork with music culture. The hand-pulled silkscreen process adds another layer of authenticity, as each print contains slight variations, making every piece unique. Fugscreens has a reputation for blending urban aesthetics with detailed screenprinting techniques, and this poster is no exception. The merging of music history, personal nostalgia, and a distinctly handmade approach make this print more than just a concert souvenir—it becomes an artistic statement. The continued appreciation for gig posters as an art form ensures that works like this remain culturally significant, capturing moments in music history while embracing the raw, expressive qualities of street pop art & graffiti artwork.

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Sirens Of The Past Day Silkscreen Print by Cleon Peterson Hand-Pulled on Hand Deckled 290gm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 18x22 Silkscreen Print of Stylized Gold & Black 3 Nude Siren Greek Myth Legends The realm of pop art, street art, and graffiti art has seen the emergence of countless unique and thought-provoking pieces, and the work of Cleon Peterson stands as a testament to the raw power and passion that can be infused within such creations. Peterson's piece titled "Sirens Of The Past Day" is a silkscreen print that draws on various elements of Greek mythology, merged with his iconic street art style, representing an intriguing blend of the old and the new. Hand-pulled on 290gm Coventry Rag Fine Art Paper, "Sirens Of The Past Day" presents the viewer with a bold portrayal of three nude Sirens, characters from Greek myth legends, known for their enchanting voices and deceptive allure. Peterson adopts a stylized approach in creating this masterpiece, using a striking combination of gold and black. This choice of colors lends the artwork a distinct aesthetic appeal, reminiscent of both pop art's simplicity and street art's dynamic energy. "Sirens Of The Past Day" measures 18x22, making it an ideal size for collectors looking for a piece of artwork that could stand out in a variety of settings, be it a private collection, a gallery, or a public space. The artwork is a limited edition of 75, ensuring the exclusivity of the piece. Each print is hand-signed and numbered by Cleon Peterson himself, adding a personal touch to this remarkable creation and underscoring the authenticity of the work. Cleon Peterson, known for his hard-hitting and often controversial themes, draws on a wide range of influences, from classical mythology to contemporary societal issues. In "Sirens Of The Past Day", Peterson breathes life into the age-old legends of the Sirens, presenting them in a modern context that resonates with the ethos of pop and street art. His signature style shines through the bold, stark lines and striking color palette, transforming the Sirens from ancient myths into powerful symbols of seduction and danger in the contemporary world. Peterson's unique ability to blend pop art's boldness with the raw edginess of street art is reflected beautifully in "Sirens Of The Past Day". This limited edition silkscreen print is a reflection of Peterson's artistic prowess, a masterpiece that draws the viewer in and invites them to delve deeper into the intricate world that Peterson creates with his art. With its intense imagery and thought-provoking theme, "Sirens Of The Past Day" is a testament to Cleon Peterson's skill and vision, making it a notable addition to any collection of pop or street art.

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Charles Street Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist Ricky Powell. 2020 Signed & Numbered on Verso Charles Street Shuffle, Archival pigment print on Cold Pressed Steep Natural Skate Deck 32 x 8 inches (81.3 x 20.3 cm) Ed. 5/75 Numbered in ink to reverse and released January 20, 2020. The Integration of Skate Culture and Street Pop Art in Ricky Powell's "Charles Street Deck" The "Charles Street Deck," a limited edition skateboard deck art by Ricky Powell, exemplifies the seamless integration of skate culture within the realm of Street Pop Art and Graffiti Artwork. Released on January 20, 2020, this piece is part of an exclusive set, limited to 75 editions, each signed and numbered on the verso. The deck features the "Charles Street Shuffle," an archival pigment print on a cold-pressed, steep, natural skate deck measuring 32 x 8 inches. This site is standard for skateboarding functionality and canvas for Powell's street pop culture artistry. Edition 5/75, marked in ink to reverse, signifies its authenticity and place within this highly collectible series. Ricky Powell's work on the "Charles Street Deck" captures the raw energy and rebellious spirit of both the street art and skateboarding worlds. The silkscreen process in creating this deck harks back to the DIY ethos prevalent in both subcultures. The detailed and durable print reflects the resilience required in skateboarding, just as the art must withstand the streets' wear and tear. Ricky Powell's "Charles Street Deck": A Cultural Artifact The "Charles Street Deck" is not merely a skateboard but a cultural artifact representing a fusion of artistry and athleticism. It is a tribute to the vibrant street life and urban landscapes that have long been the backdrops for street artists and skaters alike. Powell's choice to create a piece that is both a functional skateboard and a work of art speaks to the evolution of Street Pop Art, where practical objects are transformed into canvases for expression. This deck art, with its image of individuals in motion, encapsulates the dynamism of street culture. The figures captured on the deck are mid-shuffle, a freeze-frame of life in the streets that echoes the movement and flow of skateboarding. This visual narrative aligns with the storytelling aspect of graffiti art, where each piece conveys a moment, an emotion, or a statement from the artist. The Significance of Ricky Powell's Work in Street Art Ricky Powell's contribution to the art world through pieces like the "Charles Street Deck" is significant in elevating street culture and connecting it to a broader audience. By merging the worlds of skateboarding and street art, he bridges a gap between various forms of urban expression, underscoring their intrinsic value as both art and social commentary. The limited edition nature of the deck adds to its desirability, much like a rare piece of graffiti that can only be seen in one place for a limited time. Powell's work on this deck also showcases the potential for street art to inhabit new spaces and reach new audiences. Once a blank slate, the skateboard deck becomes a traveling exhibition of Powell's vision, carried through the streets and across skate parks, much like how graffiti art shares its messages with everyone who passes by. The "Charles Street"Deck" by Ricky Powe celebrates the intersection between skate culture and Street Pop Art, a testament to the creativity that flourishes within urban environments. As edition 5/75 rolls through the streets or adorns the wall of a collector, it carries with it the spirit of the streets, the essence of movement, and the undeniable force of street-inspired artistry.

