On the Shady Side of the Street- White Silkscreen Print by Cleon Peterson

Artwork Description

On the Shady Side of the Street- White 1-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist.

Limited edition of 125 Hand-pulled 14 x 20.5” black on White screenprint on 290gsm Coventry Rag Paper with deckled edges. Signed and numbered.

The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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$660.00

    On the Shady Side of the Street- White 1-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by... Read more

    • On the Shady Side of the Street- White Silkscreen Print by Cleon Peterson
    • Year: 2021
    • Size: 14x20.5
    • Artist: Cleon Peterson
    • Edition of: 125
    • 2-Color Silkscreen on 290gsm Coventry Rag Paper
      • Not Framed
      • Signed: Yes
      • Colors: Black, White

      Artwork Description

      On the Shady Side of the Street- White 1-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist.

      Limited edition of 125 Hand-pulled 14 x 20.5” black on White screenprint on 290gsm Coventry Rag Paper with deckled edges. Signed and numbered.

      The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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