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Tetrahedron- Collage Hand Made Mixed Media 4-Color Hand-Pulled Limited Edition Silkscreen HPM Print Embleshed on Fine Art Paper & Newspaper by Pop Artist Sam Chivers. 17.5x17.5 Ed of 24, Each Unique. Layed Newspaper Mixed Media Collage on Silkscreen.

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Give Thanks Original Painting Mixed-Media Acrylic, Pencil & Spray Paint on Found Reclaimed Paper by Erik Otto Graffiti Street Artist Modern Pop Art. 13.5x19.75 Original Mixed Media Painting From Erik Otto Rare Artwork.

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Ophelia Legs #1 Limited Edition Hand-Embellished HPM 1-Color Silkscreen Print on Fine Art Paper by Tavar Zawacki- Above Graffiti Street Artist Modern Pop Art. #1 of 15

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Dalma Archival Pigment Fine Art Limited Edition Print on Hand Deckled 290gsm Moab Entrada Paper by Artist Melissa A Mitchell, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Hand-Deckled 290gsm Moab Entrada Fine Art Paper Artwork Size 12x12 "Dalma," a limited edition print by artist Melissa A. Mitchell, embodies the energetic vibrancy and rebellious spirit characteristic of street pop and graffiti art. With only 35 signed and numbered editions, this exclusive artwork captures the essence of pop art's influence on contemporary street aesthetics. The piece, measuring 12x12 inches, is printed using archival pigment on hand-deckled 290gsm Moab Entrada fine art paper, a medium praised for its premium quality and durability, which ensures the longevity of the artwork. The art of Melissa A. Mitchell is recognized for its riotous color and pattern. This visual feast pulls the observer into a world where traditional boundaries between art forms blur. In "Dalma," one can witness the harmonious chaos typical of street art, with its sharp geometric shapes intersecting with organic patterns, creating a dynamic tension that is both visually striking and thought-provoking. The bold use of color, a hallmark of Mitchell's style, amplifies the artwork's impact, making it a compelling piece that stands out in any collection. This piece does not just hang on the wall; it leaps out, demanding attention and dialogue. It's a celebration of street art's journey from the fringes of urban landscapes to the polished walls of galleries and private collections. The hand-deckled edges of the print serve as a subtle nod to the raw, often improvised nature of graffiti, yet the meticulous process of its creation speaks to the evolved craftsmanship that street art now embodies. Collectors of Mitchell's "Dalma" are not just acquiring a print; they are holding a piece of the narrative that maps the evolution of street art. Each print is a vibrant echo of the pulse of the streets, a statement piece that reflects the energy and ethos of a movement that has shaped and been shaped by the collective cultural consciousness. Through works like "Dalma," Melissa A. Mitchell continues to cement her legacy as a vibrant force in the art world, blurring the lines between the ephemeral nature of street art and the permanence of fine art.

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Out of the Circle Limited Edition 4-Color Hand-Pulled Silkscreen Print on 270gsm Fine Art Paper by Lucy McLauchlan Graffiti Street Artist Modern Pop Art. 4 layer screen print including gloss, matt, and metallic inks. Hand printed in Birmingham with Mission Print, 2018

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Test Print 11 Hand-Pulled 20-Color Silkscreen Print on Mohawk Superfine UltraWhite Paper by Pop Artists Steve Seeley x Curtis Readel Rare Art Artwork. 2019 Original Hand Deckled Test Print Signed By Steve Seeley x Curtis Readel Marked 1/1 Size 18x24 Test Print, 2019 Various POP!NK Artists Includes Steve Seeley and Curtis Readel Various numbers of colors, ranging from 8 up to 20 on Mohawk Superfine UltraWhite, 160 lb cover Deckled Edges 18” x 24” 1 of 1, completely unique signed by Steve Seeley and Curtis Readel; marked 1/1 Printed by POP!NK Editions

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Retro Abstract Geometric Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 45 Artwork Size 10x8

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Be Mine Always Limited Edition Giclee Print on Fine Art Paper by Jason Naylor counter-culture street artist art. Series 1

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Acid Pulse Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Tavar Zawacki- Above pop culture LSD artwork. At the age of 19, Tavar moved to Paris, France, where he started painting his trademark arrow icon pointing 'above'. During the past 19 years, Tavar Zawacki has painted artworks in the streets of over 100 cities in 60 different countries around the world.

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Silver Moon Limited Edition 3-Color Hand-Pulled Silkscreen Print on 290gsm Coventry Rag Vellum by Erik Otto Graffiti Street Artist Modern Pop Art. "Where my mother grew up in Texas, one of the largest employers was NASA, and she was fortunate enough to be present during the Apollo 11 mission that resulted in man's first step on the moon. Through this influence and my early discovery of Carl Sagan, I developed a curiosity for the solar system, the elements that connect us all, and the many symbols different cultures apply to the cosmos. The silver moon concept combines the self-reflective qualities of silver and the healing powers of the moon. Separated marks carefully arranged and suspended within the composition each depict natural elements while producing a suggestive horizon with the moons sitting still in its fullness on a seemingly endless black surface. This piece was created during a time of reinvention within the studio as I committed to producing an all-new body of work exploring the symbolic characteristics of waves and water. " - Erik Otto