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Black Sabbath Printers Select PP Printer Proof Silkscreen Print by Jim Houser Hand-Pulled 8-Color Screen Print on 290gsm Stonehenge Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2019 Signed & PP Marked Limited Edition Run Artwork Size 12x12 Jim Houser's Fusion of Music and Art in "Black Sabbath Printers Select PP" The "Black Sabbath Printers Select PP Printer Proof" is a vibrant silkscreen print by Jim Houser that epitomizes the fusion of pop culture and visual art within the Street Pop Art and Graffiti genres. As a hand-pulled 8-color screen print on the esteemed 290gsm Stonehenge art paper, this 2019 work captures the essence of the legendary rock band Black Sabbath through Houser's unique artistic lens. The limited edition print, sized at an accessible 12x12 inches, reflects a meticulous process, ensuring each color is laid down with precision, resulting in a piece that pulsates with the energy of both the music it represents and the urban streets from which this art form originated. Jim Houser's Visual Interpretation of Rock Legacy The print was signed and marked 'PP' to denote its status as a Printer's Proof and stands out as a collector's item. Printer Proofs are traditionally proofs set aside for the printer's records. Still, in the art world, these proofs are often considered more valuable due to their rarity and the artist's direct involvement. The "Printers Select" suggests a choice cut, a piece that stands apart, often with unique traits that the standard edition prints do not possess. Houser's rendition of Black Sabbath's "Paranoid" is a tribute to the band and a statement piece that intersects the realms of music, pop art, and graffiti. Street Pop Art & Graffiti's Tribute to Icons By featuring "Black Sabbath" within the Street Pop Art and Graffiti context, Houser contributes to a long-standing tradition where these visual art forms often pay homage to cultural icons. This piece extends beyond mere representation, entering a dialogue with viewers about the impact of music on public consciousness and its interplay with the visual narratives found in urban environments. Houser's work, therefore, is not just an artistic creation; it is a historical node that connects the vibrancy of street art with the pulsating rhythms of Black Sabbath's music, capturing the ethos of an era in a single, bold statement of color and form. In the contemporary art scene, Jim Houser's "Black Sabbath Printers Select PP" is a vivid example of how street pop art and graffiti can encapsulate and celebrate musical heritage. Through its bold aesthetic and limited availability, this print continues to resonate with collectors and enthusiasts who appreciate the convergence of sound and sight in the context of modern Street Pop Art and Graffiti.

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Dwarves Big Chief Sub Pop NMS Showcase 1992 New York Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1992 Signed by Kozik & Numbered Limited Edition of 250 Artwork Size 11x35 Silkscreen Print Band Gig Poster by Frank Kozik Dwarves Big Chief Green Magnet School Supersuckers Rein Sanction Pond DJ Larry T and Love Machine Xenon New York City NY

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Head Limited Edition 4-Color Split Fountain Hand-Pulled Silkscreen Print on Fine Art Paper by John Smith Graffiti Street Artist Modern Pop Art.

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Mover Record Release Party 1997 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 18x22.5 Silkscreen Print Band Gig Poster by Frank Kozik 7-10-1997

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Mike Gordon- LA 2014 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl for Mike Gordon of Phish. March 17th, Los Angeles CA, The El Rey Theatre

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Kaleidopop 8- Variant 6-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. "Kaleidopop" - Variant Edition Print #7/11 Free Shipping to anywhere in the USA Tribute to actress June Haver Edition size: 11 prints Print size: 24" x 30" All prints in the edition are unique with a different split fountain background and will never be reproduced, signed and numbered.

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The Lonesome Crowded West Apt Block Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print Apartment Block Urban City Building Stylized. "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY In the pantheon of street art, few names are as synonymous with the movement's thrust into mainstream culture as Shepard Fairey. His collaboration with the band Modest Mouse for their tour poster celebrates a milestone—the 25th anniversary of their seminal album, "The Lonesome Crowded West." In true Fairey fashion, he interprets the album's ethos with a limited edition silkscreen print, meticulously hand-pulled with five colors on Cream Speckletone fine art paper. This process ensures each of the 825 pieces is imbued with the artist's personal touch. Measuring 18x24 inches, this signed and numbered print presents an apartment block—an urban icon that exemplifies the crowded isolation in the album's title. Fairey's stylized depiction of the apartment block resonates with the band’s exploration of the paradoxical loneliness of urban existence, embodying the spirit of Modest Mouse's music through visual art. His work is not merely an artistic rendition but a narrative of city life's juxtapositions—connectivity and isolation, sound and silence. This collaboration is particularly significant for Fairey, who has been a fan of Modest Mouse since 1998. The album left an indelible mark on him, with its tonal shifts from the raucous "Teeth Like God's Shoeshine" to the more subdued "Trailer Trash." Fairey extols Isaac Brock's songwriting, acknowledging the profound depth and poetic nature of his lyrics, especially considering Brock's youth. The two tracks that stood out to Fairey, "Doin' the Cockroach" and "Cowboy Dan," exemplify the album's range and Brock's lyrical prowess. Fairey's history with Modest Mouse dates back to the 2000 "Black Glass" tour poster, reinforcing his long-standing connection with the band. This print is another chapter in that narrative, solidifying the kinship between his visual art and their musical expression. The artwork is a tangible piece of pop culture history, intertwining the legacy of Fairey's street art with Modest Mouse's contribution to music. Collectors of Fairey’s work and fans of the band alike cherish this print as a symbol of the enduring relevance of "The Lonesome Crowded West" and the power of art to transcend mediums, capturing the essence of an era.

