High Score Blotter Paper Archival Print by Denial- Daniel Bombardier

Artwork Description

Purchase High Score Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Denial pop culture LSD artwork.

2020 Signed Limited Edition of 50 Artwork Size 7.5x7.5

 In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Intended as a conceptual means of marketing absurdism, DENIAL also challenges traditional notions of graffiti and public art through his bold and often satirical visual subversions.

In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

Artwork form

$490.00

  • Artwork: High Score Blotter Paper Archival Print by Denial- Daniel Bombardier
  • Denial- Daniel Bombardier
  • Size: 7.5x7.5
  • Year: 2020
  • Edition of: 50
    • Archival Pigment Print on Blotter Paper, Perforated Blotter Paper
    • Not Framed
    • Signed:
    • Colors: Green, Blue, Rainbow, Yellow

    Artwork Description

    Purchase High Score Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Denial pop culture LSD artwork.

    2020 Signed Limited Edition of 50 Artwork Size 7.5x7.5

     In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Intended as a conceptual means of marketing absurdism, DENIAL also challenges traditional notions of graffiti and public art through his bold and often satirical visual subversions.

    In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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