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Charlotte Limited Edition Archival Pigment Prints on 290gsm Moab Rag Fine Art Paper by Tavar Zawacki- ABOVE Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Limited edition of 25 Artwork Size 18x18 Archival Pigment Print Artwork. Tavar Zawacki's 'Charlotte': A Contemporary Fusion in Street Pop Art Tavar Zawacki, also known as ABOVE, is a renowned figure in street pop art and graffiti artwork, celebrated for his dynamic use of color and form. The 'Charlotte Limited Edition Archival Pigment Prints on 290gsm Moab Rag Fine Art Paper' is a testament to his ability to transcend the traditional boundaries of street art. Released in 2019, this limited edition of 25 signed and numbered prints demonstrates ABOVE's commitment to precision and his embrace of modern techniques to elevate graffiti art to new levels of sophistication. With its vibrant color palette and hypnotic patterns, this artwork reflects the pulsating energy of the urban environments that street art often comments on. The use of archival pigment on fine art paper ensures that the intensity of the colors and the sharpness of the lines are preserved, capturing the immediacy of graffiti art while providing durability. With each piece 18x18 inches, 'Charlotte' presents a perfect square of intricate design that draws the viewer into a visual exploration of depth and movement. ABOVE's Exploration of Identity Through Prints ABOVE has been a prominent artist on the international street art scene since the late 1990s, known for his distinctive arrow motif and large-scale, multi-layered works. In 'Charlotte,' he moves away from the urban canvas and into fine art prints, bringing the same boldness and dynamism that characterizes his murals. This piece is a part of his artistic evolution, showcasing his exploration of identity through prints. By signing and numbering each print, ABOVE confirms its authenticity and personalizes each work, connecting with collectors on a more intimate level. The title 'Charlotte' may invoke a sense of personification, implying a narrative or identity behind the patterns dominating the visual field. This form of street pop art encourages viewers to ponder the stories and messages that may lie beneath the surface of the engaging aesthetic. It is a hallmark of ABOVE's work to engage the audience in a dialogue, prompting reflection on the urban experience, the layers of communication in public spaces, and the interplay between anonymity and fame within the graffiti art world. The Cultural Significance of Limited Edition Graffiti Artwork The release of limited edition prints like 'Charlotte' within the street pop art and graffiti art genres signifies a cultural shift towards a more enduring form of what is often considered an impermanent art practice. These prints enable the diffusion of graffiti's visual language from the streets to private spaces, allowing a broader audience to engage with and appreciate the art form's unique aesthetic and cultural messages. ABOVE's decision to use archival pigment prints on fine art paper also indicates a movement within street art toward creating works that stand the test of time, both physically and culturally. By employing high-quality materials and printing methods, the artist ensures that the vibrancy and detail of the original work are maintained, providing an artifact that can be preserved and valued for generations. 'Charlotte' by Tavar Zawacki-ABOVE encapsulates the essence of street pop art and graffiti artwork in a form that is both accessible and exclusive. The limited edition print represents a cross-section of ABOVE's artistic journey, embodying street art's energy and spirit while also embodying fine art's precision and permanence. It is a vibrant example of how modern graffiti artists navigate the intersection of street culture and the fine art world, bringing the raw essence of the streets into the curated spaces of art collectors and enthusiasts.

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Unknown Embellished Arrows 2015 Limited Edition Hand-Embellished HPM Silkscreen Print, Paint, Spray Paint, Stencil on Fine Art Paper by Tavar Zawacki- Above Graffiti Street Artist Modern Pop Art. I don't remember the name of this artwork, if you know please contact tme.

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Night of the Falling Flowers- Untitled Limited Edition Hand Pulled Serigraph Print on Fine Art Paper by Artist Yaacov Agam Neo Modern Pop Art.  1990 Signed & Numbered Framed Limited Edition of 200 Artwork Size 23.5x24.5. Not examined out of frame. Matted and framed under acrylic. Framed Dimensions 36.25 X 35 Inches Night of the Falling Flowers by Yaacov Agam in Neo Modern Pop Art Night of the Falling Flowers is a limited edition serigraph print by Yaacov Agam, a pioneering artist in kinetic and optical art. This 1990 signed and numbered piece exemplifies Agam’s innovative approach to visual perception, movement, and transformation. The work is framed under acrylic, adding depth and a dynamic interplay of colors and patterns. Agam's unique visual language has made a significant impact on street pop art and graffiti artwork, influencing artists who seek to engage viewers through shifting perspectives and optical effects. Optical Movement and Visual Illusion in Pop Art Agam’s serigraphs are known for their intricate layering of geometric shapes, lines, and color gradients that appear to shift when viewed from different angles. Night of the Falling Flowers incorporates bold, rhythmic elements that move across the visual plane, a characteristic that resonates with the kinetic aspects of urban and street pop art. The overlapping circular forms and vertical striped patterns contribute to an illusion of continuous transformation, making the artwork a prime example of Agam’s mastery of perception-based art. His work shares visual connections with modern graffiti and street pop art, where artists integrate similar illusions using spray paint, stencils, and digital projection techniques. The dynamic forms in Agam’s prints inspire contemporary urban murals that incorporate interactive, multi-dimensional perspectives that change depending on the viewer’s movement. The Influence of Yaacov Agam on Contemporary Street Pop Art Yaacov Agam’s work has deeply influenced public art installations, urban murals, and graffiti-inspired digital projections. His approach to creating art that requires active participation from the audience has inspired interactive public murals, where shifting angles reveal hidden messages or new color patterns. The layering of lines, geometric distortions, and bold color contrasts in Agam’s serigraphs have become defining characteristics in contemporary street pop art and graffiti artwork. The principles behind Agam’s optical techniques can be seen in large-scale urban art installations and modern pop art compositions, where artists use lenticular designs, 3D mural techniques, and motion-activated digital panels to create a constantly changing visual experience. These methods align with Agam’s philosophy that art should never be static, instead existing in a continuous state of transformation. Collectibility and Significance in Pop Art and Graffiti-Inspired Fine Art Night of the Falling Flowers is a highly sought-after limited edition serigraph that represents the fusion of traditional printmaking with modern optical techniques. The meticulous layering process involved in hand-pulled serigraphy aligns with the craftsmanship seen in fine art prints, graffiti stencil works, and screen-printed urban murals. The limited edition of 200 enhances its value, making it a significant collector’s piece for those who appreciate neo-modern pop art and kinetic visual experiences. Agam’s work continues to inspire a new generation of graffiti artists, street pop visionaries, and optical designers, bridging the worlds of classical abstraction and urban artistic expression. His influence is evident in contemporary movements that emphasize motion, interactivity, and the dynamic relationship between the viewer and the artwork.

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Abstract Circles- Orange Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed Limited Edition Artwork Size 5.25x7.5 Interplay of Color Form Artistic Process and Technique Duval's exploration of circular motifs in this piece is a dance of color and shape that draws the viewer into a rhythmic pattern of overlapping forms. Using orange in varying shades and intensities against a vibrant yellow background creates a sense of depth and movement. This print exemplifies the essence of Street Pop Art and graffiti Artwork, where simplicity in design meets complexity in thought, inviting the viewer to find meaning in the abstract. The hand-pulled silkscreen process used by Duval for "Abstract Circles- Orange" is a meticulous and hands-on approach that echoes the tradition of printmaking in Pop Art. Using a limited palette, the deliberate choice of two colors showcases Duval's mastery of creating a rich visual experience. The layering of transparent and opaque inks allows each circle to stand out while blending with others, creating a dynamic interplay between foreground and background. Impact on Contemporary Art "Abstract Circles- Orange" is not just a representation of Duval's artistic capabilities but also a reflection of the wider movement in contemporary art that sees the convergence of pop art sensibilities with the raw appeal of street art. With its limited edition status, this artwork has become a coveted piece for collectors and enthusiasts who value the intersection of street-inspired boldness and pop art's playfulness. In the narrative of modern art, Nate Duval's "Abstract Circles- Orange" is a vibrant testament to the enduring allure of Pop Art and its capacity to evolve and resonate within the urban fabric of Street Pop Art and graffiti Artwork. This piece embodies the energy and passion that drives contemporary artistic expression, offering a moment of visual delight that is both immediate and enduring.

