The Empresses- H10-4 Suiko Aluminum Giclee by Damien Hirst

Artwork Description

The Empresses- H10-4 Suiko Pop Street Artwork Limited Edition Giclee & Giltter Screenprint Print on Aluminum Sheet by Urban Graffiti Modern Artist Damien Hirst.

2022 Signed & Numbered In Verso on Label Limited Edition of 3310 Artwork Size 39.37x39.37 Giclee & Giltter Screenprint Print on Aluminum Sheet

Empress Suiko's Legacy Through Damien Hirst's Vision

Suiko, a captivating composition, embodies the essence of life in numerous ways and is named after Japan's first documented empress. Although folklore suggests that several women had ruled before Empress Suiko (554-628 CE), her ascension to power following the assassination of her brother Sushun in 592 CE challenged the tradition of male rulership. Suiko is recognized for the Chinese and Korean influences she introduced to Japan, such as the adoption of the Chinese calendar, the arrival of Chinese and Korean artisans, and, most notably, the establishment of Buddhism. In the artwork, variously sized paired wings radiate from the center, forming a symmetrical, concentric circle that mirrors Buddhist symbolism and life cycle. This circular pattern is strikingly accentuated by shimmering diagonal red lines that extend from the center to each corner. Set against a red backdrop, these lines intersect the pairs of detached wings, seemingly passing through where the bodies once resided. As with every piece in this series, Suiko presents a continuous metamorphosis, with the butterflies appearing to move and evolve the longer one observes the work. While the details are best appreciated up close, the composition assumes a new vitality from a distance. From this perspective, Suiko unveils a swelling configuration of wings, organized around the central concentric circles and enhanced by additional external wing arrangements. This composition resembles biological or molecular structures reminiscent of the living organisms it portrays.

'The Empresses - H10-4 Suiko' is a profound piece of street pop art by Damien Hirst, a renowned British artist whose works often delve into themes of life, death, and beyond. This artwork is a giclee and glitter screenprint on an aluminum sheet, encapsulating the historical significance and spiritual depth of Empress Suiko, Japan's first documented empress. The piece, signed and numbered by Hirst, embodies Empress Suiko's transformative impact on Japanese society by integrating Chinese and Korean cultural elements and establishing Buddhism as a foundational spiritual practice.

Spiritual Symbolism in 'The Empresses - H10-4 Suiko'

The artwork mesmerizes with concentric circles of butterfly wings, evoking Buddhist symbolism and the concept of life's cyclical nature. Each pair of precisely placed wings creates a sense of harmony and balance, reflecting the orderly universe Suiko sought to establish through her reforms. The shimmering diagonal lines traversing the composition echo the Buddhist paths of enlightenment, leading from the tumultuous human experience to the serenity of Nirvana. Hirst uses these lines to draw connections between the spiritual journey and the temporal power wielded by Empress Suiko, who navigated the intricacies of court politics with a vision of peace and progress. Set against a vibrant red backdrop, the wings' arrangement transcends mere aesthetic appeal, inviting contemplation of life's transient beauty and the spirit's enduring nature. This duality aligns with the principles of Buddhism, which Suiko championed. This faith acknowledges the fleeting beauty of the physical world while urging the pursuit of more profound, lasting truths.

A Metamorphosis of Art and History

Observing 'The Empresses - H10-4 Suiko', one experiences a metamorphosis that mirrors the transformative era of Suiko's reign. The continuous evolution of the artwork, where butterflies symbolize change and rebirth, speaks to the empress's role in reshaping Japan's cultural and religious landscape. From a distance, the composition pulses with life, the concentric circles expanding outward, reminiscent of Suiko's policies' rippling effect across her empire and through time. The biological and molecular resemblances in the arrangement of the wings suggest the interconnectedness of all living things, a concept at the heart of Buddhist teaching. Hirst's masterful integration of historical narrative with contemporary art challenges the viewer to consider how the past informs the present and how figures like Empress Suiko continue to influence modern thought and art. In 'The Empresses - H10-4 Suiko', Damien Hirst offers more than just a visual spectacle; he presents a philosophical inquiry wrapped in street pop art and graffiti artwork. This piece is a testament to Hirst's ability to weave together the threads of history, spirituality, and contemporary art into a tapestry that captures the imagination and prompts introspection. Empress Suiko's legacy, as interpreted through Hirst's artistic vision, becomes a bridge connecting the ancient to the modern, the spiritual to the secular, and the individual to the universal.
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$7,146.00

    The Empresses- H10-4 Suiko Pop Street Artwork Limited Edition Giclee & Giltter Screenprint Print on Aluminum Sheet by Urban Graffiti... Read more

    • The Empresses- H10-4 Suiko Aluminum Giclee by Damien Hirst
    • Year: 2022
    • Size: 39.37x39.37
    • Artist: Damien Hirst
    • Edition of: 3310
    • 1-Color Silkscreen, Giclee on Metal, Aluminum Sheet
      • Not Framed
      • Signed: Yes
      • Colors: Black, Red

      Artwork Description

      The Empresses- H10-4 Suiko Pop Street Artwork Limited Edition Giclee & Giltter Screenprint Print on Aluminum Sheet by Urban Graffiti Modern Artist Damien Hirst.