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Kaleidopop 7- Pink Yellow 6-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. "Kaleidopop" - Variant Edition Print #7/11 Free Shipping to anywhere in the USA Tribute to actress June Haver Edition size: 11 prints Print size: 24" x 30" All prints in the edition are unique with a different split fountain background and will never be reproduced, signed and numbered.

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Obey Punk Girl AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Obey Punk Girl AP by Shepard Fairey: A Celebration of Music and Graffiti Pop Street Art The Obey Punk Girl Artist Proof silkscreen print by Shepard Fairey encapsulates his ability to merge music-inspired imagery with the raw aesthetics of Street Pop Art and Graffiti Artwork. Created in 2011, this hand-pulled, one-color screen print is a limited-edition Artist Proof, signed and marked by Fairey, measuring 13 by 13 inches. The piece is printed on fine art paper, showcasing Fairey’s dedication to craftsmanship and his iconic graphic style. Punk Girl reflects Fairey’s deep admiration for music and its cultural impact, drawing from his long-standing connection to album art and punk aesthetics. The central figure in the print is a bold, punk-inspired woman holding a vinyl record. Her intense gaze and sharp styling evoke the rebellious energy of the punk movement, while the ornate border design adds a layer of complexity to the composition. The intricate patterns surrounding the figure create a sense of rhythm and movement, echoing the dynamic nature of music. By combining the gritty essence of graffiti art with the visual language of punk rock, Fairey captures the democratic and visceral power of both mediums. Music as a Driving Force in Street Pop Art Shepard Fairey has always been deeply influenced by music, particularly punk rock, and its role in shaping countercultural movements. The Obey Punk Girl silkscreen print reflects this influence, using imagery that celebrates the rebellious spirit and DIY ethos of punk music. Fairey’s work often draws parallels between the energy of music and the power of visual art, creating pieces that resonate with a broad audience. The inclusion of a vinyl record in the design serves as a nod to the analog era of music, emphasizing its raw authenticity and tactile nature. The bold monochromatic palette and sharp contrast in Punk Girl pay homage to the aesthetics of punk zines and album covers, where minimalism and directness were used to powerful effect. Fairey’s use of street art techniques, such as stenciling and silkscreen printing, mirrors the immediacy and accessibility of punk music, reinforcing the connection between the two art forms. This interplay between music and visual art is central to Fairey’s work, creating pieces that are both visually striking and culturally resonant. Shepard Fairey’s Silkscreen Process The hand-pulled silkscreen process used for Obey Punk Girl highlights Shepard Fairey’s dedication to traditional printing techniques. This approach allows for a high level of detail and texture, capturing the intricate patterns and bold lines that define his style. The use of fine art paper enhances the tactile quality of the print, creating a piece that is both durable and visually engaging. As an Artist Proof, this print holds a special place within the edition, often regarded as a testament to the artist’s experimentation and refinement of his vision. Fairey’s commitment to silkscreen printing stems from its roots in graffiti and street art, where stenciling and printing techniques are integral to the medium’s DIY ethos. The one-color design of Punk Girl underscores the power of simplicity, using contrast and composition to create an impactful image that commands attention. Shepard Fairey: A Voice of Counterculture in Modern Art Shepard Fairey, an American artist and activist, has established himself as a leading figure in Street Pop Art and Graffiti Artwork. His work often explores themes of social justice, rebellion, and cultural identity, drawing inspiration from punk rock, political movements, and propaganda art. Obey Punk Girl exemplifies Fairey’s ability to merge cultural commentary with striking visual design, creating art that speaks to both personal and collective experiences. Fairey’s exploration of music as a source of inspiration is a recurring theme in his work, reflecting his belief in its transformative power. Punk Girl serves as a celebration of the intersection between music and visual art, capturing the raw energy and democratic spirit that make both forms so impactful. Through his art, Fairey continues to challenge conventions and inspire dialogue, cementing his place as a pivotal figure in contemporary Street Pop Art and Graffiti Artwork.

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Frank Sinatra 1998 at Hofstra University Hand Signed By Artist Music Limited Edition Gig Poster Print Artwork on Fine Art Paper by LeRoy Neiman. Frank Sinatra at Hofstra 1998 Signed Poster by Leroy Neiman Description: Artist: LeRoy Neiman, American (1921 - 2012) Title: Frank Sinatra - The Conference Year: 1998 Medium: Poster, signed in ink Image Size: 31 x 19.5 inches Frame Size: 45 x 33.5 inches Notes: Pop Art, Music Art, Artist Name: LeRoy Neiman Medium: Poster, signed in ink Circa: 1998 Hempsted New York

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Spoon at El Cid- 2009 Music Limited Edition Metallic Gold ink Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman Max Goldman for Spoon and Deep Sea Diver. 18 x 24 inches Hand Silk-Screen Print Red, Black Cream Speckletone Paper Limited Edition of 100 Printed by Nick Bowers / OBEY Signed and Numbered by MFG- Matt Goldman Released 2010 . This limited edition Spoon poster was designed by Matt Goldman for the January 18th secret show at El Cid. Celebrating the release of their seventh album, Transference, Spoon decided to do a pop-up show in a tiny venue for their fans. The poster features custom typography and original photography. Little known fact: the date on the poster is wrong (should be 2010) but nobody, to this day, has ever noticed or said anything about it... The posters were only available at the show the night of the event and we're selling the remaining copies here on the Dance Right store. The poster was printed in Obey Giant Art's printing facilities.

