Artwork Description
I'm Hungry Silkscreen Print by Ravi Amar Zupa Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork.
2025 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print
Ravi Zupa I’m Hungry Silkscreen Print
The I’m Hungry silkscreen print by Ravi Zupa presents a meticulously illustrated narrative scene that draws from medieval engraving traditions while asserting a contemporary Street Pop Art & Graffiti Artwork sensibility. The composition centers on an armored raccoon mounted on a long-legged hound, positioned above a fortified town rendered in precise architectural detail. The banner reading I’m Hungry functions as a declarative statement rather than a joke, reinforcing themes of desire, survival, and moral appetite that run throughout Zupa’s body of work. The limited color palette and disciplined line work emphasize craftsmanship and restraint, allowing symbolism and narrative structure to carry the visual weight. This approach reflects Zupa’s consistent interest in merging historical visual languages with modern cultural commentary.
Symbolism, Allegory, and Narrative Structure
Ravi Zupa frequently employs animals, armor, banners, and architectural settings as tools for allegory, and this work is no exception. The raccoon, an animal often associated with scavenging and adaptability, is elevated to the role of a knight, suggesting ambition, hunger for status, or pursuit of purpose within structured systems of power. The towering hound functions as both companion and instrument, reinforcing hierarchy and movement through the landscape below. The surrounding cityscape evokes medieval Europe, grounding the scene in a historical visual context that emphasizes continuity between past and present struggles. Within Street Pop Art & Graffiti Artwork, this kind of layered storytelling challenges the expectation of immediacy, asking viewers to engage slowly and interpret meaning through symbols rather than spectacle.
Ravi Zupa Background and Artistic Practice
Ravi Zupa was born in 1974 in the United States and is currently living and actively producing work. He is known for his dedication to traditional printmaking techniques, particularly relief printing and silkscreen processes, which he approaches with the precision of historical artisanship. Zupa’s work often explores themes of morality, power, labor, consumption, would-be heroes, and societal structure, filtered through dark humor and allegorical imagery. His position within Street Pop Art & Graffiti Artwork is defined by his refusal to separate street culture from fine craftsmanship, instead demonstrating that conceptual rigor and technical discipline can coexist with accessibility and subcultural influence.
Printmaking Process and Collector Significance
This hand-pulled silkscreen print reflects a deep respect for physical process and material integrity. Each layer of ink is intentionally applied, reinforcing the tactile quality of the image and the importance of repetition, labor, and precision. The signed and numbered limited edition of 100 underscores the work’s collectible nature while maintaining its connection to traditional print culture rather than mass reproduction. The scale of the piece allows viewers to appreciate both the overall narrative and the fine details embedded throughout the composition. As a piece of Street Pop Art & Graffiti Artwork, I’m Hungry operates as a contemporary allegory rooted in historical form, offering cultural, visual, and conceptual depth that resonates with collectors who value storytelling, symbolism, and craftsmanship.