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Obscure Art Book Tagged by Zes Zeser x The Seventh Letter Rare Limited Edition Modern Pop Graffiti Urban Culture Artworks Reference. 2014 Tagged Across Cover Signed Limited Edition of 2000 Book Size 9.5x6.5 Number of Pages 121 of Zes aka Zaser Graffiti Art & Artworks. This hardcover edition features white boards with a distinctive black circle on both the front and back covers, complemented by black lettering along the spine. The book is unpaginated, containing 121 pages filled with full-page black and white photographic images by Zes. Obscure Art Book Tagged by Zes Zeser: A Rare Limited Edition in Modern Pop Graffiti Art The Obscure art book by Zes, also known as Zeser, is a rare and highly sought-after limited edition publication that showcases the raw and immersive world of modern pop graffiti artwork. Limited to just 2000 copies, this hardcover book encapsulates the essence of urban culture through 121 pages of compelling black and white photography. The book serves as a crucial reference for enthusiasts of street pop art and graffiti artwork, offering an authentic glimpse into the artistic vision of one of Los Angeles' most influential graffiti artists. Design and Aesthetic of the Limited Edition This 2014 limited edition features a minimalist yet striking design. The hardcover is adorned with white boards contrasted by a bold black circle on both the front and back covers, lending a stark and impactful visual identity. The spine carries black lettering that simply states "Obscure," encapsulating the enigmatic nature of the content within. The book measures 9.5 x 6.5 inches, a compact but substantial format that allows for an intimate viewing experience of Zes' photography and artistic expressions. A particularly notable aspect of this edition is the hand-tagged cover, making each copy unique. Zes, a figure deeply rooted in Los Angeles' street pop art and graffiti artwork movement, has left his signature mark across the cover, enhancing its value as a collector’s piece. This tagging reinforces the authenticity of the book as a product of the graffiti subculture, where signatures and tags are a fundamental form of artistic identity. Exploring the Depth of Street Pop Art and Graffiti Artwork The content of Obscure is presented without pagination, allowing the viewer to immerse themselves fully in the visual narrative created by Zes. The book is composed entirely of full-page black and white photographic images, capturing moments from the urban environment through the lens of a graffiti artist. The monochrome aesthetic amplifies the raw energy of the streets, portraying the grit, dynamism, and rebellion inherent in graffiti culture. Zes, a Los Angeles native, has been an active figure in graffiti since the 1990s. His work often explores themes of movement, space, and identity, reflecting the transient and often ephemeral nature of street art. Unlike traditional gallery works, graffiti is inherently impermanent, subject to removal, destruction, or layering by other artists. This book serves as a crucial documentation of Zes' work, preserving moments that might otherwise be lost to time. The Significance of Obscure in Urban Art Culture Obscure stands as more than just a photobook; it is a historical artifact of a significant era in street pop art and graffiti artwork. With mainstream art institutions increasingly recognizing the legitimacy of graffiti as a powerful form of contemporary expression, works like this book provide essential documentation of artists who shaped the culture from the ground up. The book captures the tension between creation and destruction, anonymity and recognition, which are defining elements of the graffiti world. For collectors, urban art enthusiasts, and scholars studying street pop art and graffiti artwork, this book is an essential reference. The fact that it is a limited edition, hand-tagged by the artist, only increases its rarity and desirability. Zes' work continues to influence and inspire a new generation of artists who navigate the evolving landscape of urban expression, making Obscure an invaluable piece of graffiti history.

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Star Skull- Kickstarter Limited Edition Giclee Print on Fine Art Paper by Ron English- POPaganda counter-culture street artist art. 2015 Signed & Numbered Limited Kickstarter Bonus Exclusive Edition of 50 Artwork Size 16x16 Ron English- POPaganda's Artistic Impact The "Star Skull" giclee print by Ron English- POPaganda presents a captivating fusion of street pop art and graffiti artwork, emblematic of the counter-culture ethos the artist is renowned for. As a Kickstarter limited edition release in 2015, this piece showcases English's signature blend of high-concept visual art with subversive overtones rendered on fine art paper. Ron English- POPaganda is a prolific and quintessential figure in contemporary art, mainly known for his role in the subversive street art movement. His works often incorporate a mash-up of high and low cultural touchstones, ranging from superhero mythology to totems of art history, recontextualized in a modern narrative. English's "Star Skull" is no exception; the artwork is a complex visual statement that dives deep into the themes of mortality and the omnipresence of pop culture. The skull, an enduring symbol in art history, is transformed through English's lens into a vibrant, iridescent object that captures the gaze with its haunting beauty. The star emblazoned across the skull's cranium starkly contrasts the naturalistic rendering of the bone structure. This juxtaposition speaks to the artist's fascination with American iconography and the often superficial allure of fame and materialism. Significance in Street Art and Pop Art This limited edition print, sized at 16x16 inches, is particularly significant as it was offered as a Kickstarter bonus exclusive, reflecting the changing landscape of how art is funded and consumed. The exclusivity of the edition, limited to only 50 signed and numbered prints, increases its collectibility and underlines the personalized connection Ron English- POPaganda fosters with his audience. "Star Skull" embodies the essence of street pop art in its accessibility and the DIY ethos of graffiti art culture. The medium of giclee print, known for its ability to faithfully reproduce the color and detail of original artworks, is ideally suited to English's vibrant palette and meticulous detail. Collectors of English's work appreciate the aesthetic and thematic richness of his art and the value of owning a piece that is part of a limited run, signifying its rarity and the artist's direct touch. The Collectible Nature of "Star Skull" The piece's presence in the art market as a Kickstarter exclusive highlights the changing dynamics of art patronage, with more direct artist-audience relationships and alternative platforms for art distribution. English's decision to release "Star Skull" through Kickstarter signifies his embrace of contemporary methods for engaging with the art community, democratizing the art acquisition process. In the context of modern art, "Star Skull" stands as a testament to the enduring relevance of street pop art and graffiti artwork. It encapsulates the immediacy and confrontation found in street art with the conceptual depth and polished finish that fine art printmaking affords. As such, it is a visually striking piece and a significant artifact of contemporary art history, marking the intersection of traditional art forms with the insurgent spirit of street art. In summary, Ron English- POPaganda's "Star Skull" Kickstarter limited edition giclee print is a vivid example of the potent dialogue between street pop art and graffiti artwork and the counter-culture narrative that English is celebrated for. Through this piece, English continues to challenge viewers with his blend of the familiar and the extraordinary, cementing his role as a pivotal figure in the narrative of contemporary art.