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Smokey Robinson- Red 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed by Fairey & legendary music artist Smokey Robinson. Screen Print 18 x 24 inches Edition of 450 2010 "I was amazed when Smokey contacted me to do a portrait to commemorate his 50 years in the music business, and a little nostalgic at the thought of his impact on me as a kid. Smokey came into the studio to hang out and sign them. He's a really nice, upbeat guy who has a real lust for life, maybe that's why he looks like he hasn't aged in 30 years. Believe it or not, Smokey signed every single print with his very beautiful and painstaking signature. It's worth picking up a print for that alone. Mention the name Smokey Robinson and the first thing that automatically comes to mind is Motown. It's understandable given that it was Robinson's hits, first as the leader of the Miracles, and then later as a solo artist that propelled the famed label during the 60s." -Shepard Fairey

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Devil's Night 2013 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Orange Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Devils Night Halloween Music Event, 2013 Featuring Chit Chat

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Crazy About Elvis- Blue 1-Color Edition Hand-Pulled Limited Edition Silkscreen Print on 100% Cotton Rag Rives BFK Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. Tribute to Music Legend Elvis Presley in US Air Force Military Outfit. Limited edition 1 color silkscreen print, signed and numbered in pencil. Printed on heavy 100% Cotton Rag Rives BFK paper, 250 gsm weight.

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Never Trust A Punk Artwork Giclee Limited Edition Print on 290gsm Hahnemühle Bamboo Paper by Pop Culture Graffiti Artist Jamie Reid. 2019 Signed & Numbered Limited Edition of 300 Artwork Size 32.3x22.8 In the annals of pop culture, graffiti, and street art, Jamie Reid emerges as a luminary, challenging societal norms with his provocative creations. "Never Trust A Punk" stands as a testament to Reid's unparalleled ability to intertwine art with cultural and political discourse. This piece, crafted in 2019, distinctly captures the punk ethos that rose to prominence in the late 1970s, becoming a hallmark of Reid's aesthetic. "Never Trust A Punk" is not merely an artwork but a statement, a proclamation that showcases Reid's characteristic blend of satire, dissent, and visual appeal. The juxtaposition of the iconic Union Jack with a stark portrayal of the British monarch, her eyes concealed, boldly encapsulates the rebellious spirit of the time. The message is clear, echoing sentiments of distrust and rebellion, which were rampant during the punk movement. This artwork holds an even deeper resonance for music enthusiasts and followers of British punk rock. The imagery bears a striking resemblance to that used for the cover of "God Save the Queen" by The Sex Pistols in 1977, a track that stirred controversy and remains emblematic of the punk era. As a limited edition giclee print, only 300 pieces of "Never Trust A Punk" were ever produced. Each print is immaculately rendered on premium 290gsm Hahnemühle bamboo paper, a medium chosen for its ability to capture the vibrancy and detail of the original artwork. Measuring at 32.3 x 22.8 inches, each piece is hand-signed and numbered by Reid, solidifying its authenticity and making it a coveted item for collectors and art enthusiasts alike.

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The Last Card in the Deck- Why? Boston 2013 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Speckletone Fine Art Paper by James R Eads for Why?. The Last Card in the Deck" is an 18" x 24" three-color screen printed gig poster for WHY?'s June 19th tour date at Brighton Music Hall, Boston, MA. The gig poster is inspired by WHY?'s album Mumps

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Say Goodnight Gracie Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Herbie Greene pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Austin 3-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 100 Artwork Size 24x12 Austin TX Bat Playing Acoustic Guitar

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Musica De Los Muertos 16x20 Limited Edition Archival Pigment Prints on Fine Art Paper by Pooch Graffiti Street Artist Modern Pop Art.

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Friendship and Support- Gold 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2011 Signed & Numbered Screen Print Friendship and Support (Gold), 2011 Screenprint in colors on speckled cream paper 18x24 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles Due to the enormous popular demand for “Friendship & Support” released last week, we are excited to announce a second colorway at the request of the Harrison Foundation! “Friendship and Support – Gold” supporting UNICEF!

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Fuzz Fest 2014- Orange Yellow Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler. Orang Yellow Variant, April 10 11 12 2014

