The End of the End- Mini HPM Stencil Print by Denial- Daniel Bombardier

Artwork Description

Purchase The End of the End- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial graffiti street artist modern pop art.

2020 Signed & Numbered HPM Limited Edition of 20 Artwork Size 24x36

"My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial

In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

Artwork form

$1,300.00

  • Artwork: The End of the End- Mini HPM Stencil Print by Denial- Daniel Bombardier
  • Denial- Daniel Bombardier
  • Size: 11x15
  • Year: 2020
  • Edition of: 20
  • HPM
  • Spray Paint, Stencil, Mixed Media on Wood
  • Wood Cradled
  • Signed:
  • Colors: Black, Yellow, Orange, Pink

Artwork Description

Purchase The End of the End- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial graffiti street artist modern pop art.

2020 Signed & Numbered HPM Limited Edition of 20 Artwork Size 24x36

"My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial

In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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