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Heart Origin Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori. 2014 Signed & Numbered LIMITED EDITION PRINT HEART ORIGIN 5 x 6 inches (12.7 x 15.2 cm) High-Quality Giclee Print on 100% Cotton Rag Fine Art Paper Signed and Numbered Edition of 50

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A Swan Amongst Ducks Limited Edition Archival Pigment Prints on Moab Fine Art Paper by Aaron Nagel Graffiti Street Artist Modern Pop Art. A SWAN AMONG DUCKS [2009] 26 x 21 Giclée Print on Archival Paper Signed & numbered limited edition of 20

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Arrow Pulse Summer Original Hand-Painted Multiple Mixed-Media on Laser Cut Wood Panel ready to hang by Tavar Zawacki (Above) Graffiti Street Artist Modern Pop Art. "The Arrow Pulse was one of the many popular designs I made for my recent solo exhibition, Remix in Detroit. I decided to make a smaller-sized edition (5) of the Arrow Pulse arrows as this design is a popular and iconic style of the arrow.I had designed the cut files on my computer with Adobe Illustrator, then had them laser cut to ensure their perfection and unison in shape. After the cuts were made I individually removed each pulse and assigned it a specific color. What you see in the finished piece is a colorfully, composed wooden arrow pulse." - Above

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Jahbreaker Brightmare SuperJanky Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Alex Pardee. 2021 8" Limited Run by Alex Pardee x Superplastic Horror Scary Fine Art Toy New in Box Exploring the Eerie and Eclectic with Alex Pardee's Jahbreaker Brightmare SuperJanky The Jahbreaker Brightmare SuperJanky is a formidable figure in the world of collectible vinyl art toys, epitomizing the cross-section where horror meets street pop art. Alex Pardee, an American artist known for his unique blend of brightly colored, often grotesque and horror-inspired artwork, collaborated with Superplastic in 2021 to create this limited run, 8-inch figure that fuses the playful and the petrifying in a way that resonates deeply with contemporary art enthusiasts. Alex Pardee: Bridging Art Genres and Aesthetic Boundaries Alex Pardee's foray into the art toy industry with the creation of Jahbreaker Brightmare represents a significant evolution of street pop art and graffiti artwork into three-dimensional forms. Known for his distinctive style that often incorporates elements of the absurd and macabre, Pardee's work is instantly recognizable. His fine art toys, like the Jahbreaker Brightmare, are no exception, serving as a physical manifestation of his vision that challenges and expands the boundaries of conventional street art. The Jahbreaker is a figure that stands out for its paradoxical design: a seemingly innocent form decorated with bright, polka-dot patterns that clash with the horror evoked by its exaggerated monstrous features. This juxtaposition is a hallmark of Pardee's approach to art, where horror elements are not hidden in shadows but are brought into the glaring light, dressed in vibrancy. It is a loud, unapologetic celebration of the bizarre and a commentary on the nature of fear and the unexpected places it can surface. Collectible Art Toys as a Medium of Street Pop Art Expression The emergence of art toys as a legitimate medium in the street pop art scene marks a significant shift in how art is consumed and appreciated. Collectible figures like the Jahbreaker Brightmare SuperJanky are not only admired for their aesthetic and craftsmanship but also for their ability to capture the essence of street art in a form that is both accessible and interactive. These objects transcend the static nature of two-dimensional works, inviting engagement and personal interpretation in ways that traditional graffiti artwork cannot. As a new in box item, the Jahbreaker retains a sense of untouched potential, a collectible that is both an art piece and a commodity, reflecting the dual nature of street art's underground roots and its contemporary mainstream appeal. Pardee's collaboration with Superplastic on this limited edition toy underscores the growing trend of street artists partnering with brands to reach wider audiences, while still maintaining the authenticity and edge that defines the spirit of street pop art. The Jahbreaker Brightmare SuperJanky by Alex Pardee is a compelling piece that stands at the intersection of horror, street pop art, and collectible culture. It embodies the tension between the playful and the terrifying, between commercial appeal and artistic integrity. This vinyl art toy is not only a testament to Pardee's vision but also to the evolving landscape of street art, where the canvas is no longer just a wall, but any object that can bear the weight of an artist's message.

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Rise Above Limited Edition Hand Pulled 4-Color Serigraph Print on 250 gsm Bright White Stonehenge paper by Erik Otto Graffiti Street Artist Modern Pop Art. Signed 2019 Rise Above 4-color serigraph 16 x 20 in. 250 gsm Stonehenge paper in Bright White Signed edition of 100

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Metamorphosis Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Tavar Zawacki- Above pop culture LSD artwork. At the age of 19, Tavar moved to Paris, France, where he started painting his trademark arrow icon pointing 'above'. During the past 19 years, Tavar Zawacki has painted artworks in the streets of over 100 cities in 60 different countries around the world.

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Unyielding Metal Street Sign Limited Edition 2-Color Silkscreen Print on Street Sign Material Graffiti Modern Pop Art by Artist Shepard Fairey x Beyond The Streets. 2020 Metal Reflective Street Sign With Attached Signed COA Edition of 350 Size 33x33 Shepard Fairey X Beyond the Streets Unyielding, 2020 3M5100 Reflective on aluminum 33 inches (83.8 cm) Ed. 258/350 Signed and numbered in pencil to COA on reverse Produced by Obey Giant and Beyond the Streets, Los Angeles

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August Limited Edition Archival Pigment Prints on 290gsm Moab Rag Fine Art Paper by Tavar Zawacki- ABOVE Graffiti Street Artist Modern Pop Art. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 17x17 "August…Maybe…TOTALLY is my favorite month of the year! What’s not to love about August?! Born + raised in California, but having spent the majority of my adult life living in Europe, August to me is almost always spent at the beach, regardless of where I am in the world.My associations with August are certainly ocean-related. Surfing, sunbathing, margaritas, friends, swimming, and just an overall relaxed attitude about anything + everything. This upcoming print, I feel captures these aforementioned charms of my favorite month." - Tavar Zawacki "August Limited Edition" archival pigment prints are the artistic embodiment of Tavar Zawacki's, also known as ABOVE, affection for the peak summer month, reflecting a blend of his Californian roots and European experiences. This collection, signed and marked as Printer's Proof (PP) in 2019, is represented on a 290gsm Moab Rag Fine Art Paper, with each piece sizing up to an impactful 17x17 inches. The prints resonate with Zawacki's connections to August, encapsulating the essence of coastal bliss, surf culture, and the unhurried vibe that characterizes the month for him. Zawacki's work is often characterized by vibrant, bold colors and dynamic geometric shapes, engaging with the viewer through a visual language of movement and fluidity, mirroring the ebbs and flows of ocean waves and the rhythmic patterns of summer winds. The limited edition prints present an abstract design that brings to mind the sun's reflections on the ocean's surface, the streaks of blues and yellows creating a dance of light and color that evoke the joyful serenity of a day at the beach. His description of the print aligns perfectly with his vision of August: a time for leisure, outdoor activities, and creating memories with friends under the sun. As a renowned figure in modern pop art and street art, ABOVE has garnered international recognition for his distinct style that traverses the line between the street and the gallery. His "August" series is a testament to his ability to channel his street art sensibilities into fine art prints that capture the spontaneous energy of graffiti art while also offering a polished aesthetic suitable for contemporary art collectors. Through these prints, ABOVE shares his ode to summer's zenith, inviting art enthusiasts to delve into the warm and carefree ambiance that, for him, August so perfectly encapsulates.