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Love Above All Silkscreen Print by Mr Brainwash- Thierry Guetta Hand-Pulled on Deckled Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 79 Limited Edition Artwork Size 30x36 Silkscreen Print of Reggae Musician Bob Marley. Capturing the Rhythms of Reggae in Silkscreen The resonance of reggae music, with its rich cultural history and messages of love and unity, has found a place in the world of Street Pop Art & Graffiti Artwork through the artistic vision of Thierry Guetta, known widely as Mr. Brainwash. His "Love Above All" silkscreen print series includes a hand-pulled piece on deckled fine art paper that celebrates the iconic reggae musician Bob Marley. This legend continues to inspire beyond the realm of music into visual art. The 2024 release, a limited edition of 79, embodies the spirit of Marley in a 30x36-inch silkscreen print that merges the visual and auditory, capturing the essence of reggae in a symphony of color and texture. Thierry Guetta's Artistic Homage to Bob Marley Thierry Guetta, hailing from France and making waves in the United States, has become a stalwart in the Street Pop Art & Graffiti Artwork movement. His work often reflects a profound respect for cultural figures who have influenced society meaningfully. The "Love Above All" print featuring Bob Marley is an artistic accolade, presenting the musician in a thought-provoking, respectful, and transformative stance. Each print is not merely a representation but a conversation between the artist and the subject, between the viewer and the viewed, translating Marley's ethos into a visual form that speaks of his lasting impact on the world. In creating this print, Mr. Brainwash has employed his signature style, which often includes vibrant hues splashed with a deliberate spontaneity akin to how Marley's music flows with natural rhythm and poignant lyrics. The hand-pulled silkscreen technique employed by Guetta ensures that each piece of this limited series bears the individuality and imperfections that are the hallmarks of human creativity. The hand-deckled edges of the fine art paper further the uniqueness of each print, reinforcing that, like humans, no two pieces are exactly alike. Reggae's Influence on Street Pop Art and Graffiti Artwork Reggae music's powerful influence stretches beyond its Jamaican roots and into the global art community, influencing genres like Street Pop Art & Graffiti Artwork with themes of resistance, social justice, and love. Mr. Brainwash's silkscreen print is a testament to this influence, harnessing the power of visual art to celebrate and perpetuate the cultural significance of Bob Marley's legacy. In the intricate layers of the print, viewers can sense the rhythm and the call for unity and positivity that are synonymous with Marley's music. Moreover, the artwork becomes a beacon within the street art community, showcasing how the walls that once divided musical expression from visual art are now channels of communication and celebration. It also emphasizes the enduring relevance of Marley's messages and how they resonate within the urban art scene. Mr. Brainwash's decision to encapsulate Marley's image within a silkscreen print, a medium traditionally associated with pop art, demonstrates a conscious blending of artistic disciplines and cultural narratives. Legacy and Continuity in Modern Art Forms The legacy of figures like Bob Marley in modern art forms, especially in Street Pop Art & Graffiti Artwork, is pivotal in maintaining cultural continuity. Mr. Brainwash's "Love Above All" silkscreen print of Marley is a vibrant reminder of the musician's enduring influence. It stands as a cultural bridge, connecting the heart of reggae with the pulse of street art, allowing a new generation to appreciate Marley's contribution to music and social change. Signed and numbered by Guetta, each print becomes a part of this bridge, a collector's piece that carries the weight of history and the freshness of contemporary art. The limited nature of the edition – only 79 in existence – adds to the desirability of the print, making it a coveted piece for those who appreciate the intersections of music, history, and art. In crafting this homage to Bob Marley, Thierry Guetta, or Mr. Brainwash, has created a visual anthem that celebrates love, life, and freedom – themes that are as central to street art as they were to Marley's music. It is a celebration not just of a musician's life but of the powerful ways art can capture and immortalize the essence of a cultural icon. Through this print, Guetta ensures that Marley's melodies and messages continue to inspire and resonate within the visual tapestry of our lives.

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Duke of Lizards SPAC #1- Watercolor Variant Limited Edition 4-Color Hand Letterpress Print on Fine Art Paper by AJ Masthay pop art graffiti famous artist art. AP Artist Proof. Hand Deckled Bottom, 4 color linoleum block print. Triptych, Lizard, Saratoga Springs, New York, NYC, Party, Event, Fish, July 2013. SPAC, Saratoga Performing Arts Center, Intermission,Triptych,Lizard,Saratoga Springs,New York,NYC,Party,Event,Fish

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Blackbook- Return To Forever Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist DocTC5. 2019 Signed & Numbered Limited Edition of 25 Artwork Size- 17x14

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Hard: Holy Ship 4- 2015 Music Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Max Goldman for Holy Ship 2015 Music Festival. Since its inception, MFG- Matt Goldman Creative built the identity and artwork for HARD Fest and all its offshoots, including Holy Ship. We've finally unearthed the entire collection of posters we made together before Gary Richards left Livenation and took me with him. A trip down memory lane, it's fun to see the DJ names jockey for position over the years and also revel in how early HARD was in promoting the careers of some of the biggest DJs today. 18 x 24 inches • Spot Color Offset Print • Fluorescent Green, Fluorescent Pink, Fluorescent Yellow, Black • Archival Bright White Paper • Limited Edition of 500 • Released 2015 EDM Music Bands: Knife Party , Pretty Lights , Flume , Boys Noize , A-Trak , RL Grime , Laidback Luke , Maya Jane Coles , Duke Dumont , Annie Mac , Armand Van Helden , Rudimental , What So Not , Clockwork , Busy P , Griz , Justin Martin , Destructo , Alex Metric , Dusky , Odesza , Oliver , Rustie , Henry Fong , Gorgon City , Cyril Hahn , Salva , Jimmy Edgar , Congorock , Craze , Branchez , Spank Rock , DJ Sliink , Shiba San , Sharam Jey , Snakehips , DJ Falcon , Kidnap Kid , Hannah Wants , Motez , Teki Latex , Gina Turner , Wax Motif , Ape Drums , Tommy Kruise , Doorly , Djedjotronic , Vanilla Ace , Cory Enemy , Yogi , T. Williams

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Bob Weir Ratdog- Chicago 2014 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by AJ Masthay. Artist Edition, Hand deckled bottom edge.

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Unworn New Old Stock Vans x Anderson .Paak Sid DX- Size 12 Shoe Rare Limited Edition Sneaker Artwork Collectible. Yes, Lawd! Vans and Anderson .Paak are both synonymous with the laid-back California lifestyle, and this season, we’ve partnered on a special collection of musically-inspired footwear and apparel. Hailing from the beach town of Oxnard, California, Andy injects his infectious love of life into everything he does, and this collection is no exception. The Vans x Anderson .Paak Sid DX is made with sturdy suede and canvas uppers and features upgraded sockliners.