      2022 Signed & Numbered In Verso on Label Limited Edition of 3310 Artwork Size 39.37x39.37 Giclee & Giltter Screenprint Print on Aluminum Sheet

      Empress Suiko's Legacy Through Damien Hirst's Vision

      Suiko, a captivating composition, embodies the essence of life in numerous ways and is named after Japan's first documented empress. Although folklore suggests that several women had ruled before Empress Suiko (554-628 CE), her ascension to power following the assassination of her brother Sushun in 592 CE challenged the tradition of male rulership. Suiko is recognized for the Chinese and Korean influences she introduced to Japan, such as the adoption of the Chinese calendar, the arrival of Chinese and Korean artisans, and, most notably, the establishment of Buddhism. In the artwork, variously sized paired wings radiate from the center, forming a symmetrical, concentric circle that mirrors Buddhist symbolism and life cycle. This circular pattern is strikingly accentuated by shimmering diagonal red lines that extend from the center to each corner. Set against a red backdrop, these lines intersect the pairs of detached wings, seemingly passing through where the bodies once resided. As with every piece in this series, Suiko presents a continuous metamorphosis, with the butterflies appearing to move and evolve the longer one observes the work. While the details are best appreciated up close, the composition assumes a new vitality from a distance. From this perspective, Suiko unveils a swelling configuration of wings, organized around the central concentric circles and enhanced by additional external wing arrangements. This composition resembles biological or molecular structures reminiscent of the living organisms it portrays.

      'The Empresses - H10-4 Suiko' is a profound piece of street pop art by Damien Hirst, a renowned British artist whose works often delve into themes of life, death, and beyond. This artwork is a giclee and glitter screenprint on an aluminum sheet, encapsulating the historical significance and spiritual depth of Empress Suiko, Japan's first documented empress. The piece, signed and numbered by Hirst, embodies Empress Suiko's transformative impact on Japanese society by integrating Chinese and Korean cultural elements and establishing Buddhism as a foundational spiritual practice.

      Spiritual Symbolism in 'The Empresses - H10-4 Suiko'

      The artwork mesmerizes with concentric circles of butterfly wings, evoking Buddhist symbolism and the concept of life's cyclical nature. Each pair of precisely placed wings creates a sense of harmony and balance, reflecting the orderly universe Suiko sought to establish through her reforms. The shimmering diagonal lines traversing the composition echo the Buddhist paths of enlightenment, leading from the tumultuous human experience to the serenity of Nirvana. Hirst uses these lines to draw connections between the spiritual journey and the temporal power wielded by Empress Suiko, who navigated the intricacies of court politics with a vision of peace and progress. Set against a vibrant red backdrop, the wings' arrangement transcends mere aesthetic appeal, inviting contemplation of life's transient beauty and the spirit's enduring nature. This duality aligns with the principles of Buddhism, which Suiko championed. This faith acknowledges the fleeting beauty of the physical world while urging the pursuit of more profound, lasting truths.

      A Metamorphosis of Art and History

      Observing 'The Empresses - H10-4 Suiko', one experiences a metamorphosis that mirrors the transformative era of Suiko's reign. The continuous evolution of the artwork, where butterflies symbolize change and rebirth, speaks to the empress's role in reshaping Japan's cultural and religious landscape. From a distance, the composition pulses with life, the concentric circles expanding outward, reminiscent of Suiko's policies' rippling effect across her empire and through time. The biological and molecular resemblances in the arrangement of the wings suggest the interconnectedness of all living things, a concept at the heart of Buddhist teaching. Hirst's masterful integration of historical narrative with contemporary art challenges the viewer to consider how the past informs the present and how figures like Empress Suiko continue to influence modern thought and art. In 'The Empresses - H10-4 Suiko', Damien Hirst offers more than just a visual spectacle; he presents a philosophical inquiry wrapped in street pop art and graffiti artwork. This piece is a testament to Hirst's ability to weave together the threads of history, spirituality, and contemporary art into a tapestry that captures the imagination and prompts introspection. Empress Suiko's legacy, as interpreted through Hirst's artistic vision, becomes a bridge connecting the ancient to the modern, the spiritual to the secular, and the individual to the universal.

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