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Sedation of Millions AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Number 3 in A Gun Target Retnial With Phrase "IT TAKES THE SEDATION OF MILLIONS TO HOLD US BACK." "The "Sedation Of Millions" print is inspired by the title of my favorite Public Enemy album, "It Takes A Nation Of Millions To Hold Us Back." I think the biggest problem in America is the indifference and complacency about important issues that result from much of the population being perpetually hypnotized by conspicuous consumption, social media, entertainment, and self-medication. Using sedation and escapism for relief from the rat race might make us less aware(blissfully ignorant) but also less empowered to improve our role within the rat race… a vicious cycle of cause and effect." -Shepard Fairey The "Millions AP" silkscreen print by Shepard Fairey stands as a profound commentary on contemporary society through the lens of street pop art and graffiti artwork. As an Artist Proof from 2012, signed and marked by Fairey himself, this limited edition piece presents a powerful visual fused with a direct message characteristic of Fairey's thought-provoking style. Sized at 18x24, the print features the image of a gun target retinal, the number 3 prominently placed at its center, overlaid with the bold phrase "IT TAKES THE SEDATION OF MILLIONS TO HOLD US BACK." This artwork resonates with Fairey's ongoing exploration of control, power, and propaganda. The title and the thematic content pay homage to Public Enemy's album "It Takes A Nation Of Millions To Hold Us Back," channeling the spirit of resistance and the power of voice emblematic of the influential hip-hop group. Fairey's work challenges the viewer to consider the societal implications of complacency and the sedative effects of consumer culture, social media, and entertainment that contribute to a collective indifference toward critical issues. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, consistently blurs the lines between fine art and street art, bringing forth discussions that encapsulate the ethos of both genres. The "Millions AP" silkscreen print serves not just as a piece of art but as a call to consciousness, urging a break from the "blissful ignorance" induced by escapism and advocating for empowerment through awareness and action. This work is a visual manifestation of Fairey's critique on the cyclical nature of societal sedation and the importance of awakening from it to enact change within the systems that govern daily life. In the broader scope of street pop art and graffiti, Fairey's "Millions AP" print encapsulates the essence of the medium's capacity to reflect and impact cultural dialogue. It is a testament to the potential of visual art as a medium for social commentary and a marker of the time in which it was created.

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Kawz Opn Heart Limited Edition Giclee Print on Fine Art Paper by Jason Naylor counter-culture street artist art. Number 1 of 15.

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Rainbow Pulse Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Above- Tavar Zawacki, Street Pop Art Graffiti Legend. Archival Pigment Print on 290gsm Moab Rag Fine Art Paper Size: 18 x 18 Inches Release: March 22, 2019

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Tunnel Vision Version 2- Alternate Gold Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey Rare Street Art Limited Edition Artwork. 2018 Signed by Shepard Fairey & Numbered Limited Edition of 700 Artwork Size 18x24 Shepard Fairey (b. 1970) Tunnel Vision 2018 Screenprints in colors on speckled cream paper 18 x 24 inches (45.7 x 61 cm) Ed700 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. Tunnel Vision Version 2 Gold Silkscreen Print is a limited-edition artwork created by American contemporary street artist Shepard Fairey, who is best known for his OBEY Giant campaign and the iconic Barack Obama "Hope" poster. Fairey's work often combines street art aesthetics with political messages, drawing inspiration from graphic design, propaganda, and counterculture. The Tunnel Vision Version 2 - Gold Silkscreen Print features an eye-catching design with Fairey's signature style. The print showcases a mixture of geometric patterns, bold lines, and contrasting colors, with the blue colorway offering an alternative to the original print. Like many of Fairey's works, the piece has a thought-provoking theme that encourages the viewer to question societal norms and the status quo. As a silkscreen print, the artwork is produced using a stencil-based printing process that involves applying ink through a mesh screen onto a substrate. This method allows for vibrant colors and sharp, precise details, making it a popular choice for artists and printmakers. Since it is a limited-edition print, collectors and fans of Shepard Fairey's work should act quickly to secure a copy before they sell out.

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Cut The Record- MF Doom Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Tavar Zawacki- ABOVE Graffiti Street Artist Modern Pop Art. "The 'Cut The Record' series was made solely for this release and was part of my most recent exhibition Remix. This was a very personal series for me, as I selected 10 of my favorite musicians to portray and Remix. All of the 10 musicians I selected to make for this series are personal favorites of mine. Music I actually listen to on a day-to-day basis. For my exhibition, I kinda tweaked the meaning of Remix to fit the swapping and sampling of different, but similar pieces of woodcuts I had made on the pieces. With the 10 musicians, I selected for the 'Cut The Record series each have either had their music remixed and or remix music themselves. -Above

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Supply and Demand Red AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2006 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Obey Giant Star Andre The Giant Logo on Wreath Like Badge With Obey & Dollar Sign. Shepard Fairey, renowned for his unique blend of pop, street, and graffiti art, introduced the "Supply and Demand Red AP" in 2004, marking another powerful testament to his iconic artistic endeavors. This piece showcases a meticulous hand-pulled screen print on fine art paper, demonstrating Fairey's commitment to craft and detail. Artist Proofs, often abbreviated as AP, are unique versions of limited edition prints used primarily for the artist's collection or close associates. This silkscreen print is embossed with the coveted AP mark, signifying its rarity and distinction from the general run. Deeply embedded within this artwork is Fairey's emblematic Obey Giant Star, a symbol that traces back to his earliest days in the art scene. The emblem, inspired by the visage of Andre the Giant, has, over time, become a potent image in contemporary art. Set against the backdrop of a wreath-like badge, this motif gains prominence. The art is interspersed with other powerful symbols - the commanding word "Obey" and the omnipresent dollar sign. These elements together provide commentary on societal obedience, consumer culture, and the intersections of power, propaganda, and capital. Fairey's works often delve into these thematic explorations, prompting viewers to engage with their surroundings critically. Celebrated globally, Shepard Fairey's prints, minimal editions like "Supply and Demand Red AP," continue to captivate audiences. They not only signify the pulsating energy of street art but also underscore the potential of this medium to invoke reflection, dialogue, and change. This silkscreen print stands as an epitome of Fairey's transformative journey, from street corners to revered gallery spaces.