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Hot Buttered Rum Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl for band Hot Buttered Rum. "You never should have a finished idea in your head. Staring at a blank page is the worst thing you can do—start with anything and just keep letting it evolve.”- John Vogl

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Big Head Todd & The Monsters- Red Rock 2006 Music Limited Edition Gig Poster 3-Color Metallic Ink Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. AP Artist Proof, 12 x 34 – 3 color silkscreen (metallic copper) – S/N edition of 200. Big Head Todd at Red Rocks Amphitheater in Morrison Colorado on June 10th 2006

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Butthole Surfers Concert Handbill 1988 Texas Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1988 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik The Butthole Surfers and Frank Kozik collaboration is an electrifying fusion of psychedelic punk and iconic design. The Surfers, known for their chaotic, surreal sounds, paired their unconventional musical ethos with Kozik, an artist revered for his vibrant rock poster art and vinyl toy designs. The result? An immersive sensory experience that intertwines the Surfers' audio mayhem with Kozik's visual pandemonium. This collaboration is a must-experience for fans of both, promising an unpredictable journey through the edgy fringes of music and art.

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Father John Misty- St Louis MO 2013 Music Limited Edition Gig Poster 1-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl. The Firebird Saint Louis Mo with Pure Bathing Culture June 14th 2013

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Bob Mould AP Signed Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2008 Signed Autograph by Bob Mould Across The Face in Marker & Shepard Fairey- OBEY Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print Depicting Bob Mould of the Music Bands Hüsker Dü, Sugar & The Jacks. District Line. "Bob Mould was the guitar player and co-songwriter of Husker Du, one of the most progressive hardcore/indy bands of the '80s. Originally one of the most successful bands on SST records, they were among the first American indie bands to sign to a major label. They are credited with paving the way for bands like Sonic Youth, The Pixies, and Nirvana. I borrowed Husker Du's Zen Arcade album from a friend in my 10th-grade year and quickly collected the rest of their catalog. I especially recommend their album Flip Your Wig. After Husker Du broke up, Bob formed Sugar and now performs solo. His new album District Line is awesome." -Shepard Fairey- OBEY Shepard Fairey's Tribute to Bob Mould: Merging Music and Street Art The Bob Mould AP Signed Silkscreen Print by Shepard Fairey, a figure synonymous with OBEY and a towering presence in street pop art, is a limited edition artwork that pays homage to Bob Mould's profound influence on the music scene. As an Artist Proof from 2008, this piece holds a special place within the edition of 500, featuring Fairey's signature 5-color technique on cream speckletone fine art paper, measuring 18x24 inches. Mould's autograph across the face in marker adds a personal touch, intertwining the visual narrative with the tactile memory of the musician's hand. This print captures the likeness of Mould, known for his groundbreaking work with bands Hüsker Dü, Sugar, and The Jacks, and the essence of his impact on the hardcore/indie genres. Fairey's acknowledgment of Mould's legacy, from the seminal album "Zen Arcade" to "Flip Your Wig" and beyond, underscores the print's importance as a piece of cultural history. Fairey, who has a storied history of integrating his art with social commentary and the music industry, uses this print to honor a musician who has been pivotal in shaping the landscape of modern American indie music. Bob Mould and the Evolution of American Indie Music in Visual Art Bob Mould's journey through the evolution of American indie music is intricately woven into the fabric of this silkscreen print. Shepard Fairey's artistic rendering goes beyond mere portraiture; it is a symbolic representation of the era that saw bands like Sonic Youth, The Pixies, and Nirvana reshape the musical landscape, with Mould and Hüsker Dü leading the charge. As a fan who found inspiration in his youth's raw and passionate soundtracks, Fairey's connection to Mold's music informs the artwork's intimate and reverent portrayal. The print is a visual testament to Mould's ongoing relevance, with Fairey highlighting the musician's solo works like "District Line." The piece symbolizes the confluence between street pop art and the visceral energy of the music that often serves as its soundtrack. Fairey's ability to infuse his work with the spirit of the music he admires adds depth to the print, elevating it from a mere collectible to a significant narrative artifact within the canon of street pop art and graffiti artwork. Shepard Fairey's Bob Mould AP Signed Silkscreen Print is not just a confluence of visual art and music but a celebration of the enduring legacy of an artist who has helped shape the sound of a generation. As a street pop art piece, it embodies the rebellious heart of the indie movement. It stands as a testament to the power of art to transcend mediums and become a unifying force for cultural reflection and appreciation. The limited edition nature of the print, coupled with the personal signatures of both Mould and Fairey, cements its status as a collectible piece that captures a pivotal moment in the interplay between music and visual art.

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Disco Ball- Red Blobs Limited Edition Hand-Embellished HPM Archival Pigment Prints on 290gsm Moab Entrada Rag Bright Paper by Adam J O'Day Graffiti Street Artist Modern Pop Art. Disco Ball: Red Blobs • Autographed archival pigment print • Hand-painted unique variant on Moab Entrada Rag Bright 290 GSM archival paper • 24 x 24 inches Hand-painted, signed and numbered by artist Adam J. O'day in a unique limited edition of 5. Adam J. O'Day "Disco Ball: Red Blobs" - Unique Hand-Painted Print - 24 x 24"

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Wu-Tang is for the Children Limited Edition Giclee Print on Fine Art Paper by Jason Naylor counter-culture street artist art.

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Tribute To Sammi Curr 2012 Movie Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Jeremy Wheeler. Lakeridge High October 24th 2012- The Clowns, Black Roses, Holy Moses, Solid Gold, Rockula, Sammi Curr. Band from the horror movie Trick or Treat.

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Cock Sparrer Working Stiffs 2000 San Francisco Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2000 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 35x22.5 Silkscreen Print Band Gig Poster by Frank Kozik Cock Sparrer Working Stiffs 2000 San Francisco silkscreen print by Frank Kozik. Frank Kozik is a well-known graphic artist, especially famous for his concert posters and album covers for various punk, grunge, and rock bands. He has worked with Nirvana, Pearl Jam, The Red Hot Chili Peppers, and many other bands. Cock Sparrer, who are one of the most influential bands from the first wave of British punk in the 1970s.

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Hard: Holy Ship 9- 2017 Music Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Archival Bright White Paper by MFG- Matt Goldman Max Goldman for Holy Ship 2017 Music Festival. Since its inception, MFG- Matt Goldman Creative built the identity and artwork for HARD Fest and all its offshoots, including Holy Ship. We've finally unearthed the entire collection of posters we made together before Gary Richards left Livenation and took me with him. A trip down memory lane, it's fun to see the DJ names jockey for position over the years and also revel in how early HARD was in promoting the careers of some of the biggest DJs today. 18 x 24 inches • Spot Color Offset Print • Fluorescent Turquoise, Sky Blue, Black • Archival Bright White Paper • Limited Edition of 500 • Released 2017 EDM Music Bands: Fatboy Slim , Griz , Claude Vonstroke , Jauz , Maya Jane Coles , Hoy Since 82 , GTA , Gorgon City , Destructo , Getter , Justin Martin , Jack Beats , Felix da Housecat , Mija , AC Slater , DJ Tennis , Slow Magic , Ilovemakonnen , Hannah Wants , Soul Clap , Motez , Chris Lorenzo , Wolf + Lamb , Ookay , Slushii , Herobust , Kayzo , Wax Motif , J. Phlip , Thugfucker , Giraffage , Justin Jay , Rezz , Hucci , Gerd Janson , Oshi , Doorly , Party Favor , Craze , Gina Turner , Kaz James , Chris Lake , Kim Ann Foxman , Bot , Barclay Crenshaw , Mambo Brothers , Kidnap Kid , Horse Meat Disco , Cut Snake , Doc Martin , Will Clarke , Eli & Fur , Stranger , Nick Monaco , Jerry Folk , Oliver , Redlight , Golf Clap , Josh Pan , Newcleus Live , Vincent , Marques Wyatt , Thee Mike B , DJ Soup , Mr Kool Aid , Arthur Baker , Bones , Dateless , Subset , The Interns , Anakim

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Lumineers Deer Guitar Pearlescent White 3-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 30 Artwork Size 18x24 White Pearlescent Metallic Paper

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Moonage Daydream 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey OBEY. 2022 Shepard Fairey Numbered Limited Edition of TBD 18x24 inches. Screenprint on thick cream Speckletone paper. "David Bowie is one of my favorite musicians not only because so many of his songs possess magic, but also because he was creatively fearless and perpetually collaborative. I first discovered David Bowie in 1983 when his Let’s Dance album came out, and its hits like “Let’s Dance,” “China Girl,” and “Modern Love” were getting radio play. I became a die-hard Bowie fan once I picked up Ziggy Stardust and the Spiders From Mars at a flea market a few years later. Ziggy Stardust is one of my favorite albums ever. It makes sense that it was Bowie’s breakthrough album, not just because his newly adopted androgynous glam image was provocative and mesmerizing, but because the songs on the album are incredible! At first, my favorites were obvious rockers like “Suffragette City” and “Ziggy Stardust,” but over the years, folkier songs like “Soul Love” and “Starman” really grew on me. It’s almost impossible to pick a favorite Bowie song from Ziggy Stardust and the Spiders From Mars, much less Bowie’s entire catalog, but if I had to, I’d pick “Moonage Daydream.” It has Mick Ronson’s rocking guitar and also features unexpected instrumentation, including piano, strings, sax, and flute, which makes it both tough and pretty. I love the lyric, “don’t fake it baby… lay the real thing on me,” and all the lyrics have a sci-fi hipster coolness to them. “Moonage Daydream” is powerful, beautiful, hypnotic, hip, and a great indication of Bowie’s vision to push boundaries with his art. For this “Moonage Daydream” print image, I was able to reference outtakes from the Ziggy cover shoot, one of which I thought, with a few artistic liberties taken, could become a great portrait illustration. Bowie was incredibly photogenic, which yielded so many glorious images of him, and makes it a challenge to create a new visage that stands with the rest of his most iconic portraits. It is very meaningful for me to have the opportunity to craft my articulation of one of my favorite artists ever, from possibly the era of his peak creative genius. It is an honor to contribute in a small way to David Bowie’s visual legacy. –Shepard is one of my favorite musicians not only because so many of his songs possess magic, but also because he was creatively fearless and perpetually collaborative. I first discovered David Bowie in 1983 when his Let’s Dance album came out, and its hits like “Let’s Dance,” “China Girl,” and “Modern Love” were getting radio play. I became a die-hard Bowie fan once I picked up Ziggy Stardust and the Spiders From Mars at a flea market a few years later. Ziggy Stardust is one of my favorite albums ever. It makes sense that it was Bowie’s breakthrough album, not just because his newly adopted androgynous glam image was provocative and mesmerizing, but because the songs on the album are incredible! At first, my favorites were obvious rockers like “Suffragette City” and “Ziggy Stardust,” but over the years, folkier songs like “Soul Love” and “Starman” really grew on me. It’s almost impossible to pick a favorite Bowie song from Ziggy Stardust and the Spiders From Mars, much less Bowie’s entire catalog, but if I had to, I’d pick “Moonage Daydream.” It has Mick Ronson’s rocking guitar and also features unexpected instrumentation, including piano, strings, sax, and flute, which makes it both tough and pretty. I love the lyric, “don’t fake it baby… lay the real thing on me,” and all the lyrics have a sci-fi hipster coolness to them. “Moonage Daydream” is powerful, beautiful, hypnotic, hip, and a great indication of Bowie’s vision to push boundaries with his art. For this “Moonage Daydream” print image, I was able to reference outtakes from the Ziggy cover shoot, one of which I thought, with a few artistic liberties taken, could become a great portrait illustration. Bowie was incredibly photogenic, which yielded so many glorious images of him, and makes it a challenge to create a new visage that stands with the rest of his most iconic portraits. It is very meaningful for me to have the opportunity to craft my articulation of one of my favorite artists ever, from possibly the era of his peak creative genius. It is an honor to contribute in a small way to David Bowie’s visual legacy." –Shepard