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Untitled 101 Silkscreen Print by Dalek- James Marshall Hand-Pulled 38-Color on 320gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Limited Edition of 50 Artwork Size 26x26 Abstract Silkscreen Print Exploring the Geometric Dynamism of James Marshall's Silkscreen Art James Marshall, widely recognized by his moniker Dalek, channels the spirit of street pop art and graffiti artwork through his visually arresting silkscreen prints. One such piece, known for its intricate geometric patterns and bold color play, captures the essence of movement and depth often associated with urban street art's kinetic energy. The piece, while untitled, speaks volumes through its complex interlocking shapes and the vibrant contrast of blues and greens, making it a compelling example of contemporary pop art. Marshall's work in this realm showcases a sophisticated understanding of color theory and spatial dynamics, employed to create a sense of three-dimensional space on a two-dimensional plane. His silkscreen prints do not merely represent the urban aesthetic; they reimagine it, presenting a fusion of precise technique and the unpredictable nature of street art. The result is a body of work that resonates with graffiti's vibrancy and pop art's polished finish. James Marshall's Contribution to Street Pop Art and Graffiti Aesthetics The aesthetic contributions of James Marshall to the street pop art and graffiti movement are marked by his signature style, which combines elements of both genres to produce something unique. His prints, characterized by an almost digital precision, are reminiscent of the meticulous stenciling techniques found in graffiti while drawing on pop art's clean, impactful design. This blend of styles has allowed Marshall to carve out a distinctive niche within the art world, bridging the gap between street-level expression and high art. Marshall's art is not confined to the walls of galleries; it encapsulates the essence of street art by bringing the same sense of accessibility and public engagement to the viewer. Through his prints, he democratizes art, making it available to a broader audience, much like street art's public presence allows for an uninhibited consumption and interpretation by the masses. In summary, James Marshall's untitled silkscreen print is a testament to the dynamic and evolving world of street pop art and graffiti artwork. His unique fusion of geometric precision and bold coloration exemplifies the innovative potential of street-inspired art to captivate and engage, transcending the boundaries between the street and the gallery. Through his work, Marshall continues contributing to the dialogue surrounding contemporary art, challenging perceptions and inspiring new ways of seeing.

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Element- 02 Limited Edition 2-Color Hand-Pulled Silkscreen Print on 110 lb printmaking paper by Erik Otto Graffiti Street Artist Modern Pop Art. 2-color screenprint 12X12 (diamond orientation) 110 lb printmaking paper Signed edition of 50

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Grace- Euphrosyne 12-Color Glitter Embellished Hand-Pulled Limited Edition Serigraph Print on Thick Fine Art Paper by Romero Britto Rare Famous Pop Artwork Artist. 2006 Signed & Numbered Limited Edition of 180 Glitter Artwork Size 18x18 Small Bump Nic To Right Facing Eye Inner Outline Woman, hand glittered edition of 180, 2006 printed at Published by Britto Central Inc, Image 14" Circle

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This Way Up Orange Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glosse Arrow Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x6 Marker Tagged on Mail Service Up Arrow Label Sticker. Exact Sticker May Slightly Vary From Image. Signature Styles and Symbolism within the Graffiti Movement Street Pop Art and Graffiti Artwork have evolved into prominent visual languages of urban culture, often conveying potent messages of social and political dissent. Within this context, the original tag art by the American graffiti artist Saber, precisely his "This Way Up Orange Slap-Up Label Sticker," epitomizes the dynamic intersection between everyday materials and artistic expression. Known for his influential role in the graffiti community, Saber, whose real name is Ryan Weston Shook, has crafted an impactful career that extends beyond the streets and into the gallery spaces. Saber's work on the "This Way Up Orange Slap-Up Label Sticker" is a testament to street art's raw energy and spontaneity. Using a familiar mailing gloss arrow sticker as his canvas, Saber transforms an object of mundane utility into a vibrant piece of art. The choice of material is not incidental; it speaks to the graffiti tradition of appropriating public spaces and objects for personal expression. Typically signifying direction and purpose, the arrow is recontextualized here to direct attention to the overlooked surfaces of urban environments that become the graffiti artist's domain. The bold use of orange and the confident strokes of the marker creates a striking contrast, emphasizing the piece's visual impact. Saber's gestural lines, layered and overlapping, defy the simplicity of the sticker's original purpose. This interplay of color and form is characteristic of Street Pop Art, where the vibrancy of popular culture is distilled into visual snippets that capture the viewer's attention. The year 2020, when this piece was created, saw a resurgence in graffiti art's relevance, mirroring a time of social upheaval and the search for new means of expression. Saber's "This Way Up Orange Slap-Up Label Sticker" aligns with the historical ethos of graffiti as a form of resistance and identity. By signing the artwork, the artist asserts ownership and authenticity, a bold claim in the often anonymous world of street art. Graffiti Artwork, traditionally seen as vandalism, has gained recognition in the art world, blurring the lines between high art and street culture. Saber's work, much like that of his predecessors and contemporaries, challenges preconceived notions of what constitutes art and who is deemed an artist. The permanence of the marker on the gloss arrow sticker symbolizes the lasting impact of graffiti culture, an indelible mark on the face of contemporary art history. The "This Way Up Orange Slap-Up Label Sticker" by Saber is more than a mere piece of original permanent marker art. It reflects the artist's American heritage, a snapshot of the year 2020, and a bold statement within the Street Pop Art and Graffiti Artwork movement. Saber, who remains a pivotal figure in the graffiti world, continues to inspire and provoke, ensuring that his art remains a part of the urban landscape as the streets themselves.

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Infectious Substance Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Biohazard Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker. Slap Up In Perfect Condition. Reframing Perception through Street Pop Art Street pop art and graffiti artwork, characterized by their vibrant immediacy and cultural resonance, have a way of capturing the zeitgeist of the era in which they were born. The "Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker" series by graffiti artist Saber, whose real name is Ryan Weston Shook, exemplifies this phenomenon. With his 2020 collection of signed original slap-up graffiti art tags, Saber converges the world of hazardous material warnings with the rebellious spirit of street art. Each 4x4 marker-tagged piece carries his unique interpretation, transforming the ominous implications of the bio-hazard symbol into a canvas that speaks to the broader impact of what is genuinely infectious in our societies. Saber's Artistic Intervention on Bio-Hazard Symbols Saber's choice of the bio-hazard label as a substrate for his art is particularly telling. The symbol, designed to alert to dangerous pathogens, is recontextualized in his work to question the infectious nature of ideas, the virulence of art, and the power of expression to permeate and affect the public psyche. The contagious substance label, meant to protect by warning, is overlaid with Saber's tags that neither obscure the message nor dilute its significance. Instead, they add a layer of meaning, an artist's signature that challenges the viewer to question the boundaries between safety, censorship, public health, and public discourse. Modern Street Artwork as Social Commentary In modern street artwork, Saber's creations are a powerful testament to the artist's role as a social commentator. His work on the Uline S-180 stickers is a visual metaphor for 2020, a period marked by global health crises and a heightened awareness of biological hazards. By tagging these stickers, Saber connects the dots between the literal infectious agents the labels warn against and the metaphorical contagion of fear, misinformation, and societal unrest that characterized the year. The permanence of the marker on the glossy sticker mirrors the lasting impact of the year's events on the collective consciousness, ensuring that while the hazards may be contained, the dialogue they incite is not. In every line and color choice, Saber's art on the bio-hazard stickers demands engagement and reflects the unyielding nature of Street Pop Art and Graffiti Artwork. As a documented figure in the graffiti community, Saber's American roots and contributions continue to shape the conversation around the power of street art to reframe our perception of the symbols that dominate our public spaces. Each tag is a deliberate reclamation, a declaration that even the most exemplary of symbols can become a medium for enduring artistic expression.

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42 Print Hand-Pulled 42-ScreenLimited Edition Silkscreen Print on Fine Art Paper by Sam Chivers Rare Street Art Famous Pop Artwork Artist. '42' hand-pulled screen print by Sam Chivers. Measures A2, 42cm x 59.4cm. Signed and numbered by the artist. Edition of 42.

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Piano Concerto 1 Limited Edition Graffiti Artwork Off-Set Screen Print on Thin Glossy Art Paper by Street Artist Crash- John Matos. 2021 Signed & Numbered Limited Edition of 35 Artwork Size 16x20 The artwork titled "Piano Concerto 1" is a limited edition piece by the renowned street artist Crash, whose real name is John Matos. It's a dynamic example of how graffiti transcends the street context, entering the realm of fine art with boldness and authenticity. Created in 2021, this piece is part of an exclusive series, with only 35 signed and numbered editions, making each print a coveted item for collectors. The artwork size is 16x20 inches, a substantial format that allows the intricate details and vibrant colors to stand out, encapsulating the viewer in its visual rhythm. Crafted with off-set screen printing on thin glossy art paper, the piece reflects Crash's roots in the subway graffiti movement of New York City in the early 1970s. His work is characterized by a mastery of color and shape, bringing together the raw energy of the streets with the precision and skill of a classically trained artist. In "Piano Concerto 1," the influence of pop art is evident, with the inclusion of comic-strip motifs and bright, contrasting colors that pop against the glossy finish of the paper. Each print from the series showcases the unique blend of abstract and figurative elements that Crash is known for. What's particularly striking about this piece is the sense of movement conveyed through the composition — a symphonic burst akin to the musical crescendo of a piano concerto, hence the title. There's a playful yet deliberate layering of elements, from the cartoon-like hands to the splatters and drips, which creates an almost three-dimensional effect. This work is not just a static image; it captures the liveliness and improvisation central to street art and musical performances. "Piano Concerto 1" stands as a representation of how graffiti art continues to influence and be a significant part of the contemporary art scene. It demonstrates how artists like Crash can navigate street and studio spaces, creating works that resonate with a broad audience and contribute to the ever-evolving narrative of urban art culture.

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Arrows #6 Limited Edition Hand-Embellished HPM Archival Pigment Prints & Spray Paint on Fine Art Paper by Tavar Zawacki- Above Graffiti Street Artist Modern Pop Art.

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Burrard Arts Foundation BAF 2014 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Erik Otto Rare Street Art Famous Pop Artwork Artist. For the inaugural 2014 BAF Gallery exhibition, Erik Otto chose to create a site-specific installation accompanied by a limited edition screenprint series on paper. The exhibition, both serious and playful in nature, was ripe with imagery that explored the idea of looking inward, and the realization that follows.

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20 Years of Above Funny Farm Giclee Print by Tavar Zawacki- Above Artwork Limited Edition  Print on Hahnemuhle Fine Art Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 291 Artwork Size 20x20. Fine Art Archival Pigment Printing (Giclée) on Hahnemuhle, Cotton, Natural White 270gr. Acid-free + Archival. Proudly printed with Kilford Studio here in Lisbon, Portugal. "In 2013 I painted the large, ABOVE arrow on this barn in Canada. Last month in Sweden, I painted this Target. These two styles of artwork bridge my past style of ABOVE with my current style of, PAPEL. It’s funny to think of the arrow hitting the target and the connection between the two artworks. The set of prints illustrates the journey of my past and present styles over the past 20 years." -Tavar Zawacki- Above 20 Years of Above Funny Farm Giclée Print by Tavar Zawacki 20 Years of Above Funny Farm is a 2022 giclée print by Tavar Zawacki, also known as ABOVE, commemorating two decades of his iconic arrow-based visual language. This signed and numbered limited edition of 291 measures 20 x 20 inches and is produced using fine art archival pigment printing on Hahnemühle cotton paper. Printed on natural white, 270gsm, acid-free paper by Kilford Studio in Lisbon, Portugal, the work reflects both technical precision and long-term archival quality. The ABOVE Arrow, Place, and Personal History The image documents a large-scale barn painting created by Zawacki in Canada in 2013, featuring his instantly recognizable upward-pointing arrow filled with layered color bands and the word “ABOVE” at its center. The arrow functions as both a graphic symbol and a personal signature, representing optimism, direction, and elevation. The setting—a rural barn often referred to as the “Funny Farm”—adds a sense of humor and humility, contrasting monumental symbolism with an everyday structure. The presence of the artist seated atop the roof reinforces themes of risk, freedom, and authorship within the physical act of street art. Evolution of Style and Collector Significance This print is part of a conceptual pairing that bridges Zawacki’s earlier ABOVE identity with his more recent PAPEL work, reflecting an evolution from bold, graphic street interventions toward more refined, geometric abstraction. As Zawacki notes, the arrow imagery metaphorically “hits the target,” connecting past and present across a 20-year artistic journey. For collectors, 20 Years of Above Funny Farm holds significance as both a historical marker and a visual autobiography, capturing a pivotal moment in the artist’s career while preserving the spirit of large-scale graffiti within a finely produced studio print.