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-ISMFEST 96 Night 1 Beyond the Criminals Red Max 1996 Lincoln NE Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 600 Artwork Size 22.5x17.5 Silkscreen Print Band Gig Poster by Frank Kozik. Beyond the Criminals Red Max Knickerbocker's, Lincoln, NE 8-15-1996 -ISMFEST '96 Night 1 Beyond the Criminals Red Max Silkscreen Print by Frank Kozik -ISMFEST '96 Night 1 is a hand-pulled silkscreen print by legendary artist Frank Kozik, created for the August 15, 1996, concert featuring Beyond the Criminals and Red Max at Knickerbocker's in Lincoln, Nebraska. Measuring 22.5 x 17.5 inches, this limited-edition print was produced in a numbered edition of 600 and is signed by the artist. Known for his bold, irreverent style, Kozik’s work is a defining example of Street Pop Art and Graffiti Artwork, blending underground music culture with the aesthetics of punk rock and lowbrow art. This gig poster encapsulates Kozik’s signature visual language—an electrifying color palette, exaggerated cartoon imagery, and an unapologetic embrace of counterculture aesthetics. The design features a grinning, intoxicated blue dog with drool dripping from its mouth, attached to a beer tap pouring directly into its tongue. The background bursts with vibrant red and yellow rays, enhancing the chaotic energy of the piece. The typography is oversized and confrontational, drawing inspiration from punk zines and DIY screen printing traditions. Every element in this artwork exudes raw energy, aligning perfectly with the rebellious nature of the underground music scene it represents. Frank Kozik and His Influence on Street Pop Art and Graffiti Artwork Frank Kozik is one of the most influential figures in modern poster art, widely credited with revitalizing the concert poster scene during the late 1980s and 1990s. Originally from Spain and later based in the United States, he began his artistic career creating DIY flyers for punk and alternative bands before evolving into a leading name in silkscreen printmaking. His work often draws from underground comics, psychedelic rock posters, and vintage advertising, merging them with an unfiltered punk ethos. This print exemplifies Kozik’s ability to capture the spirit of a moment in time—ISMFEST '96 was not just another concert, but an event that embodied the underground music culture of the era. The design’s mix of absurdity, humor, and confrontational visuals reflects Kozik’s knack for transforming promotional materials into collectible works of art. His contributions to Street Pop Art and Graffiti Artwork extend far beyond the music scene, influencing everything from contemporary poster design to vinyl toy culture. The Art of Silkscreen Printing in Music Poster Culture Silkscreen printing has played a crucial role in the history of concert posters, particularly within the punk and alternative rock movements. Unlike mass-produced digital prints, silkscreen posters are hand-pulled, meaning each piece carries unique imperfections and variations that add to its authenticity. This technique allows for intense, saturated colors and bold contrasts, which are essential in creating visually striking designs that stand out in a crowded promotional landscape. The printing process involves layering different colors one at a time, requiring precise alignment and expert craftsmanship. In this particular piece, the interplay of neon-like hues and bold black outlines demonstrates Kozik’s mastery of the medium. The thick ink application gives the print a tactile quality, reinforcing the handcrafted nature of the work. These qualities make silkscreen concert posters highly collectible, as they represent not only a historical moment in music but also an artistic achievement in printmaking. Collectibility and Cultural Impact of -ISMFEST '96 Night 1 As a signed and numbered limited-edition print, -ISMFEST '96 Night 1 is a sought-after piece for collectors of Street Pop Art and Graffiti Artwork. Kozik’s posters are revered not only for their visual impact but also for their role in shaping the aesthetics of underground music culture. His work has been featured in galleries and museums worldwide, solidifying its place as an important part of contemporary art history. Concert posters like this one serve as artifacts of a bygone era, where hand-printed promotional materials were essential to the identity of a band or event. Unlike today’s digital flyers and social media advertisements, these posters were tangible, often plastered on city walls or collected by fans as mementos. The humor, rebellion, and rawness embedded in this piece ensure that it remains relevant decades later, resonating with those who appreciate both the artistic craft and the cultural movement it represents. Frank Kozik’s influence extends beyond posters, impacting the worlds of graffiti, pop art, and designer toys. His ability to blur the lines between commercial art and fine art has made his work enduringly popular among both street artists and contemporary art collectors. -ISMFEST '96 Night 1 is a prime example of his legacy—a work that continues to inspire, provoke, and celebrate the unapologetic spirit of underground creativity.

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