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Gold Foil Patch Original Marker Drawing by Saber on Antiqued Raw Fine Art Paper Modern Street Pop Artwork. 2023 Signed Original Marker & Gold Foil Drawing Size 5x6  

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Lotus Gold Metallic Geometric 4-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 30 Artwork Size 18x20 Metallic Ink

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Element- 03 Limited Edition 2-Color Hand-Pulled Silkscreen Print on 110 lb printmaking paper by Erik Otto Graffiti Street Artist Modern Pop Art. 2-color screenprint 12x12in. (diamond orientation) 110 lb printmaking paper Signed edition of 50

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Revolution Is a Mother Who Eats Its Children Bone Tondo Silkscreen Print by Cleon Peterson on Hand Deckled Circle Cut 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 24x24 Circle Cut Silkscreen Print. Exploring the Circular Narrative: Cleon Peterson's 'Revolution Is a Mother' "Revolution Is a Mother Who Eats Its Children Bone Tondo," a silkscreen print by Cleon Peterson, encapsulates a poignant message through its unique circular format. The 2024 limited edition, with only 100 signed and numbered prints, dramatically portrays the revolution's cyclic and often self-destructive nature. This artwork, sized at 24x24 inches, is meticulously crafted on hand-deckled circle cut 290gsm Coventry Rag fine art paper, highlighting the contrast between the piece's delicate presentation and its powerful content. Symbolism in Cleon Peterson's Tondo The tondo, a round piece of art, has a rich history dating back to the Renaissance and is often used to symbolize perfection or the divine. Peterson's adaptation of this format into street pop art and graffiti artwork is an inventive means of capturing the perpetual motion of conflict and societal upheaval. The circular frame compels the viewer's eye to move continuously around the image, echoing the cyclical and repetitive nature of the struggles depicted within. While bearing the starkness of Peterson's characteristic black-and-white palette, the print gains a new dimension through its shape, emphasizing the never-ending cycle of revolution and its consequences. The figures within the tondo engage in acts of violence and dominance, with no clear beginning or end, a poignant metaphor for the often unending turmoil of societal change. The Cultural Resonance of Peterson's Work Cleon Peterson's work stands at the crossroads of cultural reflection and artistic expression. "Revolution Is a Mother Who Eats Its Children Bone Tondo" is an artistic creation and a commentary on the nature of social movements and the recurring patterns of history. Peterson confronts the viewer with the paradox of revolution: it is both necessary for evolution and destructive by nature. This tondo silkscreen print contributes to the ongoing dialogue about the role of street pop art in modern discourse. Much like the street artists and graffiti artists before him, Peterson utilizes public forms of expression to comment on private pains and societal dilemmas. The limited edition nature of this work, along with the artist's renown, ensures that this piece will hold its place in contemporary art conversation for years to come. Cleon Peterson's "Revolution Is a Mother Who Eats Its Children Bone Tondo" is a compelling portrayal of the perpetual nature of social upheaval. It serves as a stark reminder of revolution's transformative yet often destructive power. This limited edition silkscreen print encapsulates the essence of street pop art and graffiti artwork, melding historical, artistic formats with contemporary themes to provoke thought, encourage reflection, and challenge the viewer's perspective on the cycles of change.

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Zapata- Teal 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Zapata (Teal) 2020. 18 x 24 inches. Screen print on thick cream Speckletone paper. Signed by Shepard Fairey.

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Love To Watch You Grow 4-Color Hand-Pulled Limited Edition Silkscreen Print on 250gsm Coventry Rag Fine Art Paper by Efdot x Jessie Mordine Young Street Art. 2022 Signed & Numbered Hand Deckled Limited Edition of 40 Artwork Size 18x24 Collaboration screen print by Efdot and Jessie Mordine Young. Originally painted as a street art mural at 96 Knickerbocker Ave in Bushwick, Brooklyn. Edition of 40, signed & numbered fine art screen prints on Coventry Rag 250 gsm with 4 colors (cerulean blue, sky blue, light teal & translucent pink). The bold overlapping colors and shapes produce unique imperfections on each print.

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Shutov Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Sam Chivers. 24x24 Giclée print on Hahnemuhle fine art paper. Edition of 100

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Revolution Is a Mother Who Eats Its Children Black Tondo Silkscreen Print by Cleon Peterson on Hand Deckled Circle Cut 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 24x24 Circle Cut Silkscreen Print. Cleon Peterson's Tondo: A Visceral Exploration of Revolution Cleon Peterson's "Revolution Is a Mother Who Eats Its Children Black Tondo" captures the essence of revolution — its transformative fury and cannibalistic backlash. This 2024 limited edition silkscreen print is a stark embodiment of the cyclic violence inherent in societal upheaval. With his signature high-contrast aesthetic, Peterson compels contemplation of the tumult that accompanies systemic change. Artistic Merits of Peterson's Black Tondo Limited to a series of 100, each piece is meticulously signed and numbered, accentuating the exclusivity of this thought-provoking artwork. The tondo — a circular artwork — measures 24x24 inches, a format that historically suggests wholeness and infinity but represents the never-ending loop of revolutionary fervor in Peterson's hands. The hand-deckled edges of the circle cut 290gsm Coventry Rag fine art paper enhance the tactile quality of the piece, adding to its visceral impact. The choice of the circle is deliberate, disrupting the traditional rectangular canvas to create a more immersive and contemplative experience. This shape allows the violence within to spill out in all directions, mirroring the all-consuming nature of the theme. Peterson's work does not simply hang on a wall; it confronts and envelops the viewer in its narrative. Cultural Commentary through Peterson's Silkscreen In "Revolution Is a Mother Who Eats Its Children Black Tondo," Peterson lays bare the paradoxes of revolt. His use of black — associated with the unknown and often with death — serves as a void into which the figures emerge and are consumed. The artwork is an allegory of the cyclical nature of history, where each act of uprising carries the seeds of its destruction within it. The stark black-and-white hues strip the scene of any romanticism, exposing the raw power struggle. It speaks to the heart of street pop art and graffiti artwork, which often deal in objective truths and lay claim to public spaces as forums for dialogue. Peterson's work takes this further, encapsulating the raw, uncensored voice of the street in a fine art context. The "Revolution Is a Mother Who Eats Its Children Black Tondo" is a poignant reminder of the perpetual dance between order and chaos. It is a piece that encapsulates the essence of Cleon Peterson's approach to street pop art, rendering visible the often uncomfortable realities that underpin human societies. Through his work, Peterson challenges the viewer, compelling a deeper engagement with the undercurrents of cultural and political change.

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